999 resultados para Semiótica narrativa e discursiva


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The main objective of this survey is describing signly the metaphor learning resource, with focus on biology education. Our teorical reference is the peircean semiotics, because it means solid heritage to code surveys implicated at science education, it led us to do an explanation about the main lines about that reference, addressed to researchers and lecturers interested in those reasonings. In the description yearned, another objectives appear: demonstrate diferences between metaphor/analogy and pragmatic analogy; to list metaphors, from cell representation analysis, and argue about principals diferences and probable cognitive consequences between the metaphor event in the visual representation and speech sentences. Therefore we analysed the animal cell of a high school first grade studying book – biology – cell biology – used by São Paulo and another state students. The findings demonstrate the undeniable importance of the metaphor as a learning tool in the biology education, and new findings about that, such as its limits in the concept elaboration, gnosiologic consequences for receptioning, the search needs for propositions– pictures between concept relations – in the science speech construction, and other results.

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Procura-se nesse trabalho expor as considerações levantadas sobre a modularidade e a temporalidade do filme Pulp Fiction (1994), de Quentin Tarantino, enquadrada por Simons (2008) nas categorias de narrativa audiovisual complexa denominadas modular narratives e database narratives. Com Ricoeur (1983), discutiu-se a sua organização temporal a partir do conceito de tríplice presente em Santo Agostinho, enquanto com Propp (1970) e Cameron (2008) o cará- ter modular dessa narrativa.

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Cultural events are changing significantly since the arrival of Web 2.0, where the company now has the ability to interact with the content available on the Internet, and also produce their own channels of media content. Among the existing manifestations, stands out by a bias folk-communicational, content production Comics, which consists in the narrative reconstruction of existing audiovisual products, making the author of the new work in an agent folkcommunicational. This article presents new perspectives on the issue, proposing a new reading of the mediations folk-communicational from transmedia storytelling.

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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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The study investigates the constitution of the informational message in production processes in interactive media and television, from situations in which contents are conveyed performed by the audience. The work shows that the declared strategies employed by listeners and viewers actualize itself in a series of controls and discursive constraints resulting from the dynamics in the means of production and the relationship established between broadcaster/program and its audience. Moreover, it is clear that, despite attempts to produce an effect independent of viewer and listener regarding your participation and opinion, there is a direction and a restriction on the possibilities of expression rather than technical, operational, are of discursive order.

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The study investigated the use of an artistic work as mediator to trigger and sustain discursive participation of high school students in the classroom. Since the discursive dimension is an essential factor in constructivist teaching orientation, the general idea behind the work seeks to make use of the aesthetic function of signs to enhance the participation of learners discourse. With this goal in mind, the artistic sign painting Water Fall of the artist Maurits Cornelis Escher is employed for teaching physics concept of conservation of mechanical energy. The study compares two methods of a teacher who tries to promote students interactivity discursive. One methodology is guided only by formulating questions and other uses also an artistic sign along with the questions. The work shows that the teacher gets more successfully discursive participation of their students using the second methodology.

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Assuming that testimony in photojournalism must be understood as a historical and performative act, the aim of this article is to discuss how the testimonial function of journalistic photography was constantly re-signified in Brazilian news magazines during the twentieth century. This redefinition has a relation with the different ways in which testimonial function was hinged to news report (in its broadest elements) and how this imperative appeared on its discursive form in writing narrative. As trustee of a narrative intended to be realistic, photojournalism articulates, from techniques and codes of narration, a series of referential and informational strategies. These strategies, however, have changed over time, based on different modes of narration by image and its accreditation in reality.

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The repetition should be understood as the property of mass cultural products, originated from the need to minimize the dispersion of the audience in their enjoyment. Based on this assumption, this paper measures the rate of iteration manifested in the scripts of the following serial fictions: Duas Caras, A Grande Família and House of Cards. Established itself as a method of scene analysis proposed by McKee (2008), questioned whether the lack of classical education of the public and rescued the forms assumed by repeating the melodrama, romance-serial and dramaturgy: asides, monologues, confidences and planar scenes. The proposal was applied in two scripts for each of the aforementioned productions. Considering the data collected, it appears that there was reduction in repeat products offered on demand thanks to the possibility of handling the flow and the attention given receptor.

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Pós-graduação em Televisão Digital: Informação e Conhecimento - FAAC

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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A neuróbica é um conjunto de atividades que necessitam mobilizar extensas áreas do córtex cerebral para serem realizadas. Esta mobilização neuronal acarreta a formação de estímulos que fazem com que células especiais do tecido nervoso produzam neurotrofinas. Estas neurotrofinas agem sobre os neurônios fazendo com que seus prolongamentos cresçam para procurar novos contatos sinápticos o que em, última análise, da maior longevidade não só para este neurônio, mas para o neurônio que foi incluído no circuito pela nova sinapse realizada. Por isso trata-se de uma verdadeira ginastica para o cérebro. Acreditando que a leitura de textos criativos e com narrativa cheia de detalhes e cenas inusitadas e espetaculares são textos que podem ser usados para este fim, nos propusemos a analisar a obra Reinações de Narizinho de Monteiro Lobato neste contexto. Assim, o objetivo deste trabalho é Identificar se a leitura do texto da obra de Monteiro Lobato Reinações de Narizinho, pode fornecer elementos que desencadeiam a mobilização das mais diferentes áreas do córtex cerebral fazendo com que possa ser considerada uma leitura neuróbica. Para tal, realizamos um levantamento bibliográfico sobre a temática da neuróbica na tentativa de identificar a prática desta atividade na leitura de textos que estimulam a imaginação e cognição. A conclusão deste trabalho é que a atividade de leitura é um imenso campo para a prática da neuróbica, e que aqueles textos que permitem o aguçar dos sentidos e emoções como é o exemplo de Reinações de Narizinho de Monteiro Lobato, podem ser utilizados como meio para a prática do exercício neuronal, pois estimulam amplamente a utilização de áreas corticais e circuitos neuronais localizados em diversas regiões cerebrais, dentre elas, a área da visão, sistema límbico, região do giro angular e supramarginal (áreas 39 e 40 de Brodmann, consideradas como integrantes...

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Linguística e Língua Portuguesa - FCLAR