627 resultados para IDEALS
Resumo:
In the first decades of 20th century the just instituted Brazilian Republic faced the challenge to modernize the country. Considering that the progress was associated with the exhaustion of the forest reserves and with climatic changes, two big issues were seen as fundamental: To Fight the Droughts and To Defend the Forests; headed by professionals who were dedicated to these ideals. This research starts from the premise that these were the main challenges enforced by nature to the Brazilian development; the general objective was delimited in the search to understand the meaning and the conception of the natural world by this group of professionals who faced the shock between modernizing the country and conserving its natural resources. Aiming to contribute with the construction of the Brazilian environmental history and to bring historical elements to the debate about the environment in the country, the author concentrates his attention to the analyses, the discussions and the actions that preceded the regulation on the use of natural resources and the implementation of the environmental legislation in Brazil, occurred in 1934. The investigation uses as methodological basis the theoretical directions of environmental history, using sources of data still little explored and valued. In such way, it is taken as starting point some published papers about this subject during the period between 1889 and 1934 in two technical magazines the Revista Brazil Ferro-Carril and the Revista do Club de Engenharia. National engineering played a basic role in this process while arguing, projecting and constructing the development. The formulated proposals, after being divulged, had fomented the interchange with other professionals and had favored the advance of ambient questions in Brazil, in the sense to preserve natural resources, to construct more harmonic relations between the society and the nature and to equate the development with the environment preservation
Resumo:
Dissertação para obtenção do grau de Mestre em Arquitetura com Especialização em Urbanismo, apresentada na Universidade de Lisboa - Faculdade de Arquitetura.
Resumo:
Dissertação (mestrado)—Universidade de Brasília, Faculdade de Educação, Programa de Pós-Graduação em Educação, 2016.
Resumo:
L’imaginaire social français est aujourd’hui dominé par une peur lancinante. Au début du XXIe siècle, les angoisses démographiques et culturelles entretenues par une partie des intellectuels trouvent de nouvelles assises dans la popularisation de la fantasmatique du « grand remplacement », un scénario conspirationniste qui annonce un changement de population sur le territoire français où une civilisation orientale prend peu à peu la place des « idéaux occidentaux ». La littérature a la particularité de mettre en récit des représentations et des débats précis qui circulent dans l’imaginaire social. Cette étude évalue le travail d’invention spécifique à la littérature produit dans trois romans – L’Épuisant désir de ces choses de Renaud Camus, Petit frère d’Éric Zemmour et Soumission de Michel Houellebecq – qui créent, modifient et reconfigurent cette fantasmatique. Ces textes décrivent et anticipent la fin de la Ve République telle qu’elle est aujourd’hui connue, mais de façons différentes. Pour des raisons ethniques, civiques ou métaphysiques, ils laissent entendre que désormais « la France, c’est les autres! ».
Resumo:
The role played by the Big Three credit rating agencies (Standard & Poor’s, Moody’s, and Fitch) in the creation of the recent Financial Crisis has been well documented, as too has their conduct in the aftermath of the Crisis where they contributed to the prolonging of the effects of the systemic breakdown. Also, with a string of record fines and cease-and-desist orders in the wake of the Crisis lending weight to the notion that the Big Three have no plans of performing any more ethically, there are a number of organisations that are endeavouring to provide a better alternative to the stranglehold of the Big Three. In the first instalment of the Viability of a Response series we were introduced to the International Non-Profit Credit Rating Agency who, through the amalgamation of forward-looking and non-profit ideals, intends to inject some much needed ethical consideration into the process of providing ratings that are crucial to the marketplace . In this edition of the series, we will be introduced to the Universal Credit Rating Group (UCRG) which is an alliance between Dagong Global Ratings, RusRating, and Egan-Jones Rating Company. We will start by learning more about this alliance that is due to come into effect in the next few years, and then the article will examine the reality of the situation to come to a conclusion on what the Group’s chances of success may be.
Resumo:
L’imaginaire social français est aujourd’hui dominé par une peur lancinante. Au début du XXIe siècle, les angoisses démographiques et culturelles entretenues par une partie des intellectuels trouvent de nouvelles assises dans la popularisation de la fantasmatique du « grand remplacement », un scénario conspirationniste qui annonce un changement de population sur le territoire français où une civilisation orientale prend peu à peu la place des « idéaux occidentaux ». La littérature a la particularité de mettre en récit des représentations et des débats précis qui circulent dans l’imaginaire social. Cette étude évalue le travail d’invention spécifique à la littérature produit dans trois romans – L’Épuisant désir de ces choses de Renaud Camus, Petit frère d’Éric Zemmour et Soumission de Michel Houellebecq – qui créent, modifient et reconfigurent cette fantasmatique. Ces textes décrivent et anticipent la fin de la Ve République telle qu’elle est aujourd’hui connue, mais de façons différentes. Pour des raisons ethniques, civiques ou métaphysiques, ils laissent entendre que désormais « la France, c’est les autres! ».
Resumo:
Dissertação de Mestrado apresentada no Instituto Superior de Psicologia Aplicada para obtenção do Grau de Mestre na especialidade de Psicologia Educacional
Resumo:
This article explores the ways in which gender was used in order to transform an exiled and uneducated illegitimate child into a prince. Our study revolves around a member of the royal family, Afonso (c.1480–1504), who was brought up in hiding by peasants and who later, as a teenager, was reincorporated into the court. We argue that the keys to this process of rehabilitation were, on one hand, family politics centred around different configurations and on the other, his introduction into a court environment marked by the ideals of chivalry. Within this dynamic, material culture played a key role, because it gave the prince all the visual attributes of his new status, as well as allowing him the means to create a new self. We shall briefly introduce Afonso and his family context in order to give an insight into his life within changing political and dynastic contexts. Then, we will analyse the expression of manhood in the Portuguese court, using the spectacles at the court as a basis for observation, thus relating gender to material culture in a courtly environment.
Resumo:
The headquarters and park of the Calouste Gulbenkian Foundation in Lisbon represent the first modern Portuguese environment with an outstanding relation between exterior and interior as a spatial continuum . As such, the project refused the more common conceptual attitude of interior plus exterior. This unitary view revealed a clear understanding of the proposed site for the project and what could have been Calouste Sarkis Gulbenkian (1869-1955) expectations, while concretizing Modern Movement ideals regarding landscape architecture and architecture. Through its design the park mediates the relation between the buildings’ super-structures, the urban context, and the human scale, while generating a unifying system established by the complicity between natural and synthetic materials. From the first moment of the project’s design process, this complicity resulted in a set of strategies that met programmatic
Resumo:
Drawing on ethnographic data collected in Italian courts and prosecution offices, this dissertation offers new perspectives on legal decision-making by highlighting the importance of emotions for constructing and evaluating legal narratives. Focusing on criminal cases, it describes and dissects how judges and prosecutors use emotions in reflection and action tied to lay narratives and legal constraints. The analysis shows that legal professionals engage in different types of emotional dynamics when dealing with stories; first, they develop gut feelings, which are either endorsed or kept at distance by means of emotional reflexivity, to comply with legal ideals of objectivity and impartiality. Second, empathy emerges as a crucial tool to direct the interaction with lay people and to interpret legal prerequisites, such as credibility, and intent. Finally, the dissertation shows that lay stories lead legal professionals to become passionate and committed towards the correct application of the law, the restoration of the moral order, and the achievement of justice. In light of the empirical findings, this thesis strives to develop a theoretical understanding of legal decision-making as narrative work that includes emotional dynamics consistent with rational, objective action.
Resumo:
Il soft power di uno Stato è l’immagine che questo dà di sé agli altri, ed è naturalmente riempito di suoi ideali e valori, della sua lingua e delle sue conoscenze. La cultura, nella sua più ampia declinazione, in tal senso si rivela uno strumento diplomatico rilevante nella politica estera dello Stato. Questa può affermarne la presenza, preservarne l’identità, sviluppare forme di solidarietà, favorire obiettivi politici attraverso l’influenza del pubblico internazionale. La diplomazia culturale italiana negli anni di guerra fredda si è rappresentata come “strada operativa” particolare nel più ampio ventaglio di scelte di politica estera del nostro paese, a volte precorrendo le mire e gli obiettivi della diplomazia cosiddetta “tradizionale”. La cultura ha offerto all’Italia una prospettiva aggiuntiva nei termini del dialogo internazionale, ponendosi come canale privilegiato di relazioni difficilmente concertabili altrimenti nel corso della seconda metà del Novecento, segnata dal conflitto bipolare. Nella sua tensione verso la pace e la stabilità, con il suo costante richiamo ai diritti ed ai valori della democrazia, la diplomazia culturale italiana ha potuto inoltre vantare un contributo non secondario nella transizione dalle dinamiche internazionali segnate dalla guerra fredda alla determinazione delle relazioni internazionali propriamente post-bipolari.