Recontando o recontado

There are some titles that, under a stealthy look, cause unrest and stir with our imagination. The text by Ana Maria Machado - Point to point - and the topic of a meeting at the University of Brasilia - READ: reading, teaching and reception - intertextualized in the act of reading are sufficiently provocative. Then, from them can emerge a form of ripping, as with a scalpel in a sheet of blank paper and drawing with the word. In this way of thinking, we may write our text, beginning by quoting an essay of Glawinski (1977), in which the author says that literary criticism has only recently become interested in reading, either as an object of reflection, or as a descriptive tool.

A utilização da tecnologia nas artes, design e engenharia, como ferramenta de vanguarda e sustentabilidade

Art can be understood as a process in which knowledge is used to perform certain skills. From Latin ARS, technical means and / or ability, in Greece, there was the word art, but "Tekne", which originated from the word "technical." So art and technique are present in sculptures, paintings, shoes or ships. In this sense, designers, engineers and all professionals who use technology can be called artists. Considerations must be made regarding the level of energy embedded in the material from its production until its use, even considering recycling, sustainability and life cycle of materials. This study aimed to present the use of scanning technology and 3D virtual modeling and its application in prototyping with CNC (Computed Numerical Control) as a tool in current use cutting-edge courses in arts, design and engineering and their relations with sustainability.

Um olhar epistemológico sobre o vocábulo ambiente: algumas contribuições para pensarmos a ecologia e a educação ambiental

After the presentation of semantic and etymological considerations given to the word environment, this paper discusses how this term was appropriated and re-signified in different historical moments. Based on previous studies, it is noted that there were two appropriations of the word environment: one whose origin was in the Natural Sciences and one that would be related to the Human Sciences. At the end is argued that such appropriations can be found today, respectively, in Ecology and Environmental Education

Origami e kirigami: arte e cultura como recurso lúdico e educativo

We can know a people through their cultural and artistic assets. One of the many aspects of Japanese culture is origami, a fusion of the verb “oru”, which means folding, with the word “kami” meaning paper. In this communication, we describe the course “Origami and Kirigami: art and culture as a recreational and educational resource”. The course aimed to present these two oriental techniques based on paper and its potential as a source of entertainment and education, at the same time seeking to introduce cultural aspects of these arts of folding and/or cutting paper. This practice is more common than we realize, and is present in our day-to-day life when we perform actions such as folding clothes and papers, and making packages, amongst others. However, few are aware of the benefits that this folding brings to the fields of Arts, Mathematics, and Science, besides its recreational characteristics. Kirigami is a mixed technique that in addition to using folds in the paper (as in origami) also uses cuts (“kiru” – meaning, “cut”). It can be performed with heavier paper than origami, and by introducing some cuts, the paper can be folded to form the desired shape. It is a simple technique, with impressive results. We conducted eight weekly meetings, each lasting four hours, totaling 32 hours of coursework. In addition to the classes, a visit was made to the Okinawa Club in Bauru (São Paulo), where it was possible for the students of the course and the elderly group (fujinkai) of origamists of the club to exchange experiences. Finally, an exhibition was organized to display the artifacts produced by the course participants and disseminate the work of the students.

Cinquenta anos do Mini Cooper: uma viagem pelo tempo por meio da Ilustração

The use of images as a mean of human knowledge transmission dates from the earliest records of visual communication with the cave paintings. Throughout history, the communicating function remained and was extended for a variety of approaches, including illustration, which plays an important role by transmitting a content to be communicated on a creative and unique way. The advertising area relies largely on the communicative power of illustration, using it as a visual aid on different ways and medias. The advertising pieces aimed at the automotive sector – especially those developed by BMW for the Mini Cooper model – broadly employs illustrations to spread the word about the product and its attributes, seeking to communicate it using an original way. With a qualitative approach to the case study, this article analyzes the illustrations produced by the South African design studio Am I Collective as part of a video prepared by South African advertising agency Blackriver FC as a celebration campaign for the fifty years of vehicle Mini Cooper, celebrated on 2009, and it aims to identify the illustrations visuals and compositions used in the construction of the covered temporal panorama.

Padronagem visual e cultural japonesa: cerâmica e kimono

Pós-graduação em Artes - IA

Identificação de contrastes vocálicos do Português Brasileiro

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Transposições ortográficas e estrutura da sílaba na escrita infantil

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Pedagogia histórico-crítica e alfabetização: elementos para uma perspectiva histórico-crítica do ensino da leitura e da escrita

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O atraso na retroalimentação auditiva e seus efeitos nas disfluências típicas da gagueira

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Um pássaro invocou mudamente o abismo: tensão entre as categorias positivas e negativas na poética de Orides Fontela

Pós-graduação em Letras - IBILCE

Inesgotável fonte de magia: o poder encantatório da palavra em um conjuro anglo-saxônico

This work aims to analyze the Wið Færstice, a charm from the anglo-saxon literature, translated as Charm for a sudden Stich. Inside of the imaginarium in this context, the refered pain is assigned to a dart shooted by an elf, witch or pagan god. This charm is included in the anglo-saxon medicine manuscripts andwas wrtitten in form of poetry, presenting characteristics of the poetic work, presenting aspects of the poetic do that once considered historical, cultural and artistic issues concerning the people and the Anglo-Saxon culture, indicate a close relationship between poetry as a form of thought and knowledge and magic as a way of interpreting the world. At this respect we call here, for methodological purposes, incantatory power of the word. From the analysis of this referred enchantment, as well as of the elements in the text, is intended to demonstrate how articulates this incantatory power of words and how to give, within the Anglo-Saxon conception of the Sacred, the transformation of reality through the pronouncement of words

Suicídio de idosos e mídia: o que dizem as notícias?

Como a mídia aborda o suicídio de idosos? E o que as notícias sobre suicídio de idosos nos dizem? Estas foram as perguntas que guiaram esta reflexão, que se debruçou sobre matérias de suicídios de idosos publicadas na mídia nacional, entre abril de 2010 e abril de 2013. Observamos que a palavra “suicídio”, até pouco tempo atrás “aquela-que-não-deveria-ser-nomeada” na imprensa, aparece na maior parte das notícias, no título e nos textos, demonstrando que o suicídio, como problema de saúde pública, afasta-se do campo privado para ocupar e compor o espaço público. Constatamos que entre as principais situações de risco que levam os idosos a cometer um “gesto de comunicação” extremo estão os efeitos de uma política econômica recessiva e o prolongamento da vida sem dignidade, mediante o medo da dependência e do provável “trabalho” aos demais; situações que indicam serem essenciais o desenvolvimento e o fortalecimento das redes de suporte social.

Perigo, probabilidade e oportunidade: a linguagem dos riscos na mídia

Partindo do pressuposto que risco é um conceito central na sociedade contemporânea, este estudo teve por objetivo entender o papel da mídia na circulação e consolidação da linguagem dos riscos. Tendo por base estudos anteriores, optou-se por trabalhar com um único jornal, a Folha de S. Paulo, sendo adotados três procedimentos de pesquisa: 1) mapeamento da diversidade de termos utilizados para falar sobre a possibilidade de ocorrência de eventos concebidos como ocasião para ganho ou perda; 2) análise diacrônica de uma amostra representativa de matérias com a palavra risco no título (1921 e 1998); 3) análise do uso da linguagem de risco por área temática (CD-Rom Folha, 1994-1997). Os resultados sugerem que o uso da linguagem dos riscos na mídia é recente e diversificado, apoiando-se ora na linguagem formal do cálculo de risco, ora no uso metafórico do termo, para falar de desordem na sociedade contemporânea.

Review of Applied Spatial Data Analysis with R by R. S. Bivand, E. J. Pebesma, and V. Gomez-Rubio

Most authors struggle to pick a title that adequately conveys all of the material covered in a book. When I first saw Applied Spatial Data Analysis with R, I expected a review of spatial statistical models and their applications in packages (libraries) from the CRAN site of R. The authors’ title is not misleading, but I was very pleasantly surprised by how deep the word “applied” is here. The first half of the book essentially covers how R handles spatial data. To some statisticians this may be boring. Do you want, or need, to know the difference between S3 and S4 classes, how spatial objects in R are organized, and how various methods work on the spatial objects? A few years ago I would have said “no,” especially to the “want” part. Just let me slap my EXCEL spreadsheet into R and run some spatial functions on it. Unfortunately, the world is not so simple, and ultimately we want to minimize effort to get all of our spatial analyses accomplished. The first half of this book certainly convinced me that some extra effort in organizing my data into certain spatial class structures makes the analysis easier and less subject to mistakes. I also admit that I found it very interesting and I learned a lot.