Road freight transport and sustainability in Britain: 1984-2007

This report builds on a conceptual framework developed by McKinnon (2007) for analysing the performance and impacts of freight transport. This framework is used to analyse the performance of road freight transport by heavy goods vehicles (HGVs) in Britain over the period from 1984 to 2007 using data from the Continuing Survey of Road Goods Transport. The efficiency and intensity of HGV operations are assessed. The determinants that have led to the changes in HGV key variables (including length of haul, vehicle carrying capacity, lading factor, empty running) are considered. A forecast of the future level of HGV activity (in terms of vehicle kilometres travelled, fuel consumed and CO2 emissions) in 2020 is presented.

Road freight transport and sustainability in London 2005-2007

This report contains detailed analysis of road freight transport by heavy goods vehicles (HGVs) in London and its intensity and efficiency. Using a conceptual framework for analysing the performance and impacts of freight transport it presents results for road freight transport in London between 2005 and 2007.

University Chorale Talent Show February 10, 2007

Concert Program for University Chorale Talent Show February 10, 2007

Urban design, central London and the ‘crisis’ 2007-2013: business as usual?

London is changing, to a breath-taking extent. Beneath this fast paced activity, new patterns are forming and divisions that had been relatively unremarked before are now becoming increasingly visible. The ‘square mile’ of the City of London, which is now identified by some dramatically tall buildings, forms a contrast to the traditional urbanism of the City of Westminster, the majority of which is covered by conservation area legislation. This paper will consider this contrast from the perspective of urban design, examining both the wider development context for these changes and the separate design policies of these two historic organisations of local government. One of the key questions to be investigated is how these changes have impacted on the character of central London as a place. Moving on from the well-rehearsed debates about London’s skyline, the paper considers the significance of urban design in the context of a global urban spatial economy. It suggests that central London faces severe dilemmas about its future if the growth scenario continues.

VPPs information needs for effective operation in competitive electricity markets

The large increase of renewable energy sources and Distributed Generation (DG) of electricity gives place to the Virtual Power Producer (VPP) concept. VPPs may turn electricity generation by renewable sources valuable in electricity markets. Information availability and adequate decision-support tools are crucial for achieving VPPs’ goals. This involves information concerning associated producers and market operation. This paper presents ViProd, a simulation tool that allows simulating VPPs operation, focusing mainly in the information requirements for adequate decision making.

As operações com terceiros no direito cooperativo português (comentário ao acórdão do Supremo Tribunal de Justiça de 18 de dezembro de 2007)

Partindo de um Ácrodão do Supremo Tribunal de Justiça que decidiu sobre o destino dos benefícios resultantes nas operações com terceiros nas cooperativas...

A paisagem espanhola nas viagens de Luciano Cordeiro

Será pela sua intensa actividade ao serviço da defesa das colónias, bem como pelas suas produções ensaísticas e de crítica literária que a posteridade lembrará Luciano Cordeiro. Já as duas narrativas de viagem – Viagens: Espanha e França (1874) e Viagens: França, Baviera, Áustria e Itália (1875) – do Fundador e da Sociedade de Geografia de Lisboa são deveras desconhecidas. Nelas se projecta a particular geografia do olhar do polígrafo português em viagem pela Europa e cuja reconstituição é o alvo deste estudo. Os objectivos perseguidos por este trabalho são, por conseguinte, a percepção e reconstrução do espaço de Luciano Cordeiro, nomeadamente da Espanha, tentando dilucidar o que na obra é de cariz geográfico, repousando sobre uma análise descritivo-realista da paisagem, e o que é de cariz literário ou ficcionado.

Análise dos resultados dos planos de controlo de resíduos de pesticidas em produtos de origem vegetal: anos 2007-2009

Dissertação apresentada na Faculdade de Ciências e Tecnologia da Universidade Nova de Lisboa para a obtenção do grau de Mestre em Tecnologia e Segurança Alimentar

A Influência das Técnicas de Estúdio nas Obras Thema - Omaggio a Joyce (1958) e Laborintus 2 (1965) de Luciano Berio

Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Artes Musicais

O Município de Odivelas e as Práticas de Cultura. Um Estudo de Caso: O Centro Cultural da Malaposta (2007-2012)

O equipamento cultural de referência para este trabalho de projeto é o Centro Cultural da Malaposta, que constitui um exemplo de investimento autárquico na reabilitação de um edifício para a criação de infraestruturas destinadas à produção e à fruição artística e cultural. Trata-se de um equipamento cultural criado há cerca de 25 anos, que é tutelado pelo município de Odivelas. Descreve-se a evolução da instituição e apresenta-se uma análise da programação cultural deste equipamento, em 6 anos, entre 2007 e 2012.

Popular music exhibitions in Portugal: practices of representation from 2007 to 2013

This thesis focuses on the representation of Popular Music in museums by mapping, analyzing, and characterizing its practices in Portugal at the beginning of the 21st century. Now that museums' ability to shape public discourse is acknowledged, the examination of popular music's discourses in museums is of the utmost importance for Ethnomusicology and Popular Music Studies as well as for Museum Studies. The concept of 'heritage' is at the heart of this processes. The study was designed with the aim of moving the exhibiting of popular music in museums forward through a qualitative inquiry of case studies. Data collection involved surveying pop-rock music exhibitions as a qualitative sampling of popular music exhibitions in Portugal from 2007 to 2013. Two of these exhibitions were selected as case studies: No Tempo do Gira-Discos: Um Percurso pela Produção Fonográfica Portuguesa at the Museu da Música in Lisbon in 2007 (also Faculdade de Letras, 2009), and A Magia do Vinil, a Música que Mudou a Sociedade at the Oficina da Cultura in Almada in 2008 (and several other venues, from 2009 to 2013). Two specific domains were observed: popular music exhibitions as instances of museum practice and museum professionals. The first domain encompasses analyzing the types of objects selected for exhibition; the interactive museum practices fostered by the exhibitions; the concepts and narratives used to address popular music discursively, as well as the interpretative practices they allow. The second domain, focuses museum professionals and curators of popular music exhibitions as members of a group, namely their goals, motivations and perspectives. The theoretical frameworks adopted were drawn from the fields of ethnomusicology, popular music studies, and museum studies. The written materials of the exhibitions were subjected of methods of discourse analysis methods. Semi-structured interviews with curators and museum professional were also conducted and analysed. From the museum studies perspective, the study research suggests that the practice adopted by popular music museums largely matches that of conventional museums. From the ethnomusicological and popular music studies stand point, the two case studies reveal two distinct conceptual worlds: the first exhibition, curated by an academic and an independent researcher, points to a mental configuration where popular music is explained through a framework of genres supported by different musical practices. Moreover, it is industry actors such as decision makers and gatekeepers that govern popular music, which implies that the visitors' romantic conception of the musician is to some extent dismantled; the second exhibition, curated by a record collector and specialist, is based on a more conventional process of the everyday historical speech that encodes a mismatch between “good” and “bad music”. Data generated by a survey shows that only one curator, in fact that of my first case study, has an academic background. The backgrounds of all the others are in some way similar to the curator of the second case study. Therefore, I conclude that the second case study best conveys the current practice of exhibiting Popular Music in Portugal.

Apoios nacionais e europeus. Ao cinema e audiovisual português (2007 a 2013)

Procuro mostrar nesta dissertação a evolução do cinema e audiovisual em Portugal, no contexto da União Europeia onde estamos inseridos, e no período decorrido entre 2007 e 2013. Os apoios financeiros atribuídos pelos programas nacionais e internacionais a estas áreas da cultura. Procuro mostrar também a evolução e os novos caminhos do cinema e audiovisual quer na União Europeia, quer em Portugal.