Gestión urbana: recuperación del centro de San Salvador, El Salvador: Proyecto Calle Arce

Incluye Bibliografía

Lugares o flujos centrales: los centros históricos urbanos

Incluye Bibliografía

O pensamento vivo de Mário de Andrade: dos parques infantis aos CEUs da cidade de São Paulo

Pós-graduação em Artes - IA

A regionalização do discurso de João Guimarães Rosa: a linguagem e a caracterização do homem do sertão

This study intends to analyze the regional influences for the language and the characterization of characters of the environment João Guimarães Rosa, stressing the important of language as cultural heritage. The study is based on the concepts of Culture and defended by Region of Cultural Geography, Language as an asset by Iphan, interviews and works of Rosa, and publications related to Rosa's works. Having the definition of place as a center of meaning constructed by experience (Tuan, 1983), and that the region is now seen based on the set of perceptions and lived down from seizures, evaluations, decisions and behaviors collectives (Bezzi, 2004), qualitative research provides grounds of the discussion it’s importance of communication and the same transcript. Through the study of language, characters and actions of the author's own notes to create the environment for the study of behavior, lived and / or imagined in the stories. Based on the literature review has set itself the aim of the study of the language coupled with the behavior of certain individuals of the same group have a cultural identity is recognized and valued as historic and cultural heritage

The International Law of Culture : Prospects and Challenges

This is a conference review of an event on the international law of culture, which took place in late May 2012 at the University of Göttingen, Germany. The review provides context to it considering the complex landscape of international initiatives of hard and soft law nature, which address culture and their impact on the environment, where cultural rights are to be exercised.

Derechos de autor y acceso al conocimiento : la educación pública en el medio

El presente proyecto se propone investigar la legislación de derechos de autor en relación con la universidad pública, su historia en el contexto nacional y educativo. Indagamos en torno de la normativa vigente, los aspectos facilitadores u obstaculizadores en la educación y las excepciones a las leyes con material de uso educativo en universidades públicas y las modalidades de implementación en el acceso al conocimiento libre. Asimismo, nos interesa conocer la diferencia entre bienes materiales e inmateriales, el estatuto del conocimiento humano como bien inmaterial y los impactos en el tratamiento de los bienes culturales y el conocimiento como bienes económicos susceptibles de apropiación privada.

Entre el cuarto poder y el quinto mandamiento: prensa, patrimonio y educación

La razón de ser del patrimonio cultural es la posibilidad de que la sociedad disfrute de él, lo conozca y valore. Precisamente, una de las vías de acceso al conocimiento patrimonial es a través de las noticias de prensa, que nos dan cumplida cuenta de informaciones en torno a la custodia, protección y conservación de los bienes culturales --en sentido amplio-- pero también de su destrucción; de los biblioclasmos y memoricidios de que son objeto, por mor de los fanatismos y los integrismos religiosos, entre otros factores. Por ello, además de esa forma de difusión o divulgación indirecta o informal del patrimonio, necesaria por otra parte, resulta esencial establecer y sustentar un vínculo afectivo de la ciudadanía con el patrimonio, a partir de programas didácticos enraizados en los currícula académicos desde la educación primaria hasta los postgrados universitarios.

Preparing for emergencies and disasters /

"Nov.-Dec. 1980."

Relazione dell'Ufficio Regionale per la Conservazione dei monumenti delle Marche e dell'Umbria (1891-92,1900-901) /

Includes index.

Disciplinary Conquest : U.S. Scholars in South America, 1900–1945 /

Highlights five influential U.S. scholars who helped shape understandings of South America in the early 20th century, showing how Latin American Studies began and how academic knowledge affected foreign policy and helped build an informal American empire. This title was made Open Access by libraries from around the world through Knowledge Unlatched.

A site planning brief for Dickson Mounds Museum.

"7 Aug. 2000"--Prelim. page.

Native American sacred places : hearing before the Committee on Indian Affairs, United States Senate, One Hundred Seventh Congress, second session, on the protection of Native American sacred places as they are affected by Department of Defense undertakings.

"July 17, 2002, Washington, DC"--Pt. 2.

National Heritage Partnership Act : report (to accompany S. 243).

"March 9, 2005."

Vanishing treasures : year end report Fiscal year ... and proposed activities for FY ... /

Description based on: Fiscal year 2001; title from cover.

THE MUSIC PERFORMED FOR THE SACRIFICIAL RITE AT THE ROYAL ANCESTRAL SHRINE OF THE CHOSŎN DYNASTY (1392–1910): INDIVIDUAL AGENCY AND DISCOURSE ON MUSIC EXPRESSED IN THE EIGHTEENTH-CENTURY KOREAN ENCYCLOPEDIA _TONGGUK MUNHŎN PIGO_ (1770)

In 1964, the South Korean government designated the music for the sacrificial rite at the Royal Ancestral Shrine (Chongmyo) as Intangible Cultural Property No. 1, and in 2001 UNESCO awarded the rite and music a place in the Intangible Cultural Heritage of Humanity. The Royal Ancestral Shine sacrificial rite and music together have long been an admired symbol of Korean cultural history, and they are currently performed annually and publicly in an abridged form. While the significance of the modern version of the music mainly rests on the claimed authenticity and continuity of the tradition since the fifteenth century, scholarly inquiry sheds further light on contextual issues such as nationalism, identity, and modernity in the post-colonial era (after 1945), as well as providing additional insights into the music. This dissertation focuses on the Royal Ancestral Shrine’s musical past as reflected in documentary sources, especially those compiled in the eighteenth century during the Chosŏn dynasty (1392–1910). In particular, the substantial music section of an encyclopedic work, Tongguk Munhŏn pigo (Encyclopedia of Documents and Institutions of the East Kingdom, 1770), mainly compiled by a government official, Sŏ Myŏngŭng (1716–1787), provides a considerable amount of information on not only the music and sacrificial rite program, but also on eighteenth-century and earlier concerns about them, as discussed by the kings and ministers at the Chosŏn royal court. After detailed examination of various relevant documentary sources on the historical, social and political contexts, I investigate the various discourses on music and ritual practices. I then focus on Sŏ Myŏngŭng’s familial background, his writings on music prior to the compilation of the encyclopedia, and the corresponding content in the encyclopedia. I argue that Sŏ successfully converted the music section of the encyclopedia from a straightforward scholarly reference work to a space for publishing his own research on and interpretation of the musical past, illustrating what he considered to be the inappropriateness of the existing music for the sacrificial rite at the Royal Ancestral Shrine in the later eighteenth century.