977 resultados para United States. Military Sea Transportation Service. --Copy 2.
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Pt. 1. Potash reserves of the United States, by S. H. Dolbear.--Pt. 2. The economics of the potash industry, by J. Backman.--Pt. 3. Potash consumption, by J. W. Turrentine.
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Mode of access: Internet.
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Mode of access: Internet.
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Microfiche.
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Cover title.
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Mode of access: Internet.
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Vol. for 1956 issued as U.S. Dept. of Agriculture, Miscellaneous publication no. 722; 1957- as U.S. Agricultural Marketing Service, Service and regulatory announcement no. 177.
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Mode of access: Internet.
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Subtitle varies.
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Each issue in 2 v., 1879-date: v. 1, Legislative, executive and judicial.--v. 2. Post-office department and postal service.
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No more published.
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Description based on: 1863.
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Each issue in 2 vols., 1879-1905: v. 1. Legislative, executive and judicial. -- v. 2. Post Office Department and Postal Service.
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Shipping list no.: 2000-0182-P (pt. 1), 2000-0166-P (pt. 2), 2000-0186-P (pt. 3).
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The biography of Charles Bradford Hudson that follows this preface had its seeds about 1965 when I (VGS) was casually examining the extensive files of original illustrations of fishes stored in the Division of Fishes, National Museum of Natural History, Smithsonian Institution. I happened upon the unpublished illustration of a rainbow trout by Hudson and was greatly impressed with its quality. The thought occurred to me then that the artist must have gone on to do more than just illustrate fishes. During the next 20 years I occasionally pawed through those files, which contained the work of numerous artists, who had worked from 1838 to the present. In 1985, I happened to discuss the files with my supervisor, who urged me to produce a museum exhibit of original fish illustrations. This I did, selecting 200 of the illustrations representing 21 artists, including, of course, Hudson. As part of the text for the exhibit, Drawn from the Sea, Art in the Service of Ichthyology, I prepared short biographies of each of the artists. The exhibit, with an available poster, was shown in the Museum for six months, and a reduced version was exhibited in U.S. and Canadian museums during the next 3 years.