884 resultados para Textual analysis Content analysis
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ABSTRACT OBJECTIVE To analyze the relations between the meanings of working and the levels of doctors work well-being in the context of their working conditions. METHOD The research combined the qualitative methodology of textual analysis and the quantitative one of correspondence factor analysis. A convenience, intentional, and stratified sample composed of 305 Spanish and Latin American doctors completed an extensive questionnaire on the topics of the research. RESULTS The general meaning of working for the group located in the quartile of malaise included perceptions of discomfort, frustration, and exhaustion. However, those showing higher levels of well-being, located on the opposite quartile, associated their working experience with good conditions and the development of their professional and personal competences. CONCLUSIONS The study provides empirical evidence of the relationship between contextual factors and the meanings of working for participants with higher levels of malaise, and of the importance granted both to intrinsic and extrinsic factors by those who scored highest on well-being.
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OBJECTIVEUnderstanding nursing actions in the practice of inpatient advocacy in a burn unit.METHODA single and descriptive case study, carried out with nurses working in a referral burn center in southern Brazil. Data were collected through focus group technique, between February and March 2014, in three meetings. Data was analysed through discursive textual analysis.RESULTSThree emerging categories were identified, namely: (1) instructing the patient; (2) protecting the patient; and (3) ensuring the quality of care.CONCLUSIONSThis study identified that the nurses investigated exercised patient advocacy and that the recognition of their actions is an advance for the profession, contributing to the autonomy of nurses and the effectiveness of patients' rights and social justice.
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Ute Heidmann Le dialogisme intertextuel des contes des Grimm Préalables pour une enquête à mener « Le caractère le plus important de l'énoncé, ou en tous les cas le plus ignoré, est son dialogisme, c'est-à-dire sa dimension intertextuelle », constate Todorov en référence à la conception dialogique du langage proposée par Bakthine. Cet article introductif postule que ce constat s'applique aussi aux contes des Grimm. En partant des recherches déjà menées sur Apulée, Straporola, Basile, Perrault, La Fontaine et Lhéritier*, il présente des concepts (réponse intertextuelle, reconfiguration générique et scénographie en trompe-l'oeil) dont il illustre l'efficacité pour l'analyse des Kinder- und Hausmärchen. L'analyse de la préface de 1812 montre que les Grimm créent une scénographie pour légitimer le genre des Kinder- und Hausmärchen en les présentant comme des contes "d'origine" qui auraient "poussé" comme des plantes dans leur région et qu'ils n'auraient fait que "collecter". Cette scénographie en trompe-l'oeil permet de dissimuler le fort impact des contes européens et notamment français sur les Kinder- und Hausmärchen. Leurs commentaires paratextuels permettent en revanche de retracer ces dialogues intertextuels qui ne se limitent pas à imiter les "voix déjà présentes dans le choeur complexe" des narrateurs des contes déjà racontés, mais qui créent des effets de sens nouveaux et significativement différents en guise de réponse aux "histoires ou contes du passé", comme l'avaient déjà fait Charles Perrault avant eux. *(dans Féeries 8 et Textualité et intertextualité des contes, Editions Classiques Garnier 2010) "The most important feature of the utterance, or at least the most neglected, is its dialogism, that is, its intertextual dimension" states Todorov in reference to Bakthin's dialogical conception of human speech. Ute Heidmann's introductory essay argues that this applies also to the Grimm's tales. Extending her former theoretical and intertextual investigation on Apuleius, Straporala, Basile, Perrault, La Fontaine and Lhéritier*, she proposes a series of conceptual options (as intertextual response, scenography, trompe l'oeil, generic reconfiguration, discursive strategy) that can efficiently be used for the work on the Kinder- und Hausmärchen, gesammelt durch die Brüder Grimm. The article shows how the Grimms skilfully construct a highly suggestive scenography and topography for the new generic form thus creating the idea of a genuine tale, having grown naturally in the earth of their own region and how it is efficiently used to dissimulate the strong impact of the European and namely the French fairy tales on the Grimm's tales. The extensive paratextual commentaries are shown to serve the same purpose. Once these strategies are "deconstructed" as such, the way is free to trace the very complex intertextual dialogues with already existing Italian, French, German tales, that underlie the Kinder- und Hausmärchen. Comparative textual analysis can then make us discover, that these dialogues are from just "imitating" "the many other voices already present in the complex chorus" of fairy tale writers and narrators: they actually create new and different meaning by responding to them. * (in Féeries 8, Textualité et intertextualité des contes, Classiques Garnier 2010)
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This thesis is concerned with the philosophical grammar of certain psychiatric concepts, which play a central role in delineating the field of psychiatric work. The concepts studied are ‘psychosis’, ‘delusion’, ‘person’, ‘understanding’ and ‘incomprehensibility’. The purpose of this conceptual analysis is to provide a more perspicuous view of the logic of these concepts, how psychiatric work is constituted in relation to them, and what this tells us about the relationships between the conceptual and the empirical in psychiatric concepts. The method used in the thesis is indebted primarily to Ludwig Wittgenstein’s conception of philosophy, where we are urged to look at language uses in relation to practices in order to obtain a clearer overview of practices of interest; this will enable us to resolve the conceptual problems related to these practices. This questioning takes as its starting point the concept of psychosis, a central psychiatric concept during the twentieth century. The conceptual analysis of ‘psychosis’ shows that the concept is logically dependent on the concepts of ‘understanding’ and ‘person’. Following the lead found in this analysis, the logic of person-concepts in psychiatric discourse is analysed by a detailed textual analysis of a psychiatric journal article. The main finding is the ambiguous uses of ‘person’, enabling a specifically psychiatric form of concern in human affairs. The grammar of ‘understanding’ is then tackled from the opposite end, by exploring the logic of the concept of ‘incomprehensibility’. First, by studying the DSM-IV definition of delusion it is shown that its ambiguities boil down to the question of whether psychiatric practice is better accounted for in terms of the grammar of ‘incorrectness’ or ‘incomprehensibility’. Second, the grammar of ‘incomprehensibility’ is further focused on by introducing the distinction between positive and negative conceptions of ‘incomprehensibility’. The main finding is that this distinction has wide-ranging implications for our understanding of psychiatric concepts. Finally, some of the findings gained in these studies are ‘put into practice’ in studying the more practical question of the conceptual and ethical problems associated with the concept of ‘prodromal symptom of schizophrenia’ and the agenda of early detection and intervention in schizophrenia more generally.
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We developed and applied an educational instrument (ID) to discuss, in the discipline of Supervised Pre Service Teachers Practice 1, guidelines for teacher education to redefine teacher knowledge with a specific focus on chemistry teachers. The study used methodological fundamentals of Discursive Textual Analysis that involves identifying and isolating a set of materials subjected to analysis, categorizing these statements and producing texts, integrating these descriptions and interpretations, basing its construction on the category system built. Data were collected through participant observation and text readings used by the students in performing the activity. It was noted that the chemistry teachers trained were able to express opinions that indicated the Construction of Meanings Interface that was the category of analysis established a priori.
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Henkilökohtainen on poliittista Tutkimuksessa tarkastellaan tiedotusvälineissä käytyä neuvottelua miesten ja naisten mahdollisuuksista osallistua politiikkaan sekä siinä ilmenevää suomalaisen poliittisen julkisuuden muutosta. Tutkimuksen materiaalin muodostavat Anna-lehdessä vuosina 1975–2005 julkaistut 339 poliitikkojen henkilökuvaa, joita eritellään laadullisen tekstianalyysin keinoin. Politiikan sukupuolittunut työnjako Poliitikkojen henkilökuvat ovat Anna-lehdessä olleet henkilöhaastatteluja tai poliitikon haastatteluita yhdessä puolisonsa tai perheensä kanssa. Tutkittuna ajanjaksona Annassa on julkaistu selvästi enemmän naispoliitikkojen kuin miespoliitikkojen henkilökuvia. Poliitikkojen haastatteluissa neuvottellaan siitä, keillä on oikeus toimia politiikassa ja millaista politiikkaa miehet ja naiset voivat tehdä. Vaikka Annassa ilmestyneissä poliitikkojen henkilökuvissa on eri aikoina vastattu näihin kysymyksiin erilaisin tavoin, sukupuolittunut jako miesten yhteiskunnalliseen ja naisten yksityiseen tilaan säilyy teksteissä läpi koko tarkastellun 30 vuoden ajanjakson. Sukupuolittunut jako yhteiskunnalliseen ja yksityiseen ilmenee henkilökuvissa siten, että miehet esitetään toimimassa politiikassa vaivattomasti ja luonnollisesti, mutta naisten kuvataan ponnistelevan sen eteen, että he kykenisivät osallistumaan politiikkaan. Naispoliitikkojen henkilökuvissa toistuva kysymys on, millä edellytyksin tai millaisin rajoituksin naiset ovat voineet toimia politiikassa. Miehet edustavat poliitikon normia ja naiset poikkeusta normista. Poliitikkojen parisuhde- ja perhehaastatteluissa puolestaan käsitellään kysymystä sukupuolten välisestä työnjaosta perheessä. Kirjoituksissa toistuvat kysymykset siitä, millainen tulisi olla poliitikon ja hänen puolisonsa välinen työnjako, tulisiko miespoliitikon vaimon osallistua pyyteettömästi puolison uran tukemiseen tai millä tavoin naispoliitikon puolison tulisi suhtautua vaimonsa aikaa vievään poliittiseen uraan. Naispoliitikkojen haasteita Annan julkaisemat naispoliitikkojen henkilökuvat osoittavat sekä naisten poliittiseen osallistumiseen liittyviä ongelmia että joukon erilaisia ratkaisuja niihin. Naisten ruumiillisuus on näistä haasteista keskeisin. 1970-luvun Annassa ilmestyneissä naispoliitikkojen haastatteluissa käsiteltiin toistuvasti sitä, millä tavoin politiikassa työskentelevät naiset pukeutuvat, syövät ja lepäävät. 1980-luvulla Anna pyrki tekemään naisruumiista voimavaran osoittamalla, että naisten ”luonteva” taipumus hoivaamiseen teki heistä erityisen sopivia politiikan ”pehmeiden” asioiden puolestapuhujina, kuten rauhantyön ja sosiaalisektorin asioiden hoitajina. 1980-luvun lopussa ja 1990-luvun alussa julkaistuissa teksteissä luotiin naisten poliittista yhteisöllisyyttä korostamalla heidän kokemaansa ruumiillisuuteen perustuvaa sortoa, esimerkiksi ulkonäköön liittyviä epäasiallisia huomautuksia. 2000-luvulla naispoliitikkojen henkilökuvissa vakuutettiin, että naisen ikääntyminen ei heikennä hänen kykyään tehdä politiikkaa. Samana aikakautena julkaistuissa nuorehkojen naispoliitikkojen henkilökuvissa ruumiillisuuteen otettiin toinen näkökulma. Niissä naisruumiin väitetty sopimattomuus poliittiseen työhön ratkaistiin korostamalla, että haastatellut naiset kontrolloivat ruumistaan täydellisesti. Toinen naispoliitikkojen poliittista osallistumista uhkaavana tai häiritsevänä esitetty seikka Annassa on ollut yksityiselämä. Lehden mukaan kodin, puolison ja lasten yhdistäminen menestyksekkääseen poliittiseen uraan on ollut erityisen vaikeaa. 1980-luvun loppuun saakka henkilökuviin rakennettiin asetelma, jossa naispoliitikkojen tuli valita työn tai perheen välillä. Vuosituhannen taitteessa Anna otti yksityiselämän ja julkisen elämän väliseen ristiriitaan uuden näkökulman: lehti alkoi esittää, että lapset ovat naispoliitikkojen työelämän voimavara. Kirjoitusten mukaan tehokkaat nuoret naispoliitikot kykenivät halutessaan olemaan sekä ”pullantuoksuisia” äitejä että menestyviä poliitikkoja. Samalla kirjoitukset kuitenkin epäsuorasti osoittivat, ettei yksityisen ja julkisen elämän ristiriita kadonnut naispoliitikkojen kuvauksista: se vain muutti muotoaan ja sai uuden ratkaisun. Miespoliitikkojen luontevana esitetty asiantuntemus Annassa julkaistut miespoliitikkojen haastattelut ovat läpi tutkitun ajanjakson uusintaneet mielikuvaa yhteiskunnallisesta tilasta miehille luontaisesti sopivana ympäristönä. Niissä puhutaan politiikasta ikään kuin se olisi ainoastaan miesten hallitsema elämänpiiri. Poliitikka näyttäytyy miesten välisen kamppailun ja veljeyden kenttänä. Henkilökuvissa miespoliitikot pyrkivät kukistamaan vastustajansa, mutta samalla menestys miesten maailmassa edellyttää muiden miesten hyväksyntää. Henkilökuvissa rakennetaan vahvasti käsitystä miespoliitikoista yhteiskunnallisina asiantuntijoina. Kirjoituksissa heille annetaan tilaa ja mahdollisuuden käsitellä ajankohtaisia poliittisia ongelmia, kuten esimerkiksi terveydenhuollon tilaa tai yleissivistyksen tasoa Suomessa. Ero Annan julkaisemiin naispoliitikkojen haastatteluihin on selvä. Niiden joukossa vuosina 1975–2005 ei ole sellaisia kirjoituksia, joissa naispoliitikolla olisi itsestäänselvästi asiantuntemusta tai arvovaltaa käsitellä koko kansakuntaa askarruttavia yhteiskunnallisia kysymyksiä. Henkilökohtainen on poliittista Annan julkaisemat poliittikkojen henkilökuvat osoittavat, millä tavoin henkilökohtaisiksi mielletyt asiat ovat muuttuneet poliittisiksi. Kärjistäen voi sanoa, että 1970-luvun puolivälissä Suomessa oli vallalla mielikuva, jossa vastakkain asettuivat miesten politiikka ja naisten yksityiselämä. Kolmessakymmenessä vuodessa tilanne on muuttunut. 1980-luvun alussa Anna argumentoi, että naisten kokemus arkielämästä ja lasten kasvattamisesta antoi heille sellaista asiantuntemusta, jota tulisi hyödyntää myös politiikassa. Annan mukaan miesten hallitseva asema politiikassa oli johtanut tilanteeseen, jossa huomattava osa kansasta ei saanut ääntään politiikassa kuuluviin. 2000-luvulle tultaessa on mahdollista nähdä, että politiikkaan on muodostunut naisille sopivana nähty toiminnan sektori, johon kuuluvat esimerkiksi sosiaali- ja terveydenhuolto, opetus-, ympäristö- ja kulttuuripolitiikka sekä kansainvälinen kehitysyhteistyö. Verrattuna 1970-luvun puolivälin tilanteeseen naiset osallistuvat luontevasti huomattavaan osaan suomalaista politiikkaa. Sukupuolittunut yhteiskunnallinen jakolinja ei kulje enää politiikan ja yksityiselämän välillä, vaan politiikan sisällä. Samalla käsitys politiikasta on muuttunut. Hyvinvointivaltion ja valtion sosiaalisektoriin liittyvien vastuiden laajentuminen on johtanut tilanteeseen, jossa naisille sopiviksi miellettyjen poliittisten osaamisalueiden määrä on kasvanut. On myös puhuttu politiikan intimisaatiosta, jolla tarkoitetaan, että valtioiden poliittisen toiminnan piiri on tullut yhä lähemmäs ihmisten henkilökohtaista elämää. Naisten aikaisempaa laajempi poliittinen osallistuminen ei olisi ollut mahdollista ilman keskustelua aiheista, jotka koetaan hyvin henkilökohtaisiksi: ruumiin ja politiikan suhteesta, yksityiselämän ja julkisen elämän suhteesta tai arkielämän kokemusten suhteesta poliittiseen osallistumiseen. Näin henkilökohtainen ja poliittinen ovat olleet jatkuvassa vuorovaikutuksessa keskenään. Annan henkilökuvat kertovat muutoksesta, jossa yksityiselämän tapahtumat ovat tulleet kiinteäksi osaksi politiikan julkisuutta. Yksityiselämän julkisuus on ollut poliitikoille sekä mahdollisuus että haaste. Yhtäältä yksityiselämän julkisuus on tarjonnut miespoliitikoille oivallisen keinon tuoda esille henkilökohtaisensa elämänsä myönteisiä puolia, esimerkiksi omistautumista perheelle. Naispoliitikoille yksityiselämän tuleminen julkiseksi on tarjonnut keinon haastaa ja kyseenalaistaa niitä arvoja, joiden mukaan nainen ei voi onnistuneesti yhdistää menestystä työ- ja perhe-elämässä. Samalla poliittisen julkisuuden muutos on merkinnyt sitä, että yksityiselämästä on tullut poliitikoille myös rasite. Julkisuudessa ei tehdä selkeää rajaa yksityisen ja julkisen elämän välillä, vaan henkilökohtaisen elämän valinnoista ja tapahtumista on tullut erottamaton osa poliitikkojen julkisuuskuvaa. Annan julkaisemien poliitikkojen henkilökuvien analyysi osoittaa, että poliitikot symboloivat yhteiskunnallisia arvoja ja asenteita. Poliitikot eivät ole vain ihmisiä ansioineen ja puutteineen, vaan heidän saamansa julkisuuden kautta keskustellaan suuremmista yhteiskunnallisista kysymyksistä, kuten naisten oikeudesta osallistua politiikkaa tai sukupuolten välisestä työnjaosta yhteiskunnassa. Annassa ilmestyneet poliitikkojen henkilökuvat ovat olleet osa prosessia, jossa suomalainen sukupuolittunut työnjako on neuvoteltu merkittävältä osaltaan uuteen muotoon. Naiset ovat saaneet vastuulleen olennaisen osan suomalaista politiikkaa samalla kun politiikan sisältö on myös muuttunut. Julkisuudessa näkyvien poliitikkojen henkilökohtaisen elämän valinnat asettuvat kontekstiinsa osana neuvotteluprosessia, jossa mietitään ja kyseenlaistetaan yhteiskunnallisia arvoja ja asenteita. Tässäkin mielessä henkilökohtaisesta on tullut poliittista.
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As the national language of the PRC, the world's growing economic power and the sovereign of Hong Kong, Putonghua is a language with multiple facets of relevance for the current Special Administrative Region. This paper seeks to explore and explain different representations of Putonghua in Hong Kong's leading English-language newspaper South China Morning Post in articles published between January 2012 and February 2013. The representations are studied in the context of the different discourses in which they appear, some of which feature language(s) as a central theme and some more marginally. An overview is first presented of the scholarly research on the most important developments in Hong Kong's complex language scene from the beginnings of the colony until present day, with the aim of detecting developments and attitudes with potential relevance or parallels to the context of Putonghua today. The paper then reflects on the media and its role in producing and perpetuating discourses in the society, before turning to more practical considerations on Hong Kong's English and Chinese language media and the role of South China Morning Post in it. The methods used in analysing the discourses are those of discourse analysis, with textual analysis as its starting point, in which close attention is paid to linguistic forms as the concrete representations of meanings in a text. Particularly the immediate contexts of the appearances of the word “Putonghua” in the articles were studied carefully to detect vocabulary, grammar and semantical choices as signs of different discourses, potentially also revealing fundamental underlying assumptions and other “hidden meanings” in the text. Some of the most distinctive discourses in which different representations of Putonghua appeared were the Instrumental value for the individual (in which Putonghua was represented as a form of social capital); Othering of the mainlanders (in which Putonghua served as a concrete marker of distinction); Belonging to China (Putonghua as a symbol of unity); and Cultural distinctiveness of Hong Kong (Putonghua as a threat to Hong Kong's history and culture, as embodied in Cantonese). Some of these discourses were more prominent than others, and for example the discourse of Belonging to China was relatively rarely enacted in Hongkongers' voices. In general, the findings were not surprising in the light of the history, but showed a fair degree of consistency with what has been written earlier about the languages and attitudes towards them in Hong Kong. It has often been noted that Putonghua and its relation with Cantonese is a matter linked with the social identity of the colony and its citizens. While it appeared that there were no strict taboos in the representations of Putonghua in the societal context, the possibility of self-censorship cannot be ruled out as a factor toning down political discourses in the representations.
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So-called sin industries are often related to harmfulness, unethical business, and unproductiveness. Nowadays, the alcohol, gambling, and tobacco industries are most often considered to be part of sin industries, which is also the context of this study. However, the definition of a sin industry is always related to time and culture. Despite the controversies of sin industries, there are studies that have shown that corporate social responsibility (CSR) engagement is even more important for sin industries than for normal industries and that CSR has a positive effect on firm value in sin industries. With CSR this study refers to an ideology where company takes mostly voluntary actions towards various groups of stakeholders and the environment. In other words, the company goes beyond the legal norms and regulations. In particular, the purpose of this thesis is to find out how companies, operating in the online gambling industry, communicate about their CSR actions to consumers at their web pages. The online environment is essential for this study as online gambling environment is a source of many controversies in comparison to the traditional gambling halls and casinos. These include, for example, greater accessibility, anonymity, and availability of the service. This study uses qualitative textual analysis as its approach, more precisely the discourse analysis. In addition, as this study focuses on large international companies and their actions, also case study approach will be presented. The cases studied are Mybet, Unibet, and Bwin.Party. In order to study the subject, elements from discourse analysis are combined with insights of essential CSR theories, and the specific characteristics of the online gambling industry. As a background for the framework, this study uses the framework of Du & Vieira (2012). After analyzing the discourses of CSR communication and CSR practices, it seems that all of the case companies still do not use all the potential that the online environment provides in terms of CSR or stakeholder communication. There are large differences between different communication tools used at different web pages (gambling pages vs. corporation pages) and between the firms’ CSR profiles. Moreover, there are large differences in the CSR practices used in the web pages of the case companies. The findings of this study are partially alarming as the case companies represent the largest companies in the industry. There are major varieties between the companies’ CSR communication and clear shortcomings in some parts of the online communication. Moreover, the trust of the consumer was broken in some places. If this is the standard that the biggest players in the industry have set with regards to CSR communication, it is probable that the smaller players are performing even worse. Moreover, the regulators are most likely concentrating on the larger companies, so the smaller companies might have fewer incentives and pressure to perform according to the regulations or exceeding the legislation. The conclusions of this thesis provide insights to managers, regulators, and scholars. Suggestions for future studies are provided as well.
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This thesis examines the processes through which identity is acquired and the processes that Hollywood :films employ to facilitate audience identification in order to determine the extent to which individuality is possible within postmodem society. Opposing views of identity formation are considered: on the one hand, that of the Frankfurt School which envisions the mass audience controlled by the culture industry and on the other, that of John Fiske which places control in the hands of the individual. The thesis takes a mediating approach, conceding that while the mass media do provide and influence identity formation, individuals can and do decode a variety of meanings from the material made available to them in accordance with the text's use-value in relation to the individual's circumstances. The analysis conducted in this thesis operates on the assumption that audiences acquire identity components in exchange for paying to see a particular film. Reality Bites (Ben Stiller 1994) and Scream (Wes Craven 1996) are analyzed as examples of mainstream 1990s films whose material circumstances encourage audience identification and whose popularity suggest that audiences did indeed identify with them. The Royal Tenenbaums (Wes Anderson 2001) is considered for its art film sensibilities and is examined in order to determine to what extent this film can be considered a counter example. The analysis consists of a combination of textual analysis and reception study in an attempt to avoid the problems associated with each approach when employed alone. My interpretation of the filmmakers' and marketers' messages will be compared with online reviews posted by film viewers to determine how audiences received and made use of the material available to them. Viewer-posted reviews, both unsolicited and unrestricted, as found online, will be consulted and will represent a segment of the popular audience for the three films to be analyzed.
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This study explores ~ow South Asian diasporic film represents and reproduces South Asian identity in the diaspora. It commences with a review of the literature in cultural studies and post-colonial theory on identity in the diaspora. A textual analysis of three films: American Desi, Bollywood/Hollywood, and East Is East, helps frame the characteristics of South Asian diasporic film. Theoretical concepts of diaspora and identity are extended to this reading of the films. In-depth, open-ended, semi structured interviews were conducted with eight participants to test the validity of theoretical concepts through participants' own reading of American Desi. Findings indicate that while theoretical concepts of identity can be usefully applied at the level of the text, these perspectives do not always easily explain participants' interpretation of the film in relation to their everyday experiences.
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For most people design is a mystery. The products of design are integrated into our daily lives to the point that design has become invisible to us. However. what is subsumed in design practice is a creative problem-solving process that is applicable as a teaching strategy as well as a method for teaching the subject of design. The purpose of this study was to inquire into the current classroom practice of Ontario Visual Arts and Technological Education teachers, understand the goals of Ontario government curriculum developers, and explore the position held by the professional design community on secondary school design education. Data for this study were collected from: (a) a textual analysis of 4 Ministry curriculum documents; (b) interviews with JO stakeholders; (c) unobtrusive observations and informal conversations conducted at 7 secondary school open house events; and (d) observation of 2 sessions of an AQ course for Design and Technology. The research design modeled the design process and was divided into 2 parts: a discovery or problem-finding phase and a discussion or problem-solving phase. The results showed that design is misunderstood and misused; it has become lost between visual arts and technology where neither program holds responsibility for its delivery; students mistake working on computers for design practice; and while there is a desire within the professional community to have a voice in secondary school design education. there is no forum for participation. The technology-driven paradigm shift taking place in society today calls for a new framework for tellching and practicing dcsign. Further research is required; howcvcr. in the meantime. secondary school educators might benefit from professional development and classroom support from the professional dcsign community.
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The purpose of this study was to conduct a comparative textual analysis on the role of movement in 3 texts in Drama in Education in Canada. As the subject is holistic and encourages creative, active participation, movement was expected to appear, even inadvertently, in both theory and practice. It was hoped that guidelines for the use of movement within Drama in Education would emerge from the texts and that these guidelines would serve as models for others to use. A total of 26 Drama in Education experts in Canada were each asked to list the 10 most important texts in the field. Those who answered were assigned numbers and charted according to age, gender, and geography. An objective colleague helped narrow the group to 16 participants. A frequency count was used, assigning 10 points to the first text on each list, and descending to 1 point for the tenth text listed. Based on the highest number of points calculated, the 5 most frequently used texts were identified. These were compared to ascertain the widest representation ofthe authors' geographic location and gender, as well as differences in theory and practice. The final selection included 3 texts that represented differing approaches in their presentation and discussion of Drama in Education theories and practices. Analysis involved applying 5 levels of commitment to determine if,how, why, when, and with what results movement was explicitly or implicitly addressed in the 3 texts. Analysis resulted in several unexpected surprises around each of the 3 texts. The study also provided suggestions for extending and clarifying the role of movement in teaching and learning in general, as well as for Drama in Education in particular.
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This thesis explores the connection between the historical and social construction of madness in relation to how society currently views madness and schizophrenia. The anti-psychiatry movement has been outlined using the work of anti-psychiatrists David Cooper, R. D. Laing and Franco Basaglia. Foucault’s work regarding madness and the asylum is also reviewed to give an overarching analysis of madness, including analysis of its creation. With the help of Basaglia, madness as class warfare and social disease are explored. By connecting this analysis to the medicalization of schizophrenia and the use of counter-narratives, this thesis uses the work of Deleuze and Guattari to illustrate how mental illness can be redefined through deterritorialization, reterritorialization and lines of flight. Specifically, this thesis uses a Foucauldian textual analysis to examine self-narratives of schizophrenia including, the films A Beautiful Mind and The Best of Youth, and the books Two Accounts of a Journey Through Madness, The Center Cannot Hold and Living With Voices. These self-narratives illustrate the importance of considering an individual’s voice when determining treatment options for mental illness. Overall, a shift in thinking is needed. The findings suggest self-help groups are not enough on their own and should be combined with medical intervention. Self-narratives are an important step in the recovery process as it allows one to come to terms with their voice hearing experiences. As well, self-narratives are useful in the treatment process as a tool that can help to redefine dominant conceptualizations of schizophrenia and mental illness today.
Resumo:
The purpose of this exploratory study is to deconstruct dominant discourses of youth’s sexuality through the exploration of a cultural text. Patriarchal and immanent frameworks form the theoretical basis for a deconstructive textual analysis and systematic mise en scène analysis of the chosen text, the film, Thirteen (Hardwicke, 2003). I intend to explore the portrayal of youth sexuality by deconstructing discourses of sexuality that are simultaneously reflected and interrogated in the above mentioned media text. I have chosen this approach in order to deconstruct socially constructed ways of knowing and experiencing sexuality in order to uncover a multitude of possibilities for sexuality. In other words, this project will use deconstruction in order to reconceptualize sexuality.