As paisagens nas pinturas de Ido Finotti: reflexões artísticas e históricas

This research studies the landscape paintings of the artist Ido Finotti, specifically the Brazilian cerrado vegetation and rivers landscape paintings, in the region of Triângulo Mineiro, mainly Uberlândia and the surrounding cities as Uberaba and Araguari. The artist produced the landscape paintings from 1947 to 1980. This study searches to understand the poetic in the paintings and identify the elements that the artist chose to create the visuality of landscape to build a regional identity. Therefore, it links the artistic and historical reflections with the general ideas about the landscape painting in the Universal History of Art and in the Brazilian History of Art through the main landscape painters. First, this work shows the trajectory of the artist Ido Finotti and the two phases of his paintings: as a decorative painter of walls from 1920 to 1940, then as an oil painter artist on canvas. Second, the national and foreign authors studied were from several fields: Visual Arts, History, History of the Art, Philosophy and Geography, but had produced literature on the idea and the subject of landscape in the painting. The initial reading was about some workmanships of Ido Finotti, which included 142 landscapes paintings; interviews; articles, periodicals and magazines collected; documents, brochures and catalogues gathered. The comparison between the written and visual sources made possible the textual construction of this research.

Percepção Ambiental em Museus Paisagens de Arte Contemporânea: a legibilidade dos museus Inhotim/Brasil e em Serralves/Portugal avaliada pelo público/visitante

This thesis nalyzes the wayfinding in Landscape Museum of Contemporary Art (MPAC), based on the Institute of Contemporary Art CACI, Minas Gerais, Brazil and the Museum of Contemporary Art of the Serralves Foundation, Porto, Portugal. The study focuses on the interrelationship of the public/visitors with the landscape, architecture and contemporary art museums in these, in order to understand visual perception and apprehension of such an environment for their users. For both were confronted documentation (visual and written) and people talk. The main hypothesis put forward is that the audience/visitor MPAC appreciates the interrelationship between the natural environment (park/garden) and built environment (the works of contemporary art and the galleries), giving equal value to both. To complement this, a second hypothesis is that during the visit to MPACS, visitors define their paths spontaneously, but strongly influenced by existing visual indicators (maps, signage and striking landscape elements), which facilitate the readability of space, which also contribute to the offered services and the experiences of similar institutions. The analytical basis of the research used the concepts of legibility (LYNCH, 2009), wayfinding (GIBSON, 2009; ARTHUR, PASSINI, 2002; WEISMAN, 1982), Experiential Cotinnum (TUAN, 1985), Space Bound (CRUZ PINTO, 2007) and habitus (BOURDIEU, 1992). Methodologically was used qualitative research (DEMO 2000) by means of a case study (YIN, 2005; STAKE, 1999) and participant observation (WHYTE, 2005). In the two institutions interviews with researchers and curators, behavior observation and questionnaires from employees, trainees, monitors and the public/visitor of the two museums were performed. Although partially referende the initial hypothesis, the research showed that the public/visitor value appears more natural environments, they experience a greater intensity and in addition to the factors listed in the second case, your perception and definition of paths suffer significant influence of emotional relations established with space. Generally the audience/visitor adapts easily to different demands of contemporary art exhibition in the two museums and the built environment (park/garden and museum) interferes with your reading path during the visit, perceived by the public/visitor condition as a factor that favors the enjoyment of works on different mounts (wayfinding), though often become a factor that hinders the legibility of the building and its built environment

Gerald Thomas e a (des)encenação do mundo : as paisagens visuais como grafia de intertextualidades, citações e hipertextos

This work is the result of a personal uneasy about the form and development taken by contemporaneous theater concerning its relationship with other media to create new hybrid organisms and organizing itself through new possibilities, connections, as well as with different levels of arrangements in the construction of the scene. The purpose of this research is to study the connections between the scene and the media within the context of the formation of hybrid organism wich is the key element. That stands for an aesthetic characteristic of the post-dramatic condition of contemporary theatre in Brazil. Thus, this work will investigate the concept of visual landscapes within the context of Gerald Thomas Sievers work in Brazil in the period of the first decade of twenty-first century having the play Rainha Mentira (2007) (Queen Liar, 2007) as the main empirical object of analysis, discussion and application of the framework developed in the text

Museus e Paisagens Culturais: Editorial

Este boletim é dedicado às paisagens culturais, tema do Dia Internacional de Museus de 2016. Lançado o repto, como podem os museus articular-se de forma mais efectiva com o território, com a sua compreensão e interpretação? Merece destaque o artigo sobre a Rota Histórica das Linhas de Torres, um projecto de patrimonialização da paisagem em curso desde 2007 (Florbela Estevao), a reflexão em torno da Carta de Siena (Joana Sousa Monteiro e Dália Paulo), a entrevista com Ana Paula Amendoeira (Directora Regional de Cultura do Alentejo) e o texto de perfil sobre Pedro Gadanho, director do novo Museu de Arte, Arquitectura e Tecnologia (Belém).

História das paisagens florestais mésicas dentro da diagonal de formações abertas : contribuições de paleomodelagem, filogeografia de espécies associadas e de conservação

Tese (doutorado)—Universidade de Brasília, Instituto de Ciências Biológicas, Programa de Pós-Graduação em Ecologia, 2016.

Paisagens pós-industriais, uma nova oportunidade de sucesso. Fábrica da Fiação de Tomar

Mestrado em Arquitetura Paisagista - Instituto Superior de Agronomia

Percepção Ambiental em Museus Paisagens de Arte Contemporânea: a legibilidade dos museus Inhotim/Brasil e em Serralves/Portugal avaliada pelo público/visitante

This thesis nalyzes the wayfinding in Landscape Museum of Contemporary Art (MPAC), based on the Institute of Contemporary Art CACI, Minas Gerais, Brazil and the Museum of Contemporary Art of the Serralves Foundation, Porto, Portugal. The study focuses on the interrelationship of the public/visitors with the landscape, architecture and contemporary art museums in these, in order to understand visual perception and apprehension of such an environment for their users. For both were confronted documentation (visual and written) and people talk. The main hypothesis put forward is that the audience/visitor MPAC appreciates the interrelationship between the natural environment (park/garden) and built environment (the works of contemporary art and the galleries), giving equal value to both. To complement this, a second hypothesis is that during the visit to MPACS, visitors define their paths spontaneously, but strongly influenced by existing visual indicators (maps, signage and striking landscape elements), which facilitate the readability of space, which also contribute to the offered services and the experiences of similar institutions. The analytical basis of the research used the concepts of legibility (LYNCH, 2009), wayfinding (GIBSON, 2009; ARTHUR, PASSINI, 2002; WEISMAN, 1982), Experiential Cotinnum (TUAN, 1985), Space Bound (CRUZ PINTO, 2007) and habitus (BOURDIEU, 1992). Methodologically was used qualitative research (DEMO 2000) by means of a case study (YIN, 2005; STAKE, 1999) and participant observation (WHYTE, 2005). In the two institutions interviews with researchers and curators, behavior observation and questionnaires from employees, trainees, monitors and the public/visitor of the two museums were performed. Although partially referende the initial hypothesis, the research showed that the public/visitor value appears more natural environments, they experience a greater intensity and in addition to the factors listed in the second case, your perception and definition of paths suffer significant influence of emotional relations established with space. Generally the audience/visitor adapts easily to different demands of contemporary art exhibition in the two museums and the built environment (park/garden and museum) interferes with your reading path during the visit, perceived by the public/visitor condition as a factor that favors the enjoyment of works on different mounts (wayfinding), though often become a factor that hinders the legibility of the building and its built environment

Alteração na diversidade das paisagens em Portugal Continental e do seu valor para a conservação entre 1970 e 2007

Doutoramento em Engenharia Florestal e dos Recursos Naturais - Instituto Superior de Agronomia - UL

Zonas-tampão ripárias no planejamento de ecossistemas fluviais em paisagens agrícolas

Doutoramento em Restauro e Gestão Fluviais - Instituto Superior de Agronomia / Faculdade de Arquitetura / Instituto Superior Técnico - UL

Paisagens industriais em transformação. Reconversão da área envolvente da antiga fábrica de óleo de fígado de bacalhau em espaço público, Cais do Ginjal, Almada

Mestrado em Arquitetura Paisagista - Instituto Superior de Agronomia - UL

Gerald Thomas e a (des)encenação do mundo : as paisagens visuais como grafia de intertextualidades, citações e hipertextos

This work is the result of a personal uneasy about the form and development taken by contemporaneous theater concerning its relationship with other media to create new hybrid organisms and organizing itself through new possibilities, connections, as well as with different levels of arrangements in the construction of the scene. The purpose of this research is to study the connections between the scene and the media within the context of the formation of hybrid organism wich is the key element. That stands for an aesthetic characteristic of the post-dramatic condition of contemporary theatre in Brazil. Thus, this work will investigate the concept of visual landscapes within the context of Gerald Thomas Sievers work in Brazil in the period of the first decade of twenty-first century having the play Rainha Mentira (2007) (Queen Liar, 2007) as the main empirical object of analysis, discussion and application of the framework developed in the text

Impressões em jeito de comemoração: os 90 anos da publicação de As Ilhas Desconhecidas- Notas e paisagens de Raul Brandão

Impressões em jeito de comemoração: os 90 anos da publicação de As Ilhas Desconhecidas- Notas e paisagens de Raúl Brandão Com o intuito de recordar os noventa anos da publicação do livro de Raúl Brandão As Ilhas Desconhecidas - Notas e paisagens (1926), evocamos este admirável livro de viagens que transforma a impressionante geografia das ilhas portuguesas numa admirável e assombrosa geografia metafísica. Escrevendo ao jeito impressionista de quem pinta, Raúl Brandão esquissa de forma deslumbrante as paisagens e a natureza dos arquipélagos da Madeira e dos Açores, compelindo-nos a pensar sobre as condições de vida de Portugal e das ilhas do início das primeiras décadas do século XX. Entre o “esplendor da luz” e o “abismo negro da dor”, o autor reflete sobre a luta pela sobrevivência e a fragilidade e efemeridade da Vida: “palpo a fragilidade dos nossos atos, sinto a tristeza da vida efémera” (Brandão, 2011: 83).

Análise geoambiental de paisagens rurais montanhosas da Serra do Mar utilizando redes neurais artificiais. Subsídios a sustentabilidade ambiental de ecossistemas frágeis e fragmentados sob interferência antrópica.

2012

GEOPROCESSAMENTO NO MAPEAMENTO DAS NOVAS PAISAGENS DO DISTRITO DA MOOCA NA CIDADE DE SÃO PAULO

A reconversão de áreas tradicionalmente industriais desativadas em benefício de novos usos têm se tornado uma prática recorrente nas áreas metropolitanas, podendo ser analisada pelo estudo das alterações morfológicas e funcionais das formas e estruturas intra-urbanas. Esta pesquisa propõe o uso de técnicas de geoprocessamento para a elaboração do mapeamento das demolições, verticalizações e refuncionalizações no distrito da Mooca, visando o diagnóstico dos antigos espaços fabris em transição na metrópole paulista. Por meio do desenvolvimento de dois métodos de análise da informação geográfica: a classificação digital automática e a classificação digital analógica de séries temporais de e de imagens de satélite de alta resolução espacial, objetiva-se compreender os processos modificadores da paisagem urbana e de revalorização de áreas fabris.  A escolha do distrito da Mooca, na cidade de São Paulo, para esta análise justifica-se pela sua função industrial histórica, estruturada pelo eixo ferroviário da Estrada de Ferro Santos-Jundiaí e pelas recentes mudanças no uso do solo industrial. A importância de reconhecer estes espaços incide no futuro aproveitamento dos mesmos, bem como às avaliações de renovação, de substituição das tipologias edificativas, alterações de cunho demográfico, e outras características imprescindíveis à compreensão do processo de refuncionalização e revalorização de antigas áreas industriais.