Judith Butler : Las identidades del sujeto opaco

Tabla de contenidos: Performances textuales en la obra temparana de Judith Butler / Magdalena Se Santo. Judith Butler hace de Georg Hegel un filósofo intempestivo. Performatividad y pérdida de sí en la Phänomenologie des geistes / Pamela Abellon. Butler lectora de Sartre : Las críticas al sujeto de deseo sartreano [desplazamientos y filiaciones] / Luisina Bolla. Butler : Narrarse desde la opacidad. Ecos de la moral existencialista beauvoiriana / Mariana Smaldone. Lineamientos en torno a la crítica : Butler y Anderson / Rolando Casale. Posfundacionalismo y contingencia : Butler y el problema del sujeto / María Luisa Femenías. La confluencia entre el discurso y la acción como lugar de la política / Graciela Bosch. Una huida de lo real. Vuelcos y rupturas de las referencias psicoanalíticas en el pensamiento de Judith Butler / Ariel Martínez. Judith Butler y la tradición judía : Elementos teóricos para repensar el Estado-Nación / Magdalena Marisa Napoli. Del deseo de reconocimiento al deseo de producción. Efectivizar el aprendizaje es generar posibilidades de abrir el deseo / Francisco Casado. Dar cuenta de sí misma o la pregunta por una ética feminista / Mabel Alicia Campagnoli. La narración de sí mismo. Análisis crítico de un discurso de David Cameron / Carla Luján Di Biase.

La subversión de género : Algunas notas sobre la acción en Judith Butler

Fil: Casale, Rolando Héctor. Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación; Argentina.

Norbert Ricken / Nicole Balzer (Hrsg.): Judith Butler: Pädagogische Lektüren, Wiesbaden: VS Verlag für Sozialwissenschaften 2012 [Rezension]

Rezension von: Norbert Ricken / Nicole Balzer (Hrsg.): Judith Butler: Pädagogische Lektüren, Wiesbaden: VS Verlag für Sozialwissenschaften 2012 (400 S.; ISBN 978-3531166131; 39,95 EUR)

Una aproximación al problema del sujeto femenino a través del debate Butler-Žižek

El artículo pretende acercarse al debate mantenido por Judith Butler y Slavoj Žižek sobre la identidad femenina a partir de sus respectivos planteamientos sobre la subjetividad. Ambos autores coinciden en señalar la negatividad e incompletud del sujeto, aunque difieren a la hora de explicar cómo se constituye y cómo puede ejercer la autonomía. Sus respectivos planteamientos reflejan dos maneras de entender la diferencia sexual.

Olvidar a Baudrillard: Sawicki, Butler y Preciado como lectoras de Foucault

En este artículo se confrontan dos formas de aproximación a los textos foucaultianos: una de orden primordialmente exegético en la que se enfrentan dichos textos a partir de la impronta de encontrar en ellos un sistema fi losófi co, y otra de carácter ético/epistémico en la que se aborda el corpus foucaultiano como un conjunto de conceptos y criterios analíticos útiles para la acción política. Para ello se comparan obras en las que se plasman ambas estrategias de lectura. En el primer caso analizo el famoso ensayo de Jean Baudrillard Olvidar a Foucault y en el segundo la utilización que Jana Sawicki, Judith Butler y Beatriz Preciado han hecho de la obra foucaultiana en algunos de sus libros para analizar problemas fi losófi cos relacionados con el género y la sexualidad. Finalmente, se argumenta en favor de la tesis de que privilegiar una estrategia de lectura como la de Sawicki, Butler y Preciado nos llevaría, antes que a olvidarnos de Foucault, a olvidar a Baudrillard.

Ruptures in the production of girlhood : teenage flows and multiplicities [Abstract]

This paper examines the paradoxical and ubiquitous nature of Butler’s heterosexual matrix, and opens it up to an alternative Deleuzian analysis. Drawing on stories and art works produced in a collective biography workshop on girls and sexuality this paper extends previous work on the subversion of the heterosexual matrix undertaken by Renold and Ringrose (2008). The paper moves, as they do, from a molar to a molecular analysis, but extends that work by re-thinking the girl/subject in terms of Deleuze and Guattari’s endlessly transforming multiplicities where “the self is only a threshold, a door, a becoming between two multiplicities” (Deleuze and Guattari, 1987: 249)

The product of text and 'Other' statements : discourse analysis and the critical use of Foucault

Much has been written on Michel Foucault’s reluctance to clearly delineate a research method, particularly with respect to genealogy (Harwood 2000; Meadmore, Hatcher, & McWilliam 2000; Tamboukou 1999). Foucault (1994, p. 288) himself disliked prescription stating, “I take care not to dictate how things should be” and wrote provocatively to disrupt equilibrium and certainty, so that “all those who speak for others or to others” no longer know what to do. It is doubtful, however, that Foucault ever intended for researchers to be stricken by that malaise to the point of being unwilling to make an intellectual commitment to methodological possibilities. Taking criticism of “Foucauldian” discourse analysis as a convenient point of departure to discuss the objectives of poststructural analyses of language, this paper develops what might be called a discursive analytic; a methodological plan to approach the analysis of discourses through the location of statements that function with constitutive effects.

Ei ole miestä eikä naista : Queer-luenta keskiajan Euroopassa tunnettuja ristiinpukeutuvia pyhimyksiä kuvaavista teksteistä

Tarkastelen työssäni sitä, mitä ja miten myöhäisantiikin ja keskiajan Euroopassa liikkuneista ristiinpukeutuvista ja muuten sukupuolirajoja rikkoneista pyhimyksistä on kirjoitettu. Nostan näistä pyhimyksistä esille erityisesti Teklan, Marinan/Margareetan, Eufrosynen ja Wilgefortisin. Sovellan heidän legendoihinsa ja legendoista tehtyihin tulkintoihin queer-luentaa. Kysyn, miten pyhimysten sukupuoli on nähty ja millaisia kysymyksiä siihen liittyen on kysytty - ja mitä jätetty kysymättä - modernissa tutkimuskirjallisuudessa. Tarkastelen erityisesti, millaisia sukupuolen ylittämisen ja sukupuolettomuuden mahdollisuuksia tutkijat ovat legendoista löytäneet, ja kokeilen, mitä uusia tai toisenlaisia mahdollisuuksia oma luentani tuo esille. Käsittelen aihepiiriä koskevaa aiempaa tutkimusta paitsi osana pyhimyslegendojen tulkintahistoriaa myös tuoreina toisintoina legendoista. Queer toimii työssäni sekä näkökulmana että lukutapana. Queer-näkökulman ytimessä on ajatus sukupuolen performatiivisuudesta: sukupuoli on ilmiönä yhtäältä merkityksellisten tekojen ja eleiden toistoa ja toisaalta selviytymisstrategia. Ajatus sukupuolesta selviytymisstrategiana viittaa siihen, miten ihminen elää sekä kulttuuristen normien vaikutuksen alla että niihin vaikuttaen ja uusia merkityksiä antaen. Performatiivinen käsitys sukupuolesta kyseenalaistaa modernin sukupuolikäsityksen, jonka Judith Butler kiteyttää heteroseksuaalisen matriisin käsitteeseen. Queer-luennalla etsin ja täytän uudelleen sellaisia teksteistä löytyviä aukkoja ja analysoin sellaisia riitasointuja, jotka kertovat heteroseksuaalisesta matriisista. Lukutapani on sukua fenomenologisen sulkeistamisen harjoitukselle. Luentaani voi kuvata kokeilevaksi, erityisen sukupuoli- ja seksuaalisensitiiviseksi sosiaalisen konstruktionismin ajatuksiin perustuvaksi lähiluvuksi. Yhtenä lähtökohtana luennalleni on ajatus, että menneisyyden tuominen postmodernin läheisyyteen voi tuoda uutta valoa sekä menneisyyteen että postmoderniin. Työni sijoittuu uskontotieteen ja queer-tutkimuksen kenttien välillä paikkaan, jota ei ole Suomessa aikaisemmin kokeiltu. Teklan, Marinan/Margareetan, Eufrosynen ja Wilgefortisin legendoista nousee työssäni esille erityisesti neljä teologista Kristukseen liittyvää teemaa: kaste Kristukseen pukeutumisena, Kristuksen sukupuolittaminen, mieheksi tuleminen edellytyksenä Kristuksen seuraamiselle ja askeesi Kristuksen ruumiillisena imitoimisena. Queer-luennassani nämä teemat tarkentuvat ja osoittautuvat tärkeiksi tulkinta-avaimiksi ristiinpukeutuvien pyhimysten legendoihin. Nämä tulkinta-avaimet, queer sekä taustatiedot keskiajan sukupuolikäsityksistä valottavat sekä toinen toisiaan että työni kohdetta. Yhdessä ne tuovat esille kysymyksiä, jotka ovat aiemmassa tutkimuksessa jääneet yleensä kysymättä. Erityisesti queer-luentani nostaa esille kysymyksen sukupuolettomuuden mahdollisuudesta. Aiemmissa tutkimuksissa sukupuolen ylittäminen ohitetaan "tosiasiassa mahdottomana" asiana. Queer-luennassani kuitenkin näkyy, että sukupuolettomuus ei ole vain mahdollista, vaan myös uskonnollisesti erityisen merkityksellinen olemisen tapa. Työni perusteella sukupuolen ambivalenssi ja sukupuolettomuus voidaan lukea marginaalin sijasta aivan kristinuskon ytimeen. Myös Kristuksen hahmoa voidaan - ja ristiinpukeutuvien pyhimysten kohdalla kannattaa - katsoa nimenomaan kulttuuristen sukupuolirajojen ylittämisen kautta. Pyhimysten vaatteiden vaihtamisen voi lukea mieheksi naamioitumisen sijaan (sukupuoleltaan ambivalenttiin tai kokonaan sukupuolettomaan) Kristukseen pukeutumisena ja sitä kautta sukupuolesta riisuutumisena tai lapsen sukupuolettomaan tilaan jäämisenä. Queer-näkökulmasta voi puhua performatiivisesta sukupuolettomuudesta.

Patriarkkana ikuisuuden performanssissa : Maskuliinisuuden ja miehen ruumiillisuuden rakentuminen mormonien Duties and Blessings of the Priesthood -opetuskäsikirjassa

The material I analyze for my master's thesis is a teaching manual used by the Mormons (the Church of Jesus Christ of Latter-day Saints), called "Duties and Blessings of the Priesthood". This work includes numerous lesson plans, each one with a separate topic. The manual is intended especially for teaches, but can also be used for individual study. The main target of my research is to find out how men and their bodies are constructed in the manual. Prescriptive texts together with narrative stories and illustrations create a multifaceted picture of Mormon notions of masculinity and corporeality. I approach my research material from a constructivist perspective. I build my interpretative reading upon Critical Discourse Analysis. I am especially interested in how the manual interprets and understands connections between gender, embodiment and religion. I understand gender in Judith Butler's terms, as a performance of styled and repeated gestures. Some of the discussions I raise in my work draw upon the disciplines of Critical Men's Studies and Sociology of Religion. In Mormonism, gender is thought to be an elementary part of human ontology. It is an eternal trait inherited from God the Father (and God the Mother). The place of men in Mormon cosmology is determined by their double role as patriarchs, fathers and priests. The main objective of mortal life is to gain salvation together with one's family. The personal goal of a Mormon man is to one day become a god. Patriarchs are responsible for the spiritual and material well-being of their family. The head of a household should be gentle and loving, but still an unconditional authority. In the manual, a Mormon man is depicted as a successor of mythical and exemplary men of sacred history. The perfect and sinless body of Jesus Christ serves as an ideal for the male body. Mormon masculinity is also defined by priesthood - the holy power of God - which is given to practically all male Mormons. Through the priesthood, a Mormon man serves as the governor of God on Earth. The Mormon priest has the authority to bind the immanent and the transcendent worlds together with gestures, poses and motions performed with his body. In Mormonism, the body also symbolizes a temple or a space where the sacred meets the profane. Because the priesthood borne by a man is holy, he has to treat his body accordingly. The body is valuable in itself, without it one cannot be saved. Men are forbidden of polluting their bodies by using stimulants or by having sexual relations out of wedlock. A priesthood holder must uphold healthy habits, dress neatly, and conduct himself in a temperate manner. He must also be outgoing and attentive. The manual suggests that a man's goodness or wickedness can be perceived from his external appearance. The Church of Jesus Christ of Latter-day Saints is a hierarchical and man-led organisation. The ideals of gender and corporeality are set by a homogenous priesthood leadership that consists mainly of white heterosexual American men. The larger Mormon community can control individual men by sanctioning. Growing as a Mormon man happens under the guidance of one's reference group.

The Politics and Policies of Reproductive Agency

This study examines the politics and policies of reproductive agency through a redescription of three Finnish policy documents dealing with the declining birth rate: the Government report on the future 'Finland for people of all ages' (2004), Business and Policy Forum EVA report 'Condemned to Diminish?' (Tuomitut vähenemään?) (2003), and the Family Federation's 'Population Policy Program' (2004). The redescription is done with the help of the notion of reproductive agency, which draws on Drucilla Cornell's concepts of the imaginary domain and bodily integrity. The imaginary domain is the moral and psychic space people need in order to form their personality, which is created in constant identificatory processes. The aim of the processes is imaginary coherence. As the personality is embodied, forming one s imaginary coherence always includes attempts for bodily integrity, also entailing attempts to arrive at an understanding of one's procreative capacities. Besides Cornell, I draw on Judith Butler's thinking and comprehend gender performatively as doing, and in relation to that agency as part of the performative process of one's personality. Reproductive agency is understood in this study as the possibilities to live differently the hegemonic forms of procreative life. I deal with three redescriptive themes: the family, economics and gender. The family is a central element in that it is considered the main location of reproduction. With regard to reproductive agency, the documents include problematic conceptions of the family. It is defined as a heterosexual, monogamous, conjugal relationship, which affects reproductive agency in that these notions do not allow for different modes of family life. The second prominent aspect, economics, features on two levels: the macroeconomic level of GDP, employment and competitiveness, and the level of family policies and concern about family finances. Macroeconomic-level argumentation is problematic in the context of reproductive agency because it implies that procreation is a duty of citizens, and thus has effects on values attached to reproductive potential. On the other hand, family policies may advance reproductive agency in supporting families financially. However, such policies also define how the family is understood, thereby affecting reproductive agency. The third theme, gender, intersects with many issues in the policy documents. All three texts consider the roles of men and women differently: women are primarily responsible for the family, and both men's and women's reproductive agency is affected in that the roles in the procreative process are predefined. EVA and the Family Federation see women as the main target of population policies, and consider it legitimate to try to change women s reproductive decisions. Implicit in the notion of reproductive agency is the idea that it should be possible to overcome and live differently the sex difference, but the three documents do not open up opportunities for that. The notion of reproductive agency makes it also possible to question the legitimacy of population policies in general and offers new perspectives on the vocabularies used in the three policy texts, providing insights into the values and logics that support the concepts.

Tavallisuudesta tyylikkyyteen? : Sukupuoli ja maku kodinmuutosohjelmissa

The study focuses on the Finnish home makeover shows Inno (2004 , Nelonen) and Kodin kääntöpiiri (2001 2005; YLE TV2) and their episodes broadcast in spring 2004. The research material also includes the websites of both shows and messages concerning Inno from an online discussion forum. As people decorate their homes and reflect on them, they engage in negotiations of taste and in the construction of the ideal self. The main question of the study is: how are representations of the gendered self produced in home makeover shows? The broader theoretical and methodological context of the study is based on intersectionality, or simultaneous study of different identity categories. In this study, the main focus is on the intersections of gender, class and sexuality. Hence, the secondary research question is: how do ways of doing gender intersect with producing the ideas of class and sexuality in the representations of home makeover shows? The theoretical framework of the study combines Judith Butler s theory of gender performativity and Pierre Bourdieu s theory of taste. The analysis is founded upon a close reading focusing on the details and ambiguous meanings contained in the televisual representation. Home makeover shows are explored as a part of contemporary television culture, which is characterised by a significant increase in the number of both television channels and global television formats, as well as the hybridisation of programme types. Researchers on lifestyle television have paid attention to male designers and their ability to reconstruct meanings related to domesticity and home decoration as feminine spheres. The dissertation contributes to this discussion by analysing the representations of the male interior decorator in Inno and the four female interior decorators in Kodin kääntöpiiri. The focus is on the professional self and how it is both gendered and defined as an arbiter of taste. The programme concepts produce the impression that the makeover homes and their occupants are ordinary . The manufactured sense of ordinariness often conceals differences between the participants. One argument of the study is that the ordinariness of participants on lifestyle television should not be taken for granted without further reflection on the implications of labeling something as ordinary. Updating of interior decoration in home makeover shows can be interpreted as an area of doing gender that requires deliberation, effort, expert knowledge and a sufficient budget. The ideal lay decorator is portrayed as culturally omnivorous, brave and receptive to new ideas. The ability to reflect on ways of representing masculinity and femininity through decoration is also implied. In home makeover shows, greater self-awareness regarding the ways in which gender is produced does not lead to repeating gender differently. The idea of normative heterosexuality is in a hegemonic position in the representations of the participants. In Inno and Kodin kääntöpiiri questions of class are not made explicit. However, the idea of class is produced indirectly e.g. by describing the apartments and houses of the participants, by discussing their hobbies or interest in cultural products. In Inno, home decoration is primarily depicted as an individualistic consumer choice, while in Kodin kääntöpiiri it is often defined as a way to strengthen the ties of nuclear families. In Kodin kääntöpiiri, the ethos of familism is combined with pleasures gained from consumption and DIY activities. As a whole, the multidisciplinary study indicates a great number of differences between the two shows.

The Biopolitics of Gender

This dissertation inquires into the relationship between gender and biopolitics. Biopolitics, according to Michel Foucault, is the mode of politics that is situated and exercised at the level of life. The dissertation claims that gender is a technology of biopower specific to the optimisation of the sexual reproduction of human life, deployed through the scientific and governmental problematisation of declining fertility rates in the mid-twentieth century. Just as Michel Foucault claimed that sexuality became a scientific and political discourse in the nineteenth century, gender has also since emerged in these fields. In this dissertation, gender is treated as neither a representation of sex nor a cultural construct or category of identity. Rather, a genealogy of gender as an apparatus of biopower in conducted. It demonstrates how scientific and theoretical developments in the twentieth century marshalled gender into the sex/sexuality apparatus as a new technology of liberal biopower. Gender, I argue, has become necessary for the Western liberal order to recapture and re-optimise the life-producing functions of sex that reproduce the very object of biopolitics: life. The concept of the life function is introduced to analyse the life-producing violence of the sex/sexuality/gender apparatus. To do this, the thesis rereads the work of Michel Foucault through Gilles Deleuze for a deeper grasp of the material strategies of biopower and how it produces categories of difference and divides population according to them. The work of Judith Butler, in turn, is used as a foil against which to rearticulate the question of how to examine gender genealogically and biopolitically. The dissertation then executes a genealogy of gender, tracing the changing rationalities of sex/sexuality/gender from early feminist thought, through mid-twentieth century sexological, feminist, and demographic research, to current EU policy. According to this genealogy, in the mid-twentieth century demographers perceived that sexuality/sex, which Foucault observed as the life-producing biopolitical apparatus, was no longer sufficiently disciplining human bodies to reproduce. The life function was escaping the grasp of biopower. The analysis demonstrates how gender theory was taken up as a means of reterritorialising the life function: nature would be disciplined to reproduce by controlling culture. The crucial theoretical and genealogical argument of the thesis, that gender is a discourse with biopolitical foundations and a technology of biopower, radically challenges the premises of gender theory and feminist politics, as well as the emancipatory potential often granted to the gender concept. The project asks what gender means, what biopolitical function it performs, and what is at stake for feminist politics when it engages with it. In so doing, it identifies biopolitics and the problem of life as possibly the most urgent arena for feminist politics today.

Ele está presente: a obra de Silviano Santiago e as performances do artista perigoso

A presente dissertação tem como objetivo refletir sobre a imagem do artista na obra de Silviano Santiago, mais precisamente sobre a figura do narrador-escritor da novela Uma história de família (1992), em abordagem comparativa com outros artistas, cuja produção e aparecimento na mídia problematizaram as primeiras décadas do HIV/AIDS, tais como Cazuza e o artista visual Leonilson, que posavam midiaticamente como perigosos. Pretende-se apontar, na obra de Silviano Santiago, uma performance do artista (soropositivamente) perigoso, na qual a relação entre enfermidade, dor, prazer e labor literário é verificável. Outros artistas são estudados, tais como o escritor Jean-Claude Bernardet, a artista visual Teresa Margolles e o performer Ron Athey, assim como os já citados Cazuza e Leonilson. Partindo da tese de Doutorado e da dissertação de Mestrado de Marcelo Secron Bessa, este trabalho procura avançar com algumas questões que, para tanto, recorrem ao conceito de performatividade, em Judith Butler, à noção do corpo como um Outro radical, de Henri-Pierre Jeudy, e à análise da relação entre AIDS e a discursividade empreendida por Susan Sontag. Os textos críticos de Silviano Santiago também fundamentam o presente estudo, mais precisamente na análise daqueles da relação entre dor e prazer na criação literária e da noção de uma homossexualidade astuciosa em resposta às discursividades heteronormativas