Letters from head-quarters : or, the realities of the war in the Crimea /

Mode of access: Internet.

Letters from head-quarters; or, The realities of the war in the Crimea, by an officer on the staff.

Mode of access: Internet.

A soldier's experience : or, A voice from the ranks, showing the cost of war in blood and treasure. A personal narrative of the Crimean campaign ... Also, sketches of the lives and deaths of Sir H. Havelock, and Captain Hedley Vicars ... by one of the Royal Fusiliers.

Mode of access: Internet.

Journal of two visits to the Crimea in the autumns of 1854 & 1855 /

Mode of access: Internet.

Arthur's Illustrated Home Magazine

Title varies: 1853-1856, Home Magazine; 1857-1860 Lady's Home Magazine; 1861-1870; Arthur's Home Magazine; 1871-1872, Arthur's Lady's Home Magazine; 1873-1879, Arthur's Illustrated Home Magazine; 1880-1898, Arthur's Home Magazine

Report.

Included also are reports of the Metropolitan School of Art at Somerset House; Metropolitan Female School; Museum of Ornamental Art; Library of Art; Royal Dublin Society; Derby School of art; London Navigation School; Central School of Art; Geological Survey and Museum of Practical Geology; Registrar of Designs; Museum of Irish Industry; Royal Zoological Society of Ireland; Normal Lace School, Dublin; Industrial Museum of Scotland; National Art Training School, South Kensington; Mining Record Office; Royal Hibernian Academy of Arts; South Kensington Museum; Edinburgh Museum of Science and Art; Royal College of Chemistry; Science and Art Museum, Dublin; National Library of Ireland; Royal School of Mines; Royal College of Science, London; Royal College of Science for Ireland; Council of the Royal Hibernian Academy of Arts; Board of Visitors of the Science and Art Museum, and Royal Botanic Gardens, Dublin.

Documentos relativos a la Guerra Nacional de 1856 y 57 con sus antecedentes. [ Volumen I]

No more published?

Three visits to Madagascar during the years 1853-1854-1856 : including a journey to the capital : with notices of the natural history of the country and of the present civilization of the people /

"Appendix. Brief remarks on the Malagasy language": p. 411-426.

La guerra centroamericana contra los filibusteros en 1856-1857: Una aproximación a las fuentes bibliográficas y documentales.

ResumenLa guerra librada contra los filibusteros en 1856- 1857 no es una lucha contra un enemigo invisible. El filibusterismo constituye una amenaza contra la integridad e identidad de las naciones libres e independientes, no solo dentro de la geografía centroamericana, sino también en otros lugares de nuestro planeta. Memorialistas e historiadores se han encargado de registrar estas acciones para su mejor conocimiento y comprensión por parte de las sucesivas generaciones. Conforme pasa el tiempo, el aporte de estos hechos al conocimiento de la historia centroamericana se esclarece cada vez más.

THE PIANO MUSIC OF ROBERT SCHUMANN (1810-1856) AND JOHANNES BRAHMS (1833- 1897): A SURVEY OF CONCERTI, VARIATIONS, AND CHARACTER PIECES

Robert Schumann (1810-1856) and Johannes Brahms (1833-1897), in some ways Robert Schumann's artistic descendant, are the most important and representative German piano composers during the Romantic period. Schumann was already a mature and established musician in 1853 when he first met the young Brahms and recognized his talents, an encounter that had a long-lasting affect on the lives and careers of both men. After Schumann’s mental breakdown and death, Brahms maintained his admiration of Schumann’s music and preserved an intimate relationship with Clara Schumann. In spite of the personal and musical closeness of the two men, Schumann’s music is stylistically distinct from that of Brahms. Brahms followed traditions from Baroque and Classical music, and avoided using images and expressive titles in his music. Brahms extraordinarily intermingled earlier musical forms with multicolored tones of German Romanticism. In contrast, Schumann saw himself as a radical composer devoted to personal emotionalism and spontaneity. He favored programmatic titles for his character pieces and extra-musical references in his music. While developing their own musical styles as German Romantic composers, Schumann and Brahms both utilized the piano as a resourceful tool for self-realization and compositional development. To investigate and compare the main characteristics of Schumann and Brahms’s piano music, I looked at three genres. First, in the category of the piano concerto, I chose two major Romantic works, Schumann’s A minor concerto and Brahms’s B-flat major concerto. Second, for the category of piano variations I included two sets by Brahms because the variation framework was such an important vehicle for him to express his musical thoughts. Schumann’s unique motivic approach to variation is displayed vividly in his character-piece cycle Carnaval. Third, the category of the character piece, perhaps the favorite medium of Romantic expression at the piano, is shown by Schumann’s Papillons and Brahms’s sets of pieces Op.118 and Op.119. This performance dissertation consists of three recitals performed in the Gildenhorn Recital Hall at the University of Maryland, College Park. These recitals are documented on compact disc recordings that are housed within the University of Maryland Library System.

La conjuración de Catilina y la guerra de Jugurta

UANL

Historia de la Revolución de México contra la Dictadura del General Santa-Anna, 1853-1855.

UANL

Historia de la revolución de México contra la dictadura del General Santa Anna 1853-1855

UANL

Parte General que sobre la Campaña de Puebla dirige al Ministerio de la Guerra el Sr. General ayudante General D. José J. Álvarez, segundo jefe de estado mayor, cuartel maestre General del Ejército de operaciones, por orden del Exmo. Sr. D. Ignacio Comonfort, Presidente sustituto de la República y General en jefe de dicho Ejército.

UANL

Parte general que sobre la campaña de Puebla dirige al Ministerio de la guerra el sr. general ayudante general d. José J. Alvarez, segundo jefe de Estado Mayor, cuartel maestre general del ejército de operaciones, por orden del exmo. sr. d. Comonfort, presidente susutituto de la república, y general en jefe de dicho ejército.

UANL