Re-visioning Australian social realism through a feminine lens

This research explores the unique ways in which female film practitioners in Australia are utilising social realist politics in examining the stories of women in marginalised spaces. The findings add to the much needed gravitas of the female voice in contemporary Australian film.

Reconhecimento de palavras, nomeação de figuras e de palavras impressas em surdos implantados pré-linguais

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Generalização cartográfica para um Sistema de Navegação e Guia de Rota em Automóvel áudio-dinâmico com múltiplas escalas

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A poesia de Adélia Prado: expressão feminina do cotidiano e do sublime

This work aims to locate Adélia Prado’s poetry in the scenery of the contemporary Brazilian literature in order to comprehend some issues that are part of the manner how the poet constructs her poems and which may elucidate, through the lyric speaker, the relation of her poetry with the historical and cultural moment in which her work is placed. In this sense, the purpose of this study is to analyze Adélia Prado’s poetic construction by emphasizing the female voice of her lyric speaker and the superposition of elements from the semantic fields of the prosaic and the sublime, since we have identified these aspects as basic ones for the development of an interpretation on this poetry. This way, we have tried to comprehend the connection that the poet establishes between the material and the spiritual, the erotic and the religious, the immanent and the transcendent and we have concluded that, for the poet, everything can be subject to poetry. For this work, we used the volume Poesia reunida (1995) for it provides a wider view over Adélia Prado’s poetry

Aprendizagem após via exclusão e formação de classes de equivalência em crianças com deficiência auditiva e implante coclear (aceito condicionalmente)

Studies on learning by exclusion have shown that participants tend to select a new object or a new figure when a new word is dictated, rejecting the objects and figures they already know or that were associated with other words. This study aimed at training conditional relations between dictated word-picture and between picture-printed word, by exclusion, and verify whether this training would be a condition for the emergence of relations between dictated word-printed word, printed word-figure, picture naming and reading. We also investigated whether responding to the words dictated with a female voice generalized to other frequencies such as male and child voices. Participants were five children between five and nine years old, with acute neurosensorial bilateral hearing impairment, users of cochlear implant Nucleus 24k®. They were exposed, individually, to tasks that consisted in selecting a comparison stimulus (either picture or printed word) related to the sample (either dictated word or picture). Words with lowest scores on a pre-test were used. The relations between dictated word-figure (AB) and figure-printed word (BC) were taught by exclusion. We assessed the emergence of the relations between dictated and printed words (AC), printed word and picture (CB), male and child voices generalization (A’C and A’’C), naming (BD) and reading (CD). All the children responded by exclusion and learned relations AB and BC, showing receptive vocabulary; AC and CB relations also were learned, consistent with class formation. Responding generalized to male and child voices, but data on naming were not systematic. Learning by exclusion was similar to that of children with typical hearing and these results describe some conditions that can improve receptive verbal repertoire.

Huida de una voz en Cae la noche tropical, de Manuel Puig

El análisis literario permite distinguir la presencia de una voz femenina por toda la obra de Manuel Puig. El personaje que la expresa en Cae la noche tropical es Nidia. Desde el enfoque de la crítica genética fue posible observar en los materiales escriturales la configuración de esa voz y su relación con los lugares comunes -rasgo ya señalado como recurrente en la poética de este novelista por la crítica literaria-, así como el proceso por el cual logra fugarse del rol esperado y el cliché

Género y metaforización de la creación literaria en dos obras de Ricardo Piglia

La reflexión en torno al lenguaje y a la experiencia de los límites que caracteriza a la literatura moderna ha tomado frecuentemente en las obras la forma de un debate contradictorio sobre la figura y el género femeninos. La ciudad ausente explora ese imaginario del sexo (im)posible y de la travesía del otro femenino con un dispositivo original en el que convergen la alegorización del funcionamiento textual y la ficcionalización de una femineidad subversiva, además de la evocación de algunos grandes modelos del canon literario del autor. El artículo analiza el sentido de los mitos de género (la mujer marginal y rebelde) y las variantes del relato de los orígenes de la creación literaria, así como la representación de la pareja fantasmática artista-obra en la novela, y concluye con una evaluación de la misma problemática en el libreto y en la performance operísticos

Huida de una voz en Cae la noche tropical, de Manuel Puig

El análisis literario permite distinguir la presencia de una voz femenina por toda la obra de Manuel Puig. El personaje que la expresa en Cae la noche tropical es Nidia. Desde el enfoque de la crítica genética fue posible observar en los materiales escriturales la configuración de esa voz y su relación con los lugares comunes -rasgo ya señalado como recurrente en la poética de este novelista por la crítica literaria-, así como el proceso por el cual logra fugarse del rol esperado y el cliché

Género y metaforización de la creación literaria en dos obras de Ricardo Piglia

La reflexión en torno al lenguaje y a la experiencia de los límites que caracteriza a la literatura moderna ha tomado frecuentemente en las obras la forma de un debate contradictorio sobre la figura y el género femeninos. La ciudad ausente explora ese imaginario del sexo (im)posible y de la travesía del otro femenino con un dispositivo original en el que convergen la alegorización del funcionamiento textual y la ficcionalización de una femineidad subversiva, además de la evocación de algunos grandes modelos del canon literario del autor. El artículo analiza el sentido de los mitos de género (la mujer marginal y rebelde) y las variantes del relato de los orígenes de la creación literaria, así como la representación de la pareja fantasmática artista-obra en la novela, y concluye con una evaluación de la misma problemática en el libreto y en la performance operísticos

Huida de una voz en Cae la noche tropical, de Manuel Puig

El análisis literario permite distinguir la presencia de una voz femenina por toda la obra de Manuel Puig. El personaje que la expresa en Cae la noche tropical es Nidia. Desde el enfoque de la crítica genética fue posible observar en los materiales escriturales la configuración de esa voz y su relación con los lugares comunes -rasgo ya señalado como recurrente en la poética de este novelista por la crítica literaria-, así como el proceso por el cual logra fugarse del rol esperado y el cliché

Género y metaforización de la creación literaria en dos obras de Ricardo Piglia

La reflexión en torno al lenguaje y a la experiencia de los límites que caracteriza a la literatura moderna ha tomado frecuentemente en las obras la forma de un debate contradictorio sobre la figura y el género femeninos. La ciudad ausente explora ese imaginario del sexo (im)posible y de la travesía del otro femenino con un dispositivo original en el que convergen la alegorización del funcionamiento textual y la ficcionalización de una femineidad subversiva, además de la evocación de algunos grandes modelos del canon literario del autor. El artículo analiza el sentido de los mitos de género (la mujer marginal y rebelde) y las variantes del relato de los orígenes de la creación literaria, así como la representación de la pareja fantasmática artista-obra en la novela, y concluye con una evaluación de la misma problemática en el libreto y en la performance operísticos

Estimating tremor in Vocal Fold Biomechanics for Neurological Disease characterisation

Neurological Diseases (ND) are affecting larger segments of aging population every year. Treatment is dependent on expensive accurate and frequent monitoring. It is well known that ND leave correlates in speech and phonation. The present work shows a method to detect alterations in vocal fold tension during phonation. These may appear either as hypertension or as cyclical tremor. Estimations of tremor may be produced by auto-regressive modeling of the vocal fold tension series in sustained phonation. The correlates obtained are a set of cyclicality coefficients, the frequency and the root mean square amplitude of the tremor. Statistical distributions of these correlates obtained from a set of male and female subjects are presented. Results from five study cases of female voice are also given.

Preschooler’s Comprehension of Spatial Terms

This study aims to understand individual differences in preschooler’s early comprehension of spatial language. Spatial language is defined as terms describing location, direction, shape, dimension, features, orientation, and quantity (e.g location, shape). Spatial language is considered to be one of the important factors in the development of spatial reasoning in the preschool years (Pruden, Levine, & Huttenlocher, 2011). In recent years, research has shown spatial reasoning is an important predictor of successes in STEM (Science, Technology, Engineering, and Mathematics) fields (e.g. Shea, Lubinski & Benbow, 2001; Wai, Lubinksi &Benbow, 2009). The current study focuses on when children begin to comprehend spatial terms, while previous work has mainly focused on production of spatial language. Identifying when children begin to comprehend spatial terms could lead to a better understanding of how spatial reasoning develops. We use the Intermodal Preferential Looking paradigm (IPLP) to examine three-year-old children’s ability to map spatial terms to visual representations. Fourteen spatial terms were used to test these abilities (e.g. bottom, diamond, longer). For each test trial children were presented with two different stimuli simultaneously on the left and right sides of a television screen. A female voice prompted the child to find the target spatial relation (e.g. “can you find the boy pointing to the bottom of the window”; Figure 1). A Tobii X60 eye-tracker was used to record the child’s eye gaze for each trial. For each child the proportion of looking to the target image divided by their total looking during the trial was calculated; this served as the dependent variable. Proportions above .50 indicated that the child had correctly mapped the spatial term to the target image. Preliminary data shows that the number of words comprehended in the IPLP task is correlated to parental report of the child’s comprehension of spatial terms (r[14]=.500, p<.05).

Preschooler’s Comprehension of Spatial Terms

This study aims to understand individual differences in preschooler’s early comprehension of spatial language. Spatial language is defined as terms describing location, direction, shape, dimension, features, orientation, and quantity (e.g location, shape). Spatial language is considered to be one of the important factors in the development of spatial reasoning in the preschool years (Pruden, Levine, & Huttenlocher, 2011). In recent years, research has shown spatial reasoning is an important predictor of successes in STEM (Science, Technology, Engineering, and Mathematics) fields (e.g. Shea, Lubinski & Benbow, 2001; Wai, Lubinksi &Benbow, 2009). The current study focuses on when children begin to comprehend spatial terms, while previous work has mainly focused on production of spatial language. Identifying when children begin to comprehend spatial terms could lead to a better understanding of how spatial reasoning develops. We use the Intermodal Preferential Looking paradigm (IPLP) to examine three-year-old children’s ability to map spatial terms to visual representations. Fourteen spatial terms were used to test these abilities (e.g. bottom, diamond, longer). For each test trial children were presented with two different stimuli simultaneously on the left and right sides of a television screen. A female voice prompted the child to find the target spatial relation (e.g. “can you find the boy pointing to the bottom of the window”; Figure 1). A Tobii X60 eye-tracker was used to record the child’s eye gaze for each trial. For each child the proportion of looking to the target image divided by their total looking during the trial was calculated; this served as the dependent variable. Proportions above .50 indicated that the child had correctly mapped the spatial term to the target image. Preliminary data shows that the number of words comprehended in the IPLP task is correlated to parental report of the child’s comprehension of spatial terms (r[14]=.500, p<.05).

La perversión del lenguaje femenino en relatos de Ana María Shua y Silvina Ocampo

This thesis talks about the influence and impact of the folk and oral literature have in the women writers, especially the manipulations by two Argentine authors: Ana María Shua and Silvina Ocampo. Before analyzing the texts of these women, I begin with a reflection about the canon and writers who compose, to study the first women who approach it and they start with male models to write their texts. Therefore, each women writer has taken on elements of texts have been written by men, for example, themes, writing models, types of characters, etc., manipulating the canon to get a female voice from the concept of perversion, because everything is not standard it is perverse. One could say that the women writers start from male texts to pervert them, because these women steel male literatures language, especially in the twentieth century. They select different elements of male novels to get through the muses to produce own texts. They try to write something new from the known, and the Known is the male literature...