998 resultados para Aram, Eugene, 1704-1759
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[Acte. 1759-04-17. Paris]
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Comprend : Vie de Voltaire
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[Acte. 1704]
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The fundamental debt of E. O’Neill’s Mourning Becomes Electra to Aeschylus, and to a lesser degree to Sophocles and Euripides, has been always recognised but, according to the author’s hypothesis, O’Neill might have taken advantage of the Platonic image of the cave in order to magnify his both Greek and American drama. It is certainly a risky hypothesis that stricto sensu cannot be proved, but it is also reader’s right to evaluate the plausibility and the possible dramatic benefit derived from such a reading. Besides indicating to what degree some of the essential themes of Platonic philosophy concerning darkness, light or the flight from the prison of the material world are not extraneous to O’Neill’s work, the author proves he was aware of the Platonic image of the cave thanks to its capital importance in the work of some of his intellectual mentors such as F. Nietzsche or Oscar Wilde. Nevertheless, the most significant aim of the author’s article is to emphasize both the dramatic benefits and the logical reflections derived, as said before, from reading little by little O’Neill’s drama bearing in mind the above mentioned Platonic parameter.
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1759.
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AbstractIn the beginning of the 19th century, Portugal received from Brazil several barks that were used as cure for fevers for the purpose of chemical analysis. These analyses were intended to determine the principle compositional components responsible for the febrifuge power of these barks. At the University of Coimbra, the samples were analyzed under the supervision of Thomé Rodrigues Sobral, the Director of the university's Chemical Laboratory. In the interpretation of the obtained results, Sobral put forward his own ideas about the febrifuge principles of the analyzed barks in relation to their chemical composition. Here, we refer to both Rodrigues Sobral's reported results and his ideas about the febrifuge principle.
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Dedicated to: Carl Fredrich Mennander, Nils Idman, Michaël Forselius, Jacob Fårskål, Anders Berendt Gadd, Georg Haveman, Catharina Tackou, née Morin, Jacob Carenius.