Research in Education

Research in Education, like any discipline, can not be conceived in isolation. For example, if a person is to conduct research on "Juvenile literature" must be clear what aspect is going to emphasize the overarching theme. For this it is important to obtain what is the psychological approach, social, philosophical, etc.. and then define what type of library material is adapted to this approach.

The information and research in the UNA

Linked to the investigation is, without being able to do without it, the information. In fact it is a factor without which the research is done by halves, or does not occur at all.Research in any field or discipline, needs the support of those who previously investigated in the work of interest. Researchers need to give more authoritative backing, more scientific, his creation of what others wrote, reported or are inquiring about a hypothesis. Thus, the information defined as "a means of communication" without being an end in itself, is an indispensable means to strengthen, guide and accelerate any research process, and in many cases up to edit to change completely.The information was therefore an unusual importance in developing nations, as the link that binds makes available to the researcher or student, all I thought of Man produces and has produced over time and world geography.

Establishing community advisory boards for clinical trial research in Malawi: engendering ethical conduct in research

In this article I deal with extending the ethical principles of research to include communities through the establishment of Community Advisory Boards (CABs). The aim of the project on which this article is based demonstrates the need for protecting communities that participate in research in order to stimulate ethical conduct in research in Malawi. In the article, I provide an overview on the role and functions of CABs. I discuss the establishment of CABs in Malawi and present descriptions of the processes and challenges involved. I conclude by sharing experiences of some of the key lessons learnt from the establishment of CABs.

The intellectual structure of research in hospitality management: A literature review using bibliometric methods of the journal International Journal of Hospitality Management

The purpose of this study is to analyze the existing literature on hospitality management from all the research papers published in The International Journal of Hospitality Management (IJHM) between 2008 and 2014. The authors apply bibliometric methods – in particular, author citation and co-citation analyses (ACA) – to identify the main research lines within this scientific field; in other words, its ‘intellectual structure’. Social network analysis (SNA) is also used to perform a visualization of this structure. The results of the analysis allow us to define the different research lines or fronts which shape the intellectual structure of research on hospitality management.

Transdiscipline and research in health: Science, society and decision making

Significant advances in science should be given to addressing the needs of society and the historical context of the territories. Although technological developments that began with modernity and the industrial revolution allowed human beings to control the resources of nature to put to your service without limits, it is clear that the crisis of the prevailing development models manifest themselves in many ways but with three common denominators: environmental degradation, social injustice and extreme poverty. Consequently, today should not be possible to think a breakthrough in the development of science without addressing global environmental problems and the deep social injustices that increase at all scales under the gaze, impassively in many occasions, of formal science.

The reality of cross-disciplinary energy research in the United Kingdom:a social science perspective

Cross-disciplinary research is essential in understanding and reducing energy usage, however the reality of this collaboration comes with many challenges. This paper provides an insight into the integration of social science in energy research, drawing on the expertise and first hand experiences of a range of social science researchers (predominantly Early Career Researchers (ECRs)) working on UK cross-disciplinary projects in energy demand. These researchers, participants in a workshop dedicated to understanding the integration of social science in energy research, identified four groups of challenges to successful integration: Differing expectations of the role of social scientists; Working within academia; Feeling like a valued member of the team; and Communicating and comprehension between disciplines. Suggestions of how to negotiate those challenges included: Management and planning; Increasing contact; Sharing experience; and Understanding team roles. The paper offers a definition of ‘success’ in cross-disciplinary energy research from the perspective of social science ECRs, comprising external, internal and personal components. Using the logics of interdisciplinarity, this paper suggests that integration of the social sciences in the projects discussed may be partial at best and highlights a need to recognise the challenges ECRs face, in order to achieve full integration and equality of disciplines.

The use of digital educational resources : the contribution of research in the supervised teaching practice in basic education

This article aims to reflect on the impact of Information and Communication Technologies (ICT) in the educational context, focusing on the potential contributions of the use of Digital Educational Resources (RED) in the process of teaching and learning. For this purpose, the results of the use of the RED will be presented:. Digital Classroom - The World's 1st Year Carochinha The study was accomplished in a class of the 1st grade of the 1st CEB, composed of 27 students, aged 6-7 years in Castelo Branco City Schools Group within the Supervised Teaching Practice. The results obtained after the analysis and processing of the data showed that when using this RED students show they have acquired the content covered by the fact that they enhanced levels of greater interest, commitment, motivation, commitment and initiative in the course of activities proposals. But, perhaps because they are students of 1st year of the 1st CEB, do not neglect the presence and monitoring of the teacher and the use of paper-based resources. This means that there should be a complementarity that reconciles the human factor (teacher), with the use of digital media resources and paper support resources (Manual).

Linkage: Basic Requirement in any Product of Research in Education

The scientific production, in the field of education, constantly refers to linkage as a special condition to develop research. However, its meaning and the way to achieve that condition are not always clear, particularly for those who are in a training stage of research in education. Meanwhile, the academic production reviewers consider linkage as a very important aspect and essential characteristic of any research project. This paper suggests that linkage involves an epistemological discussion on the research factors in each one of the research stages, such as the construction of the object of study, the definition of methodology, and the data analysis and interpretation, among the most important stages. Linkage takes shape in a written product showing the results from an orderly construction and communication of thought, according to the rules established in a particular field of knowledge.

Materials Collection Creation and Administration: A New Role for Libraries (White Paper)

The Problem/Opportunity: To define, identify, and guide design-based materials collections in academic settings and foster community among those with existing collections and/or those considering creating and supporting one. Contents and topics: What is a materials collection? Why have a materials collection? Acquisition strategies Organizational approaches Programming possibilities Symposium summary Resources

Arte, vida e formação de professores

Pós-graduação em Artes - IA

Application of FTIR microscopy to cultural heritage materials

Research in art conservation has been developed from the early 1950s, giving a significant contribution to the conservation-restoration of cultural heritage artefacts. In fact, only through a profound knowledge about the nature and conditions of constituent materials, suitable decisions on the conservation and restoration measures can thus be adopted and preservation practices enhanced. The study of ancient artworks is particularly challenging as they can be considered as heterogeneous and multilayered systems where numerous interactions between the different components as well as degradation and ageing phenomena take place. However, difficulties to physically separate the different layers due to their thickness (1-200 µm) can result in the inaccurate attribution of the identified compounds to a specific layer. Therefore, details can only be analysed when the sample preparation method leaves the layer structure intact, as for example the preparation of embedding cross sections in synthetic resins. Hence, spatially resolved analytical techniques are required not only to exactly characterize the nature of the compounds but also to obtain precise chemical and physical information about ongoing changes. This thesis focuses on the application of FTIR microspectroscopic techniques for cultural heritage materials. The first section is aimed at introducing the use of FTIR microscopy in conservation science with a particular attention to the sampling criteria and sample preparation methods. The second section is aimed at evaluating and validating the use of different FTIR microscopic analytical methods applied to the study of different art conservation issues which may be encountered dealing with cultural heritage artefacts: the characterisation of the artistic execution technique (chapter II-1), the studies on degradation phenomena (chapter II-2) and finally the evaluation of protective treatments (chapter II-3). The third and last section is divided into three chapters which underline recent developments in FTIR spectroscopy for the characterisation of paint cross sections and in particular thin organic layers: a newly developed preparation method with embedding systems in infrared transparent salts (chapter III-1), the new opportunities offered by macro-ATR imaging spectroscopy (chapter III-2) and the possibilities achieved with the different FTIR microspectroscopic techniques nowadays available (chapter III-3). In chapter II-1, FTIR microspectroscopy as molecular analysis, is presented in an integrated approach with other analytical techniques. The proposed sequence is optimized in function of the limited quantity of sample available and this methodology permits to identify the painting materials and characterise the adopted execution technique and state of conservation. Chapter II-2 describes the characterisation of the degradation products with FTIR microscopy since the investigation on the ageing processes encountered in old artefacts represents one of the most important issues in conservation research. Metal carboxylates resulting from the interaction between pigments and binding media are characterized using synthesised metal palmitates and their production is detected on copper-, zinc-, manganese- and lead- (associated with lead carbonate) based pigments dispersed either in oil or egg tempera. Moreover, significant effects seem to be obtained with iron and cobalt (acceleration of the triglycerides hydrolysis). For the first time on sienna and umber paints, manganese carboxylates are also observed. Finally in chapter II-3, FTIR microscopy is combined with further elemental analyses to characterise and estimate the performances and stability of newly developed treatments, which should better fit conservation-restoration problems. In the second part, in chapter III-1, an innovative embedding system in potassium bromide is reported focusing on the characterisation and localisation of organic substances in cross sections. Not only the identification but also the distribution of proteinaceous, lipidic or resinaceous materials, are evidenced directly on different paint cross sections, especially in thin layers of the order of 10 µm. Chapter III-2 describes the use of a conventional diamond ATR accessory coupled with a focal plane array to obtain chemical images of multi-layered paint cross sections. A rapid and simple identification of the different compounds is achieved without the use of any infrared microscope objectives. Finally, the latest FTIR techniques available are highlighted in chapter III-3 in a comparative study for the characterisation of paint cross sections. Results in terms of spatial resolution, data quality and chemical information obtained are presented and in particular, a new FTIR microscope equipped with a linear array detector, which permits reducing the spatial resolution limit to approximately 5 µm, provides very promising results and may represent a good alternative to either mapping or imaging systems.

Investigación en el campo del arte : Presentación de un caso y niveles de anclaje

Muchas veces en la investigación en el campo del arte los términos son ambiguos si no se los precisa. Retomamos la distinción entre cuestiones ontológicas (tipos de objetos de investigación), epistemológicas (conocimientos producidos) y metodológicas propiamente dichas (discusiones en torno de los vínculos con las Ciencias Sociales). A su vez distinguimos la investigación en el campo del arte de la investigación artística (IENA) propiamente dicha, reservando para esta última los sentidos de un tipo de indagación estética creativa en la incorporación de nuevos lenguajes y modalidades de obras. El trabajo busca ser una excusa para que, presentando una exploración en curso dentro de la casa/museo El fogón de los arrieros, podamos actualizar brevemente un debate sobre dos concepciones vinculadas: la IENA y la investigación sobre objetos artísticos. Además de arriesgar una propuesta de abordaje con matriz de datos para estratificar los niveles de análisis, dejando interrogantes para sucesivos planteos que contengan los rasgos propios de la pesquisa teórica y práctica sobre artes.

Investigación en el campo del arte : Presentación de un caso y niveles de anclaje

Muchas veces en la investigación en el campo del arte los términos son ambiguos si no se los precisa. Retomamos la distinción entre cuestiones ontológicas (tipos de objetos de investigación), epistemológicas (conocimientos producidos) y metodológicas propiamente dichas (discusiones en torno de los vínculos con las Ciencias Sociales). A su vez distinguimos la investigación en el campo del arte de la investigación artística (IENA) propiamente dicha, reservando para esta última los sentidos de un tipo de indagación estética creativa en la incorporación de nuevos lenguajes y modalidades de obras. El trabajo busca ser una excusa para que, presentando una exploración en curso dentro de la casa/museo El fogón de los arrieros, podamos actualizar brevemente un debate sobre dos concepciones vinculadas: la IENA y la investigación sobre objetos artísticos. Además de arriesgar una propuesta de abordaje con matriz de datos para estratificar los niveles de análisis, dejando interrogantes para sucesivos planteos que contengan los rasgos propios de la pesquisa teórica y práctica sobre artes.

Investigación en el campo del arte : Presentación de un caso y niveles de anclaje

Muchas veces en la investigación en el campo del arte los términos son ambiguos si no se los precisa. Retomamos la distinción entre cuestiones ontológicas (tipos de objetos de investigación), epistemológicas (conocimientos producidos) y metodológicas propiamente dichas (discusiones en torno de los vínculos con las Ciencias Sociales). A su vez distinguimos la investigación en el campo del arte de la investigación artística (IENA) propiamente dicha, reservando para esta última los sentidos de un tipo de indagación estética creativa en la incorporación de nuevos lenguajes y modalidades de obras. El trabajo busca ser una excusa para que, presentando una exploración en curso dentro de la casa/museo El fogón de los arrieros, podamos actualizar brevemente un debate sobre dos concepciones vinculadas: la IENA y la investigación sobre objetos artísticos. Además de arriesgar una propuesta de abordaje con matriz de datos para estratificar los niveles de análisis, dejando interrogantes para sucesivos planteos que contengan los rasgos propios de la pesquisa teórica y práctica sobre artes.