905 resultados para ABC-analys
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Tese apresentada ao Programa de Pós-Graduação em Administração da Universidade Municipal de São Caetano do Sul como requisito para a obtenção do título de Doutora em Administração.
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Denna studie syftar till att med stöd av en genusteoretisk referensram undersöka hur flickor och kvinnor respektive pojkar och män porträtteras i en lärobok avsedd för SO- undervisning i årskurs 1-3. Resultatet av bildanalysen är att pojkar och män är både kvantitativt och kvalitativt överrepresenterade. Således fortlever ett genussystem med pojkar och män som norm, vilket inte är förenligt varken med vad som skrivs fram i styrdokument rörande skolans jämställdhetsuppdrag eller vad som formuleras i kursplanerna för SO- ämnena. Studien påvisar värdet av att lärare innehar en didaktisk kompetens som gör det möjligt att bemöta läroboksinnehåll för att undervisningen i SO- ämnena ska avspegla vad som formuleras i styrdokumenten om jämställdhet.
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Denna studie omfattar en undersökning om hur ett hybridnät har fungerat, i detta fall Ihushi Development Center som ligger I Tanzania. De mätningar som har gjorts, har följt en standard för att kunna universellt användas vid en fortsatt studie eller direkt kunna användas för att jämföras med andra hybridnät med liknande uppsättning och förutsättningar. Under arbetets gång så har en ny modell tagits fram för att smidigt kunna analysera rådata och uträkning av de nödvändiga parametrarna. Detta underlättar även kommande arbeten kring detta hybridnät. Det har också blivit en typ av simulering då det har funnits många olika typer av utspridda och kontinuerliga fel som har behövts hanteras. Dessa värden har då behövts uppskattats utifrån olika källor och metoder, för att sedan användas. Det har sedan räknats ut effektiviteter och prestanda på olika delar i systemet som sedan kommenteras och kan direkt användas för en utvärdering i en framtida studie. Dessa resultat har bitvis jämförts med tidigare utvärdering men då det saknats information från föregående rapport så har en fullständig jämförelse och slutsats inte varit möjlig.
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This paper describes the goals and objectives of the ABC Project: Goal I: Increase delivery of quality arts education and arts integrated learning for all South Carolina students. GOAL II: Affect the creation of and maintenance of local, state, and national policy that ensures a quality, sequential, standards-based arts education for all of South Carolina students. Goal III: Leverage local, state, and national partnerships that advance education in and through the arts for all South Carolina students.
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This paper gives a short history of the ABC Project by listing milestones year by year, from 1987 to 2012.
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Inversiones ABC S.A.S es una empresa colombiana situada en la ciudad de Bogotá, la cual ofrece servicios cambiarios y de intermediación financiera al segmento específico de las empresas de transporte terrestre de carga en la capital del país. La actividad principal de la empresa consiste en el cambio de cheques y la compra de facturas (factoring). Derivados de dicha actividad se ofrecen los siguientes servicios; servicio por ventanilla, servicio puerta a puerta (a domicilio) y consignaciones y giros en bancos y otras entidades como Efecty, Super giros, Western Union (giros y finanzas) y demás casas de giros presentes actualmente en el país. Con base en lo anterior, es posible afirmar que la liquidez constituye en elemento fundamental para el óptimo funcionamiento de los procesos de la compañía. Sin embargo, la tenencia de altas sumas de dinero en efectivo supone también una serie de riesgos asociados a la problemática de inseguridad en la capital del país. Anteriormente, se han presentado asaltos a la sede principal los cuales generalmente resultan en pérdidas económicas que afectan los resultados de la compañía al igual que acciones violentas contra los empleados que atentan contra su integridad física. 1 Teniendo en cuenta que la inseguridad en Bogotá es una amenaza constante, que afecta la operación de la empresa y podría inclusive amenazar su perdurabilidad, el presente trabajo tiene como fin determinar estrategias viables que permitan a la compañía contrarrestar el accionar delictivo de los grupos criminales que amenazan su operación.
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O trabalho visa apresentar resultados de dois anos de fomento a uma rede de transferência de tencologia e comunicação como propósito de incremetnar a adoção da tecnologia de inoculante nas culturas de soja, feijão-comum, feijão-cupi e milho
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2016
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Brazil's Low Carbon Agriculture is one the initiatives that puts the climate in the agricultural agenda towards a more sustainable and adapted agriculture under global changes. Among the several practices listed and supported by the ABC Plan, zero tillage and integrated crop-livestock-forestry systems including the recovery of degraded pasture are the most relevant ones. The objective of this paper is to present the Geo-ABC Project, a procedure to monitor the implementation of the Brazil?s Low Carbon Agriculture (ABC Plan) and aiming at the development of remote sensing methods to monitor agricultural systems listed in the ABC Plan and adopted at local scale.
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The Chaser’s War on Everything is a night time entertainment program which screened on Australia’s public broadcaster, the ABC in 2006 and 2007. This enormously successful comedy show managed to generate a lot of controversy in its short lifespan (see, for example, Dennehy, 2007; Dubecki, 2007; McLean, 2007; Wright, 2007), but also drew much praise for its satirising of, and commentary on, topical issues. Through interviews with the program’s producers, qualitative audience research and textual analysis, this paper will focus on this show’s media satire, and the segment ‘What Have We Learned From Current Affairs This Week?’ in particular. Viewed as a form of ‘Critical Intertextuality’ (Gray, 2006), this segment (which offered a humorous critique of the ways in which news and current affairs are presented elsewhere on television) may equip citizens with a better understanding of the new genre’s production methods, thus producing a higher level of public media literacy. This paper argues that through its media satire, The Chaser acts not as a traditional news program would in informing the public with new information, but as a text which can inform and shape our understanding of news that already exists within the public sphere. Humorous analyses and critiques of the media (like those analysed in this paper), are in fact very important forms of infotainment, because they can provide “other, ‘improper,’ and yet more media literate and savvy interpretations” (Gray, 2006, p. 4) of the news.
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Amphibian is an 10’00’’ musical work which explores new musical interfaces and approaches to hybridising performance practices from the popular music, electronic dance music and computer music traditions. The work is designed to be presented in a range of contexts associated with the electro-acoustic, popular and classical music traditions. The work is for two performers using two synchronised laptops, an electric guitar and a custom designed gestural interface for vocal performers - the e-Mic (Extended Mic-stand Interface Controller). This interface was developed by one of the co-authors, Donna Hewitt. The e-Mic allows a vocal performer to manipulate the voice in real time through the capture of physical gestures via an array of sensors - pressure, distance, tilt - along with ribbon controllers and an X-Y joystick microphone mount. Performance data are then sent to a computer, running audio-processing software, which is used to transform the audio signal from the microphone. In this work, data is also exchanged between performers via a local wireless network, allowing performers to work with shared data streams. The duo employs the gestural conventions of guitarist and singer (i.e. 'a band' in a popular music context), but transform these sounds and gestures into new digital music. The gestural language of popular music is deliberately subverted and taken into a new context. The piece thus explores the nexus between the sonic and performative practices of electro acoustic music and intelligent electronic dance music (‘idm’). This work was situated in the research fields of new musical interfacing, interaction design, experimental music composition and performance. The contexts in which the research was conducted were live musical performance and studio music production. The work investigated new methods for musical interfacing, performance data mapping, hybrid performance and compositional practices in electronic music. The research methodology was practice-led. New insights were gained from the iterative experimental workshopping of gestural inputs, musical data mapping, inter-performer data exchange, software patch design, data and audio processing chains. In respect of interfacing, there were innovations in the design and implementation of a novel sensor-based gestural interface for singers, the e-Mic, one of the only existing gestural controllers for singers. This work explored the compositional potential of sharing real time performance data between performers and deployed novel methods for inter-performer data exchange and mapping. As regards stylistic and performance innovation, the work explored and demonstrated an approach to the hybridisation of the gestural and sonic language of popular music with recent ‘post-digital’ approaches to laptop based experimental music The development of the work was supported by an Australia Council Grant. Research findings have been disseminated via a range of international conference publications, recordings, radio interviews (ABC Classic FM), broadcasts, and performances at international events and festivals. The work was curated into the major Australian international festival, Liquid Architecture, and was selected by an international music jury (through blind peer review) for presentation at the International Computer Music Conference in Belfast, N. Ireland.
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President’s Message Hello fellow AITPM members, A few weeks have now passed since our 2009 AITPM National Conference, Traffic Beyond Tomorrow, which was held at the Adelaide Convention Centre from 5 to 7 August. I personally had a most enjoyable and enriching time at the Conference and felt these same “vibes” all around me. Top marks go to the South Australia organising committee, convened by Andrew Leedham, for their dedication to this our flagship event for the year. I could go on to cite my highlights but there were too many to give due diligence here. I had a number of official functions to perform at the Conference, but one in particular worth mentioning was being interviewed by radio stations 5AA, the main news/talk commercial broadcaster in Adelaide, and 891 ABC Adelaide. All interviewers were focussed on the issue of congestion charging, which is interesting in its emergence as a public conversation piece. My main responses focussed on the importance of providing alternatives for travel to the motorist otherwise being charged by a scheme, if and when decisions were made to implement congestion charging. I found that these opportunities to present AITPM as a professional peak body were very fruitful. The Queensland organising committee is now in full swing organising the 2010 AITPM National Conference, What’s New?, so please keep a lookout for related content. You’ll also find within this edition a transcript of my President’s Report to the 2009 AITPM National Annual General Meeting, which was held during the Adelaide Conference. Best regards to all, Jon Bunker
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This article observes a paradox in the recent history of the Special Broadcasting Service. It is argued that, in contrast to the Australian Broadcasting Corporation, the role and general direction of SBS were not extensively debated as part of the ‘culture wars’ that occurred during the years of the Howard government. While that made SBS a less fraught space during that period, it may now be a factor in the comparative lack of support being given by the Rudd Labor government to SBS in comparison with the ABC, as some of the ‘special’ status of SBS has been blunted by its drift towards more mainstream programming and a mixed economy of commercial advertising, as well as government funding.
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The creative work, ¡Latin Jazz! is a 50 minute radio documentary to be broadcast on ABC Classic FM. It looks at the evolution of Latin jazz from Spain, Cuba and the United States. It examines the social effects on the style and specifically on the syncretic movement between the countries. The documentary traces my travel to Madrid, Spain and looks at Latin jazz through a deconstruction of the style, musical examples and interviews with prominent artists. Artists interviewed were Chano Domínguez, a Spanish flamenco jazz pianist, Bobby Martínez an American saxophonist, Alain Pérez a Cuban bassist and Pepe Rivero a Cuban pianist. The exegesis supports the radio documentary by examining the style in more depth, and is broken into three main sections. First it traces the historical relationship that occurred through the Ida y Vuelta (To and Fro), the similarities and influences through the habanera, the decíma and the religion of Santería. This is followed by specific musical elements within Latin jazz such as instrumentation, clave, harmony and improvisation, whilst the third section looks at the influences of the new syncretic movement back to Spain.
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Are the Academy Awards heading towards an identity crisis? This year's Academy Awards have been characterised by a major disconnect between the most popular films at the box office and socially important films deemed the 'best pictures' by the Academy. Will the popularity of a film always remain inferior to whether or not it tackles serious social issues? Can popularity in its own right ever become indicative of a film's worth? Or should the awards retain their artistic integrity and suffer declining audiences and any criticisms they receive to maintain the respect they garner within the film industry? Whatever the answers may be, the winner of this year's Academy Awards was art over commerce, but this may not always be the case.