940 resultados para Preconceito racial
Resumo:
Orientado pelo debate sobre a diferença, o presente estudo analisa questões de gênero e sexualidade relativas ao processo de constituição do currículo de Educação em Direitos Humanos, procurando identificar que significados deslizam, disputam hegemonia e ganham espaço e/ou são silenciados em textos voltados à Educação Básica, autodefinidos como relativos à Educação em Direitos Humanos reunidos em acervo pedagógico produzido pelo Núcleo de Educação Continuada (NEC). O NEC é um projeto de extensão da Faculdade de Educação da Baixada Fluminense, da Universidade do Estado do Rio de Janeiro, que atua há 15 anos com a proposta de articular ações de extensão, pesquisa e ensino com a temática dos direitos humanos, desenvolvendo projetos escolares em parceria com o poder público e instituições da sociedade civil. Este estudo se insere em uma abordagem pós-estruturalista, assumindo como referencial teórico as contribuições dos Estudos Culturais e Pós-Coloniais. Nele, o conceito de discurso desenvolvido por Chantal Mouffe e Ernesto Laclau (2000, 2004) é utilizado como categoria de análise para investigar a diferença como processo de produção discursiva e, na perspectiva da Educação em Direitos Humanos, discutir com base em Aura Helena Ramos (2011) a Educação em Direitos Humanos como eixo articulador da diferença. Apoia-se em Elizabeth Macedo (2007, 2011) para analisar o currículo como produção cultural e em Guacira Louro (2002, 2010) para pensar as questões relativas a gênero e sexualidade na Educação. As análises e conclusões, sempre provisórias e contingentes, indicam que o discurso dos textos curriculares que compõem o material empírico do estudo permite identificar a atenção em relação às diferenças de gênero e a invisibilização das diferenças em relação ao tema sexualidade, silenciamento que produz e sustenta o preconceito contra as homossexualidades.
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Este trabalho tem como proposta pensar os processos identitários da afrodiáspora, a partir dos diálogos com a Capoeira Angola e as narrativas de suas/seus praticantes. Apresentamos a Capoeira Angola como prática cultural de matriz africana, significada por um processo histórico de luta e resistência das populações negras na diáspora. Procuramos discutir quais identidades são reivindicadas, tecidas e enunciadas nessa prática, com especial atenção às identidades angoleiras, às identidades negras e ao pertencimento etnicorracial enunciado por suas/seus praticantes. O processo histórico de escravização das populações negras no Brasil resultou na discriminação racial de mulheres e homens negras/os e na visibilização estereotipada das suas práticas e epistemologias, produzindo diferenciações hierárquicas. A cultura como enunciação e diferença permite através do ato enunciativo, a produção de novos sentidos e significados para as populações negras, que ressignificam suas identidades e tensionam às lógicas e racionalidades hegemônicas. As identidades são compreendidas como processos de identificação, permitidos pelo dinamismo da cultura e pelas práticas discursivas. O agenciamento coletivo reivindica outras identificações, de modo que o ato enunciativo pode produzir novos sentidos para às significações atribuídas às populações negras, sendo a linguagem um importante mecanismo de circulação da palavra e o indicador mais sensível de transformações sociais.
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O presente trabalho tem o objetivo geral de estudar a permanência do positivismo criminológico no Brasil e sua parcela de contribuição para a naturalização da desigualdade característica da seletividade de nosso sistema de controle social. Tendo como pano de fundo a hegemônica ideologia da democracia racial, a pesquisa pretende afastar ocultações de harmonia racial e demonstrar como, a despeito delas, a incorporação da criminologia positivista carregou a reificação da distinção racializada no olhar para a questão criminal, se enraizando no sistema penal. Partindo de um problema presente o componente racista da seleção preferencial do sistema penal brasileiro a pesquisa busca na recuperação histórica a leitura das traduções realizadas pelos intelectuais brasileiros que, problematizando a nacionalidade e a cidadania no momento de transição representado pela Primeira República, construíram ideias sobre o crime, o criminoso e a defesa social a partir de critérios de distinção ancorados em visões racializadas, gerais e individualizantes. Para tanto, coloca-se em questão a inserção do positivismo na polícia, dentro do contexto das reformas policiais do início do século XX. Chama-se a atenção para o papel de determinados tradutores traidores do positivismo chamados de intelectuais de polícia no campo policial, assim como para a forma de introdução dessa criminologia, usando-se a ideia de luta simbólica pela mudança da prática policial. Pretendendo, desse modo, contribuir com o estudo da questão criminal e com a compreensão do sistema penal brasileiro a partir do diálogo entre criminologia, história e sociologia, as conclusões do trabalho apontam para a oportunidade da abordagem da polícia como um campo social dotado de um habitus específico. Essa visão possibilita, por um lado, a interpretação das pretensões modernizantes dos intelectuais de polícia alinhadas com o pensamento positivista como pressões sobre as estruturas desse campo, passíveis de rejeição e de retradução no interior desse mundo social específico. De outro, admitindo-se a possibilidade de tensionamento e reestruturação do habitus policial como resultado dessas demandas externas, pode-se encontrar nessas disposições duráveis elementos da permanência do positivismo que imprimiram na prática policial as desigualdades ocultadas pelo mito da democracia racial.
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Objective: To investigate the association of complement C4 null genes (C4QO, including C4AQO and C4BQO) and C2 gene with systemic lupus erythematosus (SLE) in southwest Han Chinese; 136 patients with SLE and 174 matched controls were genotyped. Methods: C4 null genes were determined by a polymerase chain reaction (PCR) procedure with sequence specific primers (PCR-SSP). The 2 bp insertion in exon 29, which was previously identified in non-Chinese populations and caused defective C4A genes, was directly typed by sequencing the whole exon 29 using exon specific primers. The exon 6 of complement C2 was also sequenced in both the patients and controls. Results: The frequency of homozygous C4AQO allele was 12.5% (17/136) in patients with SLE compared with 1.1% (2/174) in controls (p<0.001, odds ratio (OR)=12.286, 95% confidence interval (95% CI) 2.786 to 54.170). There was no significant difference for homozygous C4BQO allele between patients with SLE and controls (p=0.699). Patients with the C4AQO gene had an increased risk of acquiring renal disorder, serositis, and anti-dsDNA antibodies compared with those without C4AQO (for renal disorder, p=0.018, OR=8.951, 95% Cl 1.132 to 70.804; for serositis, p=0.011, OR 4.891, 95% CI 1.574 to 15.198; for anti-dsDNA, p=0.004, OR 7.630, 95%Cl 1.636 to 35.584). None of the patients or controls had the 2 bp insertion in exon 29 of the C4 gene. The type I C2 deficiency was not detected in the 3 10 samples. Conclusion: It is suggested that deficiency of C4A (not due to a 2 bp insertion in exon 29), but not C4B or C2, may be a risk factor for acquiring SLE in south west Han Chinese; this results in increased risk of renal disorder, serositis, and anti-dsDNA antibodies in patients with SLE. Racial differences seem to be relevant in susceptibility to SLE.
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A pecuária de corte do Estado do Acre, caracterizava-se por deficiência de comercialização, abastecimento e uma sensível carência alimentar do rebanho. Após a década de setenta, começaram a ser construídas estradas,no Estado, para interligá-lo a outros centros produtores o país o que ocasionou a imigração de pessoas para Rondônia e Acre. A maioria das pessoas que vieram para o Acre, usaram a terra como reserva de valor, ficando o capital produtivo em Rondônia que, por essa razão, é considerado hoje um dos maiores centros produtores de alimentos de primeira necessidade das regiões Norte e Centro-Oeste. Em termos de pecuária de corte, o rebanho do Estado sofreu introdução de várias raças, e com isso, o rebanho não teve uma padronização racial que favorecesse rendimentos de carcaças satisfatórios.
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Price, Roger, A Concise History of France (Cambridge: Cambridge University Press, 2005), pp.xiii+491 RAE2008
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The problem of refugees is a phenomenon characteristic of contemporary international relations. It can take an individual form (as a result of individual persecutions of a racial, religious, national or political character) or the form of mass relocations, especially in the face of military conflicts or general breaching of human rights. The purpose of this paper is to present the refugee question as an international global problem that may appear in any region of the world, impacting the situation of states and societies, that is perceived as both a threat and a fundamental challenge for the entire international community.
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This study documents, analyzes, and interprets Korean American United Methodist (KAUM) clergywomen‘s experiences in and understandings of the church. It examines contributions these (and potentially, other) clergywomen might make to Wesleyan ecclesiology generally, and particular ways United Methodists live out their faith in transitional, diverse, and global contexts. The project attempts to re-vision existing Wesleyan ecclesial discourse in the United Methodist Church (UMC) by recognizing and incorporating the contributions of racial-ethnic clergy as expressed through their leadership and practices of faith. A "practice-theory-practice" model of practical theology was used to pay systematic attention to the practical locus of the inquiries. Twenty Korean American United Methodist clergywomen were interviewed by telephone, using a voluntary sampling technique to ascertain how they both experienced the church and understood and lived out various practices of faith, including preaching, participation in and administration of the sacraments, preparation for ordained ministry, and other spiritual practices such as prayer, worship, retreats, and journaling. The dissertation summarizes those findings, provides contextual and historical interpretation, and then analyzes their responses in relation to Wesleyan theology, MinJung (mass of people) theology, and the theology of YeoSung (women who display dignity and honor as human beings). This study identifies the extraordinary call of the KAUM clergywomen interviewees to be bridge builders, strong nurturers, wounded healers, committed educators, breakers of old stereotypes, persistent seekers to fulfill God‘s call, and ecclesial leaders with ―tragic consciousness‖ who can disrupt marginality and facilitate the creative transformation of Han (a deep experience of suffering and oppression) into a constructive energy capable of shaping a new reality. According to this study, KAUM clergywomen‘s experiences and practices of faith as ecclesial leaders strengthen Wesleyan ecclesiology in terms of the UMC‘s efforts to be an inclusive church through connectionalism, and its commitment to social justice. MinJung theology and the theology of YeoSung, in their respective understandings of the church, broaden Wesleyan ecclesiology and enable the Church to be more relevant in a global context by embracing those who have not been normative theological subjects.
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Since the age of colonisation, the territory of New Mexico has been exposed to a diversity of cultural influence. Throughout recorded history various forces have battled for control of this territory, resulting in a continuous redefinition of its political, geographic and economic boundaries. Early representations of the Southwest have been defined as “strategies of negotiation” between Anglo, Hispanic and Native populations, strategies that are particularly evident in the territory of New Mexico. The contemporary identity of regions like northern New Mexico have destabilised the notion of what constitutes racial purity in regions which are defined by diversity. This thesis aims to evaluate the literary history of northern New Mexico in order to determine how exposure to a diversity of cultural influence has affected the region’s identity. An analysis of Anglo and Native writers from northern New Mexico will illustrate that these racial groups were influenced by the same geographic landscape. As such, their writing displays many characteristics unique to the region. In providing a comparative analysis of Native and Anglo authors from northern New Mexico, this thesis seeks to demonstrate commonalities of theme, structure and content. In doing so this research encourages a new perspective on New Mexico writing one which effectively de-centres contemporary notions of what the American canon should be.
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BACKGROUND: Body image (BI) and body satisfaction may be important in understanding weight loss behaviors, particularly during the postpartum period. We assessed these constructs among African American and white overweight postpartum women. METHODS: The sample included 162 women (73 African American and 89 white) in the intervention arm 6 months into the Active Mothers Postpartum (AMP) Study, a nutritional and physical activity weight loss intervention. BIs, self-reported using the Stunkard figure rating scale, were compared assessing mean values by race. Body satisfaction was measured using body discrepancy (BD), calculated as perceived current image minus ideal image (BD<0: desire to be heavier; BD>0: desire to be lighter). BD was assessed by race for: BD(Ideal) (current image minus the ideal image) and BD(Ideal Mother) (current image minus ideal mother image). RESULTS: Compared with white women, African American women were younger and were less likely to report being married, having any college education, or residing in households with annual incomes >$30,000 (all p < 0.01). They also had a higher mean body mass index (BMI) (p = 0.04), although perceived current BI did not differ by race (p = 0.21). African Americans had higher mean ideal (p = 0.07) and ideal mother (p = 0.001) BIs compared with whites. African Americans' mean BDs (adjusting for age, BMI, education, income, marital status, and interaction terms) were significantly lower than those of whites, indicating greater body satisfaction among African Americans (BD(Ideal): 1.7 vs. 2.3, p = 0.005; BD(Ideal Mother): 1.1 vs. 1.8, p = 0.0002). CONCLUSIONS: Racial differences exist in postpartum weight, ideal images, and body satisfaction. Healthcare providers should consider tailored messaging that accounts for these racially different perceptions and factors when designing weight loss programs for overweight mothers.
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We provide evidence that college graduation plays a direct role in revealing ability to the labor market. Using the NLSY79, our results suggest that ability is observed nearly perfectly for college graduates, but is revealed to the labor market more gradually for high school graduates. Consequently, from the beginning of their careers, college graduates are paid in accordance with their own ability, while the wages of high school graduates are initially unrelated to their own ability. This view of ability revelation in the labor market has considerable power in explaining racial differences in wages, education, and returns to ability.
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BACKGROUND: Variation in brain structure is both genetically and environmentally influenced. The question about potential differences in brain anatomy across populations of differing race and ethnicity remains a controversial issue. There are few studies specifically examining racial or ethnic differences and also few studies that test for race-related differences in context of other neuropsychiatric research, possibly due to the underrepresentation of ethnic minorities in clinical research. It is within this context that we conducted a secondary data analysis examining volumetric MRI data from healthy participants and compared the volumes of the amygdala, hippocampus, lateral ventricles, caudate nucleus, orbitofrontal cortex (OFC) and total cerebral volume between Caucasian and African-American participants. We discuss the importance of this finding in context of neuroimaging methodology, but also the need for improved recruitment of African Americans in clinical research and its broader implications for a better understanding of the neural basis of neuropsychiatric disorders. METHODOLOGY/PRINCIPAL FINDINGS: This was a case control study in the setting of an academic medical center outpatient service. Participants consisted of 44 Caucasians and 33 ethnic minorities. The following volumetric data were obtained: amygdala, hippocampus, lateral ventricles, caudate nucleus, orbitofrontal cortex (OFC) and total cerebrum. Each participant completed a 1.5 T magnetic resonance imaging (MRI). Our primary finding in analyses of brain subregions was that when compared to Caucasians, African Americans exhibited larger left OFC volumes (F (1,68) = 7.50, p = 0.008). CONCLUSIONS: The biological implications of our findings are unclear as we do not know what factors may be contributing to these observed differences. However, this study raises several questions that have important implications for the future of neuropsychiatric research.
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This study, "Civil Rights on the Cell Block: Race, Reform, and Violence in Texas Prisons and the Nation, 1945-1990," offers a new perspective on the historical origins of the modern prison industrial complex, sexual violence in working-class culture, and the ways in which race shaped the prison experience. This study joins new scholarship that reperiodizes the Civil Rights era while also considering how violence and radicalism shaped the civil rights struggle. It places the criminal justice system at the heart of both an older racial order and within a prison-made civil rights movement that confronted the prison's power to deny citizenship and enforce racial hierarchies. By charting the trajectory of the civil rights movement in Texas prisons, my dissertation demonstrates how the internal struggle over rehabilitation and punishment shaped civil rights, racial formation, and the political contest between liberalism and conservatism. This dissertation offers a close case study of Texas, where the state prison system emerged as a national model for penal management. The dissertation begins with a hopeful story of reform marked by an apparently successful effort by the State of Texas to replace its notorious 1940s plantation/prison farm system with an efficient, business-oriented agricultural enterprise system. When this new system was fully operational in the 1960s, Texas garnered plaudits as a pioneering, modern, efficient, and business oriented Sun Belt state. But this reputation of competence and efficiency obfuscated the reality of a brutal system of internal prison management in which inmates acted as guards, employing coercive means to maintain control over the prisoner population. The inmates whom the prison system placed in charge also ran an internal prison economy in which money, food, human beings, reputations, favors, and sex all became commodities to be bought and sold. I analyze both how the Texas prison system managed to maintain its high external reputation for so long in the face of the internal reality and how that reputation collapsed when inmates, inspired by the Civil Rights Movement, revolted. My dissertation shows that this inmate Civil Rights rebellion was a success in forcing an end to the existing system but a failure in its attempts to make conditions in Texas prisons more humane. The new Texas prison regime, I conclude, utilized paramilitary practices, privatized prisons, and gang-related warfare to establish a new system that focused much more on law and order in the prisons than on the legal and human rights of prisoners. Placing the inmates and their struggle at the heart of the national debate over rights and "law and order" politics reveals an inter-racial social justice movement that asked the courts to reconsider how the state punished those who committed a crime while also reminding the public of the inmates' humanity and their constitutional rights.
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This dissertation centers on the relationship between art and politics in postwar Central America as materialized in the specific issues of racial and gendered violence that derive from the region's geopolitical location and history. It argues that the decade of the 1990s marks a moment of change in the region's cultural infrastructure, both institutionally and conceptually, in which artists seek a new visual language of experimental art practices to articulate and conceptualize a critical understanding of place, experience and knowledge. It posits that visual and conceptual manifestations of violence in Central American performance, conceptual art and installation extend beyond a critique of the state, and beyond the scope of political parties in perpetuating violent circumstances in these countries. It argues that instead artists use experimental practices in art to locate manifestations of racial violence in an historical system of domination and as a legacy of colonialism still witnessed, lived, and learned by multiple subjectivities in the region. In this postwar period artists move beyond the cold-war rhetoric of the previous decades and instead root the current social and political injustices in what Aníbal Quijano calls the `coloniality of power.' Through an engagement of decolonial methodologies, this dissertation challenges the label "political art" in Central America and offers what I call "visual disobedience" as a response to the coloniality of seeing. I posit that visual colonization is yet another aspect of the coloniality of power and indispensable to projects of decolonization. It offers an analysis of various works to show how visual disobedience responds specifically to racial and gender violence and the equally violent colonization of visuality in Mesoamerica. Such geopolitical critiques through art unmask themes specific to life and identity in contemporary Central America, from indigenous genocide, femicide, transnational gangs, to mass imprisonments and a new wave of social cleansing. I propose that Central American artists--beyond an anti-colonial stance--are engaging in visual disobedience so as to construct decolonial epistemologies in art, through art, and as art as decolonial gestures for healing.