Avaliação do desempenho docente e o professor titular: um estudo de caso numa perspetiva organizacional

A avaliação do desempenho docente tem vindo a adquirir uma centralidade crescente nos contextos educativos. Para além de razões mais abrangentes que têm a ver com a importância gradual que a avaliação adquire nas políticas educativas, considera-se que a avaliação do desempenho docente contribui para a melhoria da qualidade do trabalho docente, das aprendizagens e dos resultados escolares dos alunos. As alterações do Estatuto da Carreira Docente introduziram, a partir de 2007, a par com um novo e mais exigente sistema de avaliação, a divisão da carreira em duas categorias – professor e professor titular. Os professores titulares passaram a desempenhar funções de avaliação e coordenação dos seus colegas. Estas mudanças trouxeram alterações significativas na carreira, na profissão e no trabalho docente. O propósito deste estudo foi pesquisar, do ponto de vista da análise organizacional, o modo como foi percecionado pelos docentes o processo de avaliação do desempenho (relativo ao ciclo 2007-2009), centrando-nos, em particular, no papel desempenhado pelos professores titulares num modelo de avaliação por pares e num quadro legal de verticalização da carreira docente. Desenvolvemos este estudo num agrupamento de escolas da zona centro do território continental português seguindo uma metodologia de estudo de caso. Como principais conclusões, e tendo em conta as lógicas organizacionais de que partimos, ressalta-se: i) ao nível da lógica burocrática, a burocratização e morosidade do concurso dos professores titulares, a complexidade dos procedimentos conducentes à implementação do sistema de avaliação e o formalismo na construção dos respetivos instrumentos; ii) dentro da lógica conflitual, as tensões decorrentes da discordância com a divisão da carreira entre professor e professor titular, a atribuição aos professores titulares da função avaliativa, não tendo estes sido reconhecidos pelos seus pares com legitimidade para os avaliar, e a existência de conflitos entre os diversos intervenientes; iii) na lógica artificial, o facto de este sistema de avaliação não ter implicado alterações significativas nas práticas, tendo em conta a exígua adesão dos professores à avaliação da componente cientifico-pedagógica, a ritualização de processos e o restringir-se ao cumprimento dos requisitos mínimos.

Troubles of one neophyte researcher in getting qualitative research on parthneships in a daycare setting with disadvantaged toddlers

This study is about the troubles encountered by one researcher in getting qualitative research on partnerships between families, in disadvantaged situations and educators in toddler day care settings and how they affect the quality of care as perceived by parents and educators. The study focuses on the conflicts and tensions as perceived by families and educators. A secondary goal of the study is to develop a greater understanding of how day care training programs might incorporate the findings to prepare day care educators to work with families in disadvantaged circumstances. The study is done through a qualitative lens using an ecological framework. The study spans a three month period and is set up in a non-profit, parent-controlled day care center. Detailed 'narratives of experience' are constructed from the participants' reflections on the events. Three main barriers or conflicts have emerged from the study. They are time, fear and a difference in perceptions between the families and the educators. The thesis concludes with advice to researchers who may be contemplating setting up a similar study and some suggestions are proposed for day care training programs. These suggestions include reflections of the researcher and how she implemented changes in her own teaching.

Jusqu’à épuisement des stocks

Ce mémoire est le fruit d’une réflexion portant sur la pulsion qui m’habite de sans cesse créer de nouveaux objets, ainsi que sur les rapports que j’entretiens avec mes objets d’art et les objets manufacturés qui nous entourent. Elle s’est construite peu à peu, dans un aller-retour entre production à l’atelier et retour critique. Au cours des deux dernières années, j’ai cherché, par l’entremise de sculptures et d’œuvres installatives, à comprendre ma fascination pour le fait de vivre dans une société dont l’activité fondamentale semble être une transformation constante d’énergie et de matière. Dans un premier temps, j’y dresse plusieurs constats relatifs à mon positionnement comme artiste face aux différents discours sur l’art. Essentiellement, je développe l’idée que je n’ai pas besoin de régler le cas de l’art, d’un point de vue théorique, pour faire de l’art. Dans la seconde partie, je réfléchis sur différentes caractéristiques de ma démarche : le fait que je cherche à créer des objets qui s’insèrent et se comportent dans le réel comme des anomalies, que ma démarche est perméable à tout ce qui constitue mon expérience de vie, ou encore que j’active en manipulant de façon intuitive du matériel chargé de significations multiples. Dans un troisième temps, je présente la nature de l’imaginaire qui m’habite et explique la façon dont ce dernier influence ma manière de faire de l’art et la morphologie de mes œuvres. Vient ensuite un chapitre dans lequel je me penche sur mon passé de designer industriel et de musicien, dans lequel j’illustre la façon dont ces deux expériences de création, bien que fort différentes de l’art contemporain, influencent ma pratique actuelle. Finalement, je ferai une représentation schématisée des concepts, des méthodes et des dynamiques à l’œuvre dans mon processus créatif. Cette multitude de regards différents sur ma pratique permettra de faire ressortir, tout au long de ce mémoire, que ma démarche est nourrie par une série de tensions que je cherche à réconcilier, sans vraiment y parvenir, et que c’est cette impossibilité qui me pousse constamment à créer des nouvelles œuvres. Bien que mes œuvres soient souvent interprétées comme des commentaires sur l’actualité, le présent mémoire n’a pas comme point central l’actualité, mais bien mon travail de création, la façon dont il fonctionne, ce à quoi il est relié, etc. Je ne me pose pas la question « pourquoi et comment transformons-nous l’énergie et la matière? », mais plutôt « comment puis-je transformer le monde en transformant autrement l’énergie et la matière? »

O sofrimento profissional nos educadores de jovens e adultos

Trabalho de projecto de mestrado, Ciências da Educação (Formação de Adultos), Universidade de Lisboa, Instituto de Educação, 2011

O quotidiano do diretor e a concretização do seu projeto

Tese de mestrado, Ciências da Educação (Administração Educacional), Universidade de Lisboa, Instituto de Educação, 2012

Das ciências naturais à genética : a divulgação científica na revista brotéria (1902-2002) e o ensino científico da companhia de Jesus nos séculos XIX e XX em Portugal

Tese de doutoramento, História e Filosofia das Ciências, Universidade de Lisboa, Faculdade de Ciências, 2014

The Personal and Professional Selves of Teachers: Stable and Unstable Identities

In much educational literature it is recognised that the broader social conditions in which teachers live and work, and the personal and professional elements of teachers' lives, experiences, beliefs and practices are integral to one another, and that there are often tensions between these which impact to a greater or lesser extent upon teachers' sense of self or identity. If identity is a key influencing factor on teachers' sense of purpose, self‐efficacy, motivation, commitment, job satisfaction and effectiveness, then investigation of those factors which influence positively and negatively, the contexts in which these occur and the consequences for practice, is essential. Surprisingly, although notions of ‘self’ and personal identity are much used in educational research and theory, critical engagement with individual teachers' cognitive and emotional ‘selves’ has been relatively rare. Yet such engagement is important to all with an interest in raising and sustaining standards of teaching, particularly in centralist reform contexts which threaten to destabilise long‐held beliefs and practices. This article addresses the issue of teacher identities by drawing together research which examines the nature of the relationships between social structures and individual agency; between notions of a socially constructed, and therefore contingent and ever‐remade, ‘self’, and a ‘self’ with dispositions, attitudes and behavioural responses which are durable and relatively stable; and between cognitive and emotional identities. Drawing upon existing research literature and findings from a four‐year Department for Education and Skills funded project with 300 teachers in 100 schools which investigated variations in teachers' work and lives and their effects on pupils (VITAE), it finds that identities are neither intrinsically stable nor intrinsically fragmented, as earlier literature suggests. Rather, teacher identities may be more, or less, stable and more or less fragmented at different times and in different ways according to a number of life, career and situational factors.

O livro encenado: escrita e representação na obra de Ana Teresa Pereira

Esta dissertação propõe uma leitura de um conjunto de obras de Ana Teresa Pereira centrada nas relações entre escrita e representação. Estas obras são: O Fim de Lizzie e outras histórias (2008), O Verão Selvagem dos Teus Olhos (2008), Inverness (2010), A Outra (2010), A Pantera (2011) e O Lago (2011). Partindo da hipótese de que aquele binómio constitui um problema teórico importante na abordagem a estas obras, interroga-se as diversas instâncias em que ele se manifesta nos textos, tendo em conta a encenação do acto de escrita e de outros actos de criação, bem como o recurso a um campo semântico do domínio do teatro, com o qual a narrativa se confunde, pondo em evidência e em diálogo diferentes acepções do conceito de “representação”. A reflexão atenta essencialmente em três eixos: o pensamento sobre arte que atravessa estas narrativas, a figuração auto-reflexiva do texto e a forma como Ana Teresa Pereira desenvolve uma noção de teatralidade na articulação entre escrever e representar. Esta noção é também a que une ideias de livro, de palco e de mundo, gerando tensões consequentes entre ficção, realidade e literatura.

Senior Managers’ Perspectives of Leading and Managing Effective, Sustainable and Successful Partnerships

Formal and informal partnerships have become key features of education policy and practice in many countries and managing such collaborative arrangements is an important dimension of the role(s) of leaders of educational organizations. Recent research has shown both the tensions and conflict that can develop in partnerships as well as the opportunities and benefits of partnership working for organizations and individuals. This article focuses on the characteristics of partnerships that contribute to their effectiveness, sustainability and success, filling a gap in the literature on educational partnerships. The research data emanate from a qualitative study of partnership working in England. The study used a grounded approach and inductively linked characteristics of partnerships found in the partnership literature with empirical data from a case study of a subregional partnership of education and training organizations. This combined evidence is used to conceptualize partnership as a continuum of weak to strong forms of partnership and to develop a table of characteristics which underpin such partnerships. The findings reveal the extent to which trust, networks, norms and values support effective, sustained and successful partnerships. These characteristics are differentiated and may fluctuate during the lifecourse of a partnership but remain fundamental features of partnership working and significantly contribute to the strength and effectiveness of partnerships.

Teaching Toward Utopia: Promise, Provocation, and Pain in Pedagogies of Radical Imagination

Thesis (Ph.D.)--University of Washington, 2014

The green economy and sustainable development: an uneasy balance?

The United Nations Conference on Sustainable Development (or Rio+20) was conceived at a time of great concern for the health of the world economy. In this atmosphere ‘green economy’ was chosen as one of two central themes for the conference, building on a burgeoning body of literature on the green economy and growth. This research examines the relationship and influence between the double crisis and the rise of ‘greening’ as part of the solution. The aim is to understand what defines and distinguishes the proposals contained in twenty-four sources on the green economy (including policy documents by international agencies and think tanks, and research papers), and what is the meaning and implication of the rising greening agenda for sustainable development as it enters the 21st century. Through a systematic qualitative analysis of textual material, three categories of discourse that can illuminate the meaning and implication of greening are identified: ‘almost business as usual’, ‘greening’, and ‘all change’. An analysis of their relationship with Dryzek's classification of environmental discourse leads to the identification of three interrelated patterns: (1) scarcity and limits, (2) means and ends, and (3) reductionism and unity—which deepen our understanding of the tensions between emerging propositions. The patterns help explain the meaning and implications of greening for sustainable development, revealing an economisation and polarisation of discourses, the persisting weak interpretation of sustainable development, and a tension between the fixing or shifting of dominant socioeconomic paradigms that underpin its conceptualisation.

The complexities of tourism and regeneration: the case of the 2012 Olympic Games

Regeneration proposals typically seek to use a range of physical, economic and social initiatives to tackle inequality and improve areas. Often they attempt to change the image of places, making them more attractive to tourists, investors, and residents. The role of tourism in these regeneration processes is complex and contested. Tourism elements are often not well understood by decision-makers and sometimes create tensions with wider social regeneration aspirations. Using concepts from complexity theory, this paper interrogates the relationship between tourism and wider regeneration aspirations connected with the 2012 Olympic Games. It uses complexity theory to explore the context within which policies are developed, and the relationships between different policy initiatives. Both are highly complex, constantly evolving and sometimes ambiguous. It argues complexity concepts might be used to help to develop deeper understanding of the relationships between tourism and regeneration.

The resilience of democratic institutions in Britain, Australia and the United States under conditions of total war

To what extent are democratic institutions resilient when nation states mobilise for war? Normative and empirical political theorists have long argued that wars strengthen the executive and threaten constitutional politics. In modern democracies, national assemblies are supposed to hold the executive to account by demanding explanations for events and policies; and by scrutinising, reviewing and, if necessary, revising legislative proposals intended to be binding on the host society or policies that have been implemented already. This article examines the extent to which the British and Australian parliaments and the United States Congress held their wartime executives to account during World War II. The research finds that under conditions approaching those of total war, these democratic institutions not only continued to exist, but also proved to be resilient in representing public concerns and holding their executives to account, however imperfectly and notwithstanding delegating huge powers. In consequence, executives—more so British and Australian ministers than President Roosevelt—were required to be placatory as institutional and political tensions within national assemblies and between assemblies and executives continued, and assemblies often asserted themselves. In short, even under the most onerous wartime conditions, democratic politics mattered and democratic institutions were resilient.

The frontiers of participatory public engagement

Currently missing from critical literature on public engagement with academic research is a public-centric analysis of the wider contemporary context of developments in the field of public engagement and participation. Drawing on three differently useful strands of the existing theoretical literature on the public, this article compares a diverse sample of 100 participatory public engagement initiatives in order to first, analyse a selection of the myriad ways that the public is being constituted and supported across this contemporary field and second, identify what socio-cultural researchers might learn from these developments. Emerging from this research is a preliminary map of the field of public engagement and participation. This map highlights relationships and divergences that exist among diverse forms of practice and brings into clearer view a set of tensions between different contemporary approaches to public engagement and participation. Two ‘frontiers’ of participatory public engagement that socio-cultural researchers should attend are also identified. At the first, scholars need to be critical regarding the particular versions of the public that their preferred approach to engagement and participation supports and concerning how their specific identifications with the public relate to those being addressed across the wider field. At the second frontier, researchers need to consider the possibilities for political intervention that public engagement and participation practice could open out, both in the settings they are already working and also in the much broader, rapidly developing and increasingly complicated contemporary field of public engagement and participation that this article explores.

A Migrant Culture on Display: The French Migrant and French Gastronomy in London (19th – 21st centuries)

The large contemporary French migrant population – estimated by the French Consulate at around 300,000–400,000 in the UK, the majority living in London and the South-East – remains ‘absent’ from studies on migration, and, in a study of migrant food history in Britain, is considered not to have left traces as a migrant community. Over the centuries, the presence of various French communities in London has varied significantly as far as numbers are concerned, but what does not change is their simultaneous ‘visibility’ and ‘invisibility’ in accounts of the history of the capital: even when relatively ‘visible’ at certain historical moments, they still often remain hidden in its histories. At times the French in London are described as a ‘sober, well-behaved […] and law-abiding community’; at other times they ‘appeared as a foreign body in the city’. This article reflects on the dynamics at play between a migrant culture associated with high cultural capital (so much so that is often emulated by those who are not French) and the host culture perception of and relationship to it, in order to consider what this may ‘mean’ for the French (and Francophone) migrant experience. French gastronomy and culinary knowledge is taken as an example of material culture and of cultural capital ‘on display’ specifically in the activity of dining out, especially in French restaurants, or in those influenced by French gastronomy. The social activity of dining out is replete with displays of knowledge (linguistic, culinary), of cultural literacy, of modes of behaviour, of public identity, and of rituals strictly codified in both migrant and host cultures. Dining out is also an emotional and politically-charged activity, fraught with feelings of suspicion (what is in the food? what does the chef get up to in the kitchen?) and of anxieties and tensions concerning status, class and gender distinctions. This article considers the ways in which the migrant French citizen of London may be considered as occupying an ambiguous position at different times in history, simultaneously possessing cultural capital and needing to negotiate complex cultural encounters in the connections between identity and the symbolic status of food in food production, food purveying and food consumption.