924 resultados para Identidade jovem
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Direct descendant of the music of the Black Atlantic, hip hop became the spokesman of excluded minorities, for example setting up of the reunification that is geographically separated through communication. The hip hop appropriated new forms of mass communication, allowing the reworking of the story through a counter-hegemonic discourse that seeks self-knowledge and appreciation of the roots of black people. The street culture is the narrative of disenfranchised youth, generating narrative of inclusion, which gave a space of enunciation periphery enabling them to intersubjective recognition. This project aims to discuss the role of hip hop as an agent conscientizing youth peripherals in order to bring to the debate the form of identity construction around the peripheral street culture since, as an intervention that acts as a symbolic system guiding cultural practices and attitudes of these young people. Methodologically, we analyzed specific bibliographical about hip hop and literature originating from the periphery itself. Selected discography of some rap groups. They are Racionais Mc's, 509-E and DJ Hum and Thaíde that constitute the vanguard of hip hop in Brazil. We use music from rapper Emicida this while some contemporary exponents of rap, with national and international. State of São Paulo in order to demonstrate that there is similarity between the questions proposed by the hip hop and the interior of the capital, the group selected Survey. We have used also press material, raising the issue in research on the internet, periodicals include the Rolling Stones and Caros Amigos
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O presente trabalho busca analisar a identidade proposta pelo jornal impresso O Estado de S. Paulo ao grupo manifestante Black Bloc durante o segundo semestre de 2013, período seguinte às Jornadas de Junho na cidade de São Paulo. Serão analisadas as notícias veiculadas no portal de notícias do jornal, assim como as publicações do grupo de manifestantes na página oficial do Black Bloc SP do Facebook na mesma época. O objetivo é mostrar qual a relação entre a identidade atribuída pela grande mídia ao indivíduo e a identidade reivindicada pelo mesmo na rede social
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Besides producing a vast literary work, Angela Carter (1940-1992) participated of the screenplay’s production for two movies based on her books, The Company of Wolves and The Magic Toyshop. Either through the influence that cinema had in her life or through the very own style of her writing, the relation of the British author with the seventh art is visible. Considering the importance of significations in literary works, this paper proposes a comparative study between Angela Carter’s The Magic Toyshop (1967) and the film of the same title, based on Carter’s novel, directed by David Wheatley and produced by Granada Television, in 1987. Based on Tania Carvalhal’s conception about intertextuality and film theories, the focus of this paper is the gender study, since its ideology is subscribed, represented and reproduced in every cultural practice, including literature and cinema. The characters construction in both cases, especially the female characters, is filled with symbols which are going to bring the film closer to the literary work and contribute to express the critics suggested in the work’s leading: the complaint to the patriarchal system. However, given the different nature of each work, it is necessary to stress that this present comparison doesn’t intend to establish a total identification between novel and film, but to set a dialogue between both, observing the approximation and distance of these two instances.
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Psychosocial Identity of the adolescents in boarding school system in the agricultural education Abstract: This article is the result of a research where we try to study and to understand the psychosocial identity of adolescents undergoing boarding. We discussed the issue of boarding school in literature and notes about adolescence in various psychological approaches. Research strategies were interviews, and focus group reports. We conclude that, even with the difficulties students believe that the promising future can only be achieved through technical training, which would enable them not only to acquire a knowledge, but also as a way to gain access to a better-paying job. A better understanding of the surrounding reality allows us to subsidize various professional institutions also adopt boarding as an option to stay.
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The article seeks to reflect from a visual history of the elaboratión imaginary political and national identities and transnational comparative perspective between Brazil and Mexico in the first half of the twentieth century. The main focus is Mexican participation in the exhibition commemorating the centennial of Brazilian independence in 1922 and the dialogues in the film industry of both countries in the second half of the 1940s and beginning of 1950s.
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This paper presents a non-heterosexual young lady s Narrative Life History. By presenting it, we aim to understanding how desire, (in)visibility and the processes of exclusion are articulated in relation to the experience of homoeroticism, especially within the family. By this, we are able to point out some homophobic aspects, modes of how the device of closet operates and how some expectations and demands exert pressures over a non-heterosexual member in the family. In this case study, the way her family lived her sexuality depended on a strong family ties, such as: the secret about sexuality. Such secret, according to our hypothesis, was produced and preserved by homophobia which served as the major aspect on the construction of gender and (dis)unity of the family. This work is part of a in progress doctoral thesis, sponsored by FAPESP Fundação para o Amparo à Pesquisa no Estado de São Paulo.
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This text aims to address the critical essays of Osman Lins on the corpus of his works, reading and study, which consists of Portuguese textbooks adopted in schools for the teaching of the national language in the Secondary Course. More specifically, we intend to reflect on how Osman Lins analyzes the procedures adopted by the authors of these textbooks to introduce learners into Brazilian literature. Our object of study and analysis is restricted to six trials Lins published originally in 1965, the newspaper of Pernambuco University Press and later, in 1977, were collected in the form of the first chapter, titled "The Book didactic - First time: 1965 " (1977, p.13-40), the book From the Dream and Glory: Brazilian uncultural problems.
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This text’s objective is to present an analysis of Aída, adapted by Han Mi-Ho (2012) and illustrated by Lucia Sforza, from the classic eponymous opera by Giuseppe Verdi. This book is part of the collection Classical music on the scene, published by FTD, which aims to introduce stories of important librettos regarded as classics in the music field to young audiences. More specifically, we intend to verify in this text, with Bakhtinian principles, how the dialogue between Verdi’s work and HanMi-Ho’s is actualized. To achieve these objectives, we will present a reflection of what provides the pleasure in reading. In this text we built the hypothesis that Han-Mi-Ho’s strategy to rescue a classic opera and adapt it in the form of an illustrated narrative for the young reader provides the contact with an attractive and playful text that leads to critical reflection and expands his knowledge through the rescue of the cultural memory. The appropriation of a classic cultural production adapted to the narrative language and targeted to a young audience can act as an appraisal factor in the identity of the reader. Through it, he is able to raise his self-esteem, because he perceives that he is considered as a production receiver, while at the same time he is recognized as the heir of a traditional cultural heritage.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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Pós-graduação em Linguística e Língua Portuguesa - FCLAR
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Pós-graduação em Engenharia Elétrica - FEIS
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Na última década dos anos 90, alguns estudos acadêmicos voltaram-se para a questão de se valorizar as investigações sobre o saber docente, o saber pedagógico e a prática pedagógica. Dentre os inúmeros temas abordados, o papel do aluno frente à escola, foi o que chamou nossa atenção. Com base nisso, estuda-se sobre o habitus do aluno, sobre seu papel enquanto ator social, sobre sua identidade de aluno, sobre seu ofício de aluno, entre outros. No âmbito desse processo e com base nas vivências da pesquisadora este estudo buscou como objetivo geral compreender o papel da socialização primária na constituição do ofício de aluno e na construção de sua identidade. Especificamente: (1) Levantar dados sobre o papel da socialização primária na construção da identidade de aluno e; (2) Identificar em estudantes do ensino fundamental como eles constituíram o seu ofício do aluno. Nosso trabalho se baseou em uma pesquisa de natureza qualitativa. Contou com 7 participantes, todos eles alunos de uma escola pública do munícipio de Rio Claro. Para coleta de dados foi utilizada a entrevista semi-estruturada. Na disposição dos resultados optou-se pela divisão em três eixos: (1) Infância, (2) Escola e (3) Ofício de aluno. Já para análise do conteúdo, a discussão, separou-se em dois eixos temáticos: o primeiro sobre a socialização primária na construção da identidade de aluno e o segundo sobre a construção do ofício de aluno. Com isso, pudemos concluir que o ofício de aluno é de ordem: temporal, social, plural, heterogêneo, personalizado, situado, biográfico e estrutural. E que papel que o aluno desenvolve na escola é influenciado pela socialização primária (família e escola) à qual o mesmo foi submetido. Porém, deixamos aqui uma contribuição singular, visando que futuros projetos possam ser desenvolvidos de forma a ampliar o entendimento desse tema
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Pós-graduação em Educação Sexual - FCLAR