De què vas, tio?

My study is based on an ethnography of two groups of young people from working-class neighbourhoods in Barcelona. I was interested in researching the impact of Catalan language policies on the identities of young people of Spanish-speaking immigrant families. I sought to go beyond the constraints of traditional structuralist approaches in Sociolinguistics in order to make my analysis relevant to people working for gender equality, the promotion of the Catalan language, or other social causes. I combine ideas from Bakhtin, Bourdieu, Fairclough, Foucault and Goffman to build a dialectical, historical, process-centred perspective that conceptualises practices in terms of social and political struggles.I analyse young people's peer-group activities in terms of their significance for the construction of gender identities. I propose a variety of forms of masculinity and femininity according to the various ways in which members organised their gender displays in face-to-face interaction.I also show how their use of argot and dialectal Spanish was part of the processes whereby members defined their relationships, constructed particular subject positions in interaction and struggled to legitimate their own values.I explore the meanings constructed through Catalan and Spanish by looking into the code-switching practices of my participants. I analysed their talk in terms of narratives that present particular sequential dramatisations of events for conversational audiences. These narratives follow the expressive intention of the author, and are populated with multiple voices of animated characters. I argue that, in the groups I studied, Catalan was generally not used to animate the voices that were central to the identities of the peer-group, and particularly to masculine identities.In order to contextualise these practices within the wider society, I also look into the processes of language choice in face-to-face encounters. I argue that existing conventions made it difficult for people to find opportunities to speak Catalan. I also pointed to the difficulties that my participants had to find employment, which were particularly acute amongst the more politically aware individuals. I conclude that these young working-class people had little possibilities of investing in more egalitarian forms of identity given their lack of resources and opportunities to develop their identities in other social spaces, such as the workplace.

Anita Roddick - Naisyrittäjän tarinoita eettisestä liiketoiminnasta

Tutkimuksen tarkoituksena oli tarkastella The Body Shopin perustajan Anita Roddickin kahden elämäkertateoksen tarinoita ja tutkia, mitä hän kertoo tarinoissaan naisyrittäjyydestä ja yrityksensä eettisestä liiketoiminnasta. Tarinoita analysoitiin ja verrattiin muuhun tutkimustietoon aiheista. Tutkimus oli luonteeltaan kvalitatiivinen ja tutkimuksen metodologiana käytettiin narratiivis-elämäkerrallista tutkimusotetta. Roddickin tarinat yrittäjyydestä ja liiketoiminnan eettisyydestä myötäilivät pääasiallisesti valitsevaa tutkimustietoa. Eroksi löydettiin kuitenkin naisyrittäjälle poikkeuksellinen rohkeus ja halukasvattaa yrityksen liiketoimintaa sen perustamishetkestä lähtien. Erona voidaan pitää myös seikkaa, ettei Roddick korosta tarinoissaan perhettä. Yrityksen yhteiskunnallisissa vas-tuissa The Body Shop on tarinoiden mukaan ollut aina esimerkillinen suunnannäyttäjä ja edelläkävijä.

Improving Social Understanding of Preschool Children: Evaluation of a Training Program

This study tested the effects of a training program intending to foster social understanding or the capacity which enables them to understand themselves and others in terms of intentions, beliefs, desires, and emotions in children at preschool age. A number of studies have shown that in the context of shared narratives, children are particularly likely to engage in talk about inner states

"Voyage through death/to life upon these shores": the living dead of the Middle Passage

While historical studies of the Atlantic slave trade have amply demonstrated the magnitude of slave mortality during the Middle Passage, only recently have they started to examine how the captives might have endured and coped with this traumatic experience. Although it constitutes a major topos in African diasporic culture, the Middle Passage has only occasionally been represented directly and in details in novels and in films. This article examines three recent narratives of the Middle Passage, Fred D'Aguiar's novel Feeding the Ghosts (1998), Guy Deslauriers's film Passage du milieu (2000), and Stephanie Smallwood's historical study Saltwater Slavery: A Middle Passage from Africa to American Diaspora (2007). Beyond their individual poetic, aesthetic, and scholarly qualities, what is most striking about these three texts is that they all use the figure of the living dead in order to explore the captives' experience of the transatlantic journey. If the ghastly quality of the living dead powerfully captures the life-threatening material and physical conditions the captives endured on the voyage, its dual, liminal character also allows D'Aguiar, Deslauriers, and Smallwood to represent the metaphysical, psychological, social, and cultural journey they were forced to undertake. Through their use of the trope of the living dead, these three texts show that if death is indeed a central aspect of the experience of the Middle Passage, it impacts the captives in ways that go well beyond the issue of mortality.

Structuration du raconter et évaluation de la racontabilité dans l'entretien médiatique

In this study, we assume that the organisation of storytelling activity is sensitive to emerging norms and, specifically, to what is worth telling from a participant's perspective. We associate the methods of conversation analysis with a labovian approach to oral narratives and examine how storytelling is collaboratively and sequentially built during a radio interview parody. After discussing the relevance of parodic data to understand how media practitioners see their own practices (here: telling a story during a media interview), we provide a detailed analysis of a deviant case by considering the relations between structuring the telling and evaluating the tellability. The analysis leads to show what kinds of interactional resources are used to accomplish the activity: for instance, concurrent topic formulations, shared configurations of grammatical constructions, adjacency pairs. The study also points out how competing agendas can configure the activity in dissimilar ways. Eventually, it underlines the issues of being the interviewee and the storyteller at the same time.

Sukupolvenvaihdos perheyrityksessä - menestystarinoita

Tutkielman tavoitteena oli selvittää perheyrittäjien kokemusten kautta menestyksellisen sukupolvenvaihdoksen keskeisiä teemoja. Tämä toteutettiin käyttämällä kvalitatiivista tapaustutkimusta. Tutkimuksen tarkoituksena on pyrkiä auttamaan sekä yrittäjiä että vaihdoksessa mukana toimivia ulkopuolisia asiantuntijoita ymmärtämään perheyrityksestä luopumiseen ja vastaavasti sen jatkamiseen liittyviä haasteita ja monimuotoista päätöksentekoprosessia. Tapaustutkimus toteutettiin teemahaastattelujen avulla. Teema-haastattelujen perusteella muodostettiin neljä yrityskohtaista tarinaa, joita analysoimalla löydettiin eräitä sukupolvenvaihdoksen avaintekijöitä ja teemoja. Tärkeimmät tekijät liittyvät sukupolvenvaihdosprosessin ajalliseen sidonnaisuuteen ja dynaamisuuteen, sekä luopujan ja jatkajan sosiaalisen todellisuuden merkitykseen. Olennaista on myös erilaisen ulkopuolisen tuen tarve. Lisäksi tutkimuksessa havaittiin, että paraskaan suunnitelma ei ole automaattinen tae sukupolvenvaihdoksen onnistumisesta, vaan vaihdos edellyttää panostusta myös seurantaan ennen vaihdosta, sen aikana ja jälkeen.

De l'interactivité du récit au récit interactif

À ses origines, la théorie du récit, notamment la narratologie d'inspiration formaliste et structuraliste, s'est développée dans le creuset des études littéraires. De ce fait, le point focal de cette discipline a longtemps été constitué par le récit verbal, généralement sous la forme d'un texte écrit et planifié par un auteur, laissant de côté les formes narratives émergentes, participatives ou interactives. On observe cependant, depuis une vingtaine d'année, une accélération dans le processus d'élargissement des objets d'étude de la narratologie, accompagnée par une mutation épistémologique. Retraçant cette évolution, Jan Christoph Meister observe ainsi un changement d'orientation faisant passer la théorie du récit de l'étude de phénomènes textuels à l'analyse « des fonctions cognitives de récits oraux et non littéraires, ouvrant ainsi un nouveau chapitre dans le projet narratologique » (2009 : 340). Si l'intrigue peut être décrite - en adoptant un point de vue fonctionnaliste et cognitiviste - comme une matrice de possibilités ontologiquement instable, comme un dispositif dont la fonction première est d'ouvrir des virtualités narratives et d'engendrer de la curiosité ou du suspense (Baroni 2007 ; 2009), alors il n'y a pas de raison de la considérer comme un obstacle à l'analyse de récits émergents et participatifs, voire de simulations ou de pratiques ludiques hautement interactives.

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The paper engages the question of how traditional religion persist in an increasingly problematic and complex swiss context. In particular, the chapter looks at the phenomenon of charismatic worship as a vehicle for resignifying the meaning of chronic suffering, over and against the traditional evangelical expectation that worldly hardship is but a temporary trial, to be endured and overcome by true believers. The experience of ongoing physical and psychological suffering is mediated by ritualized narratives, which resituate the afflicted "stakeholders" as important models of Christian life. In so doing, these narratives richly dramatize the resolution of theodicy by showing that, far from being absent in the lives of sufferers, God is especially present.

The local configuration of a science and innovation policy : a city into the nanoworld

Local trajectories and arrangements play a significant role because the development of a research field, such as nanoscience and nanotechnology, requires substantial investments in human and instrumental resources. But why are there often concentrated in a limited number of places? What dynamics lead to such concentration? The hypothesis is that there is an assemblage of heterogeneous resources through the action of local actors. The chapter will explore, from an Actor Network Theory (ANT) perspective, how the local emergence of research dynamics from: the revival of local traditions, the local and national action of institutional entrepreneurs, controversial dynamics, and researchers' arrangements to involve other actors. It will examine how they connect up with each other and mutually commit themselves to the development of new technologies. It will focus on the role of narratives in this assembling: how were the local narratives of the past mobilized and to what effect.

Gustav Hasford's Gothic Poetics of Demystification

Gustav Hasford is the author of two important Vietnam War novels: The Short-Timers (1979), which was adapted by Stanley Kubrick into Full Metal Jacket (1987), and The Phantom Blooper (1990), its sequel. Relentlessly critical of the war that destroyed his generation, Hasford uses an array of Gothic themes, tropes and figures - such as the werewolf, vampire, and ghost - to describe the transformation of men into monsters that begins with basic training and can never be reversed. These and other Gothic devices allow Hasford to demystify and disenchant the Vietnam War, to strip it of euphemisms and official myths, and to reveal the violence that lays beneath. Unlike other well-known writers of the same generation, such as Michael Herr and Chris O'Brien, Hasford eschews postmodern techniques in order to pursue a rhetorical strategy of horror combined with black humor. The results are two novels of extraordinary ferocity, critical acumen and wit. The chapter concludes with an analysis of the specifically Gothic reading experience of ethical dilemma - a Gothic exercise in judgment - choreographed by both narratives.

What young people with spina bifida want to know about sex and are not being told.

OBJECTIVE: The aim of this paper was to examine sexual knowledge, concerns and needs of youth with spina bifida (SB) to inform the medical community on ways to better support their sexual health. METHODS: As part of the Video Intervention/Prevention Assessment (VIA) - transitions, a prospective cohort study, 309 h of video data were collected from 14 participants (13-28 years old) with SB. Participants were loaned a video camcorder for 8-12 weeks to shoot visual narratives about any aspects of their lives. V/A visual narratives were analysed with grounded theory using NVivo. RESULTS: Out of 14 participants, 11 (six women) addressed issues surrounding romantic relationships and sexuality in their video clips. Analysis revealed shared concerns, questions and challenges regarding sexuality gathered under four main themes: romantic relationships, sexuality, fertility and parenthood, and need for more talk on sexuality. CONCLUSIONS: Youth with SB reported difficulties in finding answers to questions regarding their sexuality, romantic relationships and fertility. This study revealed a need for help from the medical community to inform and empower youth with SB in the area of sexual health. Through sexual and reproductive health education with patients and parents starting at an early age, medical providers can further encourage healthy emotional and physical development in adolescents transitioning into adulthood.

Lorsque les électrosensibles racontent : des douleurs chroniques aux pratiques d'auto-éviction

Résumé : Cet article propose une analyse du vécu de personnes électrosensibles et de la façon dont ils ont répondu aux douleurs chroniques. L'approche proposée vise à relater les stratégies de réponse à ces formes de morbidité en valorisant les récits des protagonistes ; plus particulièrement, l'accent est mis sur les dimensions cognitives, sensorielles, émotionnelles, relationnelles et existentielles engendrées par une symptomatologie qui ne correspond à aucune explication scientifique causale. Leurs récits mettent ainsi en perspective des trajectoires de vie avec les conditions sociales, médicales et somatiques dans lesquelles est menée leur quête de santé. Mettre l'accent sur les expériences quotidiennes qui fondent la représentation que les électrosensibles ont de leurs troubles permet de comprendre les raisons et les modalités des formes d'auto-éviction qu'ils pratiquent. La réalisation des modalités de l'auto-éviction sont alors interprétées comme l'aboutissement d'une trajectoire de vie, produit de choix intuitifs - et non stratégiques - basés sur des sensibilités singulières. Il en résulte un regard anthropologique invitant à interpréter l'expérience des douleurs chroniques au prisme des rapports sensibles que les individus entretiennent avec leur corps, les autres et l'environnement. Abstract: This paper analyses the lived experience of electrosensitive people and the way they reply to chronic pain. The approach aims to relate the way they reply to this kind of morbidity by highlighting their narratives; especially by emphasising the cognitive, the sensorial, the emotional, the relational and the existential dimensions produced by a symptomatology that is not scientifically explained. Their narratives put into perspective their life trajectories with the social, medical and somatic conditions that lead their health quest. Focusing on the ordinary, that shapes the representations the electrosensitive people have of their troubles, would allow us to understand the reasons and modalities of auto-eviction practices. Auto-eviction achievement is interpreted as a life trajectory fulfilment produced by intuitive choices - nonstrategic - based on singular sensitivities. As a result, it invites an anthropological interpretation of chronic pain experiences built on the sensitive relationships that individuals have with their body, the others and the environment.

Transgression et initiation : tendances idéologiques et développement littéraire du récit de Genèse 2-3

Several questions about the story of Gen 2-3 remain unresolved in current scholarship. For instance, the implications and manifold consequences of the transgression act - the consumption of the forbidden fruit - are much debated. Interpreters generally agree that the story is connected to several "J" / "non-P" narratives of the primeval history. Besides the use of the tetragrammaton as the designation for God, a common characteristic of these stories is the strong opposition between Yhwh as a harsh deity on one hand and disobedient and transgressing humankind on the other. This paper reconsiders several open questions as well as the aforementioned consensus. The analysis of important motifs in Gen 2-3 leads to the conclusion that this story differs in theologically important ways from the postulated "J"-narrative in Genesis. This indicates that it was not composed as an integral part of that narrative. There are, in Gen 2-3, ideological features and linguistic elements typical of the "J" stratum, but they are all found in the sections that present Yhwh God's investigation and punishment of the couple (3,8-19.24). Since these verses are in tension with or even contradict their immediate context, it should be assigned to a redactional ("J") layer. According to this analysis, the transgression in Gen 2-3 should not be considered a sin. Rather, it is an important step in human evolution towards a self-conscious and autonomous being. The plot has a structure similar to some episodes in ancient Near Eastern myths. 'Initiation' functions as a central theme. Finally, the article discusses the literary milieu of the story. Because of several linguistic and thematic similarities with Gen 1, with P-texts in general, and with the book of Ezekiel, the relationship of Gen 2-3 to these literary entities needs to be reconsidered.