948 resultados para Novelists, Scottish
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Nesta tese, pretendemos analisar comparativamente a reconstrução histórica da Cabanagem e da Guerra Civil Moçambicana nos romances Lealdade (1997), de Márcio Souza e As duas sombras do rio (2003), de João Paulo Borges Coelho. Para tanto, apresentaremos um breve percurso histórico da colonização brasileira e moçambicana, bem como o período da independência e pós-independência, além do percurso teórico sobre o romance histórico, resistência, memória, bem como a teoria sobre o espaço, nesse caso o rio, que utilizamos como ferramenta de análise. Utilizando o rio como fio condutor de nossa análise. Na obra de Borges Coelho, a análise foi feita a partir das travessias das personagens pelos rios que foram desencadeadas pela chegada da guerra civil. Fixamos nossa leitura em Leónidas Ntsato personagem que metaforiza Moçambique dividido em dois pela guerra civil e destacamos o papel do narrador neste romance. Na narrativa de Márcio Souza acompanhamos as viagens de Fernando, narrador do romance, que tem sua biografia entrelaçada aos acontecimentos que desencadearão a Cabanagem anos mais tarde. Cada um com seu estilo, os dois romancistas revisitam as agruras das duas guerras que tem como palco o Norte do Brasil e de Moçambique que são espaços periféricos desde os tempos coloniais.
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Pós-graduação em Letras - IBILCE
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A prática intertextual posta em jogo na reescrita do conto Missa do Galo, de Machado de Assis, por fi ccionistas brasileiros revela não apenas a atualidade da narrativa machadiana como também aspectos de interesse para discutirmos as distintas concepções de escrita fi ccional a partir da matriz oferecida à leitura. É o que propomos realizar, acompanhando as variações sobre o mesmo tema modalizadas por Nélida Piñon, Lygia Fagundes Teles, Autran Dourado, Osman Lins, Julieta Ladeira e Antonio Callado, o que nos permitirá estabelecer inter-relações para comentarmos as confl uências e divergências entre os contos, a partir de procedimentos estruturais e imagens presentes nas narrativas.
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Julien Gracq é um dos mais importantes romancistas franceses do século XX. Em 1945, publica sua única antologia de poemas em prosa, Liberté Grande. A alta voltagem poética dos textos da coletânea distancia-se do lirismo contido da prosa romanesca do autor. Infl uenciado pela poesia de Rimbaud e pelo surrealismo, os poemas em prosa de Gracq afirmam o primado da imaginação criadora sobre as imposições e limitações do real, como se pode constatar pela leitura do primeiro poema da coletânea “Pour galvaniser l’urbanisme”, objeto de estudo deste artigo.
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This paper aims at analyzing the different approaches to terror in the novels Players (1977), Mao II (1991) and Falling Man (2007), by the American writer Don DeLillo. In Players, terror is shown as something attractive and exciting to a character who leads a very tedious personal and professional life; in Mao II, it is connected to the kidnapping of a poet and the text brings up relevant debates focusing on the contrast related to the power of novelists and terrorists in society; and in Falling Man, the author reviews the tragedy of September 11, in an attempt to try to understand the reasons why the attacks happened. The novels show terrorist actions connected to historical processes and also to the present form of capitalism and globalization. Theoretical texts by Bauman (1998), Eagleton (2005), Freitas (1989), Fraser (2000) will be used to discuss the issues addressed in this paper.
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Brazilian naturalism began in 1881 with the publication of O mulato by Aluísio Azevedo. In spite of the considerable Brazilian cultural dependence on France, the great European master of Brazilian naturalists was initially the Portuguese Eça de Queirós. His novel O primo Basílio resounded intensely in the intellectual environment of Rio de Janeiro, where it had found admirers and fierce critics like Machado de Assis. Only around 1888, when the French naturalist movement suffered serious defections, Brazilian novelists adopted Émile Zola’s esthetical proposals directly through the reading of the Rougon-Macquart cycle. In that year, O missionário by Inglês de Sousa, O cromo by Horácio de Carvalho, A carne by Júlio Ribeiro, Hortência by Marques de Carvalho, Uma família baiana by Xavier Marques, and Lar by Pardal Mallet were published. Nevertheless, it is relevant to consider which features of Zola’s and Eça’s works were incorporated in those works which established a flowering moment of Brazilian naturalism.
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The squid Loligo plei concentrates in the southeastern Brazil Bight, where it has traditionally supported small-scale fisheries around Sao Sebastiao Island (SSI). Sea surface temperature (SST), chlorophyll-a (Chl a), windspeed, wave height, rainfall, and lunar phase are related to fishing records and to the results of a survey of local fishers to investigate how they believe environmental variables might affect catches of L. plei. Daily fishery-dependent data over the years 2005-2009 were obtained from a fishing cooperative and were matched with satellite and meteorological forecast data. Generalized linear models were used to explore the significance of environmental variables in relation to variability in catch and catch per unit effort (cpue). Squid are fished with jigs in water shallower than 20 m, generally where SST is warmer and Chl a and windspeed are lower. Cpue and monthly catches decreased from 2005 to 2008, followed by a slight increase in 2009. The correlations between fishery and environmental data relate well to fishers` oceanological knowledge, underscoring the potential of incorporating such knowledge into evaluations of the fishery.
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To examine whether the widely used Strengths and Difficulties Questionnaire (SDQ) can validly be used to compare the prevalence of child mental health problems cross nationally. We used data on 29,225 5- to 16-year olds in eight population-based studies from seven countries: Bangladesh, Brazil, Britain, India, Norway, Russia and Yemen. Parents completed the SDQ in all eight studies, teachers in seven studies and youth in five studies. We used these SDQ data to calculate three different sorts of "caseness indicators" based on (1) SDQ symptoms, (2) SDQ symptoms plus impact and (3) an overall respondent judgement of 'definite' or 'severe' difficulties. Respondents also completed structured diagnostic interviews including extensive open-ended questions (the Development and Well-Being Assessment, DAWBA). Diagnostic ratings were all carried out or supervised by the DAWBA's creator, working in conjunction with experienced local professionals. As judged by the DAWBA, the prevalence of any mental disorder ranged from 2.2% in India to 17.1% in Russia. The nine SDQ caseness indicators (three indicators times three informants) explained 8-56% of the cross-national variation in disorder prevalence. This was insufficient to make meaningful prevalence estimates since populations with a similar measured prevalence of disorder on the DAWBA showed large variations across the various SDQ caseness indicators. The relationship between SDQ caseness indicators and disorder rates varies substantially between populations: cross-national differences in SDQ indicators do not necessarily reflect comparable differences in disorder rates. More generally, considerable caution is required when interpreting cross-cultural comparisons of mental health, particularly when these rely on brief questionnaires.
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My work is focused on George Friel, a distinguished Scottish writer known for his witty style bristling with puns and more or less literary allusions. In particular I proposed an annotated translation of what can be considered his masterpiece “Mr Alfred M.A.” in which wordplay has a central role for its plot. In the first part of my thesis I outlined the fundamental features of Friel’s writing: the wide variety of registers and styles, the rhythm and irony. Additionally I pointed out the strategies that the translator has to face when translating this text. Finally I identified the number of problems which may arise while translating Friel’s “Mr Alfred M.A.” into Italian with particular concern on the strategies of supplementation and explicitation for wordplay.
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Il presente studio affronta la complessa relazione esistente tra i concetti di donna, identità e nazione nell’ambito del rinnovato progetto politico scozzese avviato dalla devolution. La letteratura femminile e la cultura scozzese contemporanea vengono dunque esaminate in un’ottica postcoloniale, coordinando una prospettiva storico-sociale a un’analisi discorsiva della nazione, comportando inoltre continui riferimenti alle più recenti teorie femministe e di genere. La produzione letteraria di Jackie Kay, A. L. Kennedy e Ali Smith infatti sembra rendere possibile un’apertura della nozione di Scottishness, consentendo un approfondimento dei temi della differenza sessuale e culturale, immaginando propriamente la Scozia in senso post-nazionale.
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La ricerca Il rapporto madre-figlia nelle letterature femminili maghrebine (1980-2010) comprende due sezioni: la prima analizza le principali caratteristiche del mondo maghrebino femminile e le peculiarità della scrittura dell’intellettuale nord-africana, la seconda è incentrata sull’analisi testuale dei romanzi maghrebini femminili più rappresentativi. Il lavoro di analisi verte sullo studio di varie autrici maghrebine che coprono un vasto ventaglio temporale: dal 1980 al 2010. Di ogni autrice vengono analizzati i romanzi in cui è possibile rinvenire la tematica oggetto della tesi: il rapporto madre-figlia. I romanzi studiati sono raggruppati secondo quattro macro direttrici tematiche: i romanzi in cui il rapporto filiale è caratterizzato dalla violenza; le opere in cui il rapporto madre-figlia è caratterizzato dall’assenza fisica della genitrice; i romanzi in cui il rapporto filiale è caratterizzato dall’incomprensione ed infine le produzioni in cui la relazionalità madre-figlia è caratterizzata da un rapporto di amore e sostegno reciproco.
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Il presente lavoro approfondisce le tematiche della conflittualità e della separazione etnica, sociale, religiosa, generazionale e culturale. In particolare, riporta i risultati di ricerche condotte in alcuni degli attuali contesti urbani più carichi di tensioni conflittuali, cercando di individuare i motivi vicini e remoti del confligere, le attività messe in atto per contenere le tensioni e le relative necessità educative poste in primo piano. L’elaborato si compone di cinque parti. La prima parte consiste in una riflessione teorica sulle dinamiche che caratterizzano le interazioni sociali nello spazio cittadino. Nella seconda parte viene trattato il tema del settarismo in Scozia, che vede contrapposti i cattolici di origine irlandese (generalmente tifosi della squadra di calcio dei Celtic) e i protestanti di sangue scozzese (generalmente tifosi dei Rangers). La terza parte ricostruisce la storia e il presente della lunga convivenza tra tatari musulmani e russi cristiano-ortodossi nei territori dell’attuale Repubblica etnica del Tatarstan, situata nel cuore della Russia europea, ponendo particolare attenzione agli aspetti religiosi, linguistici, culturali ed educativi. La quarta parte parla del disagio nelle periferie europee, manifestatosi in modo eclatante con le rivolte giovanili in Francia (2005) e nel Regno Unito (2011). La parte conclusiva, infine riprenderà alcuni degli elementi emersi per proporre una riflessione di tipo pedagogico atta ad affrontare in tutta la sua complessità, e con approcci nuovi, il tema della città divisa, con le relative conflittualità, i confini e le prove di comunità.
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A 7-year-old female spayed Scottish Terrier was presented with central nervous system symptoms suggestive of a lesion in the forebrain. Magnetic resonance (MR) imaging revealed multifocal disease in the forebrain. Because of complete lack of contrast enhancement, the changes were attributed to lesions of inflammatory origin.Histopathology of the brain revealed multiplemetastatic lesions of an adenocarcinoma. Brainmetastases in general show contrast enhancement. The reason for a complete absence of contrast enhancement is unknown. Previous administration of corticosteroids, increased diffusion time of contrast medium, increased intracranial pressure in combination with an intact blood–tumor barrier is discussed as possible reasons.
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Postmodernism, deconstruction and subversion have been the buzzwords of the last few decades. But not any longer. Ever since the end of the millennium an increasingly perceptible desire to turn towards other concerns can be noted. Only, what comes after postmodernism? Where are we going now? Irmtraud Huber suggests some answers to these questions, focusing on novels by Michael Chabon, Mark Z. Danielewski, Jonathan Safran Foer and David Mitchell and highlighting the ways in which they go beyond postmodernism and turn from deconstruction to reconstruction. Approaching the question from an unusual direction by exploring the novelists' particular use of the fantastic mode, this book offers both further insights into the present aesthetic shift and a new perspective on the literary fantastic.
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New Zealand English first emerged at the beginning of the 19th century as a result of the dialect contact of British (51%), Scottish (27.3%) and Irish (22%) migrants (Hay and Gordon 2008:6). This variety has subsequently developed into an autonomous and legitimised national variety and enjoys a distinct socio-political status, recognition and codification. In fact, a number of dictionaries of New Zealand English have been published1 and the variety is routinely used as the official medium on TV, radio and other media. This however, has not always been the case, as for long only British standard norms were deemed suitable for media broadcasting. While there is some work already on lay commentary about New Zealand English (see for example Gordon 1983, 1994; Hundt 1998), there is much more to be done especially concerning more recent periods of the history of this variety and the ideologies underlying its development and legitimisation. Consequently, the current project aims at investigating the metalinguistic discourses during the period of transition from a British norm to a New Zealand norm in the media context, this will be done by focusing on debates about language in light of the advent of radio and television. The main purpose of this investigation is thus to examine the (language) ideologies that have shaped and underlain these discourses (e.g. discussions about the appropriateness of New Zealand English vis à vis external, British models of language) and their related practices in these media (e.g. broadcasting norms). The sociolinguistic and pragmatic effects of these ideologies will also be taken into account. Furthermore, a comparison will be carried out, at a later stage in the project, between New Zealand English and a more problematic and less legitimised variety: Estuary English. Despite plenty of evidence of media and other public discourses on Estuary English, in fact, there has been very little metalinguistic analysis of this evidence, nor examinations of the underlying ideologies in these discourses. The comparison will seek to discover whether similar themes emerge in the ideologies played out in publish discourses about these varieties, themes which serve to legitimise one variety, whilst denying such legitimacy to the other.