The accidence; or, First rudiments of the Latin tongue, for the useof youth.

Mode of access: Internet.

Rudiments of the Arabic-Vulgar of Morocco. [microform] : with numerous exercises, and examples of its theory and practice /

Microfilm.

Glosario etimológico de nombres de hombres, animales, plantas, ríos y lugares, y de vocablos incorporados en el lenguaje vulgar, aborígenes de Chile, y de algún otro país americano ...

Cover of v. 2 dated 1919.

The pronunciation of English words derived from the Latin,

Mode of access: Internet.

A critical pronouncing dictionary, and expositor of the English language ... : to which are prefixed, principles of English pronunciation ... : the whole interspersed with observations, etymological, critical, and grammatical /

Incluye: "A key to the classical pronunciation of Greek, Latin, and scripture proper names: with terminational vocabularies of Hebrew, Greek, and Latin proper names, and observations on the Greek and Latin accent and quantity."

The vulgarities of speech corrected: with elegant expressions for provincial and vulgar English, Scots, and Irish; for the use of those who are unacquainted with grammar.

Mode of access: Internet.

A Hebrew, Latin, and English dictionary, containing all the Hebrew and Chaldee words used in the Old Testament.

Mode of access: Internet.

Review of Johnson's English dictionary, as improved by Todd and abridged by Chalmers; with Walker's Pronouncing dictionary combined; to which is added Walker's key to the classical pronunciation of Greek, Latin, and scripture proper names. Edited by J. E. Worcester.

Attributed to John Pickering in a list of his published writings in the Collections of the Massachusetts Historical Society, v.10, 3d series, Boston, 1849, p.224.

Classical dictionary of the vulgar tongue.

Mode of access: Internet.

An English school grammar : with very copious exercises, and a systematic view of the formation and derivation of works, comprising Anglo-Saxon, Latin, and Greek lists, which explain the etymology of above seven thousand English words /

Mode of access: Internet.

The readable dictionary; or, Topical and synonymic lexicon ... classified by subjects, and arranged according to their affinities of meaning; with accompanying etymologies, definitions, and illustrations. To which are added, I. Lists of foreign terms and phrases ... II. A table of the common abbreviations. III. An alphabetical list of Latin and Greek roots, with derivatives ...

Mode of access: Internet.

Manipulus vocabulorum. A dictionary of English and Latin words, arranged in the alphabetical order of the last syllables,

With facsimile reproduction of original t.-p.

“Art Will Not Disappear Into Nothing; It Will Disappear Into Everything“: The Black Audio Film Collective and Latin America

The development of Latin American cinema in the 1960s was underwritten by a number of key texts that outlined the aesthetic and political direction of individual filmmakers and collectives (Solanas and Getino, 1969; Rocha, 1965; Espinosa, 1969). Although asserting the specificity of Latin American culture, the theoretical foundations of its New Wave influenced oppositional filmmaking way beyond its own regional boundaries. This chapter looks at how movements in British art cinema, especially the Black Audio Film Collective, were inspired and propelled by the theories behind New Latin American cinema. Facilitated by English translations in journals such as Jump Cut in the early ‘80s, Cuban and Argentine cinematic manifestoes provided a radical alternative to the traditional language of film theory available to filmmakers in Europe and works such as Signs of Empire (1983-4); Handsworth Songs (1986) and Seven Songs for Malcolm X (1993) grew out of this trans-continental exchange. The Black Audio Film Collective represented a merging of politics, popular culture, and art that was, at once, oppositional and melodic. Fusing postcolonial discourse with pop music, the avant-garde and re-imaginings of subalternity, the work of ‘The Collective’ provides us with a useful example of how British art cinema has drawn from theoretical foundations formed outside of Europe and the West. As this chapter will argue however, the Black Audio Film Collective’s work can also be read as a reaction to the specificity of British socio-politics of the ‘80s and ‘90s. Its engagement with the aesthetico-political strategies of Latin American cinema, then, undercut what was a solidly British project, rooted in (post)colonial history and emerging ideas of disaporic identity. If the propulsive thrust of The Black Audio Film Collective’s art was shaped by Third Cinema, its images and concerns were self-consciously British.

La traducción al latín de algunos términos griegos y su repercusión en los comentarios a los "Aphthonii Progymnasmata"

En este trabajo hemos examinado comentarios a la traducción al latín del ejercicio de la Fábula de los Progymnasmata de Aftonio para ver cómo afecta la traducción de algunos términos al comentario. Dado que, al traducir de una lengua a otra, difícilmente hay correspondencia exacta, el traductor opta por la solución que estima más adecuada, primando ciertos matices sobre otros y, con frecuencia, llega, incluso, a dotar al término de acepciones en la lengua meta que no existían en la lengua origen. La elección realizada no parece obedecer a otra razón que a preferencias del traductor, pero tiene consecuencias e influye en los comentaristas. Por otra parte, la existencia de un término acuñado no impide que tanto los traductores como los escoliastas creen otros nuevos, tal vez por deseo de mostrar originalidad. Finalmente, la traducción tiene una doble vertiente: de un lado, influye en el entendimiento del concepto y en el comentario, y, de otro, refleja la concepción que de la realidad tiene el traductor.