823 resultados para Melancholy Psychoanalysis (Freud)
Resumo:
De onde brota a inspirao para baladas de amor e canes de guerra, lendas e narrativas, tragdias e comdias? Ao longo de sculos, escritores e leitores interrogaram-se acerca do nascimento da beleza. Neste artigo, abordo essa questo intrigante, em quatro etapas: a) Examino algumas personificaes criadas por Hesodo, Homero, Lus de Cames e Federico Garca Lorca para descreverem a inspirao; b) Exploro as estratgias utilizadas por Samuel Coleridge, Salvador Dal e William Burroughs, para penetrar no reino da fantasia, o inconsciente; c) Apresento as explicaes cientficas propostas por Sigmund Freud, Carl Jung e Robert Sperry para o impulso criativo; d) Para concluir, menciono as razes que levaram Fernando Pessoa, Eugnio de Andrade e Emily Dickinson a desconfiarem da musa inspiradora, preferindo o esforo que corrige a emoo e gera a obra de arte. Seguindo uma perspectiva comparada, o meu objectivo mostrar diferentes formas de perceber a criatividade literria. Para tanto, recorro ao trabalho dos escritores e cientistas atrs mencionados e, naturalmente, minha opinio.
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Tese apresentada e reformulada de acordo com as orientaes do Jri (19 de Dezembro de 2012), para cumprimento dos requisitos necessrios obteno do grau de Doutor em Estudos Portugueses, Especialidade de Literatura Comparatista.
Resumo:
Esta dissertao tem por objecto a flor da melancolia e o mpeto cesariano nas Memrias Pstumas de Brs Cubas, de Machado de Assis, noes que reflectem um confronto com a temtica schopenhauriana e nietzschiana da negao e afirmao da vida. Trata-se de uma tese em Filosofia variante Esttica, que procura identificar no romance do escritor brasileiro aquilo que nele corresponde a um substrato metafsico, a uma procura pelo sentido e a uma tentativa de lidar com o sofrimento feitas por um homem para quem Deus morreu, e que encontra numa dimenso temporal tudo o que h para encontrar. Consideramos que a despeito do pessimismo que atravessa o livro, h nele uma vitalidade que decorre grandemente do ponto de vista do narrador, do facto de as Memrias serem Pstumas. E pensamos que no acto criador da escrita que Brs Cubas, e com ele Machado de Assis, firma o estandarte de Csar e abotoa a flor da melancolia, o sofrimento de que padece a Humanidade e que, no caso do personagem, surge depois da morte da me, no perodo de luto em que, pela primeira vez, h um questionamento acerca de si prprio e do seu lugar no mundo.
Resumo:
Popular culture has a strong influence on youth, and the creation of meanings associated with youth. Representations within popular culture, specifically film, branch beyond entertainment and become discourses that construct how we perceive our world. Youth resistance is commonly represented in films geared towards the teenage gene{ation. Yet, the discourse of resistance has positioned females as non-resistors. This thesis addresses representations of teenage girl resistance within popular culture due to the strong influence film has on teenage girls today. This thesis will specificaIJy examine three films directed at North American teenage girls: Thirteen, Ghost World and The Sisterhood of the Travelling Pants. Through a feminist poststructurallens utilizing discourse analysis, this thesis will examine teenage girl resistance as it is represented in the aforementioned films. This thesis repositions teenage girl resistance as a multi-dimensional concept, allowing for resistance to branch beyond the traditional meaning associated with it.
Resumo:
Anti-Black racism continues to be a widespread problem, and as such deserves investigation and elimination. As Jackson (2006) says; There is a hyperawarenessof the negative inscriptions associated with the Black masculine body as criminal, angry and incapacitated. (2) To continue the study of the changing face of racism, the researcher must be well equipped with a contemporary methodology which is adaptable and exploratory. Due to the malleability of racism, research into its elimination must make inroads to areas that have heretofore been neglected and overlooked by traditional academic study. This project achieves a unique perspective by undertaking a theoretical exploration of racist stereotypes and motifs in the world of mass produced superhero comic books, a genre of comics which has neither yet been thoroughly investigated for the use of racist stereotypes nor been the focus of anti-racist scholarship.
Resumo:
ABC's popular television series Lost has been praised as one of the most innovative programs in the history of broadcast television primarily due to its unique storytelling content and structure. In this thesis, I argue that in spite of its unconventional stances in terms of narrative, genre, and character descriptions, Lost still conforms to the conventional understanding of family, fatherhood, and subjectivity by perpetuating the psychoanalytic myth of the Oedipus complex. The series emphasizes the centrality of the father in the lives of the survivors, and constructs character developments according to Freud's essentialist and phallocentric conception of subjectivity. In this way, it continues the classic psychoanalytic tradition that views the father as the essence of one's identity. In order to support this argument, I conduct a discursive reading of the show's two main characters: Jack Shepherd and John Locke. Through such a reading, I explore and unearth the mythic/psychoanalytic importance of the father in the psychology of these fictional constructs.
Resumo:
Charles Larned (1791-1834) was a lawyer and American military officer who served during the War of 1812. He was the son of Simon Larned (1753-1817), who served as a captain in the Revolutionary War and was a member of the United States Congress from Massachusetts from 1804-1805. Charles studied law in the office of Henry Clay in Kentucky, and was dining with a group of prominent citizens when word was received that General William Henry Harrison could soon be overpowered by General Henry Proctor. Colonel Owen, a member of the group, organized a regiment to reinforce Harrisons troops. Larned became a member and subsequently survived the River Raisin Massacre and was later present at the Battle of the Thames. He was also part of a group of men who learned of General William Hulls plan to surrender Detroit to the British and planned to overtake him should this occur. However, the plan failed, Hull did surrender and the men became prisoners of the British. After the war, Larned became a lawyer, and served as Attorney General of Michigan Territory during the Black Hawk War. During the cholera epidemic of 1834, he worked tirelessly to assist others, but was stricken with the disease and died. Letter Transcription: Pittsfield, April 8, 1813 I think that by this time my dear Charles you will allow I have some reason to give you a gentle reprimand for breach of dutybut I will not censure you upon suspicion maybe you have substantial reasonsat any rate one cannot very graciously reproach the other for negligence I for one am healthy as ham & that we have so seldom exchanged letters during your absence & on my honor promise to be a better girl in futurebut the truth is my Dear Charles I am secretary for the FamilyMama you know never writes & James but seldom & they are all dispersed in different directions, consequently I have many calls upon my timethis to be sure is a pleasant duty & I urge it only as a slight palliation for my remissness if you should consider it as suchnow I have finished my prefaceI will try to be more interesting & doubtless I succeed. Our dear Father we hope & trust is now in Green Bush, where he will probably remain a month perhaps & from thence he expects to go to Sackets harborat which place you know our troops are fast collecting-- We shall hope to see him either here or there before he goes. Brother George I believe is [still] at Plattsburgh but expects soon to be removed to some other military part perhaps with Papa (I hope so at least). We have just got letters from Brothers Sylvester & Joseph at Middleburythey are in good health. Mama has for some weeks been afflicted with an inflammation in her eyes but seems now to be convalescing. Sister Martha has been somewhat unwell for a few weeks but is now tolerably recovered. James & myself are both in our usual good health & at this time seated by the same stand, one reading, the other writing. Thus my Dear Charles have I given you an abstract history of our Familybut here indeed is a wonderful omission; not a word about Miss Harriet Hunt, who in truth ought to have been noted first but the last shes not the least in my memory. She is much grown since you saw her, but does not speak as fluently as we could wisha few word she can say. Probably before this you have been informed of the great loss your friend Sherrill has sustained in the death of his motheralso of the revolution that has taken place in Hackbridge as it respects the religion & morality of the place that more than one hundred on the plain have become religious converts & cindeed I am at a loss what to say that will afford your pleasurea narrative at this time must be gloomy indeed. The distressing situation of our country at this time would make almost any recital melancholy. The prevailing epidemic has swept off many of your acquaintance no doubt. Mrs. Dewey of Williamstown, the sister of Mrs. Danforth, has left a Husband, Children & many Friends sincerely to lament her losssome few have died in our village, but we have escaped astonishingly it has raged in every town about us--If we are unwilling to acknowledge a God in his mercies. I fear she shall be compelled to do it in the awfulness of his judgments.--------I am much [pleased] with our new neighbors the Parsons Wife & a Miss Woodward her cousin is a fine girl, I think, Mrs. Allen has not a handsome face but something in her manner that interests one her person I think the handsomest I ever saw & the Parson seems well pleased with his selectionMrs. Ripley is with them this winter & will probably remain thro the summerHer husband at [Sacketts Harbor] little or no alteration is apparent since her marriageshe seems as gay & fond of company as ever.-------Mrs. [McKnight] it is expected will commence housekeeping in about three weeks in the house formerly occupied by Mr. [Report] says that Mr. Goodman & Clarissa Weller are soon to be married & many other things that I must omit to mention for Mama wants a PS reserved--now my Dear Charles remember you are considerably & I am confident you have as much leisure as I have be ceremonious but write whenever I find time not & I beg the same I tell James I shall not send his love for he must write himself. I shall anxiously expect you to write & do not disappoint your affectionate, sister--H One word my Dear Charles from your affectionate Mother who longs to see Her Dear son Charlesbut being deprived of that rich blessing at presentbegs Him so to conduct that she may hope for it ere longdo you search the Scriptures and keep the Sabbath holy unto the Lordand all the sacred Commandments of Godit is my ardent desireHe would protect, support and provide for your soul and body and believe me your affectionate friend and Mother. R Larned.
Resumo:
Letter Transcription: Pittsfield, April 8, 1813 I think that by this time my dear Charles you will allow I have some reason to give you a gentle reprimand for breach of dutybut I will not censure you upon suspicion maybe you have substantial reasonsat any rate one cannot very graciously reproach the other for negligence I for one am healthy as ham & that we have so seldom exchanged letters during your absence & on my honor promise to be a better girl in futurebut the truth is my Dear Charles I am secretary for the FamilyMama you know never writes & James but seldom & they are all dispersed in different directions, consequently I have many calls upon my timethis to be sure is a pleasant duty & I urge it only as a slight palliation for my remissness if you should consider it as suchnow I have finished my prefaceI will try to be more interesting & doubtless I succeed. Our dear Father we hope & trust is now in Green Bush, where he will probably remain a month perhaps & from thence he expects to go to Sackets harborat which place you know our troops are fast collecting-- We shall hope to see him either here or there before he goes. Brother George I believe is [still] at Plattsburgh but expects soon to be removed to some other military part perhaps with Papa (I hope so at least). We have just got letters from Brothers Sylvester & Joseph at Middleburythey are in good health. Mama has for some weeks been afflicted with an inflammation in her eyes but seems now to be convalescing. Sister Martha has been somewhat unwell for a few weeks but is now tolerably recovered. James & myself are both in our usual good health & at this time seated by the same stand, one reading, the other writing. Thus my Dear Charles have I given you an abstract history of our Familybut here indeed is a wonderful omission; not a word about Miss Harriet Hunt, who in truth ought to have been noted first but the last shes not the least in my memory. She is much grown since you saw her, but does not speak as fluently as we could wisha few word she can say. Probably before this you have been informed of the great loss your friend Sherrill has sustained in the death of his motheralso of the revolution that has taken place in Hackbridge as it respects the religion & morality of the place that more than one hundred on the plain have become religious converts & cindeed I am at a loss what to say that will afford your pleasurea narrative at this time must be gloomy indeed. The distressing situation of our country at this time would make almost any recital melancholy. The prevailing epidemic has swept off many of your acquaintance no doubt. Mrs. Dewey of Williamstown, the sister of Mrs. Danforth, has left a Husband, Children & many Friends sincerely to lament her losssome few have died in our village, but we have escaped astonishingly it has raged in every town about us--If we are unwilling to acknowledge a God in his mercies. I fear she shall be compelled to do it in the awfulness of his judgments.--------I am much [pleased] with our new neighbors the Parsons Wife & a Miss Woodward her cousin is a fine girl, I think, Mrs. Allen has not a handsome face but something in her manner that interests one her person I think the handsomest I ever saw & the Parson seems well pleased with his selectionMrs. Ripley is with them this winter & will probably remain thro the summerHer husband at [Sacketts Harbor] little or no alteration is apparent since her marriageshe seems as gay & fond of company as ever.-------Mrs. [McKnight] it is expected will commence housekeeping in about three weeks in the house formerly occupied by Mr. [Report] says that Mr. Goodman & Clarissa Weller are soon to be married & many other things that I must omit to mention for Mama wants a PS reserved--now my Dear Charles remember you are considerably & I am confident you have as much leisure as I have be ceremonious but write whenever I find time not & I beg the same I tell James I shall not send his love for he must write himself. I shall anxiously expect you to write & do not disappoint your affectionate, sister--H One word my Dear Charles from your affectionate Mother who longs to see Her Dear son Charlesbut being deprived of that rich blessing at present begs Him so to conduct that she may hope for it ere longdo you search the Scriptures and keep the Sabbath holy unto the Lordand all the sacred Commandments of Godit is my ardent desireHe would protect, support and provide for your soul and body and believe me your affectionate friend and Mother. R Larned.
Resumo:
Cette recherche a t inspire par les travaux de John Bowlby sur lattachement ainsi que par les crits psychanalytiques de Sigmund Freud et de Donald Winnicott sur le dveloppement de la relation pre-garon. Trois objectifs ont t formuls dans la prsente tude : A) Les jeunes garons dge prscolaire pourraient-ils projeter, travers quelques sessions de jeu symbolique libre, leurs reprsentations paternelles? B) Sils les projettent, quelle est la nature de ces reprsentations paternelles? C) Existe-t-il une relation entre le type dattachement (valu par un instrument standard) et les reprsentations paternelles projetes dans le jeu symbolique libre? Dix garons de quatre ans ont t films la maison et dans une garderie pendant, en moyenne, quatre sessions totalisant par enfant, une dure moyenne de deux heures trente minutes de jeu symbolique. Le type dattachement a t valu laide de lAttachment Story Completion Task. Les rsultats dmontrent que lensemble des garons ont t en mesure de projeter des reprsentations paternelles bases sur la figure du pre. Tous ces garons ont peru le pre comme une figure de protection et huit enfants sur dix ont exprim verbalement leur attachement ce dernier. Un enfant de type vitant (type A) na pas voqu la figure du pre dans son jeu. Ce pre tait rarement la maison pour soccuper de son garon. Enfin, le dernier enfant, de type ambivalent (un enfant particulirement agressif de type C), a prsent dans son jeu des interactions ngatives avec le pre et ce, tout au long des sessions de jeu symbolique. Il appert ainsi que le jeu symbolique permet lenfant de projeter des reprsentations de la figure paternelle. Ces reprsentations sont en lien avec le type dattachement que lenfant dtient au moment de lvaluation.
Resumo:
Il est peu de notions aussi vastes que celle du non-savoir, mais le flou du caractre ncessairement ngatif de sa dfinition saccompagne tout de mme du sentiment que la source de ce qui ne peut qutre dtermin ngativement par la pense (non, cela nest pas le savoir) ne peut qutre positive. Notion lapplicabilit infinie, parce quen elle vient sabmer tout ce qui ne peut tenir dans lespace de la matrise relative ce dont on peut dire : je sais de quoi il sagit. Est non-savoir tout ce qui se rapporte au bouillonnement pulsionnel de la vie et lchance fatale de la mort. Ce qui pousse lhomme au meurtre, au gnocide, la guerre et la violence rvolutionnaire se confond avec un contenu affectif et identitaire qui ne peut tre ramen au savoir sans laisser de reste. Mais tenter de comprendre ce qui chappe lentendement est cela mme qui relance sans cesse la rflexion comprise comme cur du savoir. Le savoir se montre ainsi sous une extrme dpendance face son Autre. la lumire de cette hypothse devant beaucoup aux dcouvertes de la psychanalyse, le prsent mmoire sest donn pour objectif de jeter un regard frais sur quelques grandes tensions sociopolitiques de lHistoire; mais il a dabord fallu valuer philosophiquement la possibilit dun concept de non-savoir. Des champs identitaires majeurs rvolutions totalitaires ou dmocratiques, bouleversements ou synergies culturelles sont ainsi analyss sous langle dune conomie pulsionnelle qui sinscrit dans une interaction perptuelle avec ce qui sbauche ici comme une conomie du rapport entre non-savoir et savoir. Est ainsi produite une esquisse des rapports possibles entre la vie pulsionnelle de lhomme, le savoir institutionnel et le monde sociopolitique.
Resumo:
Le principal objectif de ce mmoire est ltude de linscription de la maternit dans Lempreinte de lange, La virevolte et Prodige de Nancy Huston. Les trois romans prcits constituent mon corpus de base. Nanmoins, des allusions dautres crits de lauteure, notamment Journal de la cration, donneront une plus grande profondeur lanalyse, car on ne peut ni carter les traces du thme de la maternit dans ses autres textes ni msestimer linfluence de lexprience de lauteure sur son uvre. Dans la foule de la rflexion fministe contemporaine sur la maternit et faisant recours, selon le besoin, la Nouvelle Histoire et la psychanalyse, pour clairer le contexte sociohistorique et le non-dit des textes, nous essaierons de dgager la singularit de lcriture hustonienne en ce qui concerne ses ides sur la maternit. En effet, Nancy Huston sinscrit dans la ligne dcrivaines qui ont contribu redfinir lidentit fminine dans la fiction contemporaine en esquissant, travers ses romans et essais, une multiplicit dexpriences fminines, toutes diffrentes, bien que plus ou moins soumises aux valeurs sociales dont lauteure mesure la force. Nous abordons notre analyse par une mise en contexte historique, culturelle et thique de la maternit. En effet, comme le thme de la maternit est omniprsent dans le discours social pass et contemporain, il est intressent de voir comment Nancy Huston compose avec les strotypes traditionnellement attribus la mre en suivant les enjeux, les consquences et les variations de la maternit dans les uvres ltude. Suivront la mise en contexte historique et thorique les chapitres destins lanalyse des uvres. Le deuxime chapitre portera sur Lempreinte de lange dvoilant les perplexits qui naissent dune maternit non dsire et ombrage par les squelles dun pass tragique. Le troisime chapitre, consacr lanalyse de La virevolte, sarticule autour de la tension entre la cration et la procration. Enfin, le quatrime et dernier chapitre aborde la maternit dans Prodige, roman o il est surtout question du lien entre emprise maternelle et construction de lidentit de la fille. travers cette analyse, nous verrons comment Nancy Huston dconstruit le lieu commun voulant que la mre soit cet tre idalis, priv de passions professionnelles et de pulsions artistiques, se ddiant uniquement la protection et aux soins de lenfant pour reprsenter plutt des mres animes par des sentiments contradictoires, des mres qui se positionnent avant tout comme femmes sans inhiber leurs lans, leurs passions ni leurs tourments.
Resumo:
Des dinosaures sur papier : des notes sur le terrain comme on en trouve dans le Badlands de Robert Kroetsch passe en revue cette uvre postmoderne de 1975 portant sur une expdition palontologique fictive prs de la rivire Red Deer, en Alberta, conformment la rcente tendance exiger la vrification systmatique des donnes la base des rcits mtafictifs historiographiques dans la littrature canadienne-anglaise. Inspire de lexploration canonique qua effectue John Livingston-Lowes des plus grands pomes de Samuel Taylor Coleridge par le biais de la mine dor du Gutch Memorandum Book dans The Road to Xanadu, cette thse entreprend un nouveau type de recherche qui se dmarque des archives conventionnelles et de la tradition documentaire. Sappuyant sur des documents holographes non publis provenant de dpts darchives situs au Qubec, en Ontario et en Alberta et crits par des collecteurs, des gologues et des palontologues de la Commission gologique du Canada, ainsi que sur des notes sur le terrain , des notes de recherche et des journaux personnels crits par Robert Kroetsch pendant la rdaction de son roman Badlands, cet examen critique rvle les strates sous-jacentes indites dune uvre de fiction particulire. Dans pratiquement toute fouille palontologique, le retrait de ce qui enveloppe un spcimen rvle souvent des donnes supplmentaires qui peuvent, si elles sont soigneusement interprtes, offrir des indices essentiels sur les environnements palontologiques. Ainsi, un squelette de dinosaure est rarement retir dune carrire strile dans son intgralit. Il en va de mme pour toute recherche sur un processus littraire. Aucun texte ne sautosuffit. Comme Kroetsch sest efforc de produire son rcit sous forme dinterrogation sur la cration et la transmission des donnes historiques, particulirement grce des notes sur le terrain , une vaste tude de ce terrain comprenant des intertextes de lAntiquit, des sciences, de lHistoire, de lhistoire populaire, de rcits de voyages et de la littrature canadienne et internationale est ici mene. On y fait librement rfrence des priodes et des auteurs trs diversifis, allant de Thomas Jefferson et des tombelles Bruce Chatwin et sa peau de brontosaure . videmment, aucune entreprise interdisciplinaire du genre ne peut tre exhaustive. Ce projet se veut plutt une vitrine littraire runissant des curiosits autour dune uvre principale, soit le Badlands de Robert Kroetsch. Rduites leur plus simple expression, les notes sur le terrain constituent des messages destins la postrit. En explorant trois thmes principaux, cette thse explique comment ces messages pourraient tre transmis. Saxa Loquuntur ! , ainsi intitul en rfrence lanalogie de Freud avec larchologie, traite des mtaphores associes aux tmoignages de la pierre ; Good Jones porte sur les faons dont la taxinomie peut combler le dsir dun chercheur dos de ne pas tomber dans loubli ; Box 16 suit une piste documentaire en parcourant les crits de Kroetsch pour reconstituer tant llaboration dun roman que les notions de temps, despace et dorigine dune uvre littraire.
Resumo:
Thse ralise en cotutelle avec l'Universit Paris-Sorbonne (Paris IV), sous la direction de M. Michel Delon.
Resumo:
Les images qui reprsentent le Mexicain le montrent habituellement sous les traits dun tre extrmement mlancolique qui fait face un destin tragique. Les nombreux mythes entourant le Mexicain, issus de la culture mme, sont effectivement relis de prs ou de loin la peur et la tristesse, soit deux composantes essentielles de la mlancolie. Lanthropologue Roger Bartra dans La jaula de la melancola: identidad y metamorfosis del mexicano analyse ces lments cls qui constitueraient la personnalit du Mexicain. Lobjectif de cette recherche est de dmontrer que Atlntida dOscar Villegas est luvre par excellence qui reprsente cette mlancolie toute mexicaine. Dans sa pice de thtre, Villegas raconte lhistoire dune jeune artiste de cabaret qui vit de nombreuses dsillusions dans un monde vulgaire et pervers o les valeurs humaines font dfaut. Le dramaturge met en scne le Mexico urbain des annes quarante et montre le dsespoir et limpossibilit pour les habitants de ses quartiers pauvres de changer le cours de leur vie. En plus dtre une pice de thtre qui, tant au niveau de son contenu que de sa forme, porte en elle les marques de la mlancolie, Atlntida met en relief ces caractristiques devenues au fil du temps reprsentatives de limage nationale du Mexicain. Ltude de cette uvre sappuie sur les thories danalyse du texte thtral dAnne Ubersfeld qui propose une approche centre sur laction et les conditions de communication contenues dans les dialogues. Faire le pont entre la pice de thtre de Villegas et lessai de Bartra permet dexplorer le lien intrinsque qui semble stablir entre Mexicain et mlancolie.
Resumo:
Dans Creep show, un narrateur prsente ses creeps, les malades de son entourage, des schizophrnes inadquatement nomms, afin de les ramener la vie par ses mots. En se souvenant de certains moments o la folie se manifestait lui, il veut dterrer ses ensevelis, les faire parler en leur prtant son criture. Dans un rcit morcel pouvant voquer une galerie de portraits en mouvement, les protagonistes sont prsents comme des monstres, des rveurs ou des sources dinspiration selon le moment relat par un narrateur affect qui se replonge littralement dans un pass schelonnant entre lenfance et lge de dix-huit ans. Portant autant sur la maladie mentale que sur la honte et la peur des mots, Creep show est un texte sur le silence et limpuissance, sur lincapacit de nommer adquatement la folie ; il sagit dun court rcit de dix-sept scnes encadres par un prologue et un pilogue o lcriture dun traumatisme se vit comme une histoire damour. Lessai intitul Je est des autres. De lesthtique borderline chez Marie-Sissi Labrche dcrit la gense dune esthtique borderline . Dans une approche la fois psychanalytique et narratologique, fonde sur les concepts de la mlancolie, du kitsch et de la crypte, lanalyse tente de montrer quel type de construction thmatique et formelle soutient cette esthtique. partir dlments reprsentatifs de lunivers de Marie-Sissi Labrche (la question de la limite, la pulsion de mort, le rapport au corps et linstabilit), lessai sintresse la faon dont la narratrice de Borderline (2000) donne lire une identit sdimentaire, un autoportrait masqu-fl, o Je est [des] autre[s] . En regard de ces lments, lhypothse dune machine textuelle fonctionnant thmatiquement et formellement dans et par linstabilit et laltrit oriente la rflexion vers lide dune criture du trauma qui pourrait reprsenter une tentative de rappropriation identitaire passant par lesthtique dite borderline .
