994 resultados para Patrimônio industrial ferroviário


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A Associação Industrial do Distrito de Aveiro é uma Associação sem fins lucrativos presente nesta região desde 1986. Com o objetivo de prestar apoio ao tecido empresarial da região, tem evoluindo ao longo dos tempos, estruturando e diversificando a sua tipologia de serviços, adaptando-os às suas reais necessidades. A Qualidade é um conceito que tem vindo a evoluir ao longo dos anos, tomando cada vez mais importância para os consumidores adquirirem produtos de qualidade. Atualmente o sucesso de uma empresa depende em muito da qualidade dos produtos ou serviços que este providencia ao mercado. Assim, a existência de um Sistema de Gestão de Qualidade torna-se também importante para controlar essa qualidade. Este trabalho analisa a Gestão da Qualidade dos serviços prestados pela AIDA, em particular no que se refere ao Gabinete de Relações Exteriores, e às iniciativas por este desenvolvidas.

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Este trabalho analisa a valorização e salvaguarda do sistema construtivo das edificações de arquitetura civil do século XIX, frente às intervenções a que são submetidas, diante da necessidade de adaptação a usos e funções da vida contemporânea. Tem como estudo de caso o centro histórico de São Luís do Maranhão. Para sua elaboração, foram desenvolvidas as seguintes etapas: fundamentação teórica e conceitual do tema; análise dos aspectos da organização físico-espacial da arquitetura produzida no século XIX; leitura, análise e interpretação da constituição tipológica e estado de conservação do acervo arquitetônico do centro histórico de São Luís e verificação das intervenções referentes à conservação da integridade do sistema construtivo. Além da pesquisa, o trabalho apresenta algumas recomendações sobre a conservação da autenticidade do sistema construtivo das edificações patrimoniais, como forma de contribuição para orientar futuras intervenções de reabilitação.

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Industrial activities are the major sources of pollution in all environments. Depending on the type of industry, various levels of organic and inorganic pollutants are being continuously discharged into the environment. Although, several kinds of physical, chemical, biological or the combination of methods have been proposed and applied to minimize the impact of industrial effluents, few have proved to be totally effective in terms of removal rates of several contaminants, toxicity reduction or amelioration of physical and chemical properties. Hence, it is imperative to develop new and innovative methodologies for industrial wastewater treatment. In this context nanotechnology arises announcing the offer of new possibilities for the treatment of wastewaters mainly based on the enhanced physical and chemical proprieties of nanomaterials (NMs), which can remarkably increase their adsorption and oxidation potential. Although applications of NMs may bring benefits, their widespread use will also contribute for their introduction into the environment and concerns have been raised about the intentional use of these materials. Further, the same properties that make NMs so appealing can also be responsible for producing ecotoxicological effects. In a first stage, with the objective of selecting NMs for the treatment of organic and inorganic effluents we first assessed the potential toxicity of nanoparticles of nickel oxide (NiO) with two different sizes (100 and 10-20 nm), titanium dioxide (TiO2, < 25 nm) and iron oxide (Fe2O3, ≈ 85x425 nm). The ecotoxicological assessment was performed with a battery of assays using aquatic organisms from different trophic levels. Since TiO2 and Fe2O3 were the NMs that presented lower risks to the aquatic systems, they were selected for the second stage of this work. Thus, the two NMs pre-selected were tested for the treatment of olive mill wastewater (OMW). They were used as catalyst in photodegradation systems (TiO2/UV, Fe2O3/UV, TiO2/H2O2/UV and Fe2O3/H2O2/UV). The treatments with TiO2 or Fe2O3 combined with H2O2 were the most efficient in ameliorating some chemical properties of the effluent. Regarding the toxicity to V. fischeri the highest reduction was recorded for the H2O2/UV system, without NMs. Afterwards a sequential treatment using photocatalytic oxidation with NMs and degradation with white-rot fungi was applied to OMW. This new approach increased the reduction of chemical oxygen demand, phenolic content and ecotoxicity to V. fischeri. However, no reduction in color and aromatic compounds was achieved after 21 days of biological treatment. The photodegradation systems were also applied to treat the kraft pulp mill and mining effluents. For the organic effluent the combination NMs and H2O2 had the best performances in reduction the chemical parameters as well in terms of toxicity reduction. However, for the mine effluent the best (TiO2/UV and Fe2O3/UV) were only able to significantly remove three metals (Zn, Al and Cd). Nonetheless the treatments were able of reducing the toxicity of the effluent. As a final stage, the toxicity of solid wastes formed during wastewater treatment with NMs was assessed with Chironomus riparius larvae, a representative species of the sediment compartment. Certain solid wastes showed the potential to negatively affect C. riparius survival and growth, depending on the type of effluent treated. This work also brings new insights to the use of NMs for the treatment of industrial wastewaters. Although some potential applications have been announced, many evaluations have to be performed before the upscaling of the chemical treatments with NMs.

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An organisation that had developed a large information system wanted to embark on a programme that would involve large-scale evolution of it. As a precursor to this, it was decided to create a comprehensive architectural description to capture and understand the system’s design. This undertaking faced a number of challenges, including a low general awareness of software modelling and software architecture practices. The approach taken by the software architects tasked with this project included the definition of a simple, very specific, architecture description language. This paper reports our experience of the project and a simple ADL that we created as part of it. 

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This thesis investigates the use and significance of X-ray crystallographic visualisations of molecular structures in postwar British material culture across scientific practice and industrial design. It is based on research into artefacts from three areas: X-ray crystallographers’ postwar practices of visualising molecular structures using models and diagrams; the Festival Pattern Group scheme for the 1951 Festival of Britain, in which crystallographic visualisations formed the aesthetic basis of patterns for domestic objects; and postwar furnishings with a ‘ball-and-rod’ form and construction reminiscent of those of molecular models. A key component of the project is methodological. The research brings together subjects, themes and questions traditionally covered separately by two disciplines, the history of design and history of science. This focus necessitated developing an interdisciplinary set of methods, which results in the reassessment of disciplinary borders and productive cross-disciplinary methodological applications. This thesis also identifies new territory for shared methods: it employs network models to examine cross-disciplinary interaction between practitioners in crystallography and design, and a biographical approach to designed objects that over time became mediators of historical narratives about science. Artefact-based, archival and oral interviewing methods illuminate the production, use and circulation of the objects examined in this research. This interdisciplinary approach underpins the generation of new historical narratives in this thesis. It revises existing histories of the cultural transmissions between X-ray crystallography and the production and reception of designed objects in postwar Britain. I argue that these transmissions were more complex than has been acknowledged by historians: they were contingent upon postwar scientific and design practices, material conditions in postwar Britain and the dynamics of historical memory, both scholarly and popular. This thesis comprises four chapters. Chapter one explores X-ray crystallographers’ visualisation practices, conceived here as a form of craft. Chapter two builds on this, demonstrating that the Festival Pattern Group witnesses the encounter between crystallographic practice, design practice and aesthetic ideologies operating within social networks associated with postwar modernisms. Chapters three and four focus on ball-and-rod furnishings in postwar and present-day Britain, respectively. I contend that strong relationships between these designed objects and crystallographic visualisations, for example the appellation ‘atomic design’, have been largely realised through historical narratives active today in the consumption of ‘retro’ and ‘mid-century modern’ artefacts. The attention to contemporary historical narratives necessitates this dual historical focus: the research is rooted in the period from the end of the Second World War until the early 1960s, but extends to the history of now. This thesis responds to the need for practical research on methods for studying cross-disciplinary interactions and their histories. It reveals the effects of submitting historical subjects that are situated on disciplinary boundaries to interdisciplinary interpretation. Old models, such as that of unidirectional ‘influence’, subside and the resulting picture is a refracted one: this study demonstrates that the material form and meaning of crystallographic visualisations, within scientific practice and across their use and echoes in designed objects, are multiple and contingent.

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Dissertação mest., Arqueologia, Universidade do Algarve, 2008

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Dissertação de mest., Arquitectura Paisagista, Faculdade de Ciências e Tecnologia, Univ. do Algarve, 2011

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O património rural mediterrânico encerra um quadro de manifestações passadas e presentes com uma riqueza específica e uma diversidade de significados. No quadro de uma ampla parceria dialogante, com uma estrutura técnica entusiasta, dinâmica e crente no desenvolvimento do território do espaço do Mediterrâneo e Baixo Guadiana, foram feitas trocas de experiências, discutidos conceitos e metodologias de intervenção e analisados impactos de onde resultou para cada território um conjunto de acções- piloto de carácter transnacional que consubstanciassem as temáticas do projecto Rural Med, onde se enquadra o presente estudo do Baixo Guadiana.

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Versão em português da comunicação submetida com o título “From The Survey on Regional Architecture In Portugal to the local applied research: the experience of GTAA Sotavento in the built vernacular heritage studies” à Conferência Internacional “surveys on vernacular architecture. Their significance in 20th century architectural culture” realizada no Porto (ESAP) entre 17 e 19 de Maio de 2012.

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Versão em português do artigo submetido com o título “Towards Integrating Rural Vernacular Settlements in Urban Regions: A study of Algarve, Portugal” ao ISVS e-­‐journal em Abril de 2011.

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A recent servey (1) has reported that the majority of industrial loops are controlled by PID-type controllers and many of the PID controllers in operation are poorly tuned. poor PID tuning is due to the lack of a simple and practical tuning method for avarage users, and due to the tedious procedurs involved in the tuning and retuning of PID controllers.

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A locução património cultural junta numa unidade semântica incindível dois elementos linguísticos, um substantivo e um adjectivo. Mas nem o objecto que o substantivo património nomeia nem a qualidade que o adjectivo cultural lhe confere acusam por si um sentido preciso e explícito; pelo contrário, ambos são difusos, quando não equívocos. Convém, por isso, examinar previamente e em separado cada um dos termos- património e cultura -, para depois alcançamos a significação unitária do sintagma património cultural.

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Dissertação de mest., Gestão Cultural, Faculdade de Ciências Humanas e Sociais, Univ. do Algarve, 2012

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Dissertação de mest., Arqueologia (Teoria e Métodos), Faculdade de Ciências Humanas e Sociais, Univ. do Algarve, 2012

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Dissertação de mest., Turismo e Culturas Urbanas, Escola Superior de Gestão, Hotelaria e Turismo, Univ. do Algarve, 2013