«DES YEUX BAISSÉS AUX POINGS LEVÉS» : L'IMAGE DE LA FEMME MAGHRÉBINE DANS L'ŒUVRE DE TAHAR BEN JELLOUN. UNE ÉTUDE COMPARATIVE DE TROIS PROTAGONISTES FÉMININS.

L'étude du portrait de la femme maghrébine dans trois romans de Ben Jelloun révèle trois vies d'enfant, d'adolescente et de femme très différentes quant à la condition féminine. Il y a une émancipation progressive entre les portraits qui peut s'expliquer par le fait que les romans se déroulent dans des cultures et à des époques différentes, mais aussi par les intentions féministes de l'auteur.

Faïza Guène chez les Vikings : quelques réflexions à propos de la traduction suédoise d’un discours argotique et "beur"

L’article porte sur les deux premiers romans de Faïza Guène : Kiffe kiffe demain (2004) et Du rêve pour les oufs (2006), ainsi que sur les traductions en langue suédoise Kiffe kiffe imorgon (2006) et Drömmar för dårar (2008). Nous nous intéressons aux mots et aux expressions qui sont porteurs de la culture maghrébine, pour voir comment ces termes sont traduits en suédois. Nous étudions aussi l’oralité et le registre argotique, qui sont des traits caractéristiques de la prose de Guène. Nous constatons que certains termes d’origine arabe du texte source sont traduits par des mots ayant une autre étymologie, ce qui rend la présence maghrébine un peu moins visible dans le texte cible. Nous constatons aussi que l’oralité du texte source est transférée dans le texte cible, mais par d’autres moyens – un procédé de compensation est souvent utilisé. Le registre argotique paraît un peu plus saillant dans les romans français que dans les versions traduites. L’exemple le plus frappant est le discours des personnages dans Du rêve pour les oufs, qui doit être traduit en « français standard » par le moyen de notes de bas de page, pour assurer la compréhension du lecteur implicite du texte original – phénomène qui n’a pas d’équivalent dans la traduction suédoise. Ce procédé de normalisation rend le texte cible plus neutre et, peut-être, un peu moins singulier que l’original.

Agustina Bessa-Luís ou une poétique du féminin : (Agustina Bessa-Luís or a female poetics)

The aim of this work is to analyse some of the main elements that constitute the originality and singularity of the literary production of the Portuguese writer Agustina Bessa-Luís, in order to reveal it's connection with an « écriture-femme ». The analyse of some historiographical metafictions which, by defenition, have a close link with canonic historical texts, allows us to understand that her narratives tend to a certain form of unreading of those texts, creating other texts and images of the past, inherent to the construction of a "Herstory". This characteristic writing in Agustina Bessa-Luís narratives reveals a female poetics expressing the recognition of female experience and gives also back History, and Literature, to women.

Missa de Alcaçus: aproximações melódicas com os romances medievais ibéricos

Este trabalho tem como objetivo investigar a obra Missa de Alcaçus a partir dos romances medievais ibéricos recolhidos do livro Romanceiro de Alcaçus de Deífilo Gurgel (1992). Parte-se do interesse de buscar afinidades melódicas entre os romances com as partes da Missa e de compreender como se deu o processo de inserção dos romances ibéricos, como elementos da cultura popular na obra erudita. Para a análise musical da obra Missa de Alcaçus, o trabalho tem como referência o conceito de afinidade eletiva por Max Weber (1995) atribuído as possibilidades de inserção de elementos da música tradicional do Nordeste à obra erudita. Quanto os romances ibéricos recolhidos da tradição oral, tomamos o conceito de memória coletiva de Maurice Halbwachs (2006), a fim de esclarecer o processo de construção da memória coletiva contida nesses romances. A pergunta central deste trabalho consiste em saber se há afinidade melódica entre os romances e as partes da Missa de Alcaçus. Para a metodologia desta pesquisa, são expostos os romances ibéricos e as partes da Missa num quadro de cartografia simbólica, segundo Boaventura Santos (2000), a fim de identificar onde, como e quais os desdobramentos musicais da obra

Problemas e modelos que contribuíram com o desenvolvimento do cálculo diferencial e integral: dos gregos à Newton

This article refers to a research which tries to historically (re)construct the conceptual development of the Integral and Differential calculus, taking into account its constructing model feature, since the Greeks to Newton. These models were created by the problems that have been proposed by the history and were being modified by the time the new problems were put and the mathematics known advanced. In this perspective, I also show how a number of nature philosophers and mathematicians got involved by this process. Starting with the speculations over scientific and philosophical natures done by the ancient Greeks, it culminates with Newton s work in the 17th century. Moreover, I present and analyze the problems proposed (open questions), models generated (questions answered) as well as the religious, political, economic and social conditions involved. This work is divided into 6 chapters plus the final considerations. Chapter 1 shows how the research came about, given my motivation and experience. I outline the ways I have gone trough to refine the main question and present the subject of and the objectives of the research, ending the chapter showing the theoretical bases by which the research was carried out, naming such bases as Investigation Theoretical Fields (ITF). Chapter 2 presents each one of the theoretical bases, which was introduced in the chapter 1 s end. In this discuss, I try to connect the ITF to the research. The Chapter 3 discusses the methodological choices done considering the theoretical fields considered. So, the Chapters 4, 5 and 6 present the main corpus of the research, i.e., they reconstruct the calculus history under a perspective of model building (questions answered) from the problems given (open questions), analyzing since the ancient Greeks contribution (Chapter 4), pos- Greek, especially, the Romans contribution, Hindus, Arabian, and the contribution on the Medium Age (Chapter 5). I relate the European reborn and the contribution of the philosophers and scientists until culminate with the Newton s work (Chapter 6). In the final considerations, it finally gives an account on my impressions about the development of the research as well as the results reached here. By the end, I plan out a propose of curse of Differential and Integral Calculus, having by basis the last three chapters of the article

A dinâmica do pensamento geométrico :aprendendo a enxergar meias verdades e a construir novos significados

This work is a case study to investigate the dynamics of the historians thought as they produce a knowledge about the history of the area measurement systems as forms of historical expressions and representations. We refer to some of the ideas of David Bohm (1989, 1992, 1994, 1996) to support our theoretical understanding about the operation of thought. We chose a period that is recognized by the theorists as the origin of the geometrical thought -embracing the knowledge developed by the Egyptians, Babylonians, Chinese, Hindus, Greeks and Romans- and is referred to as containing a cycle in the development of this knowledge, described as beginning, apogee and decline. We assume this history, as told by the theorists, as a version that we organize and tell with the help of three sets of categories. The first refers to the elements that take part in the measurement practices; the second refers to the historians understanding about the development of the scientific knowledge. This exercise allowed us to extract the theorists main beliefs, that we criticized in the light of the knowledge about Cubação (Dal Pian, 1990). We stress the importance of the methodological approach adopted in this study to the teaching of Geometry and its history

Dominadores e dominados na Palestina do século I

A relação entre dominadores e dominados na Palestina do século I emerge de forma indireta em um documento produzido com o objetivo de relatar o testemunho do autor, Flávio Josefo, sobre a guerra entre judeus e romanos. Mais que uma guerra contra os romanos, o que se vislumbra é uma crise interna profunda envolvendo diferentes interesses de grupos judaicos alinhados ou distantes do poder do inimigo.

As estruturas sociais e econômicas do Império Romano do Ocidente e o estabelecimento do reino dos visigodos nas Galliae Aquitania e Narbonensis

In the year 376 of the Common Era, a tribe of Germanic warriors known as Tervingi , of Gothic extraction, crossed the Hister (Danube) river due south, entering the Roman Empire. They fled the Huns, a nomadic group that came plundering their way from the East. It did not take long for a conflict between the Roman imperial authorities and the refugees to begin. Peace was reached in 382 and, henceforth, the Tervingi would be officially foederati (allies) of the Romans, gaining the right to remain an autonomous tribe inside the borders of the Empire. For the next thirteen years the Tervingi warriors fought beside the Roman imperial armies in every major conflict. Nevertheless, after the death of the emperor Theodosius I in 395, their relations deteriorated severely. In theory, the Tervingi remained Roman allies; in practice, they begun to extort monies and other assets from the emperors Honorius and Arcadius. The sack of Rome by the Tervingi king Alaric in 410 was both the culmination and the point of inflection of this state of affairs. During the 410s the Tervingi warriors would fought again beside the Roman Imperial armies and be rewarded with a piece of land in the southwestern portion of the Gallic diocese. Dubbed Visigoths , they would remain trusted Roman allies throughout the next decades, consolidating their own kingdom in the process. This dissertation deals not only with the institution of the Visigothic kingdom in the southwestern portion of the Galliae but also with the social and economic conditions that hindered the Roman ability to defend their territory by themselves, hence opening opportunities for foederati like the Tervingi to carve out a piece of it for themselves.

Um estudo sobre elementos matemáticos presentes na narrativa da descrição do Templo de Jerusalém

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Constructos identitários entre os conceitos de realeza de Temístio e Amiano Marcelino ( Século IV D.C

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

A imagem de César e Augusto: representações do ideal de princeps em Suetônio

Pós-graduação em História - FCLAS

A configuração dos romances policiais mais vendidos no Brasil no século XXI: canônica ou inovadora?

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Revisitando o passado: o papel da história na obra romanesca de Franklin Távora

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Concepções da sexualidade romana na Inglaterra vitoriana: a leitura sobre Ovídio

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Das imagens de si ao mundo das edições: Paul de Kock, romancista popular

Paul de Kock é considerado um escritor popular e de segunda monta do século XIX francês. Partindo desse lugar comum, a presente dissertação pretendeu investigar como o próprio Paul de Kock e seus biógrafos o definiam enquanto escritor e, por outro lado, averiguar se os aspectos editoriais e materiais dos exemplares de suas obras presentes no acervo do Grêmio Literário Português do Pará podem dizer algo a respeito do suposto público leitor ao qual suas obras se destinavam. Assim, no primeiro capítulo foram analisadas as biografias e autobiografia do escritor, buscando verificar qual teria sido a representação do escritor Paul de Kock elaborada em sua própria época. No segundo capítulo foram analisadas as características editoriais dos exemplares das obras do romancista francês presentes no Grêmio Literário Português do Pará, de modo a realizar um mapeamento dos intermediários da literatura - editores, tipógrafos e tradutores - envolvidos no processo de publicação dos romances do autor. No último capítulo procuramos analisar as particularidades do suporte material de parcela dessas edições, com o intuito de compreender até que ponto os formatos nos quais as obras do escritor circularam podem dar pistas sobre a representação dos editores acerca de seu provável público leitor, bem como ser indicativos do estatuto do escritor no interior do campo literário.