La construcción de la política exterior de Rusia hacia Serbia: entre el pragmatismo y el Eurasianismo (2007-2015)

Esta monografía defenderá que la Rusia contemporánea cuenta con una ideología formada a partir de los elementos imperiales y religiosos previos a la Unión Soviética además de elementos políticos propios de la URSS como la colectividad y la oposición a occidente. La Rusia de Putin ha recobrado sus capacidades para defender sus intereses en el mundo frente a la injerencia de occidente, y en el caso de Serbia esto se hará evidente a través de la importancia de los lazos culturales e históricos reforzados por los vínculos económicos y estratégicos que representa la presencia de Rusia en Serbia. Los principales autores sobre los que se trabajará son Alexander Dugin y Alexander Panarin.

La pelota no se mancha: Un estudio histórico sobre el desarrollo y la política en FIFA

Esta investigación se centra en la Fédération Internationale de Football Association (FIFA) como organización política. Intenta responder dos interrogantes primordiales: 1) ¿cómo la FIFA ha constituido el poder que tiene actualmente y, así, hacerse del monopolio indiscutido del fútbol? Y 2) ¿cómo ha cambiado en el tiempo la política interna de FIFA y su vínculo con la política internacional? Para lograr esto, se realiza un estudio histórico, basado principalmente en documentos, que intenta caracterizar y analizar los cambios de la organización en el tiempo. Se enfatizan las últimas dos presidencias de FIFA, de João Havelange y Joseph Blatter, como casos de estudio.

Historia conceptual de la reintegración a partir del estudio de las experiencias de Namibia, República Democrática del Congo, la Provincia de Aceh-Indonesia y Colombia

Durante las dos últimas décadas, la etapa final de los programas modernos de Desarme, Desmovilización y Reintegración (DDR), se ha convertido en un componente decisivo en los procesos de transición hacia la paz. Aun así, no existe suficiente análisis conceptual sobre la Reintegración. Esta investigación analiza cómo desde sus inicios, las experiencias de práctica e implementación de programas de DDR ha influenciado y contribuido a la aparición y transformación del concepto de reintegración de excombatientes a la vida civil. La investigación toma tres categorías de análisis de la metodología historiográfica Historia de los Conceptos, propuesta por Reinhart Koselleck, y a partir de cuatro casos, Namibia, República Democrática del Congo, la provincia de Aceh, Indonesia y Colombia, traza una línea de tiempo que evidencia elementos permanentes y discontinuidades al interior del concepto a nivel diacrónico, y la complejización que el término ha sufrido desde 1989 hasta el 2015 a nivel sincrónico

Heimat, Fremdheit, Zugehörigkeit : Zur Konjunktur des Diaspora-Begriffs in der Ära Internationaler Migration

In the era of international migration, the experience of homelessness, deriving from the loss of the myth of cultural and ethno-linguistically singularity in contemporary societies, seems to become an universal phenomenon. Questions of home and belonging are key issues in the current discourses on Diaspora which, since the turning point of 1989, developed beyond those academic disciplines concerned with religion. At taking a critical perspective on the loss of analytical categories, this article discusses the enormous proliferation of Diasporaconcepts in social sciences at large, and in particular with regard to discourses on Muslims in Europe.

Mistificação e política : ideologia e mito

Esta dissertação tem como fim último aplainar o caminho para um profícuo debate entre o marxismo e a Ciência Política. Para isso procura responder aos questionamentos feitos pelo mainstream do campo contra o marxismo como um suposto economicismo. A dissertação principia relocalizando, a partir das obras dos fundadores do marxismo, Karl Marx e Friedrich Engels, e de seus mais destacados seguidores, Vladimir Lénine, Antonio Gramsci e Louis Althusser, a verdadeira relação entre as esferas material e ideal, bem como assim entre economia e política. Como elemento exemplificador da importância da política e da esfera ideal para o marxismo se tratará daquele elemento que propicia a ação social sobre si mesma e sua base material, a consciência. Será então o objeto central desta dissertação o estudo de uma forma de consciência criticada pelo marxismo sob o nome de ideologia: a consciência mistificada. Esta se expressará em duas formas distintas: a ideologia e o mito. Define-se então os dois conceitos de forma inovadora e finaliza-se com o estudo de um caso específico de ideologia, o sebastianismo, em sua distinta expressão no sertão brasileiro. Se enfocará um dos movimentos menos conhecidos, o do Reino da Pedra Encantada do Rodeador.

Las huellas de la oralidad en siete cuentos del 30 (Dossier: Cuatro narradores del 30, relecturas en su centenario)

El autor revisa la manera en que se representa el discurso narrativo «a la manera del habla» en cuentos de Aguilera-Malta, Gallegos Lara, Gil Gilbert y De la Cuadra. Este «efecto de oralidad» se realiza mediante recursos diversos: con descripciones que apelan a mitos, o la presencia de refranes que transmiten la experiencia colectiva, con el uso de fórmulas del relato oral, como las equivalentes a aquella de «había una vez», a través de la prosopopeya (personificación, animación, metáfora sensibilizadora) y de la hipérbole, de la alternancia entre un narrador testigo y otro de carácter letrado, o la alternancia narrativo-conversacional en un mismo narrador. Por otro lado, también en ciertos motivos temáticos se encuentran rasgos de oralidad: en la recuperación del universo primigenio, en el que hombre y naturaleza eran uno solo, en el rol de los supuestos, sobreentendidos, habladurías o creencias (experiencia colectiva transmitida que, una vez que circula en la comunidad oral, adquiere el carácter de verdad). Todos estos recursos apuntan a redescubrir la riqueza expresiva del imaginario y los valores del mundo montuvio, en convivencia o disputa con aquellos de la cultura cristiana y de los entornos urbanos.

La Independencia en tres novelas andinas: Mientras llega el día, La tragedia del Generalísimo y Bolívar. Delirio y epopeya (Dossier: Bicentenario, rastros y revelaciones de la Independencia)

La autora revisa tres novelas que leen la Historia bajo nuevos planteamientos y que proponen otro sentido de heroicidad. La tragedia del Generalísimo, de Denzil Romero, evoca al criollo ilustrado Francisco de Miranda, teórico de los procesos de Independencia. Riera enfatiza las cualidades casi divinas del héroe, sus dudas y excentricidades, su paso de la defensa del realismo al de la causa americana. Mientras llega el día, de Juan Valdano, mira a la Independencia desde una visión contrahegemónica. Riera rescata la noción de que los eventos de 1810, en Quito, no fueron manifestación del nacionalismo criollo, sino de un heterogéneo colectivo social y cultural, el mestizo, que buscaba superar viejos agravios. La biografía Bolívar. Delirio y epopeya, de Víctor Paz, juega con el mito sin alejarse de las fuentes historiográficas. La autora reflexiona sobre los rasgos que definirían al Libertador: cordura-delirio, lucidez-locura, sobre la idea de la emancipación como deseo de posesión de tierras, otorgado por el derecho de nacimiento y negado por la herencia de la sangre. El protagonismo entonces no sería exclusivo de Bolívar, aunque este perviva como paradigma cultural, capaz de legitimar actuales presupuestos de de-colonialidad.

"Ella", de Juan Carlos Onetti. Necrofilia y ficción (Homenaje)

La autora reflexiona sobre el relato “Ella”, del uruguayo Juan Carlos Onetti, y sobre otras representaciones de la muerte de Eva Perón, escritas por Jorge Luis Borges, David Viñas y Néstor Perlongher. Afirma que en la Argentina de Perón ya confluían realidad y ficción, y que las múltiples biografías de Eva serían “un duelo de versiones narrativas entre la ficción y la historia o, si se prefiere, una metáfora de la historia”. Rosano plantea que, en los textos revisados, es la realidad la que adopta contornos fantasmagóricos, disparados por motivos diversos: la descomposición y el tópico del mal olor, la impostura del cuerpo embalsamado y del mandatario, el entrelazamiento entre lo político y lo sexual en la escena del velorio, la imagen de Eva, “una diosa que muestra sus encajes de novia de suburbio” pero también una siniestra y doliente “zombi escarlata”. Señala, finalmente, que los textos muestran a los fieles, esos “miles de necrófilos murmurantes y enlutados”, sometidos a la potencia del mito.

The social life of ruins: sites of memory and the politics of a Zimbabwean periphery

This article explores conflicts over a series of ruins located within Zimbabwe's flagship National Park. The relics have long been regarded as sacred places by local African communities evicted from their vicinity, and have come to be seen as their ethnic heritage. Local intellectuals' promotion of this heritage was an important aspect of a defensive mobilization of cultural difference on the part of a marginalized minority group. I explore both indigenous and colonial ideas about the ruins, the different social movements with which they have been associated and the changing social life they have given the stone relics. Although African and European ideas sometimes came into violent confrontation - as in the context of colonial era evictions - there were also mutual influences in emergent ideas about tribe, heritage and history. The article engages with Pierre Nora's notion of 'sites of memory', which has usefully drawn attention to the way in which ideas of the past are rooted and reproduced in representations of particular places. But it criticizes Nora's tendency to romanticize pre-modern 'memory', suppress narrative and depoliticize traditional connections with the past. Thus, the article highlights the historicity of traditional means of relating to the past, highlighting the often bitter and divisive politics of traditional ritual, myth, kinship, descent and 'being first'. It also emphasizes the entanglement of modern and traditional ideas, inadequately captured by Nora's implied opposition between history and memory. (c) 2005 Elsevier Ltd. All rights reserved.

The dangers of hanging baskets: 'Regulatory myths' and media representations of health and safety regulation

The successful enforcement of health and safety regulation is reliant upon the ability of regulatory agencies to demonstrate the legitimacy of the system of regulatory controls. While 'big cases' are central to this process, there are also significant legitimatory implications associated with 'minor' cases, including media-reported tales of pettiness and heavy-handedness in the interpretation and enforcement of the law. The popular media regularly report stories of 'regulatory unreasonableness', and they can pass quickly into mainstream public knowledge. A story's appeal becomes more important than its factual veracity; they are a form of 'regulatory myth'. This paper discusses the implications of regulatory myths for health and safety regulators, and analyses their challenges for regulators, paying particular attention to the Health and Safety Executive (HSE) which has made concerted efforts to address regulatory myths attaching to its activities. It will be shown that such stories constitute sustained normative challenges to the legitimacy of the regulator, and political challenges to the burgeoning regulatory state, because they reflect some of the key concerns of late-modern society.

Medusa, Antaeus, and Caesar Libycus

Although it is well known that Lucan’s Libya is a wild and threatening place, its threat is not restricted to indigenous people, places and things, such as Hannibal, Cleopatra, the Syrtes, or the desert with its catalogue of horrifying snakes. He also associates Libya with anti-Republican Romans, above all Julius Caesar, who endangers the Republic with his excessive, animalistic energy and resembles the continent where he is trapped in the final book. Although the gods as characters are removed from the world of the Bellum Civile, Lucan allows supernatural traces to linger in particular locations such as the Gallic grove in Book 3 or Thessaly in Book 6. Libya is by far the greatest of these reservoirs of frightening myth and fantasy, which do violence to the historical credibility of the narrative, just as Libya itself is presented as the origin or conduit of a number of historical characters who assault Italy and Europe. Lucan’s two mythic narratives (Antaeus in Book 4 and Medusa in Book 9) are essential parts of the hostile Libyan landscape, but in very different ways. The male Antaeus, associated with lions, is connected with a region of solid rock where he was destroyed. The female Medusa, associated with snakes, is connected with a region of shifting sands where she left a deadly, everlasting legacy. To complicate matters further, even though Medusa’s snakes represent the annihilation of the Republican self, the logic of the narrative is undermined and there is even a sympathetic subtext. As part of Libya’s historical and mythical legacy, these stories reveal that for Lucan, historical epic is linked with Republicanism, but mythical epic is in the service of dictatorship.

Phylloxera and the grapevine: a sense of common purpose?

The purpose of life is its continuation: survival is the reason things live. Here we explore this 'basic' of biology, by reference to the extraordinary life-cycle of the aphid-like pest phylloxera, and the complexity of its relationship with its host the grapevine. The effort and ingenuity that phylloxera employs to continue itself leads to a doubt that survival alone is sufficient reason. It has frequently been suggested that the reduction of life to a catalogue of facts (by science) creates this doubt, because it robs existence of its essence (which is something other than its mechanics). The part that science is said to steal is what Robert Pirsig calls Quality-the harmonious balance of things. Pirsig seems to imply that this is something inherent in things-and independent from us. A more mundane explanation is that the difference between facts and the complete reality is us-the tendency of mind to connect freely between different kinds of information. This possibility is briefly illustrated here by a myth based on the facts of phylloxera.

Learning across business sectors: Knowledge sharing between aerospace and construction

This report addresses the extent that managerial practices can be shared between the aerospace and construction sectors. Current recipes for learning from other industries tend to be oversimplistic and often fail to recognise the embedded and contextual nature of managerial knowledge. Knowledge sharing between business sectors is best understood as an essential source of innovation. The process of comparison challenges assumptions and better equips managers to cope with future change. Comparisons between the aerospace and construction sectors are especially useful because they are so different. The two sectors differ hugely in terms of their institutional context, structure and technological intensity. The aerospace sector has experienced extensive consolidation and is dominated by a small number of global companies. Aerospace companies operate within complex networks of global interdependency such that collaborative working is a commercial imperative. In contrast, the construction sector remains highly fragmented and is characterised by a continued reliance on small firms. The vast majority of construction firms compete within localised markets that are too often characterised by opportunistic behaviour. Comparing construction to aerospace highlights the unique characteristics of both sectors and helps explain how managerial practices are mediated by context. Detailed comparisons between the two sectors are made in a range of areas and guidance is provided for the implementation of knowledge sharing strategies within and across organisations. The commonly accepted notion of ‘best practice’ is exposed as a myth. Indeed, universal models of best practice can be detrimental to performance by deflecting from the need to adapt continuously to changing circumstances. Competitiveness in the construction sector too often rests on efficiency in managing contracts, with a particular emphasis on the allocation of risk. Innovation in construction tends to be problem-driven and is rarely shared from project to project. In aerospace, the dominant model of competitiveness means that firms have little choice other than to invest in continuous innovation, despite difficult trading conditions. Research and development (R&D) expenditure in aerospace continues to rise as a percentage of turnovers. A sustained capacity for innovation within the aerospace sector depends crucially upon stability and continuity of work. In the construction sector, the emergence of the ‘hollowed-out’ firm has undermined the industry’s capacity for innovation. Integrated procurement contexts such as prime contracting in construction potentially provide a more supportive climate for an innovation-based model of competitiveness. However, investment in new ways of working depends upon a shift in thinking not only amongst construction contractors, but also amongst the industry’s major clients.

In the intersection of the angles of a table, there is more truth than in all the tangle of muscles: Futurism as anti-humanist critique

The recent celebrations of the centenary of the publication of the Futurist manifesto led to a renewed discussion of the ideas and artworks of the Italian artists’ group. Jacques Rancière related the Futurist ethos with the modernist project of liberating art from representation. Franco ‘Bifo’ Berardi, in his post-Futurist manifesto, also identified a historical irony at play in the emptying out of Futurism’s promise: a liberated mechanical humanity did indeed materialize, in a global economic system premised on financial servitude to the future via debt. However, these models continue to assess Futurism against an unchallenged humanism, finding it either supporting ideals of freedom and human rights despite itself, or else lacking in these areas. But Futurism is potentially more relevant than ever not in spite of its anti-humanist agenda, precisely because of it. Tom McCarthy annexes not Futurist art but Futurist writing to an emerging object oriented ontology that seeks to challenge the primacy of the human. If Futurism is to be repurposed as a critical concept, it can only do so by countering the humanist myth the liberal subject that underlies the current cultural and political hegemony of neo-liberalism.