Harvard Library bookplate collection, 1764-1960

This collection contains samples of bookplate labels that were pasted into books held in the libraries of Harvard University, dating from 1764 to 1960. The collection includes bookplates arranged chronologically and bookplates of the Harvard College Library and departmental libraries arranged alphabetically. The collection also contains correspondence related to bookplates, dating from 1918 to 1921, and a list of printed seals used in Harvard College Library. Some of the bookplates include handwritten inscriptions, while others are blank. There are six 18th century bookplates with inscriptions documenting gifts and bequests made following the 1764 fire that destroyed the bulk of Harvard's Library from Marblehead, Massachusetts, minister John Barnard (1681-1770; Harvard AB 1700); New Hampshire Governor Benning Wentworth (1696-1770; Harvard AB 1715); Portsmouth, New Hampshire, merchant Thomas Wibird (1706-1765; Harvard AB 1728); and merchant Thomas Lee (died 1787) of Cambridge, Massachusetts.

The report of the committee about Harvard Coledge: presented to the Generall Court held the 3 of (3) month, 1654

Two folio-sized leaves with a handwritten draft of the May 3, 1654 report of a General Court Committee authorized to investigate the financial state of Harvard College. The report responds directly to eight questions raised in the September 10, 1653 Order of the General Court that established the Committee. The report provides summaries of Harvard's income sources and disbursements, offers recommendations regarding the President's salary and the allowances for the academic Fellows, steward, butler, and cook, and indicates specific contributions from local towns.

The grounds and rules of musick explained: or, An introduction to the art of singing by note : fitted to the meanest capacities

By Thomas Walter, M.A. ; Recommended by several ministers. ; [One line from Psalms]

Notes on cases in Barnstable County, 1791

Pamphlet containing notes on various cases, including a case "for not delivering goods put on board the defendant's vessel" and another "for concealing a pregnancy."

Notebook of James Lovell, 1757-1760

Marbled paper-covered handwritten notebook of James Lovell. The volume contains three texts written in Latin, “Praecellentissime Domine,” dated 1757, an untitled text beginning, “Cogitanti mihi et superiorum revolti…” dated 1759, and Lovell’s funeral oration for Tutor Henry Flynt titled “Oratio funebris” dated 1760. The Latin texts are followed by blank pages and the volume ends with an untitled English text about orators that begins, “Ridiculous certainly is that Practice of some...” The last page of the text includes the marginal notes: “John Winthrop Esqr. Hollisian Professor” and, “For T.H. of Carolina.” There are verses attributed to the London Magazine written on the inside front cover.

Account book of Mary Hains as executrix of the estate of her husband, James Hains, 1784-1786

James and Mary Hains were residents of Mamaroneck, N.Y.

Libro quinto de la Arca de este Juzgado de Testamentos de Valladolid ..., 1778-1784

Testamentarias; --Concursos y acreedores; --Capellanias; --Obras pias.

Essays : manuscript, [17--]

Essays on the dispersion of mankind, the Council of Trent, the invention of writing, and other topics.

Diary, 1739

The diary is interleaved in an unbound copy of Ames’ An astronomical diary, or, An almanack for the year of our Lord Christ, 1739 ... (Boston, 1738). The entries, covering only the months of February through November, are written on blank pages and followed by the almanac calendar pages for January through August 1739. Each page holds a month of single-line entries that focus on Eliot’s lecture and sermon attendance. The entries also occasionally mention traveling to Boston and community news such as burials.

Photograph of a young man with a beard, ca. 1885-1890

Cabinet card featuring the bust of an unidentified young man with a long beard. "Goldsmith ECG 374 Main St. Springfield, Mass" refers to the photography business of Edwin C. Goldsmith. The back of the card is blank.

Collection of Harvard College bills sent to George Wingate, 1792-1796

This collection of bills, sent to George Wingate while he was an undergraduate at Harvard College from 1792 to 1796, includes quarter bills, butler's bills, and bills and receipts of payment from two women, Mary Hilliard and Mary Kidder, who provided Wingate room and board ("board and chamber"). The butlers bills were created by the two men who held that position during Wingate's time as a student, John Pipon and Timothy Alden. Caleb Gannett was the steward the entire time, and thus creator of all the quarter bills. Some of the bills indicate charges for sizings and fines for punishments, and a bill from Mary Hilliard indicates that Wingate purchased candles, blank books and sheets of paper from her.

Kāfiyah

li-Ibn al-Ḥājib.

Kitab al-amthal =: seu proverbiorum Arabicorum centuriæ duæ : ab anonymo quodam Arabe collectæ & explicatæ

cum interpretatione Latina & scholiis Iosephi Scaligeri et Thomæ Erpenii.

Modernist Ecology: Modernism and the Reimagination of Nature

Countering the trend in contemporary ecocriticism to advance realism as an environmentally responsible mode of representation, this essay argues that the anti-realist aesthetics of literary modernism were implicitly “ecological.” In order to make this argument I distinguish between contemporary and modernist ecological culture (both of which I differentiate in turn from ecological science); while the former is concerned primarily with the practical reform characteristic of what we now call “environmentalism,” the latter demanded an all-encompassing reimagination of the relationship between humanity and nature. “Modernist ecology,” as I call it, attempted to envision this change, which would be ontological or metaphysical rather than simply social, through thematically and formally experimental works of art. Its radical vision, suggestive in some ways of today’s “deep” ecology, repudiated modern accounts of nature as a congeries of inert objects to be manipulated by a sovereign subject, and instead foregrounded the chiasmic intertexture of the subject/object relationship. In aesthetic modernism we encounter not “objective” nature, but “nature-being” – a blank substratum beneath the solid contours of what philosopher Kate Soper calls “lay nature” – the revelation of which shatters historical constructions of nature and alone allows for radical alternatives. This essay looks specifically at modernist ecology as it appears in the works of W. B. Yeats, D. H. Lawrence, and Samuel Beckett, detailing their attempts to envision revolutionary new ecologies, but also their struggles with the limited capacity of esoteric modernist art to effect significant ecological change on a collective level.