A argamassa da casa e do conflito: os usos políticos da constru����o da cidade da esperan��a feitos pelo grupo aluizista (1964-1966)

Nous nous proposons �� analyser les usages politiques que le groupe li�� au gouvernement Alu��zio Alves a fait d���un complexe d���habitation s���appel�� Cidade da Esperan��a, qui a ��t�� construit en Natal dans les ann��es 1960. Ce nouvel espace a ��t�� utilis�� pour solutionner la crise d���habitation dans la capital, dont le n��mero de personne augmentait fortement. Cette ��l��vation, n��anmoins, n���a ��t�� pas accompagn�� pari passu pour l���expansion de l���offre des maisons pour le march�� et ce p��nurie se transformer dans un probl��me social e politique. La Cidade da Esperan��a, alors, a ��t�� une r��ponse de l�����tat �� la population et entre ces dynamiques, le groupe du gouvernement Alu��zio Alves a su explorer la question parce qu���il a utilis�� l���espace pour n��gocier avec differents agentes sociaux et il aussi a r��ussi ��lire Agnelo Alves, le diretor de la construction, �� maire de Natal. Par la construction de cette analyse nous utilisons le journal gouvernamental Tribuna do Norte et le journal catholique A Ordem. Ils ont repr��sent�� dans ces pages les probl��mes de p��nurie des maisons et aussi les appropriations de la Cidade da Esperan��a. Pour ��a nous pouvons reconstruire ces processus historiques. Pour les journaux est possible conna��tre du quotidien des travaux, les actions des sujets r��ponsable et les tensions politiques du groupe aluizista avec l���autre li�� �� Dinarte Mariz. Ainsi, ils possibilites l�����tude de l���utilisation de la Cidade da Esperan��a dans l���int��rieur d���une r��seau des tensions et l���examen de la recherche pour legitimit�� dans un champ politique tr��s poralis��.

John Stuart Mill e o cultivo da individualidade

The development of a human individual was a matter of investigation for many thinkers through the history of philosophy. The meanings that this development has taken were, nevertheless, very diversified, involving moral, political, epistemological, aesthetical and even religious aspects. The main agents in this process of development of human individuality are, on the one hand, each individual, who has to strive to improve himself the most, creating and resorting to the means available to that; on the other hand, the fomentalist State also have to take his part in this process, given that such a State has a direct interest in the development of his own citizens; it has to act in such a way that it can foment new and enhance the old existing means that can be used to accomplish the task of developing the human individuality. The goal of this thesis is to investigate the meaning that such development has acquired for the utilitarian philosopher John Stuart Mill, from his conception of individuality.

Crian��as e investiga����o: aspectos te��rico-metodol��gicos e cuidados ��ticos nas produ����es dos grupos de pesquisa da UFRN

The concepts of childhood are part of a cultural construction and vary throughout history politically, economically and socially. Nouns such as "childhood" and "child" did not exist as sense of unity in periods prior to modernity, reinforcing their historical character as concepts that have been socially constructed as profess the Historical Social Psychology, theoretical perspective which will support this research. The sociology of childhood distinguishes the terms and changes the approach toward the adult researcher approach with respect to children, aiming to give voice to the child. When it comes to defining the role of children in research, the researcher must take into consideration several relevant criteria such as age, gender, time, listening to the adults close to the children, the level of language and education and which children that will be heard in a group. It is from this discussion, considering the importance of children's participation in the research that are established the purpose of this work, namely, to analyze the theoretical and methodological aspects and ethical guidelines considered in the research process with children, by researchers at the UFRN, presenting as specific objectives: analyze and discuss, from research reports, the adopted ethical procedures and methods used in research with children. Set the goal, it was made a search of the UFRN Research Groups in SIGAA in order to select those which investigate children for participating in our survey. Among the centers of UFRN, we selected the Health Sciences Centre - CCSA, the Humanities Center, Letters and Arts - CCHLA, the Biosciences Center - CB and the Health Sciences Center - CCS, a total of 64 finalized reports to be analyzed. And here it is the observation that the foolish reports were not analyzed for ethical reasons as the guiding of this dissertation is the coordinator of the research group mentioned. In this study, we chose the documentary analysis of the finalized reports from UFRN research projects teachers / researchers as procedure to set up the corpus of the research. Data analysis was performed from the qualitative analysis in the following categories were established: the concept of childhood, concept of child, age of the subjects, the research context, theoretical and methodological care adopted and ethical care. It is hoped that this study will contribute with reflections on the ethical and theoretical and methodological care on research with children. The research showed how some of the results: significant number of reports excluded by repetition, most reports did not bring any closing remarks, no different procedures for children, with rare exceptions, the ethical issue was not mentioned in 50% of reports.

Aspectos t��cnico-interpretativos no quarteto de cordas n�� 2 de Guerra-Peixe

Technical and interpretative aspects of the String Quartet No. 2 Guerra-Peixe will approach this work of a composer who is considered one of the greatest exponents of Brazilian music of the twentieth century, who developed several strands in his career as a musicologist, performer, composer, arranger radio and cinema, among others. In this work, we will see in the work in question their compositional styles, pointing sources that he has been drinking and offering elements that will subsidize technical and interpretive choices for future interpreters. After the historical context and esthetics, we will make some brief remarks about the terms performance and interpretation, to support the objective of the work, which will be the interpretation of the work. For that purpose, a comparative analysis was performed between recording of important Brazilian quartets, interviews with relevant players on the national scene and trials in rehearsals and recitals, always making a Quartet bridge with other works by the composer. Concomitantly, it was held analysis of handwritten edits by the composer, culminating with its own revised edition.

Aspectos t��cnico-interpretativos no quarteto de cordas n�� 2 de Guerra-Peixe

Technical and interpretative aspects of the String Quartet No. 2 Guerra-Peixe will approach this work of a composer who is considered one of the greatest exponents of Brazilian music of the twentieth century, who developed several strands in his career as a musicologist, performer, composer, arranger radio and cinema, among others. In this work, we will see in the work in question their compositional styles, pointing sources that he has been drinking and offering elements that will subsidize technical and interpretive choices for future interpreters. After the historical context and esthetics, we will make some brief remarks about the terms performance and interpretation, to support the objective of the work, which will be the interpretation of the work. For that purpose, a comparative analysis was performed between recording of important Brazilian quartets, interviews with relevant players on the national scene and trials in rehearsals and recitals, always making a Quartet bridge with other works by the composer. Concomitantly, it was held analysis of handwritten edits by the composer, culminating with its own revised edition.

A educa����o profissional em debate: uma avalia����o pol��tica da forma����o para o trabalho ofertada pelo SENAC/RN atrav��s do Programa Nacional de Acesso ao Ensino T��cnico e Emprego

In this study, we present a political evaluation of how SENAC/RN perceives PRONATEC, emphasizing all ideological principles, aims and theories that this institution reproduces and reinforces while playing this professional qualification program. We intended to reveal ideological aspects that inspire SENAC���s perception of PRONATEC, pointing the actual interests hidden by those aspects. Our starting question is: What ideologies, objectives and theories that are explicitly or implicitly reinforced by Senac in implementing PRONATEC? In the research, we consider the hypothesis that transferring the responsibility about PRONATEC from public to private institutions is something that impoverishes the professional formation process, once the program ends up subordinated to private institution���s ideological, political and economic interests. The methodological approach chosen was the single case study. As data source, we used broad literature survey, official files of PRONATEC and SENAC, official information about the program and personal interviews. At the end of the research, we present elements that show some ���flexibility��� on PRONATEC due to SENAC���s interests, offering a superficial professional formation, commonly dissociated from a propaedeutic education, focusing on the need of adaptation e consensus of works around a society project. In this regard, despite PRONATEC is payed by public resources, it���s been used by SENAC as a fortifier of this institution on professional education market, in an hegemonic and neoliberal construction of a model of society.

A educa����o profissional em debate: uma avalia����o pol��tica da forma����o para o trabalho ofertada pelo SENAC/RN atrav��s do Programa Nacional de Acesso ao Ensino T��cnico e Emprego

In this study, we present a political evaluation of how SENAC/RN perceives PRONATEC, emphasizing all ideological principles, aims and theories that this institution reproduces and reinforces while playing this professional qualification program. We intended to reveal ideological aspects that inspire SENAC���s perception of PRONATEC, pointing the actual interests hidden by those aspects. Our starting question is: What ideologies, objectives and theories that are explicitly or implicitly reinforced by Senac in implementing PRONATEC? In the research, we consider the hypothesis that transferring the responsibility about PRONATEC from public to private institutions is something that impoverishes the professional formation process, once the program ends up subordinated to private institution���s ideological, political and economic interests. The methodological approach chosen was the single case study. As data source, we used broad literature survey, official files of PRONATEC and SENAC, official information about the program and personal interviews. At the end of the research, we present elements that show some ���flexibility��� on PRONATEC due to SENAC���s interests, offering a superficial professional formation, commonly dissociated from a propaedeutic education, focusing on the need of adaptation e consensus of works around a society project. In this regard, despite PRONATEC is payed by public resources, it���s been used by SENAC as a fortifier of this institution on professional education market, in an hegemonic and neoliberal construction of a model of society.

Curadoria de Digital de Dados de Pesquisa: desafios informacionais, gerenciais, tecnol��gicos e políticos

Apresenta����o VI SECIN

A ideologia da encena����o: uma an��lise dos aspectos c��nico/ideol��gicos da encena����o produzida pela ind��stria cultural

The research that led to this dissertation adopted a set of scenic/ideological aspects inherent to the productions of the Culture Industry as its object of research. The intellectual output of Theodor W. Adorno and Max Horkheimer underscored the approaches on this subject, since it provides the same set of scenic/ideological features to be explored because, according to the authors, scenes produced by the culture industry are linked to the dominant ideology, since they act in favor of maintaining the status quo. The first objective was the definition this set of features inherent to the scene produced by the culture industry, through the exploration of literature produced by Adorno and Horkheimer, so it was possible to define a set composed of nine elements: Construction of characters as characteristic types; Stereotypes; Naturalization of Stereotyped language; Simplistic playwriting; Reuse dramatic formula; Love and sexuality as themes of plots; Utilization of tragic element; Objetive representation; Approximation of fiction and reality. The second goal was the analysis of scene produced by the culture industry nowadays, so that it was possible to verify if any scenic/ideological aspects indicated by Adorno and Horkheimer in the mid-twentieth century were present among the productions from this beginning of the twenty-first century. Through the analysis of three soap operas produced in Brazil in 2012, it was found that the nine scenic/ideological aspects as indicated by Adorno and Horkheimer appeared in the observed productions. Additionally, a new scenic/ideological feature, not indicated by Adorno and Horkheimer is present: the merchandising

La sociedad espa��ola y la adhesi��n a la Comunidad Europea, (1975-1985): partidos políticos, asociaciones europe��stas, interlocutores sociales

La investigaci��n que aqu�� presentamos se propone contribuir al estudio de la dimensi��n internacional de la transici��n pol��tica espa��ola, profundizando en la incidencia de la adhesi��n a la Comunidad Econ��mica Europea (CEE) en el debate pol��tico y social en el pa��s entre 1975 y 1985. Se pretende indagar sobre el significado de Europa para una serie de actores representativos de la sociedad civil, describir y explicar sus estados de opini��n sobre la adhesi��n a la CEE, identificando sus rasgos comunes y los aspectos diferenciados en cada caso, y analizarlos a la luz de la historia de las relaciones entre Espa��a y el proceso de construcci��n europea desde el franquismo. Nuestro trabajo se ocupa, en concreto, de los discursos y posiciones en torno al proyecto de integraci��n europea y la participaci��n de Espa��a en el mismo por parte de los principales partidos políticos, tanto de ��mbito nacional como regional; las asociaciones europe��stas, cuya historia recorremos se��alando su papel como aglutinadoras de la oposici��n democr��tica durante la dictadura franquista, y una selecci��n de los interlocutores sociales: sindicatos, patronal y organizaciones profesionales agrarias. Para cada uno de estos grupos describimos sus opiniones y visiones de la integraci��n europea, su posici��n en relaci��n con la adhesi��n espa��ola, su participaci��n en el conjunto del proceso y las prioridades defendidas durante las negociaciones de adhesi��n a la CEE La investigaci��n se basa en documentaci��n de archivo de los partidos políticos, en los casos en los que est�� accesible; de asociaciones europe��stas, principalmente de Madrid, Catalu��a y el Pa��s Vasco, y de los propios interlocutores sociales, destacando en este sentido los fondos proporcionados por los archivos de los sindicatos. Tambi��n nos valemos de transcripciones de debates parlamentarios, prensa general, prensa propia de las instituciones estudiadas, documentaci��n del Ministerio de Asuntos Exteriores, documentaci��n de las instituciones de las Comunidades Europeas, de organizaciones europe��stas internacionales, memorias y testimonios orales...

A ideologia da encena����o: uma an��lise dos aspectos c��nico/ideol��gicos da encena����o produzida pela ind��stria cultural

The research that led to this dissertation adopted a set of scenic/ideological aspects inherent to the productions of the Culture Industry as its object of research. The intellectual output of Theodor W. Adorno and Max Horkheimer underscored the approaches on this subject, since it provides the same set of scenic/ideological features to be explored because, according to the authors, scenes produced by the culture industry are linked to the dominant ideology, since they act in favor of maintaining the status quo. The first objective was the definition this set of features inherent to the scene produced by the culture industry, through the exploration of literature produced by Adorno and Horkheimer, so it was possible to define a set composed of nine elements: Construction of characters as characteristic types; Stereotypes; Naturalization of Stereotyped language; Simplistic playwriting; Reuse dramatic formula; Love and sexuality as themes of plots; Utilization of tragic element; Objetive representation; Approximation of fiction and reality. The second goal was the analysis of scene produced by the culture industry nowadays, so that it was possible to verify if any scenic/ideological aspects indicated by Adorno and Horkheimer in the mid-twentieth century were present among the productions from this beginning of the twenty-first century. Through the analysis of three soap operas produced in Brazil in 2012, it was found that the nine scenic/ideological aspects as indicated by Adorno and Horkheimer appeared in the observed productions. Additionally, a new scenic/ideological feature, not indicated by Adorno and Horkheimer is present: the merchandising

Ciudad Verde: una mirada desde el reconocimiento social hasta la diferenciaci��n a trav��s de los espacios

La presente monograf��a se refiere a la vida cotidiana de los residentes del macroproyecto de vivienda de inter��s social Cuidad Verde en el municipio de Soacha para comprender las formas de reconocimiento que se tejen entre los residentes, transe��ntes y visitantes de la ciudadela. Asimismo, analiza los imaginarios espaciales para entender las relaciones sociales entre unos y otros, abordando al macroproyecto no s��lo como un lugar f��sico sino como un espacio que permite reproducir estereotipos sociales, crear mecanismos de distinci��n, transformar las maneras de apropiaci��n de la vivienda y tejer nociones de progreso a partir del lugar donde se vive.

Ex combatientes y proceso de reintegraci��n: representaciones sociales de un grupo estudiantes del ��rea de la salud

La presente investigaci��n tuvo como objetivo describir las representaciones sociales de un grupo de estudiantes del ��rea de la salud frente a los excombatientes de grupos armados al margen de la ley en Colombia y frente a los procesos de reintegraci��n. El estudio es cualitativo, desde un enfoque procesual de la teor��a de las representaciones sociales, participaron estudiantes del ��rea de la salud de una universidad privada de la ciudad de Bogot��. Los datos fueron recogidos mediante un ejercicio de asociaci��n libre para conocer el componente sem��ntico de las representaciones y una entrevista semiestructurada de forma individual con el fin de identificar las dimensiones de informaci��n, actitud y campo representacional. Se encontr�� la prevalencia de prejuicios hacia los excombatientes y la influencia de los medios de comunicaci��n en el nivel y calidad de la informaci��n sobre estos objetos de representaci��n, y se identific�� una ambig��edad frente al proceso de reintegraci��n; lo que de alguna forma sugiere las dificultades para la inclusi��n de este grupo a la sociedad, la presencia de una discriminaci��n negativa y las bajas expectativas frente a procesos de cambio en el marco del proceso de paz.

Aspectos socioecon��micos del delito en Costa Rica: 1725-1850

Introducci��nHace tiempo ha venido fortaleci��ndose un movimiento entre historiadores y soci��logos, para lograr una mejor apreciaci��n del fen��meno de la criminalidad en diversos�� contextos sociales y políticos. Dentro de nuestro campo de estudio, la historia latinoamericana, la publicaci��n del novedoso estudio del Dr. Richard Greenleaf, basado en al documentaci��n de la Inquisici��n mexicana bajo Zum��rraga, marc�� un punto importante en la creciente convicci��n de que el delito y los delincuentes forman una parte digna de estudio de cualquier sociedad y mas aun en una como la colonial espa��ola, con sus pretensiones absolutistas tanto en la esfera secular como en la religiosa. Esta tendencia a considerar fuentes no convencionales ha sido de mayor utilidad par todos aquellos investigadores creadores de una historia menos elitista, oficialista y estrechamente pol��tica, es decir, para la nueva historia social, sean cuales fuesen los temas espec��ficos dentro de este contexto.