905 resultados para Manuscrito
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Este documento rescata un manuscrito de origen incierto, en el cuál se describe un tramo de la vida de un religioso muy cercano, tanto en su espíritu cómo a través de sus escritos, al vasto mundo de la Ictiología Neotropical. La calificación de “origen incierto” a este documento, se basa en que, en nuestros archivos, no hemos encontrado ninguna referencia sobre el autor; sí sobre P. J. Holartes (ver López et al., 1981), así como la existencia de objetos artesanales que testimonian la presencia de este domínico en el centro y NO de nuestro país. Sólo podemos especular que su paso por el Valle de Traslasierra no sería casual, ya que seguramente, entre sus objetivos estaba el reunirse con el hoy beato J. G. Brochero. Nosotros pensamos, quizás sin demasiados fundamentos, que Clementino Agassi es un pseudónimo utilizado para plasmar este relato intemporal, ya que como dijo Henri Bergson “El tiempo es invención o no es nada en absoluto”
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Contribution of co-operatives has been demonstrated since the 1970s as the main development line in agricultural production in Cuba. In contrast, there has been a late recognition of urban co-operatives, even if the need of transformations based on the realization of property in different territorial scenarios had been identified. The article analyses the reform processes launched since the first decade of the 21st century focusing on the nature of the initiatives fostering formation and promotion of nonagricultural co-operatives including follow up of their performance. The potential and limitations of the recent experiences are examined in order to reflect on the organizational processes and transformations from the point of view of their members. To conclude, some questions are posed about whether these co-operatives are capable of avoiding the impact of earlier employment circumstances and of developing strategies aimed at reinforcing voluntary membership and autonomy on which they are founded.
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The twentieth-century poet Gerardo Diego’s commitment to the recovery of a ‘sub-genre’, the mythological fable, evident in his Fábula de Equis y Zeda (1930) has been acknowledged by Peinado Elliot (2006), among others. However a recent discovery in his archive has revealed a hitherto unknown aspect of the poet’s scholarly commitment to this endeavour. A transcription of a previously unpublished, and until recently, unknown Baroque mythological fable with the title ‘Fábula de Alfeo y Aretusa’ was recently found by his daughter Elena, alongside an unpublished study by the young poet of said fable entitled ‘Un poema manuscrito del siglo XVII de la biblioteca Menéndez Pelayo’. Rosa Navarro Durán (2012) is convinced that the correspondences with Soto de Rojas’ 'Los fragmentos de Adonis' and the clear imprint of Góngora’s 'Soledades' and his 'Fábula de Píramo y Tisbe' permit us to attribute it, with some confidence, to Pedro Soto de Rojas. This essay will consider the significance of this exciting discovery for our reading of Soto de Rojas’ existing corpus, exploring in particular the poem’s links with the dark eroticism of the Fragmentos de Adonis, (1652) and the early Fábula de la Naya.(1623)
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Agosto de 1521: luego de dos años de guerra, México Tenochtitlán, cae en manos del conquistador Hemán Cortés. Tres años después, llegan a la antigua capitar azteca, los doce primeros franciscanos enviados por el Papa para convertir a los indios. Cortés organiza, entonces, con cierta sol, emnidad, una serie de reuniones entre los "doce apóstoles" y los representantes de las autoridades tradicionales indígenas. lns religiosos tratan de explicar los objefivos de su misión y comienzan atrazar las grandes lfneas de la fe católica. Los sacerdotes de los ídolos les responden defendiendo sus creencias ancestrales. Los coloquios continúan asf durante varios días antes de que los Aztecas, luchando con determinación en este conflicto teológico, terminen rindiéndose ante los argumentos de los frailes y acepten el bautismo. El proceso de conversión ha iniciado. De estas reuniones de México, existen ros relatos que transcriben el contenido de los argumentos interca¡nbiados: Los coloquios de los Doce - El texto bilingüe nahuatl - español fue preparado para su publicación por el célebre cronista franciscano Bernardino de Sahagún en 1564. sin embargo, los avatares de la censura hicieron desaparecer el manuscrito en los archivos secretos del vaticano, de donde fueron reexhumados únicamente a comienzos de este siglo.
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Ao abordar este tema, pretendemos oferecer um possível quadro de meios interpretativos, destinados a uma revelação actualizada do texto bachiano para violino solo. Considerando o manuscrito como fonte básica de informações, são analisados vários aspectos componísticos – ritmo, articulações, polifonia, harmonia, estrutura –, seleccionando os itens ou as características com incidência directa e maiores repercussões sobre a interpretação. Procurou-se encontrar convergências entre: a) a suposta representação sonora do autor, na época, e as especificidades do violino e do arco modernos, b) as dificuldades características do texto e os meios técnicos disponíveis na arte violinística actual, c) as exigências estéticas contemporâneas e a valiosa experiência conquistada, nas últimas décadas, pela interpretação em maneira barroca, autêntica, e com instrumentos originais.
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The results presented in this thesis have been achieved under the Ph.D. project entitled “Nonaqueous Sol-Gel routes to doped metal oxide nanoparticles: Synthesis, characterization, assembly and properties”. The purpose of this study is the investigation of metal oxide nanostructures doped with metals of a diverse nature, leading to different type of applications. The easier control over the reaction kinetics in solvothermal routes, compared to aqueous methods, allows to better match the reactivity between metal oxide precursors, paving the way to a facile and low temperature production of doped oxides. In this manuscript diverse examples of the exploitation of the “Benzyl Alcohol Route” are discussed. Such a powerful pathway was utilized for the synthesis of transition metal doped zirconia, hafnia and various perovskites, and the study of their magnetic properties, as well as the synthesis of rare earth doped zirconium oxide. A further extension, proving the solidity of the synthetic method, is shown for the preparation of Li4Ti5O12 nanocrystals carrying excellent electrochemical properties for lithium-ion battery applications. Finally, the effect of doping and other reaction parameters on the assembly of the nanocrystals is discussed. These studies were carried out principally at the University of Aveiro, as well as at the University of Montpellier II and at the Seoul National University due to complementary available expertises and equipments.
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Estrogens, such as 17β-estradiol (E2) are essential for normal growth and differentiation of the mammary gland. There are two estrogen receptors (ERs), ERα and ERβ which are ligand activated transcription factors. ERα stimulates proliferation and is the single most powerful predictor of breast cancer prognosis and since 70% of breast cancers express ERα, strategies to block this receptor are the primary breast cancer treatment. Unlike ERα, the role of ERβ in breast cancer and its potential as alternative therapeutic target remains controversial, mainly due to the lack of correlation between results obtained in vitro and epidemiological studies. The aim of this thesis was to increase our understanding of the molecular and cellular mechanisms of estrogen signaling in normal and cancerous cells, in different cellular contexts and with focus on ERβ. In Paper I we characterized the effect of the flavone PD098059 - which is a commonly used MEK1 inhibitor - on activation of transcription by ERα and ERβ. We found that the estrogenic effect of PD098059 is dose dependent in concentrations ranging from 1 – 10 μM and that activation of transcription by ER is suppressed by the inhibitory effect of PD98059 on MEK1 at concentrations above 50 μM. In agreement with its flavone nature, PD098059 had a much stronger effect on ERβ than on ERα transcriptional activity. Therefore, use of this compound for the study of signalling events in cells expressing ER should be carefully considered. In Paper II we assessed the effect of ERβ agonists in vivo and administered under different conditions in vitro. In basal conditions, ERβ induced apoptosis; however, in vivo ERβ agonists stimulated proliferation and inhibited apoptosis. In vivo effects were reproduced in culture, by activation of MAPK/ERK½ pathway with epidermal growth factor or basement membrane extract. In addition, insulin signalling and PI3-K/AKT activation was necessary for stimulation of proliferation. These results suggest that the cellular context modulates ERβ activity. Manuscript presents preliminary work aimed at the set-up of a methodological strategy to isolate ERs and to identify interacting proteins in different cellular contexts and which could modulate the bi-phased effects of ERβ in cell growth. In conclusion, the studies presented in this thesis contribute to clarify the apparent contradictory information regarding ERβ function in normal and cancerous mammary epithelium and suggest that the cellular context should be considered when ERβ effects are studied.
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Bach’s Suites for unaccompanied cello are a masterpiece of the Classical Western canon for their singularity and their creator’s mastery. A myriad of transcriptions were made throughout the centuries with bigger or lesser freedom. This thesis aims at revealing insights from the art of linear polyphony and its performance on a monophonic instrument such as the baritone saxophone. The study of the musical structure is supported by examples from the visual domain that help us to understand the notion of linear polyphony as a third-dimension object. The particularity of this study, in relation to the multiple existing literature about Bach’s music, is its focus on a wind player’s point of view, a saxophonist, which, given the restriction of the polyphonic possibilities of the instrument, reveals some discerning solutions on the performance, analysis and elaboration of the polyphonic thinking in Bach’s Suites. Similar to the relative novelty of the cello at Bach’s time, my work aims at giving as close as possible the same perspective of the music through a new vision and instrument. I analysed the art of linear polyphony and the techniques of elaboration of the melody in the Cello Suites, notably as a means to support the interpretation (e.g. articulation, phrasing, dynamics, vibrato, fingerings, etc.) and to devise a transcription of the Suites for the baritone saxophone. My choice felled on a transcription for baritone saxophone based on the manuscript from Anna Magdalena Bach, wishing to provide detailed guidelines for saxophonists who want to create a more informed interpretation. I hope to offer a better understanding of these works and to provide a reference to build and develop an individual interpretation, especially on the baritone saxophone.
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Tese de doutoramento, Estudos de Literatura e de Cultura (Estudos Comparatistas), Universidade de Lisboa, Faculdade de Letras, 2014
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Tese de doutoramento, Geologia (Geodinâmica Interna), Universidade de Lisboa, Faculdade de Ciências, 2015
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Este trabalho pretende avaliar e melhorar o modo de execução da aplicação da técnica de perfuração, não comprometendo a jusante, no ciclo de operações, a qualidade do desmonte, visando assim, uma optimização técnico-económica. Este manuscrito irá centrar-se na optimização da etapa da perfuração, visando assim a optimização do ciclo total da perfuração. As tarefas realizadas numa pedreira constituem um ciclo de operações. Uma das operações envolvidas no desmonte de maciços rochosos é a perfuração. A forma como esta é executada é determinante para o sucesso do desmonte. O correcto dimensionamento dos acessórios de perfuração, afiação de bits, manutenção preventiva dos equipamentos de perfuração e a constante formação dos operadores fazem parte de um conjunto de acções que irão determinar o sucesso da operação de perfuração, tendo sempre em vista, uma optimização técnico-económica, ou seja, produzir mais a um custo mais baixo. O estudo dos parâmetros do maciço rochoso aliado a uma perfuração cuidadosa e alinhada é evidenciado com o intuito de uma abordagem de geoengenharia integrada dos maciços rochosos. O estudo foi realizado na pedreira da APS, S.A. (Pedreira de Monte Chãos), tendo como análise os dados desde o início do projecto até à data. Para fundamentar este estudo, aborda-se os parâmetros geológico-geotécnicos e geomecânicos do maciço remanescente, verificando assim as ferramentas de corte mais adequadas ao caso e averiguar a influência da afiação de bits, quer seja manual ou semiautomática, e de que forma a mesma irá influenciar nos rendimentos e vidas úteis obtidas, tendo como objectivo, melhorar o custo por metro de furação realizado.
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O códice medieval chega-nos, materialmente, como resultado de uma sobreposição de intervenções, induzidas pela necessidade de conservar e transmitir o seu conteúdo intelectual, espiritual e artístico. As sucessivas alterações na aparência dos códices iluminados do fundo medieval do Mosteiro de Lorvão, sobretudo ao nível das encadernações, constitui matéria para uma análise estratigráfica, que nos propomos desenvolver e sistematizar. Este estudo, de modelo arqueológico, utiliza os elementos codicológicos, enquanto elementos de linguagem visual, integrados num determinado sistema cronológico, permitindo descrever o processo de transformação desses manuscritos, ao longo do tempo. Complementamos o estudo arqueológico dos códices laurbanenses com a análise das manchas de manuseamento, sedimentadas sobre as margens do suporte de pergaminho, durante a leitura e acesso continuados. Caracterizadas pelo grau de saturação e interpretadas quanto à sua distribuição no corpo de texto, ampliam a perspectiva sobre o estado de conservação do manuscrito medieval e significado do ‘dano’. Esta abordagem, pretende contribuir com novos dados, de carácter interdisciplinar, para o estudo dos códices medievais, assim como para a reflexão teórica sobre a caracterização e conservação destas alterações temporais.
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UANL
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Obra sin portada & Manuscrito
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Cette thèse est une étude analytique et comparative des conceptions éthiques autochtones, à travers des discours coloniaux de deux régions de l'Amérique : le Pérou et le Québec. Le but ultime de cette étude est permettre de découvrir les principes de ces éthiques des communautés autochtones et de les faire participer au débat et à la création d'éthiques interculturelles et écologiques pertinentes pour le monde contemporain. À cette fin, ce travail se consacre à l'étude des traditions orales autochtones, et plus particulièrement à la littérature de source orale coloniale. Plus précisément, nous étudions deux chroniques coloniales autochtones des Andes : le Manuscrit de Huarochirí et la Relation de Joan Santa Cruz Pachacuti, ainsi que les relations de deux missionnaires jésuites en Nouvelle-France : Paul Lejeune et Jean de Brébeuf. Étant donné que ces textes ne peuvent être considérés comme des transcriptions littérales des traditions orales autochtones, nous optons pour une méthodologie qui prend en compte à la fois les locus de l'énonciation, les traditions discursives et les processus de textualisation de la mémoire, ainsi que les relations contextuelles (référentielles, intertextuelles et interpersonnelles) et les instances d’une analyse « éthicologique ». Du côté des textes des Andes, des dynamiques éthiques synthétisées comme une « éthique de la réciprocité » sont dégagées. Cette dernière se veut hautement écologique, prend en considération la cohabitation avec toutes les entités de l’environnement (humaines et non humaines) et, par conséquent, peut être considérée comme un effort pour répondre aux défis imposés par le contexte dans lequel elles vivent. En ce qui concerne les textes québécois, leurs principes éthiques se résument en une « éthique du respect », celle-ci pouvant également être considérée comme une éthique écologique. De fait, on y observe l’absence d’une réelle séparation entre l’être humain et les autres entités de son milieu, remplacée par une continuité fluide de relations entre celles-ci, formant un « cercle sacré » de relations. À partir de ces résultats, un bilan comparatif est dressé et montre que les différences sont pour la plupart de nature formelle. En effet, les éthiques sont ancrées dans des réalités sociohistoriques différentes puisqu’elles se réfèrent à différents environnements et aux coutumes qui y sont reliés. En termes de similitudes, celles-ci se résument au concept de « cosmoéthique du cercle » qui révèle une conception de l'éthique comme un processus dynamique mettant en jeu non seulement les humains, mais aussi l'environnement et ce qui échappe à l’appréhension palpable du monde. Enfin, une tentative est faite, celle de donner une perspective à certains principes dégagés lors des analyses, montrant qu’elles peuvent impliquer une complexité parfois niée ou écartée par certains philosophes occidentaux contemporains. Ainsi, ce travail montre que l’étude de discours proprement autochtones est une porte d’accès à leurs manières de concevoir l’éthique et peut donc contribuer au travail interculturel de la philosophie et, plus précisément de l’éthique.