453 resultados para facsimile
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Shipping list no.: 86-862-P.
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Facsimile reprint of the edition published in Pest, 1871 (first volume unnumbered, Kiadja Heckenast Gusztáv) and Budapest, 1876 (II. kötet, Nyomatott a Magyar Kir. Egyetemi Könyvnyomdában)
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Includes indexes.
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"Rules and orders": p. [83]-105.
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This edition does not contain Le Verrier de la Conterie's work.
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A facsimile reprint collection based on Allison and Rogers: A catalog of Catholic books in English printed abroad or secretly in England, 1558-1640 (Z7837.A5).
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Facsimile edition.
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Original title: The London prodigall. As it was plaide by the Kings Maiesties seruants. By William Shakespeare. London, Printed by T.C. for Nathaniel Butler...1605.
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Issued in portfolio.
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Folded facsimile letter from the author to Archibald Constable tipped in following p. [xii]
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"A supplement to the facsimile reproduction of the first folio, which the Oxford Press issued in 1902."--Prefatory note, v.1.
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Facsimile reprint of 1781 edition, with added material (1 L., 6 p., 1 L.) at end in Japanese and Latin.
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Facsimile reproduction of Jiaqing 12 [1807] Teng hua xie cang ban ben.
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This article is linked to my major study on the Poetik des Extremen by classifying the monstrous works of Marianne Fritz among a genealogy of extremist writing in German-speaking literature. Her literary project Festung, which represents in all likelihood the most extensive ‘novel’ in Western literary history, is first analysed by looking at the exponential growth of its components from a paperback of 108 pages to the not yet completed novel Naturgemäß, which will most probably comprise 15 volumes, mostly of A4 size and a length that should be equivalent to over 20,000 standard pages. In parallel to the quantitative explosion of form, the article also explores the transgression of traditional narration and Fritz’s typographical innovations of text presentation. Using reproductions of the late facsimile volumes, an exemplary ‘close reading’ of one page from Naturgemäß II is undertaken to demonstrate the enormous density of Festung. Finally, the article seeks to differentiate Fritz’s opus magnum from other out-sized works of literature by focussing on the specific interconnection between the quantitative and stylistic explosion of the form of the novel, which makes it incomparable to the major works of writers such as Robert Musil or Arno Schmidt.
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By examining the pictorial content of the veintena section of the Primeros Memoriales, the manusctipt compiled by fray Bernardino de Sahagún, I identify new pieces of evidence on the origin of these illustrations and their authors. A carefull analisis of this material suggests that it is strongly embedded in the pre-Hispanic tradition and that it is doubtful that their iconographic sources originated in Tepeopolco, as it is widely believed.