Um Vice-reinado na Rep��blica do p��s-30: Juarez T��vora, as interventorias do Norte e a Guerra de 1932

Esta tese investiga a trajet��ria da regi��o geopol��tica conhecida como Norte, durante o Governo Provis��rio varguista (1930-1934). Ela come��ou a ser gestada no imediato p��s- 30 e, nos anos seguintes, tornou-se uma das for��as pol��ticas mais ativas de todo o per��odo. O Norte era formado pelo ent��o territ��rio federal do Acre e os estado do Amazonas, Par��, Maranh��o, Piau��, Cear��, Rio Grande do Norte, Para��ba, Pernambuco, Alagoas, Sergipe, Bahia e Esp��rito Santo. Nesta conjuntura, as principais posi����es pol��ticas e militares nesses estados passaram a ser ocupadas pelos que adotaram a autodesigna����o de revolucion��rios nortistas. A inven����o e consolida����o dessa identidade pol��tica tinha como elemento agregador o reconhecimento de Juarez T��vora como grande l��der e representante dos interesses da regi��o junto ao Governo Provis��rio. Chamado ironicamente, por seus opositores, de ���Vice-rei do Norte���, T��vora liderou esse grupo durante todo o per��odo, construindo uma importante alian��a entre essa regi��o geopol��tica e o Governo Provis��rio. Desse modo, o Norte, seus revolucion��rios e seu l��der foram os principais apoiadores de Vargas na defesa do projeto de centraliza����o pol��tica, em oposi����o a outras correntes, sobretudo as que pregavam o retorno ao regime constitucional. Dessa forma, o Norte participou decisivamente do processo de radicaliza����o que desembocou na guerra civil de 1932, enviando milhares de soldados para os campos de batalha e combatendo, dentro da regi��o, os poss��veis aliados do movimento rebelde liderado por S��o Paulo. Com o fim da guerra e confirmado o retorno do pa��s ao regime constitucional, apesar da tentativa de permanecer como um grande bloco pol��tico, a regi��o se fragmenta e os antigos la��os que definiam a identidade dos revolucion��rios nortistas se dissolvem, assim como a lideran��a indiscut��vel de seu l��der e her��i, Juarez T��vora.

Brazil & Lusphone Africa: a study of history, international relations, & international trade

This report was inspired by a personal motivation to acquire more in depth knowledge about Brazil and Lusophone (Portuguese speaking) African nations and how they interact with each other in relation to their common colonial histories, cultures, and on matters of international relations, international development, and international trade. The countries selected for purpose and focus of this report are Brazil, Angola, and Mozambique; reference will also be made with respect to other Lusophone African countries such as Cabo Verde, Guinea-Bissau, and S��o Tom�� e Pr��ncipe. Some of the research methodologies used to gather information about Brazil, Angola, Mozambique, and other Lusophone African nations in relation to their respective histories, international relations, international trade relations, and roles in the global economy as emerging market nations.

S��o Jos�� do Rio Pardo e sua revolta republicana

A tese analisa a revolta republicana que ocorreu em S��o Jos�� do Rio Pardo em agosto de 1889. Para isso, estudamos a forma����o econ��mica e pol��tica da localidade. No aspecto econ��mico, identificamos a cidade com a regi��o de produ����o cafeeira e, no pol��tico, os grupos que comandavam S��o Jos�� do rio Pardo. Analisamos a sociedade riopardense e os grupos que a compunham para compreender as rela����es entre eles e o desenvolver da revolta. Discutimos as fontes e as v��rias vers��es da revolta, bem como sua repercuss��o em S��o Paulo.

A era negra do Vale: caf��, escravos e senhores em Pira��

O presente trabalho analisa cinco invent��rios dos maiores produtores de caf�� no munic��pio de Pira��, no Vale do Para��ba, entre os anos de 1839 e 1848, totalizando quase dois mil escravos. A partir de uma perspectiva de historia econ��mica pretende-se mostrar que a produ����o cafeeira permitia o ac��mulo de capital e seu reinvestimento na expans��o da monocultura. O estudo dos cativeiros tamb��m busca evidenciar que os cativos, africanos em sua maioria, eram agentes na forma����o de suas fam��lias, mantendo um espa��o de sociabilidade baseado na mem��ria e na constru����o de uma nova identidade afro-brasileira.

Ind��stria cultural e forr�� eletr��nico no Rio Grande do Norte

The present study aimed to understand how and to what extent the electronic forr��, currently hegemonic in the music market in the state of Rio Grande do Norte, establishes and maintains relations of domination in the social contexts in which it is produced, transmitted and received. Based, in significant form-content, on the writings of the first generation of theorists of the so-called Frankfurt School (Critical Theory), particularly with Theodor W. Adorno, and systematically using the contributions of the Cultural Studies (from the Centre for Contemporary Cultural Studies of Birmingham) and of the sociology of Pierre Bourdieu, this study aimed to perform, in the fertile intersection of these references, a critical possibility of interpretation of the electronic forr�� predominantly spread in the state of Rio Grande do Norte. To this end, aiming at a better apprehension of the so-called capital circuits/culture circuits , this study resulted from a qualitative investment of research, based on structured interviews with musicians, entrepreneurs of the sector and music consumers, as well as on the analysis of the themes contained in the official discography of the electronic forr�� band called Garota Safada (Shameless Girl). As a general empirical conclusion, it was possible to infer that far from the significant presence of domination or mere prevalence of oppositions, there is a relational pluralism of forms of domination and ways of resistances present in the production and consumption of electronic forr��, regardless of gender, age, income, education or place of residence. However, the artifices of the cultural industry has been shown to be efficient: from large-scale businessmen to small producers enabled by the so-called open markets . The currentness of the concept of cultural industry is based on the idea that its products are offered systematically (the systematic insistence of everything to everyone) and on the notion that its production primarily meets the administrative criteria of control over the effects on the receiver (capacity of prescription of desires). Thus, the Adornian reflection on the pseudo-individualization leads to the inference that even in some of the most apparent ways of negotiation and/or refusal regarding the consumption of forr��, certain behaviors of the cultural industry still prevail both in the very (re)interpretation of the forr�� and in the choice of other music genres also standardized, rationalized and massified. Therefore, despite the absence of cause-effect relation and the recognition of the popular capacity of re-elaboration and contestation of the media consumption, some world views prevailing in relation to the electronic forr�� establish or, at least, support some hegemonic ideologies, especially those concerning the life style, consumption and genre relations (fun by all means). Therefore, due the massification of certain songs, some ways of dissemination of values, beliefs and feelings are potentially experienced from the electronic forr��. So, it is presumable that in the current advance of the process of semiformation (Halbbildung), the habitus of a part of the youth from the state of Rio Grande do Norte reinforces and is reinforced by the centrality of the trinomial fun, love and sex present in the songs, emphasized in some constructive practices of sense and in certain flows of social significance

O Jeito nordestino de ser globalizado

This work discusses the impacts of the globalization in the Brazilian northeast culture, specifically in the popular field. The background of theses reflections is the carnival festivities in Recife-PE. In this context, attempts to changes as well as resistance to them maintaining the cultural values and the popular manifestations take a new dimension, presenting different ways of being nordestino. The option for the context of the carnival festivities is due to its significance to the people of this place, particularly as it is a space in which people represent themselves. The work presents a version of the history of carnival in Recife, identifies some manifestations that comprise it, analyzes its changes and shows the process of valuing the local culture in the latest years of the 20th century. The research also reveals how the popular culture assumes a functional and dynamic character where the themes of the popular traditions are being reworked. This process allows not only the survival of the local culture, but also the resistance against the capitalist project to construct a global culture and its uniform character. Even though the carnival festivity has become a mega show, composing a market design, it is still a space to construct differences and see the other. Lastly, for the people of that region, it is a space of fighting for a place in the international panorama

Da resist��ncia �� a����o pol��tica, a educa����o pelo consenso: a a����o educativa de Pe. Sabino em M��e Luiza Natal/RN

This study focuses on a methodology of unchained action by Father Sabino Gentili in M��e Luiza, suburb of Natal-RN, which has enhanced social participation in what Castells calls project identity. The perception of collective actions, focused on the development of subjects from the perspective of Alain Touraine occurs continuously in a popular neighborhood, whose history marked by conflict mainly related to the resistance in the remaining living space. It is argued that there was an appropriation of resistance identity, which was already present in the community of M��e Luiza, in order to channel it to create a project identity, through an implicit methodology that has been identified as Pedagogy of Consensus, based on Paulo Freire s concepts of dialogue and participation. Therefore, by means of qualitative research, using tools such as semi-structured interviews and documented sources, we tried to describe the intent of the action of a social actor and the political and educational strategies that motivate the collective action aiming a social change, observing the elements present in this action that allowed the continuity of organizational and participating processes through the dynamics of M��e Luiza s neighborhood

Estudos de modelos Estoc��sticos: processo de contato, s��ries aleat��rias e processos difusivos

Coordena����o de Aperfei��oamento de Pessoal de N��vel Superior

O percurso hist��rico da improvisa����o no ragtime e no choro

O artigo teve como objetivo investigar em que medida a improvisa����o e a tradi����o oral permitiram a consolida����o do ragtime e do choro em g��neros musicais com aceita����o popular na virada do s��culo XIX. A escolha concentrou-se nas semelhan��as formais existentes entre ambos e nos caminhos percorridos por ambos para essa consolida����o. A partir dos conceitos de territorializa����o e desterritorializa����o criados por Gilles Deleuze e F��lix Guattari, incorporados �� improvisa����o musical por Rog��rio Costa, verificamos o tipo de improvisa����o utilizado nesses dois g��neros. O relato hist��rico reafirma a ideia de D. Bailey de que a improvisa����o est�� sempre presente na cria����o de novos sistemas notacionais, g��neros e estilos musicais, ainda que nos processos de transmuta����o, ela saia de cena. O texto �� parte da disserta����o de mestrado defendida no IA-UNESP.

Guerra-Peixe: arranjador de orquestras de r��dio

Revis��o biogr��fica sobre o m��sico brasileiro Guerra-Peixe e sua carreira como arranjador de orquestras de r��dio. Objetiva-se compreender como compositores cl��ssicos, como Guerra-Peixe, encontraram na esfera popular um meio de vida. Inclui dados biogr��ficos pouco conhecidos sobre o compositor.

Os projetos para o desenvolvimento da na����o na Revista Cultura Pol��tica durante o Governo Vargas

P��s-gradua����o em Ci��ncias Sociais - FFC

A Companhia de Jesus e a forma����o da cultura sexual brasileira: um estudo hist��rico e documental a partir dos escritos do padre Manuel da N��brega

Conselho Nacional de Desenvolvimento Cient��fico e Tecnol��gico (CNPq)