810 resultados para HERMENÉUTICA


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Este trabalho resulta de uma pesquisa sobre a compreensão da realidade a partir da fotografia tendo em vista a construção da aprendizagem e do pensamento crítico do aluno sob o prisma dos preceitos da inovação pedagógica. Inicia-se por buscar uma definição do conceito de inovação pedagógica engendrado nos processos de ruptura paradigmática do ensino tradicional e, por conseguinte, ancora-se na construção da aprendizagem multirreferenciada pela (re)produção interativa, cooperada e mediada por ferramentas autênticas. Considera a aprendizagem como um fenômeno social e intrinsecamente conectado com a cultura dos sujeitos situados numa comunidade de prática. Para realização deste trabalho, a fotografia foi considerada uma instância portadora de sentidos transversais, que nos possibilita inferir interpretações críticas e dialogadas com a realidade criada nas representações fotografadas e, portanto, um objeto de subjetividade e práxis. Tomamos aqui, como proposta metodológica, o estudo de caso etnográfico de inspiração hermenêutica e fenomenológica. Para o estudo, o trabalho de campo se deu com os alunos da AEC-TEA associação em Capim Grosso- Ba, através de observações participantes, entrevistas e análise de documentos, no período entre agosto de 2012 a maio de 2013, analisando a prática pedagógica desenvolvida no curso de fotografias no sentido da aproximação com as premissas da educação inovadora. Dessa vivência, foram coletados os dados que subsidiaram as conjeturas aqui apresentadas no tocante à compreensão da realidade, a identidade dos sujeitos, o sentimento de sujeito pertencido e a criticidade implicadas nas formas autônomas de aprender com o mínimo de ensino. Desse modo, foi possível compreender como se dá a autoridade do sujeito em produzir o conhecimento intercrítico acerca do mundo a que pertence. Assim, a fotografia se afirma aqui como um lugar de comunicação entre os sujeitos com o mundo criado e reproduzido pelos alunos e por eles compartilhado num claro desafio aos modelos ortodoxos do ensino.

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Este trabalho teve como objetivo compreender a emergência das Inteligências Múltiplas na prática pedagógica, tendo como campo de pesquisa três turmas da Educação Infantil em uma escola particular na cidade de Feira de Santana – Bahia. Utilizou-se o método etnográfico, a abordagem qualitativa de base hermenêutica e a coleta de dados feita através de observação participante, entrevista com as professoras das referidas turmas, imagens e análise de documentos. Assim, a pesquisa interpretou a forma como a teoria se fundamenta e se configura nas práticas pedagógicas e explicitou contextualmente as ações observadas que validaram as práticas pedagógicas como inovadoras. Nesta perspectiva, a presente pesquisa fornece conceitos e estratégias inovadoras que contribuirão para o enriquecimento de práticas dos educadores e consequentemente para uma aprendizagem voltada para o desenvolvimento das habilidades e competências dos alunos.

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Investiguei a arte como estratégia de ensino/aprendizagem e como esta prática estabelece quebra de paradigmas e incentivo à autonomia discente. Para tanto fiz uma breve descrição histórica acerca do panorama teórico correlacionado com o percurso das inovações educacionais desde o final da Idade Média até a contemporaneidade, buscando identificar de que forma o acúmulo teórico-metodológico gerado por este itinerário influenciou na disciplina Arte/Educação e no seu potencial inovador. Observei ainda como a ilustração textual, produzida pelos educandos, funciona como veículo de reelaboração crítica de suas realidades mediata e imediata. Esta investigação teve como sujeitos alunos do nono ano do Ensino Fundamental II, no decorrer de 2011, na escola autogestionária Waldorf Micael, em Fortaleza, Ceará, Brasil. Ao longo das observações, procurei responder às seguintes questões: De que maneira a ilustração textual se configura na qualidade de mediadora de processos interpretativos no contexto de ensino/aprendizagem em arte e literatura? De que forma, ela, no contexto da sistemática pedagógica, se revela como ferramenta de inovação pedagógica? Qual a sua importância no desenvolvimento do senso crítico do educando, e como tal fato se configura inovador? Como interfere na apreensão da realidade do educando, no seu aspecto estético, político e social? Os dados da investigação foram obtidos por meio de entrevistas, análise documental e observação participante; dessa forma esta pesquisa configurou-se como qualitativa, do tipo etnográfica e de base hermenêutica.

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This dissertation addresses the electronic surveillance theme in the banking context. The research that originated it, which was held in an organization called for the fiction name Banco Total, started from the following driving question: How do workers at a bank perceive electronic surveillance at their process of work? The research s main objective was to comprehend how workers perceive electronic surveillance at their process of work. The study adopted an interdisciplinary perspective, having Management as the original field, establishing a dialogue with others disciplines, like Philosophy and Sociology. About its methodology, it s a qualitative research that addressed its object in oral (interviews with live history elements) way. . Ten individuals were interviewed. The analytical process utilized the hermeneutical-dialectics technique.. From the analyses (hermeneutics) of the data, the following themes have emerged: (i) Acquiescence ; (ii) Monitoring; (iii) Time and Motion; (iv) Fear; (v) Interdiction; and (vi) Resistance . From the discussion (dialectic) of the results, this work presents three synthetic propositions that culminate in the following dimensions (i) control; (ii) acquiescence; (iii) corporative totalitarianism. It can be concluded that electronic surveillance is one mechanism of control emerged from the apply of technology at Total Bank; that information technology has been improving the control mechanisms of management theories; and that the imbrications between management and material technology control mechanisms at a context where there is acquiescence by workers contribute for the emergency of corporative totalitarianism components

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Based on the presupposition that the arts in the West always counted on resources, supports, and devices pertaining to its time context, an reflection is intended regarding the scenic compositions mediated by digital technologies do. Such technologies are inserted in the daily routine, also composing artistic experiments, thus playing a dialogical role with the art/technology intersection. Therefore, the proposal is to investigate what relationships are established in the contemporary theatrical scene from the contagion by digital technologies, aiming at establishing this parallel through a dialogue with the authors discussing the subject, and also based on the group practices having technological resources as a determinant factor in their plays. Furthermore, a reflection should be made on the scene that incorporates or is carried out in intermediatic events, analyzing how digital technologies (re)configure compositional processes of the plays by GAG Phila7, in the city of São Paulo/SP. For such, the dissertation is organized in three sections comprising four moments, to wit: brief overview of the field, contextualization, poetic analysis and synthesis. Qualitative methods are used as the methodological proposal: semi-structure interview, note and document taking (program, website, playing book, disclosure material for advertising text, photographs, and videos). Within the universe of qualitative research, it works with the epistemological perspective of the Gadamer philosophical hermeneutics. The possibilities allowed by the double virtual (Internet/web) generated a type of theater with another material basis and new forms of organization and structure, being possible to perceive that such technological advances and the arts are mutually contaminated, generating a dislocation in the logics of theatrical composition, movement beginning with the artistic vanguards, gradually intensified, thus offering new possibilities of constructions and hybridization of the of the most different possible types. Experiment ―Profanações_superfície de eventos de construção coletiva‖, idealized by Phila7 is inserted in this perspective. Object of the discussion of such research, the experiment works with possible poetics arising from the intersection with the digital technologies, aiming at identifying and problematizing the challenges from the technological evolution and expansion in a scenic context

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The aim of this study is to understand the perceptions of pregnant women, mothers and health professional about preeclampsia and the relation between professional and patient. A qualitative approach was chosen, together with semi-structured interviews, participative observation and Test of Free Association of Words (TFAW). The data were collected in February and June 2007 at Maternidade-Escola Januário Cicco (MEJC), Natal, RN, Brazil with 61 pregnant women and 87 professionals, 20 of each group were interviewed. An interpretative and understanding perspective was used similar to that of Gadamer s hermeneutics and with the construction of themes and empirical categories. The pregnant women showed fear preeclampsia and its consequences, and to know very little about the subject and also a desire to know more. The changes that occurred with the illness were more related to the emotional order than to the healthy lifestyle they have adopted. Some lack of preparation of the basic units was observed, in order to meet and guide the pregnant women to the reference unit. Professionals knew the customers characteristics, about their fear and about their little knowledge on this illness. Nevertheless, they did not include them in the treatment. It was observed the absence of conversation over the illness between professionals and patients and also the inability of the former to deal with emotional issues. A new way of looking into the preeclampsia assistance is necessary. A way that focuses on the collective construction of intervention and approach strategies; one which includes subjective aspects in an hermeneutic perspective of health

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This study had a multidisciplinary focus, investigating the areas of health and education, and proposes to discuss the formation of health professionals, requiring their understanding of the factors involved in the production of knowledge, given that this formation has an impact on the quality of human and social life. The aim of this work was to investigate the relationship existing between the process of physical therapist formation and the practical activities developed during the undergraduate course in the Northeast of Brazil. This is an exploratory descriptive study with qualitative significance. The sample consisted of 73 subjects (33 professors and 40 students) from 6 physical therapy courses at different institutions in the Northeast of Brazil. Data collection was conducted through focus group interviews. In addition, we used a school assessment instrument from the health area. The data, analyzed using dialectical hermeneutics, showed that the Northeast of Brazil has the second largest number of physical therapy courses in the country, with 93 (11 public and 82 private) out of a total of 510. These numbers represent a growth of 1062.5% since 1991. The pedagogical projects are guided by National Curricular Directives as well as by the country s health system. The prevalent pedagogy is that of transmission, and the contents/disciplines are generally not integrated with practice, a situation that hinders the integrality and interdisciplinarity of health care. It can be concluded that there is a need for implementing integrated curricula and for better qualified professors to effectively put this process into practice