893 resultados para Calumet (Québec)--History--17th century


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Many philosophers, especially in the wake of the 17th century, have favored an inegalitarian view of shape and color, according to which shape is mind-independent while color is mind-dependent. In this essay, I advance a novel argument against inegalitarianism. The argument begins with an intuition about the modal dependence of color on shape, namely: it is impossible for something to have a color without having a shape (i.e. without having some sort of spatial extension, or at least spatial location). I then argue that, given reasonable assumptions, inegalitarianism contradicts this modal-dependence principle. Given the plausibility of the latter, I conclude that we should reject inegalitarianism in favor of some form of egalitarianism—either a subjective egalitarianism on which both shape and color are mind-dependent or an objective egalitarianism on which both shape and color are mind-independent.

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The engravings of the paintings are from many engravers: I. Troyen, N. v. Hoij, L. Vosterman, P. Lisebetius, L. Popels, etc.

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Grand-Ducal Workshops; 1 ft. 3 23/64 in. x 11 1/32 in.; pietre dure mosaic on white marble ground

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Specimens are seen against sea and harbor views.

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Illustrations: allegorical title page and eleven plates, some of them numbered. Four plates depict decorations designed by the architect Orazio Turriani: the colonnade on the Piazza della Spada in Rome, two plates of a triumphal arch, and a fountain structured as a nymphaea. Seven plates depict temporary structures used for fireworks display, including 2 states of plate numbered "70" or "02". The plates are etched by Luca Ciamberlano after Niccolò Tornioli.

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Engraved portrait and title-page within architectural border; woodcut illustrations throughout the text.

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Engraved printer's device on t.p. (compasses), woodcut version on last p. Etched arms of Albrecht, Grand Duke of Austria, to whom with Isabella of Austria his consort the work is dedicated. Bound in before A1 is folded map of Brabant, dated 1599. Ill. are full-length ports. of the dukes of Brabant, with their coats of arms. Head and tail pieces, initials.

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t. 1. Corte na aldea.--t. 2. Primavera.--t. 3. O pastor peregrino.--t. 4. O desenganado.

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Incomplete copy; title-page of v.1. wanting.

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Describes literary circles of the 17th and 18th centuries; v. 1 (first published in 1858) is confined to the 17th century.