"I'm Your Biggest Fan, I'll Follow You ... " Lady Gaga, Little Monsters and the Religious Dimension of Fandom in Pop Music

This thesis examines the religious dimension of fandom in popular music, taking as an object of reflection Lady Gaga and her fans. I combine fan studies with theories of immanence as well as Deleuze and Guattari's notion of the process of becoming, and provide a theoretical reading of the relationship between Lady Gaga and her most fervent fans, the 'little monsters.' Both fandom and religion promise a stable sense of identity and authentic community to devotees. Performing deconstructive discourse analysis on three of Lady Gaga's music videos, I demonstrate how fandom, like organized religion, can simultaneously be an emancipatory practice and a practice that seeks to deny individual subjects their agency. This thesis provides a new theoretical framework for understanding fandom, and illustrates how the purported benefits of both fandom and religion can only be gained when the figureheads of each group are symbolically destroyed by the members themselves.

Posibilidades didácticas con la música pop : 500 miles.

Resumen en inglés

Estilo musical : pop-rock latino.

Suplemento Música y más música, n. 2

Estilo musical: pop.

Suplemento Música y más música ; n. 1

The programming language standards scene, ten years on paper 19: Pop

This paper, one of a simultaneously published set, describes the establishment in 1990 of the UK standards project for the Pop programming language, and the progress of the project to the end of 1993.

POP-11 comes of age: the advancement of an AI programming language

In 1989, the computer programming language POP-11 is 21 years old. This book looks at the reasons behind its invention, and traces its rise from an experimental language to a major AI language, playing a major part in many innovating projects. There is a chapter on the inventor of the language, Robin Popplestone, and a discussion of the applications of POP-11 in a variety of areas. The efficiency of AI programming is covered, along with a comparison between POP-11 and other programming languages. The book concludes by reviewing the standardization of POP-11 into POP91.

Coppicing shifts CO2 stimulation of poplar productivity to above-ground pools: a synthesis of leaf to stand level results from the POP/EUROFACE experiment

A poplar short rotation coppice (SRC) grown for the production of bioenergy can combine carbon (C) storage with fossil fuel substitution. Here, we summarize the responses of a poplar (Populus) plantation to 6 yr of free air CO2 enrichment (POP/EUROFACE consisting of two rotation cycles). We show that a poplar plantation growing in nonlimiting light, nutrient and water conditions will significantly increase its productivity in elevated CO2 concentrations ([CO2]). Increased biomass yield resulted from an early growth enhancement and photosynthesis did not acclimate to elevated [CO2]. Sufficient nutrient availability, increased nitrogen use efficiency (NUE) and the large sink capacity of poplars contributed to the sustained increase in C uptake over 6 yr. Additional C taken up in high [CO2] was mainly invested into woody biomass pools. Coppicing increased yield by 66% and partly shifted the extra C uptake in elevated [CO2] to above-ground pools, as fine root biomass declined and its [CO2] stimulation disappeared. Mineral soil C increased equally in ambient and elevated [CO2] during the 6 yr experiment. However, elevated [CO2] increased the stabilization of C in the mineral soil. Increased productivity of a poplar SRC in elevated [CO2] may allow shorter rotation cycles, enhancing the viability of SRC for biofuel production.

Contribution to The World Goes Pop exhibition catalogue

Biographies for artists Barel, Joav (p.174), Brudascu, Cornel (p.177), Bucan, Boris (p.178), Chicago, Judy (p.182), Ivekovic, Sanja (p.197), Komar and Melamid (p.200), Lach-Lachowicz, Natalia (p.203), Otasevic, Dusan (p.212), Overstreet, Joe (p.214), Pininska - Beres, Maria (p.215), Rosler, Martha (p.222), Schifano, Mario (p.223), Self, Colin (p.224), Tajiri, Thinkichi (p.228), Tanaami, Keiichi (p.229), Tilson, Joe (p.231), Vardea, Chryssa (p.233), Yokoo, Tadanori (p.234), Zelibska, Jana (p.235) and Zielinski, Jerzy (p.236).

K-pop : Diskurs och konsumtion i koreansk populärmusik 1996 – 2015

Denna uppsats undersöker koreansk populärmusiks explosiva framfart från slutet av 1990-talet och framåt. Den försöker svara på vad K-pop och dess idoler mer specifikt har representerat och erbjudit fans att konsumera och koppla detta till dess växande popularitet i ett historiskt perspektiv. Vidare försöker uppsatsen svara på varför K-pop gradvis har vuxit markant från slutet av 2000-talet i perifera regioner som Sverige. Uppsatsen analyserar ett urval av idolers representation i olika medier och källor som behandlar hur svenska fans förhåller sig till K-pop. Resultaten visar att idoler historiskt och med tid mer frekvent medverkat i många olika medieformat där de byggt upp en performativ image i relation till den rådande diskursen som en form av skådespeleri. Samtidigt har de idoler som följt kopierat originalkonceptet till det yttersta, vilket då också inbegriper plastkirurgi. Detta har resulterat i en ökning av ofta oskiljbara men visuellt vackra idoler. För många fans så ligger här en stor del av attraktionen; möjligheten att konstruera sin egen avgränsade konception av idoler för att fylla olika behov. För svenska fans så verkar det som att detta likaså är en del av anledning till dess växande popularitet när gränsen mellan det verkliga och fiktiva suddas ut. Det är också en möjlighet att anamma ett annat figurativt universum där exotiska idoler i sin allomfattande roll fritt kan konsumeras inom K-pop diskursen.

Pop-sportens fält

Sociologisk Forsknings digitala arkiv

Pop art: making mathematics popular

Leicha Bragg shares an effective activity for integrating visual arts, technology and mathematics. Such an approach has the potential to enhance students' visual reasoning and spatial ability by using multiple perspectives of learning.