Teología, 2006, Tomo XLIII nº 090 (número completo)

Nota del Director. Renovación y diálogo -- El cristianismo y las religiones / Piero Coda -- No sin ti. El caminante herido y el Dios desconocido / Margit Eckholt -- La teología en diálogo con la cultura / Eduardo Briancesco -- América Latina y una lógica de la reconciliación / José Carlos Caamaño -- Mozart, amado de Dios / Fernando Ortega -- Balance del Primer Simposio Internacional de Teología sobre la Shoah en Argentina / Víctor Manuel Fernández -- Teología y literatura. Lenguaje y acontecimiento / Cecilia Inés Avenatti de Palumbo -- Ricardo Ferrara: Dios es espíritu, luz y amor -- Notas bibliográficas

Kadete eta jubenil futbolarien arteko ezberdintasunak jauzi, azelerazio eta norabide aldaketa gaitasunetan

Helburua: Ikerketa honen helburu nagusia kadete eta jubenil futbolarien arteko ezberdintasunak analizatzea izan zen azelerazio, norabide aldaketa, jauzi bertikal eta jauzi horizontal gaitasunetan. Metodoak: Lagina Romo Futbol Club-aren 34 futbol jokalarik osatu zuten, denak gizonezkoak (16,03 ± 1,22 urte, 1,73 ± 0,07 m, 66,86 ± 7,65 kg, 22,21 ± 1,91 kg.m-2). Lagina bi taldetan banatu egin zen, lehiatzen zuten kategoria kontutan hartuta. 1.taldeak (KAD) Kadeteen Euskal Ligan jokatzen zuen (15,12 ± 0,70 urte, 1,71 ± 0,07 m, 63,06 ± 6,66 kg, 21,48 ± 1,56 kg.m-2), 2.taldeak (JUB) Jubenilen Nazional Ligan egiten zuen bitartean (16,94 ± 0,90 urte, 1,76 ± 0,07 m, 70,65 ± 6,77 kg, 22,93 ± 2,00 kg.m-2). Testak bi egun ezberdinetan burutu egin ziren eta jokalariek ez zuten intentsitate altuko jarduerarik egin frogen aurreko bi egunetan. 1.egunean, asteartea, jokalari guztien datu antropometrikoak hartu ziren eta azelerazio gaitasuna, norabide aldaketa gaitasuna (CODA) eta jauzi horizontala (HJ) neurtzeko testak burutu ziren. 2.egunean, osteguna, salto bertikalari (VJ) dagozkion frogak eraman ziren aurrera. Emaitzak: Azelerazio gaitasunean ezberdintasun esanguratsuak eskuratu ziren kadeteen eta jubenilen artean. Hala ere, MAT testan lortutako emaitzak antzekoak izan ziren bi taldeetan. Ezberdintasun esanguratsuak eskuratu ziren elastizitate indizean (IE) eta efektuaren tamaina altua edo moderatua izan zen VCMJ eta CMJAS frogetan. Ezberdintasun esanguratsuak aurkitu ziren bai HCMJ jauzian zein H3BT jauzian jokalari kadete eta jubenilen artean. Konklusioa: Ikerketa honetan kategorien arteko ezberdintasunak aurkitu ziren (kadete eta jubenil) azelerazio gaitasunean, baina ez norabide aldaketa gaitasunean. Jauzi gaitasunari dagokionez, jokalari jubenilek jauzi horizontal gaitasun handiagoa eskuratu zuten. Hala ere, ezberdintasun hauek ez ziren ikusi jauzi bertikal mota guztietan. Kontra mugimendurik gabeko jauzi bertikal testan (VSJ), emaitzak antzekoak izan ziren adin ezberdinetako jokalarien artean. Emaitza hauei erreparatuz, interesgarria izan daiteke azelerazio (5 eta 15 m), luzatze-laburtze ziklodun jauzi bertikal (VCMJ eta VCMJAS) eta jauzi horizontal (HCMJ eta H3BT) testak erabiltzea errendimendua analizatzeko futbolari gazteetan.

Imaging the earth with ambient noise and earthquakes

In this thesis, I develop the velocity and structure models for the Los Angeles Basin and Southern Peru. The ultimate goal is to better understand the geological processes involved in the basin and subduction zone dynamics. The results are obtained from seismic interferometry using ambient noise and receiver functions using earthquake- generated waves. Some unusual signals specific to the local structures are also studied. The main findings are summarized as follows:

(1) Los Angeles Basin

The shear wave velocities range from 0.5 to 3.0 km/s in the sediments, with lateral gradients at the Newport-Inglewood, Compton-Los Alamitos, and Whittier Faults. The basin is a maximum of 8 km deep along the profile, and the Moho rises to a depth of 17 km under the basin. The basin has a stretch factor of 2.6 in the center decreasing to 1.3 at the edges, and is in approximate isostatic equilibrium. This "high-density" (~1 km spacing) "short-duration" (~1.5 month) experiment may serve as a prototype experiment that will allow basins to be covered by this type of low-cost survey.

(2) Peruvian subduction zone

Two prominent mid-crust structures are revealed in the 70 km thick crust under the Central Andes: a low-velocity zone interpreted as partially molten rocks beneath the Western Cordillera – Altiplano Plateau, and the underthrusting Brazilian Shield beneath the Eastern Cordillera. The low-velocity zone is oblique to the present trench, and possibly indicates the location of the volcanic arcs formed during the steepening of the Oligocene flat slab beneath the Altiplano Plateau.

The Nazca slab changes from normal dipping (~25 degrees) subduction in the southeast to flat subduction in the northwest of the study area. In the flat subduction regime, the slab subducts to ~100 km depth and then remains flat for ~300 km distance before it resumes a normal dipping geometry. The flat part closely follows the topography of the continental Moho above, indicating a strong suction force between the slab and the overriding plate. A high-velocity mantle wedge exists above the western half of the flat slab, which indicates the lack of melting and thus explains the cessation of the volcanism above. The velocity turns to normal values before the slab steepens again, indicating possible resumption of dehydration and ecologitization.

(3) Some unusual signals

Strong higher-mode Rayleigh waves due to the basin structure are observed in the periods less than 5 s. The particle motions provide a good test for distinguishing between the fundamental and higher mode. The precursor and coda waves relative to the interstation Rayleigh waves are observed, and modeled with a strong scatterer located in the active volcanic area in Southern Peru. In contrast with the usual receiver function analysis, multiples are extensively involved in this thesis. In the LA Basin, a good image is only from PpPs multiples, while in Peru, PpPp multiples contribute significantly to the final results.

Como inventar uma nação: o ensaio de interpretação do Brasil em Varnhagen, Joaquim Nabuco e Euclides da Cunha

A presente tese representa um esforço no sentido de contextualizar a caminhada do ensaio de interpretação do Brasil, durante o século XIX, com base em três aspectos: a construção do tema nacional, em Varnhagen; a aquisição de uma linguagem de corte subjetivo, em Joaquim Nabuco; e o relacionamento entre ciência e literatura, em Euclides da Cunha. Na introdução, ocorrem aproximações de natureza conceitual acerca das características mais salientes do ensaio como gênero na literatura e da noção de identidade nacional. No primeiro capítulo, os objetivos se transferem para a investigação dos antecedentes da interpretação do Brasil, principalmente aqueles localizados nos textos de não ficção, a exemplo da carta de Pero Vaz Caminha e dos relatos de viagem durante o período colonial. O segundo capítulo descreve os esforços para a criação de uma língua literária correspondente ao novo estatuto de independência política, tendências inventariadas pela prosa e poesia do período, em textos como a História Geral do Brasil, de Francisco Adolfo de Varnhagen. O influxo de uma nova subjetividade sobre a linguagem constitui o escopo do terceiro capítulo que também reproduz parte da fortuna crítica do ensaio O Abolicionismo, de Joaquim Nabuco. Em quarto, o diálogo entre ciências sociais e a interpretação do Brasil servem de contraponto ao levantamento de obras que já aproximam a questão social (o caso de Os Sertões, de Euclides da Cunha). No quinto capítulo, uma breve reconstituição da passagem do ensaio de interpretação do Brasil no século XX. Por último, na coda, a trajetória do ensaio de interpretação do Brasil, até meados de 1900

西黑冠长臂猿（Nomascus concolor）栖息地与鸣叫特征分析

本研究重点对云南哀牢山、无量山、永德大雪山以及老挝 Nam Kan 保护区西黑冠 长臂猿(Nomascus concolor)的鸣叫特征进行了分析研究，以探讨长臂猿鸣叫个体特异性 的发生机制及其在地理种群区分或亚种地位划分中的意义；同时对哀牢山平河西黑冠长 臂猿栖息地乔木结构进行了样方调查，揭示西黑冠长臂猿高海拔栖息地的乔木结构特 征，为后续行为学研究提供基础生态数据。 研究表明，云南省哀牢山平河（N 24°20′09.5″, E 101°17′16.1″, 海拔2600m）的黑 长臂猿栖息地有乔木57 种隶属于23 科37 个属；木质藤本植物9 种隶属于6 科8 属。 优势科主要为杜鹃花科（Ericaceae）、木兰科（Magnoliaceae）、山茶科（Theaceae）和 壳斗科（Fagaceae）植物。乔木的多样性指数、均匀度指数在沟底明显降低，而乔木1 层和2 层所占的比例以及木质藤本的平均多度均随着坡位的下降而升高。与其他地区的 长臂猿相比，哀牢山黑长臂猿的活动高度较低（10—22m），果实性食物种类较少。 西黑冠长臂猿的雄性鸣叫包括Boom 音节、aa 音节、弱调节音节、强调节音节和 coda 音节，Boom 音节只是一单独的条带状音节，结构最简单也最稳定；aa 音节、弱调 节音节、强调节音节和coda 音节的稳定性则呈现出依次增大的趋势。强调节音节和coda 部分的稳定性在总体没有显著差异，但在某些变量上coda 音节比强调节音节有显著更 高的稳定性。在此基础上，重点基于对coda 音节的分析，发现同一地点不同群体的雄 性西黑冠长臂猿个体之间存在非常显著的鸣叫特异性，并且同一地点不同群体的雄性个 体之间鸣叫的差异，显著高于不同地点间雄性个体间鸣叫的差异。这一发现表明西黑冠 长臂猿很有可能在有意识地通过鸣叫声音的调节，来增加与邻近群体间鸣叫的差异性， 并依靠这一行为识别邻近群的成年个体和陌生个体或新成年的未配对个体，这对具领域 性、配对的长臂猿来说具有显著的生态适应意义。基于对西黑冠长臂猿所有4 个亚种雌 雄个体鸣叫的逐步判别分析，结果表明西黑冠长臂猿明显分为3 个类群：1) 指名亚种 （N. c. concolor）和景东亚种（N. c. jingdongensis）为同一类群；2)滇西亚种（N. c. furvogaster）类群；3)老挝亚种（N. c. lu）类群，综合我们及前人的研究结果，我们认 为老挝亚种与其它三个亚种之间很可能已经达到了亚种分化的水平，滇西亚种也是如 此，但其有效性还值得进一步研究和探讨，而指名亚种和景东亚种间可能还没有达到亚种分化的水平。

岩石中地震波速度和衰减的应力变化响应研究

Stress change is one of key factors in seismic nucleating and triggering; therefore for understanding and forecasting earthquakes, it is necessary to research on stress status and its changes in rocks. Propagating in underground structures, wave velocity and attenuation contain information on stress changes of the Earth’s interior. For a better understanding of relationship between seismic data and stress changes, modeling and ultrasonic test supply significant references. In this article, acoustoelastic theory is introduced to explain nonlinear elastic characteristics of rocks. Based on the acoustoelastic theory, a solid-fluid coupled model is given to calculate velocity under different stress for porous and liquid fulfilled rocks. Except for the stress-velocity relationship, effects of pore pressure induced stress changes on ultrasonic coda attenuation are also studied. Intrinsic attenuation quality factors are calculated for a comparison purpose. Finally, the relationship between elastic constants and stress changes is thoroughly investigated, a mixture model from two phases of Hooke media is introduced to explain the differences between dynamic and static moduli, a relation among wave length, wave velocities and elastic moduli considering dimension of microstructure, dimension and state of surface between phases is presented. The most important aspect of this work is exploring and establishing relationships between the seismic properties of rocks and changes of their stress conditions, which will have its application in earthquake forecast and seismic hazard.

尾波干涉法精确测量地震波速变化的方法及实验研究

The coda of seismic waves consists of that part of the signal after the directly arrivials. In a finite medium, or in one that is strongly heterogeneous, the coda is dominated by waves which have repeatedly sampled the medium. Small changes in a medium which may have no detectable influence on the first arrivals are amplified by this repeated sampling and may thus be detectable in the coda. Because of this, coda wave is widely used in detecting micro variations in medium。 In this paper, we give a general view of the theory and application of coda wave, especially coda wave interferometry. We focus on discussing the application of coda wave interferometry on data source of active situ experiment。 First, we apply coda wave interferometry in a short time period situ experiment which last for three days. We also apply the method of coda wave interferometry in a situ experiment which last for one month. Daily circle variations of seismic velocity around the experiment site were obtained, and we also observed that the velocity variations in the experiment site have a significant correlation with the environment factors, including air temperature, barometric pressure, solid earth tide and the level of rainfall. We find that the velocity variation during this period is up to 10-3. The relationship between velocity variation and changes in air temperature, barometric pressure and solid earth tide was analyzed with least square linear fitting .The velocity has no dependence on the air temperature. But velocity has a change of 10-6--10-7 when the barometer or earth tide change per Pa. Generally, we conclude the work and results of previous researchers, and we also display our works and results. We hopes to contribute to the future research of coda wave interferometry.

Lg尾波衰减成像研究——北京及邻区衰减成像

With the development of the technology of earthquake observation, more and more researchers work at many fields' of seismicity using seismic kinetic property, as the result, the study of attenuation has also made great progress, especially in the mechanism of the attenuation and the physical process. Aki put forward single back scattering theory to explain the forming of the seismic coda wave in 1969. Then, researchers started to develop the study in seismic scattering and attenuation. My thesis is also based on that theory. We assume that the Lg wave is a superposition fo high-mode surface waves, the coda of Lg is caused by scattering. Sato proposed Single Isotropic Scattering model (SIS model) to interpreted the scatter property, and he also formulated the geometrical spreading term. Then Xie (1988) developed the single spectral-ratio (SSR) method to obtain the Lg coda Q and the frequency dependent factor n. Later, he get to lateral images in the area of scatter ellipse. SSR method is explored and used in the study of Lg coda waves of regional earthquakes in my thesis. Choosing the earthquakes records with high ratio of signal-noise ,which were recorded at the stations from 1989 to 1999, we obtain the single trace Lg coda Q and its frequency dependent factor n. The results proved that SIS model is the reasonable model to explain the Lg coda wave, and SSR method also can be used to process Lg coda of regional earthquakes to get to the satisfied Lg coda Q. Based on the Lg coda Q we obtained using the former method, we explore the programs to inverse the regional Lg coda Q independently, and then make use of them to inverse the Lg coda Q of Beijing and adjacent area. The inversion result is satisfied. We conclude that the distribution of Qo (Q in lHz) is marked by the inhomogeneity, which is related to the tectonic structure: The value of Qo in uplift area, for example, Yanshan uplift, Taihang uplift, Luxi Uplift, is higher than the depression area, for example, Jizhong depression, Huanghua depression, and Jiyang depression, and the border between the higher Q area and lower Q area is very clear; Lg coda Q is also related to the velocity structure, higher velocity area is also with higher Q, lower velocity area is with lower Q; and higher heat-flow area is companied with lower Q. All in all, the value of Q reflects the difference of characteristics of lithofaces, porosity, the liquid content between the pores and heat flow. So, the Q value difference between uplift area and depression area reveals the difference of tectonic structure, lithology and physical character of the rock. So, the study of Lg coda Q is help to understand the earthquakes propagation mechanism through the inhomogenous medium, the cause of the coda, attenuation mechanism of the coda. Making use of the lateral images of Q, with velocity images, heat flow results, and other experimental result, we will be promoted to understand the complex structure of the crust, its inhomogenous character, and so on.

Doubt, for narrator and orchestra

Doubt is a single-movement composition of roughly twelve minutes for narrator and orchestra (woodwinds, horns, and trumpets in pairs, timpani, percussion, strings). The piece explores the controversial issue of capital punishment. The text was compiled from resources found on the websites of Death Penalty Information Center (http://www.deathpenaltyinfo.org) and Anti-Death Penalty Information (http://www.antideathpenalty.org), as well as excerpts from the Bible. Doubt was conceived of as a dramatic work in which a narrator recites factual information in a direct and unemotional manner and the orchestra provides a response to the mixed emotions elicited by the text. The list of dates and case summaries presented in the middle section of the piece seemed most powerful and effective when recited in a natural speaking voice, which is why I chose not to set the text as song. Also, I chose the orchestral medium rather than a chamber setting because the nature of the topic demanded a larger range of colors and combinations, as well as a louder, fuller sound. Much of the music was composed while deciding which texts to include. Thus the music influenced the choice of text as much as the text suggested the musical setting. The four formal divisions of the piece are delineated primarily by the text. The first section is an orchestral introduction representing various emotional perspectives suggested by the texts. The narrator begins the second section with a Biblical verse over sparse orchestration. The third and main section of the piece begins with a new melody in the low strings that is closely related to the harmonic organization of the piece. The narrator lists dates of convictions, executions, exonerations and facts related to doubtful cases. The third section and the narration conclude with another brief passage from the Bible. The fourth section is a dramatic orchestral coda, bringing back the opening harmonies of juxtaposed perfect fifths. The final chord is full of tension and discord, reflecting the oppositions inherent in the topic of capital punishment: life vs. death, sympathy vs. reproach, pain vs. hope, but above all, doubt about guilt vs. innocence.

From Negotiations to Accession: Lessons from the 2007 Enlargement

Although overshadowed by the ‘big bang’ enlargement of 2004, the accession of Bulgaria and Romania to the EU in 2007 was more than simply a ‘coda’ enlargement. It had its own distinctive features and provides important insights into how the EU’s handling of enlargement is evolving. It established a number of interesting and potentially significant precedents and provided timely reminders of how important political and public opinion can be for ratification. Examination of the period from negotiating the terms of membership to the actual accession of the two applicants underlines the dynamic and increasingly uncertain nature of the EU enlargement process.

Effective grain size distribution analysis for interpretation of tidal-deltaic facies: West Bengal Sundarbans

Research over the past two decades on the Holocene sediments from the tide dominated west side of the lower Ganges delta has focussed on constraining the sedimentary environment through grain size distributions (GSD). GSD has traditionally been assessed through the use of probability density function (PDF) methods (e.g. log-normal, log skew-Laplace functions), but these approaches do not acknowledge the compositional nature of the data, which may compromise outcomes in lithofacies interpretations. The use of PDF approaches in GSD analysis poses a series of challenges for the development of lithofacies models, such as equifinal distribution coefficients and obscuring the empirical data variability. In this study a methodological framework for characterising GSD is presented through compositional data analysis (CODA) plus a multivariate statistical framework. This provides a statistically robust analysis of the fine tidal estuary sediments from the West Bengal Sundarbans, relative to alternative PDF approaches.

Memória do projecto cinco lugares. No exercício da sua função

Esta Memória de Projecto Cinco Lugares – No exercício da sua função funciona como um fluxo de ideias livres e inevitavelmente dispersas, que não são mais que uma consequência do pensamento sobre cada plano, cena e sequência que compõem o filme criado. A tese principal do filme, entre as várias ideias que nele se pretenderam elaborar, encontra reflexos e ressonâncias nas interpretações expressas ao longo dos vários capítulos iniciais. Assim, na Parte I (Caminhos do Tempo), faz-se uma contextualização teórica, com base nos textos de André Bazin, Gilles Deleuze e Marc Augé sobre as concepções de espaço e tempo, e analisam-se algumas das mais radicais obras do cinema contemporâneo (de Yasujirô Ozu, Robert Flaherty, Andy Warhol, Michael Snow a Victor Erice, Wang Bing, Abbas Kiarostami e James Benning). Esta contextualização e análise constituem fundamento à presente Memória, aprofundando-se a possibilidade do Tempo como categoria estrutural principal de um texto fílmico. Na Parte II, dá-se nota do percurso de Cinco Lugares, filme que congrega um conjunto de memórias sobre cinco lugares de uma cidade (Lisboa), ensurdecedora e em crescente movimento, e no qual se procurou registar, plano a plano, essas memórias pela, para usar uma expressão de Tarkovsky, “pressão do tempo no plano”. Iniciado no tempo do silêncio (público) do Pátio da Galé, o filme passou ao espaço privado e interior de uma habitação na Rua Nova do Loureiro, que a arquitectura tão naturalmente separa e resguarda do exterior. Do registo fílmico de um ritual religioso, numa Igreja de convento, transitámos para um dos lugares mais esquecidos da cidade, a Mãe d’Água/ Aqueduto das Águas Livres. Por fim, aportámos num antigo antro de loucura contida, o Pavilhão Panóptico do Hospital Miguel Bombarda, hoje museu de um conjunto de memórias – memórias que também constituem matéria de uma outra memória cinematográfica de João César Monteiro. Em comum, estes cinco lugares têm tudo e não têm nada. São arquitecturas que se estabelecem numa fronteira entre um interior e um exterior. São também matéria própria, constituída por tempos, espaços e identidades totalmente diferentes. São, ainda, cinco tipos de silêncio urbano e momentos de realidade documentados sob uma perspectiva de um mundo em aceleração. Em suma, os capítulos seguintes de ambas as Partes são uma das muitas conversas possíveis e inacabadas, qual coda num trecho musical, a ter sobre o que interessa verdadeiramente neste trabalho de projecto – o filme em si.

No Laughing Matter: Shakespearean Melancholy and the Transformation of Comedy

Mon projet de thèse démontre le rôle essentiel que tient la mélancolie dans les comédies de Shakespeare. J’analyse sa présence au travers de multiples pièces, des farces initiales, en passant par les comédies romantiques, jusqu’aux tragicomédies qui ponctuent les dernières années de sa carrière. Je dénote ainsi sa métamorphose au sein du genre comique, passant d’une représentation individuelle se rapportant à la théorie des humeurs, à un spectre émotionnel se greffant aux structures théâtrales dans lesquelles il évolue. Je suggère que cette progression s’apparent au cycle de joie et de tristesse qui forme la façon par laquelle Shakespeare dépeint l’émotion sur scène. Ma thèse délaisse donc les théories sur la mélancolie se rapportant aux humeurs et à la psychanalyse, afin de repositionner celle-ci dans un créneau shakespearien, comique, et historique, où le mot « mélancolie » évoque maintes définitions sur un plan social, scientifique, et surtout théâtrale. Suite à un bref aperçu de sa prévalence en Angleterre durant la Renaissance lors de mon introduction, les chapitres suivants démontrent la surabondance de mélancolie dans les comédies de Shakespeare. A priori, j’explore les façons par lesquelles elle est développée au travers de La Comedie des Erreurs et Peines d’Amour Perdues. Les efforts infructueux des deux pièces à se débarrasser de leur mélancolie par l’entremise de couplage hétérosexuels indique le malaise que celle-ci transmet au style comique de Shakespere et ce, dès ces premiers efforts de la sorte. Le troisième chapitre soutient que Beaucoup de Bruit pour Rien et Le Marchand de Venise offrent des exemples parangons du phénomène par lequel des personnages mélancoliques refusent de tempérer leurs comportements afin de se joindre aux célébrations qui clouent chaque pièce. La mélancolie que l’on retrouve ici génère une ambiguïté émotionnelle qui complique sa présence au sein du genre comique. Le chapitre suivant identifie Comme il vous plaira et La Nuit des Rois comme l’apogée du traitement comique de la mélancolie entrepris par Shakespeare. Je suggère que ces pièces démontrent l’instant où les caractérisations corporelles de la mélancolie ne sont plus de mise pour le style dramatique vers lequel Shakespeare se tourne progressivement. Le dernier chapitre analyse donc Périclès, prince de Tyr et Le Conte d’Hiver afin de démontrer que, dans la dernière phase de sa carrière théâtrale, Shakespeare a recours aux taxonomies comiques élucidées ultérieurement afin de créer une mélancolie spectrale qui s’attardent au-delà des pièces qu’elle hante. Cette caractérisation se rapporte aux principes de l’art impressionniste, puisqu’elle promeut l’abandon de la précision au niveau du texte pour favoriser les réponses émotionnelles que les pièces véhiculent. Finalement, ma conclusion démontre que Les Deux Nobles Cousins représente la culmination du développement de la mélancolie dans les comédies de Shakespeare, où l’incarnation spectrale du chapitre précèdent atteint son paroxysme. La nature collaborative de la pièce suggère également un certain rituel transitif entre la mélancolie dite Shakespearienne et celle développée par John Fletcher à l’intérieure de la même pièce.

L'assimilation rock de la musique romantique par le groupe Muse

La version intégrale de ce mémoire est disponible uniquement pour consultation individuelle à la Bibliothèque de musique de l’Université de Montréal (www.bib.umontreal.ca/MU).

CoDaPack. An Excel and Visual Basic based software of compositional data analysis. Current version and discussion form upcoming versions

In the eighties, John Aitchison (1986) developed a new methodological approach for the statistical analysis of compositional data. This new methodology was implemented in Basic routines grouped under the name CODA and later NEWCODA inMatlab (Aitchison, 1997). After that, several other authors have published extensions to this methodology: Marín-Fernández and others (2000), Barceló-Vidal and others (2001), Pawlowsky-Glahn and Egozcue (2001, 2002) and Egozcue and others (2003). (...)