967 resultados para Wilde, Oscar, 1854-1900.
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Análisis de la producción literaria de Oscar Wilde y de los aspectos más destacados de su vida.
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Historically, Salome was an unexceptional figure who never catalyzed John the Baptist's death. However, in Christian Scripture, she becomes the dancing seductress as fallen daughter of Eve. Her stepfather Herod promises Salome his kingdom if she dances for him, but she follows her mother’s wish to have John beheaded. In Strauss’s opera, after Wilde's Symbolist-Decadent play, Salome becomes independent of Herodias’ will, and the mythic avatar of the femme fatale and persecuted artist who Herod has killed after she kisses John's severed head. Her signature key of C# major, resolving to the C major sung by Herod and Jokanaan at her death, represent her tragic fate musically.
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Oscar Wilde’s fairytales have been read to children for more than a century. Nevertheless, since the time of their publication in 1888 and 1891, the target audience of The Happy Prince and Other Tales and A House of Pomegranates have been the concern of critics. Delving into the context behind the rich and colourful imagery, one can find implications of homosexuality, the Paterian aesthetic and religious connotations. According to Carol Tattersall, The Happy Prince and Other Tales successfully mislead the public that it is innocent of any intention to undermine established standards of living or writing. Tattersall’s argument is based on comparing the first collection to Wilde’s second, A House of Pomegranates, which was perceived as “offensive and immoral” (136). On the other hand, William Butler Yeats states in his introduction to The Complete Works of Oscar Wilde that overall the reviewers of The Happy Prince and Other Tales were hostile because of Wilde’s aesthetic views (ixxvi). But Yeats overlooks the fact that Wilde was very pleased and proud, dashing notes to friends and reviewers and signing copies to many people (Tattersall 129). In general, the reception of Wilde’s first collection was more positive than that of the second because it was milder and more subtle in its controversial themes.
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A literatura infanto-juvenil surgiu com a criação da ideia de infância. Hoje, ela se apresenta a partir de adaptações de obras literárias em livros interativos fazendo-se valer de ferramentas e suportes tecnológicos atuais. Neste artigo, propomos uma retomada à história da literatura infanto-juvenil – a partir de autores como Zilberman (1985;1987) e Ariés (1985) – e uma análise de seu diálogo contemporâneo com as novas mídias digitais – a partir de autores como Bolter & Grusin (2000). Para tanto, discorreremos desde a criação da infância até a criação do livro interativo, perpassando a questão da literatura como mídia e seu dialogo intermidiático com novas tecnologias.
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Adaptación del guión y elaboración de la guía Encarnación Fernández Gómez
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Cuando por la tarde los niños salían de la escuela, jugaban en el hermoso jardín del Gigante. Pero, un día éste decide construir una alta muralla alrededor del jardín y prohibir el paso a los niños. Desde entonces, en el jardín siempre es invierno, y el Gigante se pregunta por qué el buen tiempo no llega nunca a su jardín. Un día, el gigante se asoma por encima de la muralla de su castillo y descubre una maravillosa vista.
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Es el clásico cuento de Oscar Wilde, el gigante egoísta. El propietario de un hermoso jardín es un gigante muy egoísta, que decide no dejar que los niños jueguen en él hasta que un día, su corazón se ablanda por un niño muy especial.
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At head of title: Congreso Nacional.
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Ouvrage couronné par l'Académie francaise.
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Mode of access: Internet.
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"Parts II and III available only from the National Archives and Records Service, Washington 25, D.C."
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Cover-title.
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Thesis (doctoral)--Kaiser-Wilhelms-Universitat Strassburg, 1900.
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On spine: Bakteriologie