Histoire de la France contemporaine (1871-1900)

No more published.

The royal tombs of the first dynasty, 1900-1901 /

"Publications referring to the royal tombs": pt. I, p. 2.

Perepiska V.I. Lenina i redakt͡sii gazety "Iskra" s sot͡sial-demokraticheskimi organizat͡sii͡ami v Rossii. 1900-1903 gg. Sbornik dokumentov. V 3-kh t.

Prepared by K. G. Li͡ashenko, V. N. Stepanov, and Z. N. Tikhonova.

Appendix to the Eton school lists : comprising the years 1853-6-9 /

Includes index.

L'Italia nei cento anni del secolo XIX (1801-1900)

Mode of access: Internet.

Histoire de la France contemporaine (1871-1900).

No more published.

Fuerza, vigor y consumo : El caso de Eugene Sandow en Santiago de Chile, 1900-1930

Considerado como el padre del fisicoculturismo moderno, el atleta de origen prusiano Eugene Sandow (1867-1925), desde finales del siglo XIX hasta los primeros años del siglo XX, se convirtió en una de las figuras más importantes en torno a la cultura física a nivel mundial. Sus recomendaciones y rutinas de entrenamiento lo posicionaron no solo como un sinónimo de fuerza, salud, y perfección corporal, sino que también lo potenciaron como una importante marca comercial a través de una serie de productos entre los que se incluían libros, suscripciones a revistas y equipamientos gimnásticos para su uso doméstico. Chile, no estuvo ajeno a este tipo intercambios, formando parte de la producción y distribución de sus productos en los que privilegiando exclusivamente a un público masculino, eran ofrecidos por medio de una publicidad que cubrió diversos catálogos, periódicos, magazines y ventas directas en casas comerciales De este modo, el objetivo de esta ponencia es examinar la formas y espacios en los que los productos, y el nombre de Sandow, circularon en Santiago de Chile durante las primeras tres décadas del siglo XX

Fuerza, vigor y consumo : El caso de Eugene Sandow en Santiago de Chile, 1900-1930

Considerado como el padre del fisicoculturismo moderno, el atleta de origen prusiano Eugene Sandow (1867-1925), desde finales del siglo XIX hasta los primeros años del siglo XX, se convirtió en una de las figuras más importantes en torno a la cultura física a nivel mundial. Sus recomendaciones y rutinas de entrenamiento lo posicionaron no solo como un sinónimo de fuerza, salud, y perfección corporal, sino que también lo potenciaron como una importante marca comercial a través de una serie de productos entre los que se incluían libros, suscripciones a revistas y equipamientos gimnásticos para su uso doméstico. Chile, no estuvo ajeno a este tipo intercambios, formando parte de la producción y distribución de sus productos en los que privilegiando exclusivamente a un público masculino, eran ofrecidos por medio de una publicidad que cubrió diversos catálogos, periódicos, magazines y ventas directas en casas comerciales De este modo, el objetivo de esta ponencia es examinar la formas y espacios en los que los productos, y el nombre de Sandow, circularon en Santiago de Chile durante las primeras tres décadas del siglo XX

Fuerza, vigor y consumo : El caso de Eugene Sandow en Santiago de Chile, 1900-1930

Considerado como el padre del fisicoculturismo moderno, el atleta de origen prusiano Eugene Sandow (1867-1925), desde finales del siglo XIX hasta los primeros años del siglo XX, se convirtió en una de las figuras más importantes en torno a la cultura física a nivel mundial. Sus recomendaciones y rutinas de entrenamiento lo posicionaron no solo como un sinónimo de fuerza, salud, y perfección corporal, sino que también lo potenciaron como una importante marca comercial a través de una serie de productos entre los que se incluían libros, suscripciones a revistas y equipamientos gimnásticos para su uso doméstico. Chile, no estuvo ajeno a este tipo intercambios, formando parte de la producción y distribución de sus productos en los que privilegiando exclusivamente a un público masculino, eran ofrecidos por medio de una publicidad que cubrió diversos catálogos, periódicos, magazines y ventas directas en casas comerciales De este modo, el objetivo de esta ponencia es examinar la formas y espacios en los que los productos, y el nombre de Sandow, circularon en Santiago de Chile durante las primeras tres décadas del siglo XX

An examination of how the military, the conservative press and ministerialist politicians generated support within Queensland for the war in South Africa in 1899 and 1900

This thesis examines the role of conservative newspaper proprietors and editors to generate support for war against the Boers in South Africa. The thesis utilises Rune Ottosen's theoretical model concerning newspapers creating a pro-war mentality, and S.E. Finer's theory on the influences of the military on civilian Government. The pivotal supportive roles of Governor Lamington and Premiers Dickson and Philp and the oppositional role of Premier Dawson are also examined.

World architecture 1900-2000 : A critical mosaic : Southeast Asia and Oceania [Volume 10]

"World Architecture records the major architectural contributions made in all regions of the world to the development of human culture. Grouped into 10 geographical regions and representing five twenty-year-periods, the buildings have been selected by approximately 80 eminent international architectural critics. Each volume contains 100 buildings from one particular region, each object accompanied by an analytical text as well as by drawings and photographs. Introduction essays by the general editor, Kenneth Frampton, and the editor(s) of each volume complete the survey. The series comprises 10 volumes. The books are handsome, linen-bound and stitched, generously formatted (21,5 x 28,5 cm/8,4 x 11 inches) and contain approx. 300 pages and 400 colour prints each. This unique project gives the most precise and authoritative description of 1000 of the century's most notable buildings. Countries: Brunei, Burma, Cambodia, Indonesia, Laos, Malaysia, The Philippines, Singapore, Thailand, Vietnam and Australia, New Zealand, Papua New Guinea, and Oceania."

Literaturnaja skazka A.M. Remizova (1900-1920-e gody)

Literary tale of A.M. Remizov (1900’s – 1920’s) The thesis is devoted to a detailed historical-literary description of a tale as a genre tradition in the creative work of Alexei Mikhailovich Remizov (1877-1957), one of the major Russian prose writers of the 20’s century. This very approach allows to specify the place and functional meaning of this genre in literary practice of the writer and to appeal to one of the key problems of the 20-21 century literature history – a specific of modernistic literature composition principle and a role of montage techniques in its formation. Remizov was working on tales during his whole life, though the most productive years of folklore studies fell to 1900’s – 1910’s. During this period he intensively studied folklore materials, narrated several hundreds of folk tales and in 1900’s – 1920’s published eight tale collections which played a significant role in the formation of stylistic and compositional principles of his prose of the 1910’s – 1920’s, especially montage techniques, which in its turn influenced the development of the narrative forms in the Russian post-revolutionary literature. At the same time a tale has specified not only poetics but also problematics of Remizov’s creative work, as when choosing folklore sources the writer always alluded to modern themes and relevant intellectual trends. The current research work, based on various archive materials and a wide spectrum of modern historical-literary data, complies four chapters with a consistent description of creation history, publication and critics’ reviews of Remizov’s tale collections and single tales contributing to his creative evolution characteristic. Furthermore, the work refers to composition and subject of the particular collections. On the whole it enables to follow up genre dynamics. The first chapter of the work is devoted to Posolon’ (Sunwise), the earliest tale collection of Remizov. The main feature of the collection is that its composition is oriented on the agrarian calendar and the subject – on the system of mythological views reflected in the Russian folklore. This very collection to a large extent corresponds to the writer’s views on the myth represented in Pis’mo v redaktsiyu (Letter to the Editor). The history of this manifesto appearing is analyzed in the second chapter. The incident which caused its forthcoming contributed to ‘legitimization’ of Remizov’s narrations as a relevant genre of modern literature and to upgrading the writer in professional hierarchy. The third chapter analyzes Remizov’s collections of 1900’s – early 1920’s, a result of Remizov’s scrupulous work with a specific tale material. He is acting here as a tale repertory researcher and in some cases as a collector as well. The means of such collections’ topical organization is not the myth but the hero of the tale. According to this principle single pieces are grouped into cycles, which then form complicated montage constructs. Texts themselves can be viewed as a sort of hyper-quotations, as they in fact entirely coincide with their original sources. Besides, collections usually have their own ideal patterns. In the fourth chapter a connection of Remizov’s creative work with folk fun culture and a tradition of the folklore noel story is being demonstrated on Zavetnyie skazy (Secret Tales) material. A consistent collections’ history creation analysis convinces us that the tale was a sort of laboratory in which main writer’s prose methods were being worked out.