920 resultados para Short story.
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Hardy's novels and poetry have received extensive criticism, in due proportion to their merit. Hardy's short stories, however, have been virtually excluded from the annals of Hardy criticism, even though Hardy wrote over forty short stories, several of which are truly outstanding. In part, the reason for this neglect is because of the neglected state of the short story in Victorian England. Short fiction, published mainly only in periodicals and never collected in volume form, was obscured to a large extent by the highly popular serial novel. This thesis examines Thomas Hardy's short stories in the context of both the Victorian period and the Victorian short story genre, and explores the ways in which Thomas Hardy improved upon and deviated from some of the common types of short fiction being written in his day.
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Includes Yearbook of the British and Irish short story.
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Thesis (Master's)--University of Washington, 2016-06
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The article analyzes the French short story "Sofia's Story. Leaving Shanghai," by Isabelle Charpentier. The characters and plot are explored. It discusses the author's unique writing style which is the use of long and detailed lists that appear at interval's throughout. It presents the story's translation in English language. Also cited is a list of a different sort towards the end that encapsulates the juxtaposition and contrast that centers on Sofia's experiences.
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The article analyzes the French short story "Sofia's Story. Leaving Shanghai," by Isabelle Charpentier. The characters and plot are explored. It discusses the author's unique writing style which is the use of long and detailed lists that appear at interval's throughout. It presents the story's translation in English language. Also cited is a list of a different sort towards the end that encapsulates the juxtaposition and contrast that centers on Sofia's experiences.
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This paper analyzes the short story "Intruge-se" within the book Tutameia (1967) from the brazilian writer João Guimarães Rosa. We shall approach the relation between the main character and a mystery involving a murder he decides to solve. The tale reveals a twofold perspective, that allows, not just bare reading, but a meditation about the human nature. We will tour the tale with thorough look and proposed to find, in the intricacies of writing rosiana, the multiple meanings that involve the actions and choices of the main character and how, through them, the author seeks to represent one of the most pressing questions of humanity. We intend to show how the aesthetic element acts in the formation of the individual, providing in addition to an objective experience of leisure, also a spontaneous learning ability which inexcusably enforces the reader's restlessness and need to reflect. This work is an observation about the story and what makes it what it is. Guimarães Rosa traces this story about subjectivity worlds, worlds that involve a context that triggers the story, which want to refer the reader out of it, which provides a spiral, by nature of its form, the most varied questions about the actions and feelings humans. The experiences with this observation, as well as those arising from variations, resulting in a rich learning, in that it enables and habituate critical eye, doubt and reflection. With that purpose, literature functions as a learning gear, according to what is sustained by Antonio Candido.
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Short story published in the Queensland University of Technology Student Anthology, Isaac’s Numbers: New Writing from QUT, 2008.
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Chasing Grace won the 2009 Perilous Adventures Short Story Competition and was subsequently published online by the Perilous Adventures Magazine in October, 2009.
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The Simple Laws of Proportion was shortlisted in the 2010 John Marsden Writing Prize for Young Australian Writers. It was subsequently published online by Express Media in December, 2010.
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Fictional short story informed by an oral history, published in 'One Book Many Brisbanes 5'.
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This paper reads Ray Lawrence's film Jindabyne (2006) in order to consider how "Australian" connotes as "immigrant" or "Indigenous" in contemporary Australia. Although the film is an adaptation of an American short story, it exploits an existing grammar of place in Australian cultural production in order to interrogate this very culture. If questions of race, gender, and class have haunted post-settlement Australia, Lawrence's film simultaneously stages these spectres and gestures towards the necessary failure of any attempt to exorcise them in a place where indigeneity is invisible. Thus, the location of Jindabyne, the town drowned in the name of progress, offers an exemplary visual metaphor for the failed project of identity formation in a place where forgetting is a survival tool.
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Short story published in The Lifted Brow, number 7.
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Interview and short story published in Avid Reader Magazine.