991 resultados para Rashomon (Pel·lícula cinematogràfica : 1950)
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Supuesta la bondad moral y técnica de la libertad de empresa, o como se la quiera llamar, ¿ésta debe alcanzar también a las cosas relacionadas con la medicina y la sanidad?
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Al pensar en la relación entre el fundamento de la dignidad humana y la resolución de algunos problemas bioéticos, me vino a la cabeza Blade Runner, la película de Ridley Scott basada en un relato de Philip K. Dickque lleva el extravagante título de ¿Sueñan los androides con ovejas eléctricas? (extravagante si vemos la película pero no tanto si leemos el relato)...
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Las normas de la bioética han de ser nuestras propias normas y, por lo tanto, las normasjurídicas que regulan cuestiones bioéticas han de dejar el mayor margen posible para la toma de decisiones autónomas...
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Desde el estreno de Colegas, el 25 de octubre de 1982, hasta los recientes sucesos de noviembre y diciembre de 2007, han pasado veinticinco años, todo un cuarto de siglode relativa paz en el todavía espinoso asunto del aborto, una paz que parece que puede truncarse a raíz delos sucesos aludidos, que no son otros que las acciones fiscales y judiciales contra algunas clínicas de Barcelona en las que se practica la interrupción voluntaria del embarazo...
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El presente trabajo aborda el problema que plantea el plano fijo de cinco minutos de una sala de cine vacía, que aparece hacia el final de la película Goodbye Dragon-Inn. Para entender las características del plano, en el contexto del film, se propone un recorrido por las distintas maneras en que el cine ha mostrado el interior de una sala de cine en la ficción, se establece una tipología de pantallas dentro de la pantalla y se reflexiona sobre cómo éstas han reflejado la figura del espectador. De esta manera, y en paralelo al estudio del mencionado plano, se van generando una serie de interrogantes (algunos resueltos y otros no) en torno a la situación del cine hoy en relación al espacio de proyección y su conexión con el espectador.
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As décadas de trinta e quarenta do século XX português constituem, dentro da trajectória bastante irregular do cinema nacional, a época de maior regularidade. Com efeito, foi neste período que se verificou um considerável desenvolvimento do meio cinematográfico nacional. Este revelou-se um tempo dinâmico, quer a nível da produção, com o aparecimento dos filmes sonoros e das produtoras nacionais e respectivos estúdios, quer no que ao consumo diz respeito, com a multiplicação de salas de cinema; traduziu-se ainda no advento de revistas da especialidade, como a Kino, a Imagem ou o Cinéfilo, e no aparecimento de importantes realizadores portugueses – António Lopes Ribeiro, Leitão de Barros, Jorge Brum do Canto, Chianca Garcia –, produzindo-se relevantes trabalhos cinematográficos. Desta forma, neste artigo pretende-se apresentar o projecto cinematográfico nacional da época em estudo, possibilitando uma compreensão mais clara da evolução cinematográfica portuguesa no período de edificação do Estado Novo.
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Pós-graduação em História - FCLAS
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In late 1950, the young Glauber Rocha, still without having directed any of his films, becomes the main cultural critic of the Jornal da Bahia in Salvador, Bahia. His film critic activity falls within the symbolic local disputes and his texts published become an active voice in the cultural field of Bahia. With a considerable apparatus of the press in his favor, the performance of the young critic Glauber Rocha allows to discuss: the role of public intellectual and media production and dissemination of ideas by the newspapers at the turn of the 1950s to the 1960s, a time of intense political, social and cultural changes in Brazil.
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Estudo sobre as construções simbólicas e identitárias da mulher presentes na narrativa e na estrutura das personagens femininas do filme Malévola (2014) – produção dos estúdios Disney (EUA). A narrativa é inspirada no conto de fadas “A Bela Adormecida do Bosque” e distingue-se pela perspectiva feminina, modificando as possibilidades de interpretação, além de possibilitar a quebra do paradigma dicotômico relacionado ao Bem e ao Mal. A pesquisa tem por objetivo estudar a evolução das construções imaginárias da mulher no cinema e traçar paralelos entre as características arquetípicas das personagens de Malévola em relação à identidade da mulher na contemporaneidade. Para tal, será tomado como referencial teórico os estudos do imaginário social, com as obras de Gilbert Durand, Edgar Morin e, em especial, Michel Maffesoli; conceitos da psicanálise a partir dos trabalhos de C.G. Jung, Erich Neumann, Marie-Louise Von Franz e Clarissa Pinkola Estés; as teorias de Stuart Hall, Laura Mulvey e Gilles Lipovetsky relacionadas aos estudos culturais com ênfase em gênero; e também o ecofeminismo através dos trabalhos de autoras como Vandana Shiva e Maria Mies. Nosso referencial teórico-metodológico é a Hermenêutica de Profundidade (HP) visando à interpretação da estrutura simbólica de nosso objeto. Resultam desta pesquisa a verificação de um processo de saturação de padrões identitários e simbólicos provindos da modernidade e a evolução de novas dinâmicas nas narrativas presentes nas mídias e na comunicação
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Universidade Estadual de Campinas. Faculdade de Educação Física
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This article analyzes the Brazilian procedures regarding the ""Spanish Question"" at the UN, whose debates deal about the international situation of the General Franco's regime. We intend to demonstrate how the international interests, especially regarding the relationships with the USA, determined the position of the Brazilian government concerning the Spanish Question.
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Phaethornis longuemareus aethopyga was described by John T. Zimmer in 1950 and treated as a valid subspecies until it was proposed that the three known specimens were hybrids between R ruber and P. rupurumii amazonicus. On the basis of some recently collected specimens, we reevaluated the validity of P. l. aethopyga. Despite showing some differences related to age and sex, all specimens agree in the general plumage pattern and are fully diagnosable when compared with any other taxon of the genus. The hypothesis of a hybrid origin becomes unsustainable when one notes that (1) P. l. aethopyga has characters that are unique and absent in the purported parental species, such as the white outer margins at the base of the rectrices; and (2) P. l. aethopyga occurs far from the distribution of one of the alleged parental species. Furthermore, field data show that P. l. aethopyga has attributes typical of a valid and independent taxon, such as lekking behavior. Therefore, given its overall diagnosis, P. aethopyga could at least be treated as a phylogenetic species. Yet its morphological and vocal distinctiveness with respect to other Phaethornis spp. in the ""Pygmornis group"" is greater than that observed between some species pairs traditionally regarded as separate biological species within the group, which supports its recognition as a species under the biological species concept. Received 13 July 2008, accepted 9 March 2009.
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This paper proposes a way to analyze the history of eating in Sao Paulo (Brazil) between 1920 and 1950. It addresses the relative absence of research on this topic for this period characterized by the rapid expansion of the city, which became a key market, an important regulator of consumption habits, and a meeting place for diverse social groups. An abundance of sources makes it possible to undertake a social history of eating. On the one hand, intellectuals of different backgrounds and interests produced a good deal of work on popular food habits. On the other, the article points to the possibility of using lifestyle studies and surveys on eating habits from this period in order to gain insight into the lives of different sectors of the population.
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Significant changes have marked Brazilian education in the period focused on by this research. Aiming to understand the configurations of the teaching profession in that period, this work focuses on the issue of the school success in the area of literacy by means of an analysis of the practices of literacy teachers who were at work between the 1950s and 1980s. The research is based on life-history accounts. The study aimed at describing the various experiences of these teachers identifying the knowledges and practices that sustained their successful literacy work as well as the various factors of a social, religious, political, familiar or other nature that, in the history of each of these teachers, favoured the development of a pedagogical style of literacy particular to each one of them. Despite the peculiarities and originality of each history, the success in the literacy process, as the defining feature of the profile of the four teachers, results from two main aspects: first, the autonomy that each one managed to keep in the development of his/her teaching work, particularly in the organisation of the teaching practices that indicated greater chances of a pupil`s learning to read and write; second, their trust in the capacity of every child for learning, independently of his/her social, economic and cultural conditions. Based on this evidence it is argued that the success of the pedagogical work, particularly during the early years of schooling, lies in an ethics of the teaching work with a double implication: first, it requires the teachers` dedication to their pupils, and second, it requires respect for the work of the teacher, so that she/he can maintain her/his autonomy and inventiveness. These aspects indicate the need for reflection on teaching work and a review of current teacher education policies, particularly the policies targeted at teachers working with literacy practices.
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When Lyn Jordan married an engineer, and moved to the bush, she began writing as a freelance journalist. Like other young wives on construction sites, however, and despite having all modern conveniences, she finds herself immersed in child-rearing and domesticity. This entralling collection of writings, selected by her daughter, paints women's lives from the 1950s - an insider's view. Lyn Jordan discovers that being surrounded by young children in the bush, then the suburbs of Melbourne, leads to a different journey of the spirit.