999 resultados para Ludwig XV


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Includes l-r: Hermann Stenz, Adam Remmele, Erwin Sammet, Ludwig Marum, Gustav Heller, Sally Gruenebaum and August Furrer

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Typed caption on verso: Schaufahrt durch Karlsruhe, 16 May 1933 auf der Kaiserstrasse mit dem Blick auf die Fahrbahn: ganz hinten allein: Ludwig Marum dann: Erwin Sammet u. Hermann Stenz verdeckt: Sally Gruenebaum u. August Furrer vorne: Gustav Heller u. Adam Remmele

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Includes F 37875 - F 37914

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Biography of Ludwig Levy

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L-Lysine D-glutamate crystallizes in the monoclinic space group P2(1) with a = 4.902, b = 30.719, c = 9.679 A, beta = 90 degrees and Z = 4. The crystals of L-lysine D-aspartate monohydrate belong to the orthorhombic space group P2(1)2(1)2(1) with a = 5.458, b = 7.152, c = 36.022 A and Z = 4. The structures were solved by the direct methods and refined to R values of 0.125 and 0.040 respectively for 1412 and 1503 observed reflections. The glutamate complex is highly pseudosymmetric. The lysine molecules in it assume a conformation with the side chain staggered between the alpha-amino and the alpha-carboxylate groups. The interactions of the side chain amino groups of lysine in the two complexes are such that they form infinite sequences containing alternating amino and carboxylate groups. The molecular aggregation in the glutamate complex is very similar to that observed in L-arginine D-aspartate and L-arginine D-glutamate trihydrate, with the formation of double layers consisting of both types of molecules. In contrast to the situation in the other three LD complexes, the unlike molecules in L-lysine D-aspartate monohydrate aggregate into alternating layers as in the case of most LL complexes. The arrangement of molecules in the lysine layer is nearly the same as in L-lysine L-aspartate, with head-to-tail sequences as the central feature. The arrangement of aspartate ions in the layers containing them is, however, somewhat unusual. Thus the comparison between the LL and the LD complexes analyzed so far indicates that the reversal of chirality of one of the components in a complex leads to profound changes in molecular aggregation, but these changes could be of more than one type.

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The goal of this dissertation was to study whether it is possible and meaningful to apply Ludwig Wittgenstein s distinction between saying (Sagen) and showing (Zeigen) to ethically oriented literary criticism. The following questions were used as the primary guidelines: 1. Is it possible, in the context of literary criticism, to put in practice Wittgenstein s ethical conceptions, which are quite theoretical and metaphysical by nature? 2. If so, what practical literary devices do authors use if they want to demonstrate their ethical values within the frame of a fictional work? 3. Does philosophy offer useful ethical consepts that open us new and interesting readings in fiction? The philosophical background of Wittgenstein s distinction is clarified in chapter I. This clarification is based on his main works, Tractatus logico-philosophicus and Philosophishe Untersuchungen, the published correspondence between Wittgenstein and Paul Engelmann, and selected Wittgenstein research and papers. Analyzing ethics and it s expression in Georg Trakl s poetry further elucidates Wittgenstein s concept of showing. The concept that a literary work is an act of an author was used as a starting point. The presumption was that analyzing this act of an author will reveal how ethical values can be demonstrated in literature. Categorizing an author s act at different levels of literary expression provides the structure of this study. In chapters IV - XIII literary devices useful for demonstrating ethics are examined and explained using examples from the works of Joseph Conrad, Charles Dickens, Nikolay Leskov, Ludwig Uhland, Eino Leino, Pentti Haanpää and Maria Jotuni. The concepts and views of researchers and writers such as Mihail Bahtin, Peter Juhl, E. D. Hirsch, Peter Lamarque and Stein Haugom Olsen are used. The concepts outlined in previous chapters are then applied in three case studies: Aeschylus s Oresteia trilogy, J-L. Runeberg s poem Sven Dufva and Sofi Oksanen s novel Puhdistus (Purge). On the whole, Wittgenstein s idea that ethical values can be demonstrated (shown) by means of literature is revealed as a fruitful point of departure for a more exact ethical reading, offering a new perspective on literary works.

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Contenido: Contemplación y acción / Octavio N. Derisi – El humanismo de Heidegger / José Ignacio Alcorta – Cultura o humanismo cristiano / Octavio N. Derisi – Notas y comentarios -- Bibliografía

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Resumen: Analizamos el problema de las apropiaciones ilícitas de tierras en el término jurisdicional de la ciudad de Córdoba a fines de la Edad Media, centrando la atención en la villa de Las Posadas y en los procesos judiciales.

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En el presente trabajo nos proponemos abordar algunos aspectos relacionados con las restricciones, los privilegios y la violencia, que se implementaron sobre los mudéjares de Castilla, Aragón y Valencia. En relación con los primeros, daremos cuenta del endurecimiento legal –real y eclesiástico– que se desplegó hacia los moros hispánicos y que regló casi todos los aspectos del vivir cotidiano y de sus prácticas religiosas. Sin embargo, los mudéjares y sus aljamas en algún área en particular, fueron sujetos de privilegios reales. Es por esto que analizaremos restricciones y privilegios como dos caras de un mismo proceso que se desplegó durante el tránsito de la baja edad media. Finalmente, indagaremos sobre los episodios de violencia hacia los mudéjares contrastando particularidades regionales, para conectar estos sucesos con la segregación y la restricción.

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Resumen: El presente trabajo estudia la recepción del Libro de Séneca contra la yra e saña, romanceamiento castellano medieval del diálogo De ira de L. A. Séneca, en el marco de la actividad cultural del siglo XV. Para ello tendremos en cuenta la presencia de la traducción en los inventarios de las bibliotecas nobiliarias, las tres únicas copias manuscritas conservadas (mss. Esc. N.II.8, S.II.14 y T.III.3), los testimonios indirectos que proceden de la obra de Fernán Pérez de Guzmán y la presunta reelaboración del humanista Nuño de Guzmán