956 resultados para Folk literature, Danish


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Preservation photocopy on alkaline paper.

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Annual cumulation has subtitle: Årskatalog.

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No more published?

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"Ein unterhaltendes und zugleich belehrendes Buch für Federmann."

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v.1. Geschichte von Griseldis.--v.2. Alte und neue Lieder.--v.3. Schöne Melusina.--v.4. Schildbürger.--v.5. Schöne Magelone.--v.6. Octavianus.--v.7. Sieben Schwaben.--v.8. Genoveva.--v.11. Drei Schwestern: Drei Rolandsknappen.--v.12. Wiederstandner Eulenspiegel.--v.13-14. Tristan und Isolde.--v.15-17. Reineke der Fuchs.--v.18. Wigolais vom Rade.--v.19-20. Deutsche Lieder.--v.21. Hirlanda.--v.22. Fortunat.--v.23. Fortunat's Söhne.--v.25. Unschätzbares Schloss.--v.26. Robert der Teufel.--v.27. Schnurren.--v.30-31. Sieben weise Meister.--v.32. Armer Heinrich.--v.33. König Eginhard.--v.34. Herzog Ernst.--v.35. Senfkörner.--v.36. Schwanenritter.--v.37. Geduldige Helena.--v.38. Deutsches Fabelschatz.--v.39. Maerkischer Eulenspiegel.--v.40. Schlesischer Ruebezahl.--v.41-43. Weiser Ritter, Herpin von Bourges.--v.45. Lustiger Kirmesbruder.--v.46. Zauberer Virgilius.--v.47. Joachim und Anna.--v.48. Leben Jesu Christi.--v.49-50. Dorfgespräche.--v.51. Volksmärchen.--v.53. König Apollonius. Zwergenburg. Deutsches Räthselbuch.

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Includes Mongolian texts and Russian translations.

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El concurso de transformación mágica, esquema narrativo difundido en la tradición popular, se presenta en dos variantes principales: los hechiceros que compiten pueden metamorfosearse en varios seres o crear esos seres por medios mágicos. En cualquier caso el concursante ganador da a luz criaturas más fuertes que superan las de su oponente. La segunda variante fue preferida en el antiguo Cercano Oriente (Sumeria, Egipto, Israel). La primera se puede encontrar en algunos mitos griegos sobre cambiadores de forma (por ejemplo, Zeus y Némesis). El mismo esquema narrativo puede haber influido en un episodio de la Novela de Alejandro (1.36-38), en el que Darío envía regalos simbólicos a Alejandro y los dos monarcas enemigos ofrecen contrastantes explicaciones de ellos. Esta historia griega racionaliza el concurso de cuento de hadas, transfiriendo las fantásticas hazañas de creaciones milagrosas a un plano secundario pero realista de metáfora lingüística.

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This recording dissertation surveys post-1945 literature written for piano trio (violin, violoncello and piano) by ten Danish composers. The literature was first considered for inclusion by searching a database provided by the Danish Music Information Center (www.mic.dk). Scores were rented from the publisher Edition Wilhelm Hansen AS, or purchased from the publisher Samfundet til Udgivelse af Dansk Musik. An additional score published by Viking Musikforlag was used as well. The music was then studied and evaluated for selection. During the selection process, the following criteria were considered: 1) quality of the compositions; 2) recognition of the composers at the national or international level; 3) whether the compositions had been previously recorded; and 4) variety of compositional styles. The selected works are written by Niels Viggo Bentzon, Vagn Holmboe, Anders Koppel, Herman D. Koppel, Bent Lorentzen, Anders Nordentoft, Per Norgard, Michael Nyvang, Karl Aage Rasmussen, and Poul Rovsing Olsen. The selected compositions were practiced, rehearsed, and performed under direct supervision of the composers and other expert musicians. In order to better understand the compositional style of each composer, relevant books, articles, and recordings were researched and studied. This recording dissertation is supported by a written document. A subjective preference for program balance was exercised to determine the order of recorded works. The written document is divided into chapters defined by composer, following the order of the recorded document, which include the composers' biographies and notes referring to the recorded compositions. The recording took place at the Manzius Gaarden, Birkerod, Denmark during three sessions: July 31-August 2, 2002, March 2 and 3, 2003, and June 2-4, 2003. The music for this dissertation was recorded by the members of the Jalina Trio; Line Fredens, violin, Janne Fredens, cello and Natsuki Fukasawa, piano. Aksel Trige, a well-respected recording engineer, was engaged for the recording and editing. Additionally, a Hamburg Steinway concert grand piano was rented and a Joseph Guarnerius filius Andreas Cremona violin (1706) was provided by the Augustinus Fonden, Denmark. The cellist used her own instrument, Vuillaume of Paris (c. 1850). The expense of this recording was partially paid by generous grants from the Augustinus Fonden, the Solist Foreningen af 1921, and the Dansk Musikerforbunds Kollective Rettighedsmidler. The compositions selected for this recording dissertation are assumed to be previously unrecorded, with the exception of Poul Rovsing Olsen's Trio II.