Performance requirements for doors, door retaining devices and adjacent structures.

National Highway Safety Bureau, Washington, D.C.

Pair of Doors Carved in the 'Beveled Style'

Wood, Iraq, Abbasid; 7 ft. 3 3/4 in.x 17 ft. 5 27/32 in.x 1 1/2 in. (left); 7 ft. 2 1/2 in.x 1 ft. 8 15/64 in.x 1 1/2 in. (right); teak

The lumber estimator : Board and surface measure contents of fractional sizes of lumber, specially arranged for rapid estimating of contents of stock used in manufacture of doors, sash, blinds, door and window frames, interior and exterior finish, furniture, boxes, veneers, etc., etc. /

p. 113, advertising matter.

Opening the doors to better buildings : choices for the building community /

Includes bibliographical references.

Fire escapes : the law and standards governing types, construction, erection and location of fire escapes, exit doors, general protective features and fire drills, March 1, 1944 /

At head of title: State of Illinois.

Behind closed doors.

Mode of access: Internet.

The book of hardy flowers; a simple and complete descriptive guide to the cultivation in gardens of the trees and shrubs, perennial and annual flowers, that are hardy, or are suitable for planting out-of-doors in summer in temperate countries.

Reprinted February 1920.

Open doors: Herramienta gamificada para fortalecer las relaciones sociales con teletrabajadores millenials

77 p.

Open doors: herramienta gamificada para fortalecer las relaciones sociales con teletrabajadores millenials.

77 p.

Knockin' on Digital Doors. Dealing with online [dis]credit in an era of digital scientific inquiry

This chapter aims at presenting and discussing credible online recruitment eliciting techniques targeting scientific purposes adjusted to the digital age. Based on several illustrations conducted by the author within the framework of both quantitative and qualitative inquiries, this chapter critically explores the digital ethos in three main challenges faced when dealing with online recruitment for scientific purposes: entering the normality of the everyday life, entering the idiosyncrasy of multicultural lives, and entering the chaos of busy lives. By the end, a toolbox for establishing and evaluating (dis)credibility within online recruitment strategies is presented. Moreover, it is argued that success of data collection at the present time in online environments seems to rely as ever on internal factors of the communication process vis-à-vis e-mail content, design and related strategies.

Intimate Drowning

intimate drowning 50 minute performance + installation work ice | salt | tears | This work is about death. Grief The relationships before The aftermath - of confusion, violence, isolation The never ending questions The devastating loss and paranoia "Since my wife died, I have spent the last six years treading water - trying to stop myself from drowning. Sometimes I catch myself not breathing. I have to remind myself that I can't live underwater no matter how much I want to." Grief. Loss. Tears. Fear. Sadness Water. Milk. Salt. Ice Falling. Waiting Submerged. Suffocated. Broken ties Intention. Lack of focus. Intensity of focus Fighting. Screaming. Wailing Blue. White. Black. Blackness The doors open: we walk through a gauze curtain and discover a dark space with a square of light in the middle of the room. As we walk closer to the light, we see a girl writing in charcoal on the floor around a square box filled with milk. She is writing the same thing over and over. The more she writes the more desperate she becomes: I am listening… We have to keep walking past. She isn’t writing for us. We find our seats Two people: one slowly breaking the hundreds of fragile strings that tie her to the other. The other is pleading with her to stop: Please. Please don’t. Please Avril. …Please don’t One girl facing away from us. She is slowly swimming on the spot without water. Projected next to her are images of her drowning under water. Salt falls in front of her. Behind her. A wall of salt. She is bound to the spot. Underwater and still breathing. Swimming in her own tears. She won’t escape. She wants to stay, but desires nothing Two people standing in a large square box filled with milk. They start in intimacy. The relationship begins to dissolve before us. One fights to be with/on/behind the other. The other fights her off. The milk is splashed. Why aren't they being careful? In the darkness there is scrubbing. Someone is scrubbing the floor. The other girl is on her knees trying to erase the original writing. The traces left behind that we have no control over. We only see her for a second, but hear her in the darkness. Scrubbing. It is pointless. You can't erase the past.