96 resultados para Cybele (Goddess)
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This study is concerned with the significance of Jungian and post-Jungian theory to the development of the contemporary Western Goddess Movement, which includes the various self-identified nature-based, Pagan, Goddess Feminism, Goddess Consciousness, Goddess Spirituality, Wicca, and Goddess-centred faith traditions that have seen a combined increase in Western adherents over the past five decades and share a common goal to claim Goddess as an active part of Western consciousness and faith traditions. The Western Goddess Movement has been strongly influenced by Jung’s thought, and by feminist revisions of Jungian Theory, sometimes interpreted idiosyncratically, but presented as a route to personal and spiritual transformation. The analysis examines ways in which women encounter Goddess through a process of Jungian Individuation and traces the development of Jungian and post-Jungian theories by identifying the key thinkers and central ideas that helped to shape the development of the Western Goddess Movement. It does so through a close reading and analysis of five biographical ‘rebirth’ memoirs published between 1981 and 1998: Christine Downing’s (1981) The Goddess: Mythological Images of the Feminine; Jean Shinoda Bolen’s (1994) Crossing to Avalon: A Woman’s Midlife Pilgrimage; Sue Monk Kidd’s (1996) The Dance of the Dissident Daughter: A Woman’s Journey from Christian Tradition to the Sacred Feminine; Margaret Starbird’s (1998) The Goddess in the Gospels: Reclaiming the Sacred Feminine; and Phyllis Curott’s (1998) Book of Shadows: A Modern Woman’s Journey into the Wisdom of Witchcraft and the Magic of the Goddess. These five memoirs reflect the diversity of the faith traditions in the Western Goddess Movement. The enquiry centres upon two parallel and complementary research threads: 1) critically examining the content of the memoirs in order to determine their contribution to the development of the Goddess Movement and 2) charting and sourcing the development of the major Jungian and post-Jungian theories championed in the memoirs in order to evaluate the significance of Jungian and post-Jungian thought in the Movement. The aim of this study was to gain a better understanding of the original research question: what is the significance of Jungian and post-Jungian theory for the development of the Western Goddess Movement? Each memoir is subjected to critical review of its intended audiences, its achievements, its functions and strengths, and its theoretical frameworks. Research results offered more than the experiences of five Western women, it also provided evidence to analyse the significance of Jungian and post-Jungian theory to the development of the Western Goddess Movement. The findings demonstrate the vital contributions of the analytical psychology of Carl Jung, and post-Jungians M Esther Harding, Erich Neumann, Christine Downing, E.C. Whitmont, and Jean Shinoda Bolen; the additional contributions of Sue Monk Kidd, Margaret Starbird, and Phyllis Curott, and exhibit Jungian and post-Jungian pathways to Goddess. Through a variety of approaches to Jungian categories, these memoirs constitute a literature of Individuation for the Western Goddess Movement.
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Various reasons have been proffered for female under-representation in tertiary information technology (IT) courses and the IT industry with most relating to cultural moirés. The 2006 Geek Goddess calendar was designed to alter IT’s “geeky image” and the term is used here to represent young women enrolled in pre-service IT teaching courses. Their special mix of IT and teaching draws on conflicting stereotypes and represents a micro-climate which is typically lost in studies of IT occupations because of the aggregation of all IT roles. This paper will report on a small-scale investigation of female students (N=25) at a university in Queensland (Australia) studying to become teachers of secondary IT subjects. They are entering the IT industry, gendered as a “male” occupation, through the safe space of teaching a discipline allied to feminine qualities of nurturing. They are “geek goddesses” who – perhaps to balance the masculine and feminine of these occupations - have decided to go to school rather than into corporations or government.
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Obverse: The promontory of Jaffa in the form of Jonah's whale, carrying old buildings on its back. The words Jaffa stylized into the whale's back tail. Reverse: In the center, city coin minted during the reign of Emperor Elagabalus, Athena the goddess of wisdom.
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Obverse: A stylized figures of a fisherman and a girl carrying basket with fruit. In the background, the sea and a house. Reverse: Coin from Tiberias minted in 101 C.E. during the reign of Trajan II. On the coin- Hygiea, goddess of health, who holds a bowl and serpent and its seated upon a rock whence a hot springs gush.
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Resumen: El objetivo del presente trabajo es hacer un recorrido sobre los diversos lugares desde donde el pensamiento antiguo clásico ha abordado a “Europa” como concepto y como realidad. En primer lugar, indagando en sus testimonios se analizará cómo éstos fueron construyendo y transformando una conciencia geográfica del espacio territorial europeo. En segundo lugar, se esbozará la forma en que fue estructurándose, en principio, el “mito” de Europa como diosa, para luego ver cómo se estructuró la “idea” de Europa, afirmándose fundamentalmente en oposición al Asia y consolidándose en la asociación de continente y Cristiandad en tiempos medievales. Por último, se analizará el concepto como realidad histórica, para finalmente reflexionar brevemente sobre la situación de la cultura y cosmovisión europea en el siglo XX hasta hoy.
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Ejemplar dedicado a: Serta Palaeohispanica in honorem Javier de Hoz
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A arte religiosa afro-brasileira resulta da miscigenação das culturas negra, ameríndia e européia através dos séculos. Diversas representações artísticas das divindades afro-brasileiras continuam a ser produzidas mesmo nos dias atuais com inúmeras imagens através de desenhos, objetos rituais, indumentária e esculturas, os quais são fontes de pesquisa artística e etnográfica. A mulher está presente na arte afro-brasileira de uma maneira muito peculiar, principalmente no contexto religioso. Iemanjá, uma divindade feminina, é a Mãe Ancestral e ocupa lugar de destaque no imaginário popular, a orixá do Mar e de todas as águas. É constantemente tema para diversas expressões artísticas e, naturalmente, sua representação e iconografia são intensas e ricas. É importante compreendermos como essa imagem foi sendo construída através do tempo, desde a diáspora africana - sua representação religiosa no Candomblé e na Umbanda, sua imagem associada ao mito das sereias, a influência das iconografia católica até a apropriação de sua imagem por diversos artistas brasileiros como Emanoel Araújo, Jorge dos Anjos, J. Borges, Carybé, Alex Flemming, Rodrigo Cardoso e Nelson Leirner
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Este trabajo ha sido realizado dentro del Grupo de Investigación GIU 10-19 “LITTERARVM. Grupo de Investigación en Literatura, Retórica y Tradición Clásica” de la UPV/EHU.
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Nosso eixo temático se desenvolve a partir do questionamento do epíteto de Deusa da Feitiçaria atribuído tardiamente à deidade grega Hekate. A partir do período Clássico em Atenas iniciaram-se críticas às práticas mágico-religiosas cujo objetivo era fazer mal ao inimigo; realizadas por indivíduos (mágoi - magos) os quais também sabiam utilizá-las para a cura, como o uso das phármaka (ervas). O desenvolvimento da Escola de Medicina Hipocrática, no período Clássico, e seus tratados médicos, se configuram como uma das críticas direcionadas aos mágoi e das divindades que evocavam em suas práticas mágicas. Um tratado em especial, Da Doença Sagrada, combate a divinização da epilepsia e as práticas curativas desta enfermidade através da persuasão dos deuses. Platão também teceu críticas aos que ofereciam seus serviços mágicos de porta em porta por uma pequena quantia. Acreditamos que a partir dessas críticas se desenvolveu no imaginário social ateniense a relação entre a deusa grega Hekate e a magia de fazer mal ao inimigo cuja permanência é observada nos dias atuais. Nosso arcabouço teórico constitui-se dos conceitos desenvolvidos pelo filósofo polonês Bronislaw Baczko no verbete imaginação social na Enciclopedia Einaudi.
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[ES] La realización de algunos trabajos de adecuación del paisaje en la zona sur de la ciudad, en la zona extramuros del llamado "oppidum", han dado como resultado hace pocas semanas la identificación de algunas estructuras de época romana y, sobre todo, de un ara dedicada a la diosa "Mater" cuyo texto conservado abre muchas posibilidades de análisis futuro sobre este asentamiento.
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Este artigo apresenta os resultados de minha pesquisa de mestrado, que investigou a sobrevivência do mito clássico de Vênus e suas implicações para a representação da imagem da mulher em obras de arte que lhe fazem referência. Este trabalho tentará demonstrar como tal mito, tendo sido configurado - para o bem ou para o mal - como um paradigma de beleza, em grande parte influencia o ideal de "feminino" que foi espalhado ao longo do tempo, discutindo, assim, de que modo esse paradigma aparece e interfere na arte
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Wydział Historyczny
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Throughout his writing life, Robert Graves was consistently and often publicly hostile to the work of W.B. Yeats, whilst still also owing a considerable debt to the older poet (who he never met). This essay explores Graves' complex responses to Yeats, arguing that his antagonism may be understood in the light of his own Anglo-Irish background, and is implicated in his relations with his father, Alfred Perceval Graves, as well as his experience of the First World War. Probing the suggestiveness of Graves's claim in 1959 that his poems 'remain true to the Anglo-Irish poetic tradition into which I was born', it traces the relation between Yeats and Graves through correspondence, critical writings, and through a comparative reading of Yeats's A Vision and Graves's The White Goddess, and reveals underlying similarities in their critical and mythological thinking in spite of Graves's public disavowal of the Yeatsian aesthetic.
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SIGNIFICANCE: Heme degradation, which was described more than 30 years ago, is still very actively explored with many novel discoveries on its role in various disease models every year.
RECENT ADVANCES: The heme oxygenases (HO) are metabolic enzymes that utilize NADPH and oxygen to break apart the heme moiety liberating biliverdin (BV), carbon monoxide (CO), and iron. Heme that is derived from hemoproteins can be toxic to the cells and if not removed immediately, it causes cell apoptosis and local inflammation. Elimination of heme from the milieu enables generation of three products that influences numerous metabolic changes in the cell.
CRITICAL ISSUES: CO has profound effects on mitochondria and cellular respiration and other hemoproteins to which it can bind and affect their function, while BV and bilirubin (BR), the substrate and product of BV, reductase, respectively, are potent antioxidants. Sequestration of iron into ferritin and its recycling in the tissues is a part of the homeodynamic processes that control oxidation-reduction in cellular metabolism. Further, heme is an important component of a number of metabolic enzymes, and, therefore, HO-1 plays an important role in the modulation of cellular bioenergetics.
FUTURE DIRECTIONS: In this review, we describe the cross-talk between heme oxygenase-1 (HO-1) and its products with other metabolic pathways. HO-1, which we have labeled Nike, the goddess who personified victory, dictates triumph over pathophysiologic conditions, including diabetes, ischemia, and cancer.