723 resultados para Latinoamerican philosophi, cristianity, critic.


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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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The paper studies Otto Maria Carpeaux`s work in the context of Brazilian literary critic in the decades of 1940-1950. Starting from Pierre Bourdieu`s theoretical formulations about field concept, are set reflections concerning the place occupied by Carpeaux in the light of paradigm shifts occurred in the criticism field and new processes of legitimation resulting from this situation.

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In late 1950, the young Glauber Rocha, still without having directed any of his films, becomes the main cultural critic of the Jornal da Bahia in Salvador, Bahia. His film critic activity falls within the symbolic local disputes and his texts published become an active voice in the cultural field of Bahia. With a considerable apparatus of the press in his favor, the performance of the young critic Glauber Rocha allows to discuss: the role of public intellectual and media production and dissemination of ideas by the newspapers at the turn of the 1950s to the 1960s, a time of intense political, social and cultural changes in Brazil.

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The work and the trajectory of literary critic and journalist Austrian-Brazilian Otto Maria Carpeaux (1900-1978) are studied from the relationship between literary criticism and the diffusion field in Brazil. Between the decades of 1940-1970, Carpeaux has played a prominent role in the formation process of the reader and reading in Brazil, as evidenced by his intense activity as a critic and essayist. Will also be developed reflections on the place occupied by Carpeaux in the field of criticism in Brazil. Two hypotheses are developed: a) Carpeaux`s work was affected by a lack of legitimacy of his contemporaries in the decades of 1940-1950, as can be seen, for example, in peripheral treating conferred on him by the field of diffusion and consecration instances we can read, the editorial market. b) Carpeaux such as an Alvaro Lins`s heir in the Correio da Manha, also inherited a criticism model that lost prestige in the light of the New Criticism growing influence occurred in the country, which shifts the critical role from the newspaper to the university.

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In the early 1960s, after his experience as a film critic in the Jornal da Bahia, the young Glauber Rocha began his collaboration in the Suplemento Artes e Letras of Diário de Notícias in Salvador. Inserting itself the symbolic disputes in defense of a film art of authentic Brazilian nuance, the activity of the critic Glauber Rocha represents a voice that demarcates the internal tensions of the field of cinema in Bahia and outlines, in the form of genesis, his most famous manifesto, “An esthetic of hunger” (1965). For this analysis were focused mainly two critics: “Experiência ‘Barravento’: confissão sem moldura”, published December 25-26, 1960, and “Luz Atlântica, 1962”, published in December 31, 1961.

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We analyzed the Cultural Industry and impositions for manners of production of capitalism in subjectivity, exposing the subject to alienated fragility. Because, the consumption doesn't just refer to the contemplation of images for subjects, but also about identification that subjects can have about images. The contemporary society is composed in individualist adoration by self, demanding pledge and self-control to reach the wanted body and idealized spread by media, disseminating idea of corporal pattern. So, we understood that the school physical education, being the field of knowledge of cultural corporal, has as function, also, to act as intercessor in relationship with media, above all when worked with pertinent subjects to corporeality contributing so that student, through exercise of critic, transform the society. Therefore, the educators need to extrapolate hesitation front media and make critical use of formative and informative possibilities, on consumption and impact on the body.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Pós-graduação em Planejamento e Análise de Políticas Públicas - FCHS

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Pós-graduação em Enfermagem (mestrado profissional) - FMB

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Pós-graduação em Enfermagem (mestrado profissional) - FMB

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Partindo do panorama traçado pelo crítico carioca Roberto Pontual em Explode Geração!, livro publicado em 1985, pretende-se analisar em que medida a questão da identidade brasileira na arte realizada no país encontrou respaldo na cena dos anos 1980, momento em que a produção de uma jovem geração de artistas foi alinhada à tradição do barroco brasileiro, tradição esta que, segundo o crítico, perpassaria e alinhavaria alguns dos trabalhos do período, fornecendo-lhes uma espécie de chancela de uma brasilidade insuspeita, a despeito de todo contato que travavam com a arte internacional. Esta "resenha tardia" propõe-se tão somente indicar caminhos possíveis para futuros estudos mais detalhados acerca de tal questão.

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Objective: To review the presentation of hyperinsulinemic hypoglycemia of the infancy (HHI), its treatment and histology in Brazilian pediatric endocrinology sections. Materials and method: The protocol analyzed data of birth, laboratory results, treatment, surgery, and pancreas histology. Results: Twenty-five cases of HHI from six centers were analyzed: 15 male, 3/25 born by vaginal delivery. The average age at diagnosis was 10.3 days. Glucose and insulin levels in the critical sample showed an average of 24.7 mg/dL and 26.3 UI/dL. Intravenous infusion of the glucose was greater than 10 mg/kg/min in all cases (M:19,1). Diazoxide was used in 15/25 of the cases, octreotide in 10, glucocorticoid in 8, growth hormone in 3, nifedipine in 2 and glucagon in 1. Ten of the cases underwent pancreatectomy and histology results showed the diffuse form of disease. Conclusion: This is the first critic review of a Brazilian sample with congenital HHI. Arq Bras Endocrinol Metab. 2012; 56(9): 666-71

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Este trabalho busca circunscrever os elementos que caracterizam o paradigma ambiental a fim de realçar a condição e a função exercida pelo discurso ambiental sob a égide da globalização neoliberal. Convém mencionar que este paradigma ambiental, ao ser incorporado pelas instituições neoliberais, se fragmenta e passa a comportar duas interpretações divergentes a respeito das perspectivas de desenvolvimento. Acredita-se que o teor desta ruptura preserva o movimento ambiental enquanto movimento social, crítico à economia da superprodução e do superconsumo, mas crente que um desenvolvimento sustentável somente pode ser atingido quando superadas às lógicas do capitalismo. Por outro lado, este paradigma ambiental adquire novo significado, ao ser utilizado como mecanismo de transformação do mercado em vários setores da economia, cuja ideia essencial reside na apropriação do paradigma como meio para sobrevivência das empresas. Em outras palavras, as instituições neoliberais incorporam o discurso ambiental e o conteúdo crítico direcionado às contradições sócio-ambientais trazidas pelo desenvolvimento econômico, e o transformam em ideologia na dispersão de conceitos que gravitam em torno do que denominam de sustentabilidade.