El "Fedro" de Platón: un ejercicio de buena retórica engañosa

En este artículo me propongo mostrar que lo que Sócrates hace con Fedro a lo largo de toda la obra no es otra cosa que utilizar la auténtica retórica (con su doble carga, dialéctica y psicológica) que es descrita en la segunda parte del diálogo. Las tensiones, rivalidades y celos de la situación inicial entre ellos expone un perfil representativo de relaciones entre interlocutores con perspectivas intelectuales opuestas. Es preciso disolver la resistencia emocional por medio de una serie de pasos graduales, estratégicos, y ‘engañosos’ (no se puede develar el propio juego desde el principio). Hay que partir de acuerdos, siquiera parciales, para continuar dialogando. Sin embargo, Sócrates también introduce nociones nuevas acerca del amor, pero éstas pasan desapercibidas a un Fedro obsesionado con la imitación de su enamorado Lisias. Hasta que Sócrates decide cortar el juego y cruzar el río. Este corte provoca un giro en ambos personajes: Fedro se dispone a escuchar lo que Sócrates quiere contarle (el mito del carro alado) y Sócrates se revela ante sí mismo como un personaje capaz de ‘encantar’ a Fedro con la belleza rapsódica del relato y superar su propio temor de convertirse en una bestia devoradora. Al final Sócrates muestra su juego a Fedro y le enseña cómo ha sido posible llegar a un auténtico diálogo filosófico, donde pueda tener lugar la enseñanza y el aprendizaje recíprocos.

Hybrid philosophy and rational vitalism in Canguilhem and Ortega y Gasset

This paper explores the problem of the synthesis between vitalism and rationalism, in contemporary philosophy. With this aim, we compare the intellectual careers of Georges Canguilhem (1904-1995) and José Ortega y Gasset (1883-1955). We contrast their conceptions of philosophy as “hybrid” knowledge, closely related to science, as well as their points of view on Vitalism, anthropology, the technique and the perspectivism. To avoid that comparison is purely abstract and ahistorical, we use the method of the sociology of philosophy. This forces us to locate both paths in their respective philosophical fields and generational units, also according to his social background and professional career.

Gaze and power. A post-structuralist interpretation on Perseus’ myth

Gaze hierarchizes, manages and labels reality. Then, according to Foucault, gaze can be understood as a practice of power. This paper is inspired by his theories, and it applies them to one of the most powerful symbolic spheres of Western culture: Greek Myths. Notions such as visibility, invisibility and panopticism bring new light into the story of Perseus and Medusa, and they enable a re-reading of this Myth focused on the different ways of power that emerge from the gaze.

Some thoughts on Juan Antonio Ramírez´s iconologic-paranoid method for the study of Dali´s works

In 1990, Juan Antonio Ramírez made known his iconological paranoiac method to the academic world. It is a system devised to study Dalí´s work, born of happy matrimony between the catalonian artist´s critical paranoiac method and the first iconographic school of Warburg and Panofsky. What, at first sight, seemed to be an extravagant methodology with little academic credibility, turned out to be, by going forward in time, an effective research method when analyzing Dali´s initial works. It is no wonder that, at the beginning of XXI century, this hybridization between Dalí´s and Panofsky’s methods, were regarded as a strange and nonsensical idea. Nevertheless, twenty years after, blatant examples have been noted, which endorse the advantages of this new system for “iconographic” study. As usual, this new contribution by Juan Antonio Ramirez to art history methodology is called upon to have a successful future survival, in forthcoming generations. This article, attempts to analyze this method, inquiring into the validity, effectiveness and practical utility.

'One cut too many?' History and film: a practice-based case study

This article explores the different ways that film-makers and historians approach the narrating of the past. It draws upon a collaborative, practice-based case study of a feature film project, The enigma of Frank Ryan, in order to explore the role of the history film as a vehicle for extending historical understanding. In the dialogue between film-maker and historian, a range of issues regarding the import of the history film for the practice or 'poetics' of history is explored.

Film, history and education website

This website, which forms part of a wider AHRC-funded project, provides a range of historical resources including interpretative essays, archival sources, recorded debates and further information to support the The enigma of Frank Ryan documentary (Desmond Bell, 2012). The website is designed to encourage film viewers to make their own assessments of the wider historical issues with which the films engage.

Performing Struggle: Parrhesia in Ferguson

‘The enigma of revolts.’ You can almost hear the sigh at the end of this sentence. Foucault is making a statement here, published under the title ‘Useless to Revolt’, on that ‘impulse by which a single individual, a group, a minority, or an entire people says, “I will no longer obey”’. In this short piece, I question the two sides of the enigma – how to label the revolt – is the act of rioting, such as what we witnessed in Ferguson, Missouri in August 2014 ‘proper resistance’ – and, how to understand the ēthos of the rioter. The label of counter-conduct, I argue clarifies the enigma as it allows us, challenges us even, to see the event as political. Counter-conduct provides a new framework for reading spontaneous and improvised forms of political expression. The rioter can then be seen as political and rational, as demonstrating ethical behavior. The ēthos of this behavior is represented as an ethics of the self, a form of parrhēsia where the rioter risks herself and shows courage to tell the truth, the story of her community.

Applying the motivation-hygiene theory as a means of measuring learner satisfaction with blended learning courses in higher education

This study describes research on a postgraduate blended learning programme within the Department of Education at the University of Aveiro in Portugal. It is based on a multi-philosophical paradigm and examines students‟ satisfaction levels through the application of Herzberg‟s Motivation and Hygiene Theory. The main question being addressed in this research is: “Can the Motivation and Hygiene Theory be adopted as a means to measure student satisfaction with their blended learning environment?” Embedded within this research question are four fundamental questions which set the scene for the development of this research study and are explored in greater detail in Chapters 4 and 5 respectively: 1. What are the factors responsible for bringing about learning satisfaction with their b-Learning course? 2. What are the factors responsible for bringing about learning dissatisfaction with their b-Learning course? 3. Can these factors be represented as Motivation and Hygiene factors? 4. Will this method of measuring learning satisfaction lead to a set of guidelines that could be considered as a framework for the development of b-Learning courses? The results indicate that the Motivation and Hygiene Theory or an adapted version such as the Enricher and Enabler Theory proposed in this study could be considered as a plausible means of analysing an institution‟s b-Learning processes. The opportunity to carry out future research is evident and can be varied depending on the research objectives in mind. Examples where further exploration would be beneficial lay within the application of this theory to the wider sector; the use of larger samples, focusing on the teachers, as well as the learners and the application of Web 2.0 technologies as means of gathering information. The results of this research will be of great significance to those areas of education that are interested in locating quick and efficient means by which to evaluate their b-Learning and to no lesser extent e-Learning environments.

O designer como intérprete de cenários de equipamentos

Esta dissertação pretende contribuir para a investigação em design, validando a interpretação como método em design aplicada a meta-projectos de cenários de equipamentos no século XXI. A análise e a avaliação dos dois conceitos - interpretação e cenário - como reflexo da maneira de pensar da contemporaneidade são a base para a estruturação de um meta-projecto aplicado na epiderme da cidade, sustentado pela metodologia projectual da hermenêutica e pela competência da semiótica. Este projecto de investigação organiza-se em duas partes; cada uma desenvolvida ao longo de três capítulos. No primeiro capítulo da primeira parte averigua-se o relacionamento entre a metodologia projectual aplicada por projectistas, desde o séc. XVII até aos nossos dias, e o pensamento filosófico para fundamentar a interpretação como método em design. No segundo capítulo analisa-se o cenário enquanto superfície vertical da cidade definida por um sistema de equipamentos. Por um lado, verifica-se que o equipamento ( équipement , Le Corbusier) é a proposta de ordem construtiva dos anos 20 e que a pattern ( pattern language , Alexander) é a ordem construtiva a partir dos anos 70. Por outro lado, averigua-se que hoje a superfície da cidade é constituída por várias camadas e que a camada superior é a epiderme. Enquanto película de sistema de patterns, a epiderme revela-se apta a deixar-se afectar pela mudança e, consequentemente, a ser trabalhada pelo design. O terceiro capítulo analisa a história da cultura da superfície dos edifícios no contexto ocidental, da Grécia Clássica aos nossos dias, para interpretar a proposta do design da epiderme. Para caracterizar a complexidade do período compreendido entre a acção metodológica de Le Corbusier nos anos 20 e o séc. XXI são comentados cinco momentos temáticos distintos. No primeiro capítulo da segunda parte escolhe-se o exercício do meta-projecto como instrumento de reflexão projectual dialéctico, definidor de uma metodologia projectual. O meta-projecto é analisado na realidade ocidental diacrónica e sincronicamente para fundamentar o conceito de junkspace como nova ordem. Neste sentido, são interpretados conceitos relativos à vivência urbana, reivindicando-lhes uma nova existência: a iluminação, a zona verde como pulmão da cidade, a energia interpretada como competência do cenário envolvente e o junkspace como nova ordem arquitectónica. No segundo capítulo define-se uma estratégia meta-projectual narrativa aplicada ao projecto da epiderme da cidade, destacando a particular importância do relacionamento entre a investigação em design e as empresas como fonte de inovação e de conhecimento. O terceiro capítulo defende um exercício experimental na área do projecto da epiderme dos edifícios como uma oportunidade para desenvolver diferentes propostas, partindo do mesmo brief. São apresentados resultados dos workshops inter-disciplinares entre o contexto académico e a realidade empresarial que alimentam o meta-projecto enquanto processo dialéctico, contínuo e inovador. Conclui-se com o argumento de que o design é uma disciplina com uma participação fundamental na valorização e na transformação das cidades do século XXI.

Curso colectivo: Multiculturalismo

Coordinan: Dr. Raúl Alcalá, Dra. Mónica Gómez, Dr. León Olivé

Contributos da comunicação não-verbal na integração social, cultural e educativa de imigrantes numa perspectiva de multiculturalidade: um estudo de caso

Dissertação mest., Ciências da Educação, Universidade do Algarve, 2009