An assessment of phytoplankton primary productivity in the Arctic Ocean from satellite ocean color/in situ chlorophyll-abased models

We investigated 32 net primary productivity (NPP) models by assessing skills to reproduce integrated NPP in the Arctic Ocean. The models were provided with two sources each of surface chlorophyll-a concentration (chlorophyll), photosynthetically available radiation (PAR), sea surface temperature (SST), and mixed-layer depth (MLD). The models were most sensitive to uncertainties in surface chlorophyll, generally performing better with in situ chlorophyll than with satellite-derived values. They were much less sensitive to uncertainties in PAR, SST, and MLD, possibly due to relatively narrow ranges of input data and/or relatively little difference between input data sources. Regardless of type or complexity, most of the models were not able to fully reproduce the variability of in situ NPP, whereas some of them exhibited almost no bias (i.e., reproduced the mean of in situ NPP). The models performed relatively well in low-productivity seasons as well as in sea ice-covered/deep-water regions. Depth-resolved models correlated more with in situ NPP than other model types, but had a greater tendency to overestimate mean NPP whereas absorption-based models exhibited the lowest bias associated with weaker correlation. The models performed better when a subsurface chlorophyll-a maximum (SCM) was absent. As a group, the models overestimated mean NPP, however this was partly offset by some models underestimating NPP when a SCM was present. Our study suggests that NPP models need to be carefully tuned for the Arctic Ocean because most of the models performing relatively well were those that used Arctic-relevant parameters.

Museums and youth: between misunderstanding and disappointment. Youth perceptions and arguments about the cultural consumption of museums in Chile

Young people are less explored in museum audience research; this is a paradoxical situation when considering its strategic location in the cultural reproduction and if considering the high performing cultural consumption compared with other sectors. The phenomenon of museums consumption by young Chileans who are self recognized as public and non-public museums is explored from a qualitative approach. It was conducted with focus groups in the three largest cities in Chile (Santiago, Valparaíso and Concepción). They identify the museum as a cultural institution in full force. However, in questioning museums activity youth reveal the specificity of their cultural matrix. This is referred to a social temporality based on the fragment, the discourse of familiarity, proximity and instead of breaking and critical. They claim a museum aesthetic / historical experience based on pleasure and enjoyment. An overview is proposed to further clarify the youth cultural consumption to characterize more precisely the place of the museum in the set, to design more effective policies museums.

Study on risk assessment and management and prevention of conflicts of interest in the prevention and fight against betting-related match fixing in the EU 28: Final Report

This report concerns the provisions and practices on betting-related match fixing in sports
within the 28 Member States. Carried out in late 2013/early 2014, respondents in each Member
State reported on that state’s gambling-related provisions in respect of football and tennis and
(in each country) a third sport determined on the basis of either its popularity (in terms of
participation or television viewing) or the existence of betting-related “scandals” in that sport
within that particular jurisdiction. Those reports helped the authors to compare the Member
States’ regulatory and self-regulatory frameworks relating to risk assessment and conflict of
interest management, with a view to indicating areas of best practice, identifying particularly
good legislative frameworks and highlighting areas where change was either desirable or
necessary. While some individual Member States have legislation which might provide
templates that others could adapt for their own use, the authors were not convinced that “more
law”, whether at the national or European level, was desirable. Rather, more effective
cooperation among the stakeholders was identified as being more likely to provide tangible
benefits than would new legal frameworks.

Moving beyond the rhetoric of provocation: the French and World War II in the novels of the Hussards (1949-1954)

In the immediate aftermath of the Second World War, only those who had opposed the Germans or were perceived to have done so could freely express themselves. Soon, however, three young writers clearly leaning to the right of the political spectrum – Antoine Blondin, Roger Nimier and Jacques Laurent – dared to challenge their narratives in a series of provocative novels published between 1949 and 1954. Quickly referred to as the Hussards after the publication in 1952 of a famous essay by Bernard Frank, these writers momentarily occupied the literary space left vacant by their older peers. Without denying the provocative, political and subversive dimensions of the Hussards’ war novels, this article will argue that their success was mainly due to the fact that they were largely in line – and not in contradiction – with the ‘horizon of expectations’ of their time (Jauss, 1982).

Les effets de la mise en place d'une adaptation didactique en rédaction sur les productions écrites des élèves à risque intégrés

Dans cet article, l'objectif poursuivi consiste à évaluer les effets de la mise en place d'une adaptation didactique sur l'écriture narrative d'élèves à risque intégrés. L'originalité de l'étude repose sur le choix de la situation d'apprentissage et de l'adaptation didactique afin de permettre aux élèves à risque d'une classe de 4e année du primaire d'une école québécoise de produire des récits structurés et cohérents. L'apport de l'adaptation didactique «texte modèle» réside dans la présentation d'un texte fini répondant aux attentes finales afin de guider le processus d'écriture. L'analyse quantitative des résultats montre des effets significatifs produits par le dispositif didactique sur la compétence à structurer un texte de type narratif et sur celle à le rendre cohérent.

Le pronom ça en français vaudois description et analyse

Le pronom ça en français vaudois a une distribution qui varie de celle du français standard et accepte des phrases comme « Je ça regarde », concurrent de « Je les regarde ». Nous posons l'hypothèse que cette variation n'est pas seulement une variation d'ordre sociologique, attribuable à un groupe de locutrices et locuteurs, mais qu'elle est interprétable grammaticalement. Le cadre théorique retenu pour expliquer la variation vaudoise est celui de Jean-Marcel Léard qui s'inspire des hypothèses de Guillaume et de Culioli. Les différents emplois sont appréhendés d'un point de vue sémantique. Les pronoms forment un système, dans lequel ça est sémantiquement analysable lorsqu'il est opposé à ses concurrents immédiats, le pronom non autonome le, et le pronom autonome ça. Par ailleurs, une approche en diachronie structurale montre l'influence du substrat franco-provençal et les heurts provoqués par la rencontre de ce système avec le système du français. Cela permet d'expliquer la distribution de ça, l'agrammaticalité des constructions en ça que P, ainsi que le redoublement de pronoms, considéré comme une stratégie de réparation.

Antologia de textos sobre naturalismo

Cartas, conferências críticas, artigos de Antoine sobre Diderot, Zola, Strindberg, Stanislavski, sobre a interpretação, a critica, a encenação e o ensino no conservatoire