Alterações microbiológicas, de fertilidade e de produtividade do arroz de terras altas em diferentes manejos de solo e água

In Brazil, the upland rice Culture system is predominant, but its water supply depends of precipitation and its distribution. Sol-lie practices or disturbances on soil conditions may cause alterations that call be detected by microorganisms, which are quite sensitive. This experiment was developed to study microbiological alterations (microbial biomass carbon (MBC), released CO2 (C-CO2), metabolic quotient (qCO(2)) and mycorrhization), as well as alterations in soil fertility and productivity of upland rice, cultivated under different soil and water managements. Cultivar BRS Talento was used in the experiment. The experimental design was a completely randomized block design, with four replications, using three soil managements: no-tillage (NT), heavy disk + leveling disk harrowing (HL), and chisel plowing + leveling disk harrowing (CL), plus three water managements: no irrigation (WD0); water depth 1 (WD1), with irrigation at the reproductive and maturation periods; and water depth 2 (WD2), with irrigation throughout the rice cycle. Autochthones arbuscular mycorrhizal fungi proved to be sensitive to soil and water management. The NT presented the highest values for MO, Ca, SB and V% and the lowest for H+A1. This management, together with irrigation at the reproductive and maturation periods of BRS Talento cultivar, promoted goods results for crop yield and microbiology characteristics.

Hacia una educación permanente en Chile

Incluye Bibliografía

Elites económicas, desigualdad y tributación

Incluye bibliografia

Silício na tolerância ao alumínio por plantas de arroz

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O trabalho voluntário desenvolvido no grupo de apoio a pacientes oncológicos de Passos e região: uma análise sobre a qualificação desta ação

Pós-graduação em Serviço Social - FCHS

Crescimento radicular e absorção de nutrientes de cultivares de arroz submetidos ao alumínio em solução nutritiva

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Formas de nitrogênio no solo e produção do arroz de terras altas em plantio direto

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A recepção do mito de Heráclio por Gautier d’Arras

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O uso do ballet nos treinamentos de alto nível da ginástica rítmica

Entre as inúmeras definições da ginástica rítmica podemos apresentá-la como arte e como desporto. Como arte ela é conceituada como a busca do belo, uma explosão de talento e criatividade, em que a expressão corporal e o virtuosismo técnico se desenvolvem juntos, formando um conjunto harmonioso de movimento e ritmo. Como desporto ela é uma modalidade esportiva essencialmente feminina, que requer um alto nível de desenvolvimento de certas qualidades físicas, com exigências de rendimento elevadas, objetivando a perfeição técnica da execução de movimentos complexos com o corpo e com os aparelhos.

Trajetória social de alunos de um curso pré-vestibular popular

The aim of the research that originated this article was the analysis of the social trajectory of students from a public preparatory course and the verification of their expectations about higher education. Data collection was based on a questionnaire with open and closed-ended questions and a semi-structured interview, based on the models used by Muzzetti (1997). Data were analyzed by the elaboration of thematic charts. Based on the researches conducted by Pierre Bourdieu (1997, 2007), this research concluded that the students understand that schooling is, besides being a viable alternative in the search for social ascension, the redeeming of social ills. Profession choice based on natural talent or divine gift generate expectations which attest the lack of knowledge about the school system by students and their parents, which is reinforced by the belief in opportunity equality.

A intersemiose texto-história-cinema na minissérie ROMA da HBO

From August 2005 to March 2007, the two seasons (with 12 and 10 episodes respectively) of the award winning miniseries HBO‟s ROME were aired by the Home Box Office (HBO) channel. With screenplay signed by various writers and directors, the TV series was a coproduction of HBO (USA) and BBC (UK) with support from RAI (Italy), and the show was filmed in multiple locations, but mainly in Cinecittà Film Studios in Rome, very famous for having been headquarters also for Federico Fellini‟s movies. In the first season, the miniseries depicts the conquest of Gaul, made by the military genius of Gaius Julius Caesar, and the political trajectory that made him accumulate power to such an extent that this divided Roman citizens into two factions, one supporting and the other opposing him, the latter focused mainly on the historic figure of General Gnaeus Pompey Magnus. The second season shows the period of civil war following the assassination of Caesar, and the future rise to power of his nephew, adopted son and sole heir, Gaius Octavian Augustus, who was destined to overcome his rivals as well as their allies in the triumvirate that had been formed to pursue and punish Caesar‟s assassins. These facts are well known and usually crowd the mind and imagination of every minimally educated person. The HBO series broke new ground not only for the talent of its writers, directors and actors, not only for its visual effects and locations nor for the vibrancy and grandeur of historical scenes – after all, “historical movies” in general do the same – but it has done so also by the (re)construction of historical events from the perspective of a pair of protagonists of whom too little is known: the centurions Titus Pullo and Lucius Vorenus, who are the only low-rank soldiers mentioned by Caesar in his book Commentaries on the Gallic War (Commentarii de Bello Gallico V.44). Thus, the fictionalization of events also took into account several Roman civilization data which were scattered through historical sources and also those that belong to the modern knowledge of material culture, resulting in a TV series whose filmic aesthetics has rare beauty and creativity. From the survey of textual, historical and cultural data put together in this film, as well as the distance featuring the creative space in the dimension of the gap between them, this paper aims to highlight two pivotal moments of visual and narrative strategies of the show: the opening credits footage and the final scenes of the first season of HBO's Rome.

The horn of plenty de McQueen: uma conjunção paródica entre o design, a moda e a arte no contemporâneo

Pós-graduação em Design - FAAC

A redescoberta da arte de Alfredo Oliani: Sacra e Tumular

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Duas poéticas da leitura: radição e invenção de precursores nos projetos literários de Jorge Luis Borges e Haroldo de Campos

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

Índice de clorofila em plantas de arroz de terras altas submetidas a estresse por alumínio e aplicação de silício

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)