“I haven’t had that much fun since labour.” Subtitling sarco-ironic remarks in Gilmore Girls

The purpose of this study is to explore how the potential cues of spoken sarcasm and irony are transferred into written Finnish subtitles in the American television series Gilmore Girls. The aim is to discover how the use of cuing differs between the English source text and the Finnish target text. The research is conducted through qualitative and quantitative analysis and comparison between the two languages. Three (3) episodes from Gilmore Girls are analysed using the Finnish DVD subtitles and the episodes’ English unofficial transcripts. The sarco-ironic remarks and their translations are identified, and their individual sarco-ironic cues are categorised. The number of cues, the number of cues in each category and the number of cue shifts are compared quantitatively in order to find whether the translator uses less or different cues than the writer of the original source text. The qualitative analysis focuses on the cue types used in both texts. The results confirmed the hypothesis of sarcasm and irony being relatively straightforward linguistic phenomena to translate, and the hypothesis of the category of words of reinforcement/trivialising being the most used in conveying sarcasm and irony. However, the study also showed that even though some cues were cut in the translation process, the sarco-ironic meaning was rarely omitted entirely from the translation. The findings also showed that the number of cue shifts was surprisingly low. From these results we can deduce that at least in the context of DVD subtitles, sarcasm and irony can be conveyed also in writing, and even though some cues were omitted or shifted, sarcasm and irony were still detectable in the Finnish subtitles. The language used in DVD translations uses less cues of sarcasm and irony and it could thus be considered less versatile than the original source language.

Observational research on golf-related injuries

The determination of aetiological factors in sports injuries is challenging. Recently, investigators have devoted significant attention to this topic. A reasonable amount of studies provides information on the occurrence, aetiology, and severity of golf-related injuries. However, gaps of evidence still limit the understanding of the injury problem in golf and the comparability of epidemiological findings. Observational studies using surveys and medical records were reviewed. Surveys are suited to find precise occurrence patterns of golf-related injuries, but fail to adequately ascertain the levels of exposure and aetiological factors. Due to the proximity to the injury event, medical records are able to clearly identify the aetiology and severity of golf-related injuries. While reviewing observational studies using surveys a comment was provided on the methodological quality and risk of bias. Overall, these studies seem to be disturbed on their ability to produce generalizations and comparison of study findings. With the information obtained from reviewing observational studies and the collaboration of a panel of internationally recognised experts on golf science and sports injury research, a web-based bilingual questionnaire was developed and tested for one of the provided languages. The bilingual nature of the questionnaire is also expected to facilitate the acceptance of the scientific community and enable the translation to different languages. A standardised questionnaire applied in different cultural contexts is expected to help and further improve the comparability of epidemiological findings. The questionnaire was proficient in capturing information on golf-related injuries and participation habits of golfers. While using a wider outcome definition focusing on any type of physical complaints, episodes of injury could be recognized despite onset and level of severity. Questions on the need for medical attention, time loss, and impact on performance also enabled additional categorisation of severity.

Propiedades psicométricas del Cuestionario de Percepciones Académicas para la evaluación de las expectativas de los estudiantes de primer año en Enseñanza Superior

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El panteón lingüístico chibcha y sus vecinos

Se caracterizan y clasifican cinco lenguas indígenas del Área Intermedia, ya extintas, según la cantidad de los hallazgos sobre su estructura lingüística. En el proceso de extinción de una lengua hay subgrados, dependiendo del material disponible para su estudio, el grado de conocimiento que tengan los descendientes de la comunidad hablante y su deseo de revitalizarla. Según estos criterios, las etapas del proceso de extinción, de menor a mayor gravedad, se representan por las cinco lenguas analizadas de la siguiente manera: boruca, chibcha o muisca, huetar, quepo y suerre.Five extinct indigenous languages of the Intermediate Area are characterized and classified according to findings on their linguistic structure. In the extinction process of a language, there are several categories according to the material available for their study, the amount of knowledge that the descendents of a language community have and their interest in reviving the language. Following these criteria, the stages in the extinction process (from a lesser to a greater extent) are represented, as follows, by the five languages analyzed: Boruca, Chibcha o Muisca, Huetar, Quepo and Suerre.

Evolución morfosintáctica en las lenguas chibchas

Es una descripción de fenómenos evolutivos en la caracterización morfosintáctica de las lenguas boruca, teribe y guaymí, todas de la familia chibcha. Del boruca se estudia la dimensión témporo-aspectual y su evolución a un sistema aspectual en sustitución de uno temporal. El teribe presenta un caso de morfologización en sus relaciones gramaticales derivado del análisis del orden de las palabras. En el guaimí, se da la reorganización como resultado un nuevo patrón de relaciones fundamentales que sigue un esquema de nominativo marcado, en su variante costarricense.A series of evolutive phenomena are described regarding the morphosyntactic characterization of the Chibchan languages Boruca, Teribe and Guaymí. The Boruca case analyzes the temporo-aspectual dimension and its evolution from a temporal system towards an aspectual one. Teribe is examined from the perspective of the morphologization of its grammatical relations derived from an analysis of word order. The Guaymí study shows a reorganization yielding a system of a marked nominative in the fundamental relations of the language, in its Costa Rican variant.

Brúnkahk Tek: An Extinct Language

En Costa Rica hay seis lenguas indígenas reconocidas oficialmente. Cada una de ellas disfruta de una condición diferente en cuanto a sus tradiciones y números de hablantes, entre otras. A pesar de los esfuerzos del gobierno de Costa Rica y otros investigadores desde 1995, las lenguas han enfrentado dificultades a nivel interno y externo, las cuales han resultado en el debilitamiento o inclusive pérdida de las mismas. Esto nos lleva al caso de boruca, una de las lenguas de Costa Rica que puede ahora ser considerada una lengua extinta. Este artículo presenta una descripción general del pueblo boruca, sus tradiciones y sus principales características, y a la vez ofrece al lector una descripción tipológica general de la lengua en la cual se discuten brevemente los rasgos generales de su gramática.In Costa Rica there are six officially recognized indigenous languages. Each enjoys a different condition in terms of its traditions and number of speakers, among others. Despite efforts of the Costa Rican government and other researchers since 1995, the languages have met endogenous and exogenous difficulties that have resulted in the weakening and even loss of the languages. This leads us to what happened to Boruca, one of the indigenous languages of Costa Rica which can now be considered an extinct language. This article presents a general description of the Boruca people, their traditions and main characteristics, and it also introduces the reader to a general typological description of the language where the main features of its grammar are briefly discussed.

Notas sobre la lengua guaymí en Costa Rica

Como aproximación panorámica al estudio actual del guaymí, una de las lenguas de la familia chibcha, es un análisis introductorio de los rasgos gramaticales y tipológicos generales de esa lengua. Previa información de índole antropológica e histórico-cultural, se exponen en forma analítica aspectos sintácticos, sobre la frase verbal, el morfema de negación, el de reflexivización, los sujetos dativos, los objetos directos. Señala algunas tareas pendientes, que suponen un estudio más pormenorizado y extendido.Providing a panoramic view of the present studies of the Guaymí language, one of the Chibchan languages, this is an introductory analysis of the general grammatical and typological features of that language. First, information is given on anthropological, historical and cultural aspects. Then syntactic features are described for the verb phrase, the morpheme for negation, reflexive forms, dative subjects and direct objects. Mention is made of pending tasks requiring a broader and more detailed study.

Trajetos cênicos do grupo parafolclórico da UFRN:que dança é essa?

This paper aims at studying UFRN Parafolclórico Group, whose aesthetic formation is subjected to our analysis, specially at its two last performances, that is, Flor do Lírio (Lily Flower), 2004, and Debaixo do Barro do Chão (Under the Mud of the Ground), 2008. Three targets are envisaged here: to analyze the aesthetic ideas backing Parafolclórico Group exhibitions; to evaluate how their many folk elements interact with different artist languages in order to compose a certain choreography; and finally, to identify the aesthetic conformation placed behind the two different choreographs of the last performances, their trends and innermost features that differentiate them. In accordance with the Analysis of Contents (BARDIN, 2006), interviews have been made with the choreographers and the staff of the spectacles, resulting in elucidating answers to the understanding of their thematic axis. On the first chapter we called attention to motivating subjects as recollection, personal experiences, bibliography research, research in loco regarded as propelling forces of the creative works. Herein, folk culture is depicted as a dynamic process opening a frank dialogue with contemporary events and reinforcing their continuity. On the second chapter, we approached the aesthetic conformation and the scenic elements (costumes, light, scenario, make-up), integrating the studied spectacles and disseminating folk songs in various ways. As what concerns the subjects discourse, we have obtained support in authors like Robatto (1994); Lobo; Navas (2008); Burke (1989); Canclini (2006); Dufrenne (2005); Medeiros (2005); Pavis (2005); Silva (2005), among others. Those authors have provided us with an indispensable theoretic support which, added to the interviews, convinced us that the Parafolclórico Group s aesthetic conception tends to identify itself with the artist languages and other techniques of that Group. It also made sure that the Group s course aims at an aesthetic conception which is not limited to popular culture manifestations, like dance, but admits to play with other media in order to communicate its art. In view of this situation, we arrived to two conclusions: first: the group s interchanges emphasize the dynamic character of popular culture which, by establishing contacts with different realities, receives influences capable of extending its own continuity; second: the contemporary state of arts also improves multiple interchanges opening way, so, for many accomplishments in their field. Therefore, UFRN Parafolclórico Group inserts itself in the contemporary scenery by performing new evaluations of the popular dances as long as it puts them in contact with different technical, aesthetic, artist and culture combinations

Narrativa de tradición oral maya-tojolabal

For this research, a literary study of the oral tradition in the Maya-Tojolabal culture was carried out through an examination of a collection of 37 texts. The texts were audiovisually recorded through interviews with 17 Tojolabal informants from six communities in the state of Chiapas, Mexico. The Maya-Tojolabal people, found in the southeast of Chiapas, speak one of the Mayan languages of Mexico. One of their cultural expressions is traditional narrative, which is constituted by several versions of stories that men and women with expertise in traditional storytelling maintain alive. However, this oral tradition has been neglected by academia, and the very few studies on this tradition are primarily focused on either the historical, anthropological or linguistic aspects. The literary approach to this phenomenon has largely been relegated to articles that do not offer the possibility of any critical formalsemantic study of the stories that they publish. Nonetheless, there are some exceptional cases, which are considered in detail in this research. Like any collective art, the narrative in the Tojolabal oral tradition manifests in various forms, meanings, and mechanisms that are shared by all members of the community. In addition to being an artistic expression, the narratives are also a reflection of the values and beliefs shared by the group...

L’importation de la littérature française : un triple détournement de capital. Réflexions à partir d’une étude de réception journalistique en Suède

The background material of the study consists of articles about French literature gathered between 2010 and 2014 in the Swedish press. The aim of the article is to isolate the most widely discussed French literature from France in the Swedish press during the period, in order to explore why the transfer of this literature persists over time, how it is perceived, and which type of mediators bring about this transmission. The study raises questions about the image of French literature in Swedish media, Sweden’s impact on the transnational circulation of literature, and the use of French literature to place Sweden on the literary map. The results of the reception study show that French literature is presented as both aesthetically disruptive with innovative features and as a normative and traditional model. It incarnates an image of tradition as well as of modernity. French literature from France is principally mediated by orthodox journalists with a consistent symbolic capital, and the posture of these journalists is analyzed through Sapiro’s model, inspired by Bourdieu. The orthodox journalists manage to redirect the symbolic capital inherent to consecrated French literature at three levels: national, personal, and transnational. Firstly, the importation of French literature increases Swedish literature’s symbolic capital. Secondly, this transfer allows for an auto-consecration of the orthodox journalists themselves. Thirdly, this use of highly valued imported literature engenders a supplementary consecration (surconsecration) of a national literature and its dominating language. In conclusion, these observed bilateral literary exchanges show the often overlooked importance of peripheral countries in transnational literary transmission. The results modify Casanova’s (2002) model, since they display the impact on the market from the margins. The transfer of central national literatures in dominating languages towards peripheral countries allows for dominated languages and minor national literatures to take an active part in the construction and reconstruction of the relations on the global literary map.

Multilingual author profiling using svms and linguistic features

This paper describes various experiments done to investigate author profiling of tweets in 4 different languages – English, Dutch, Italian, and Spanish. Profiling consists of age and gender classification, as well as regression on 5 different person- ality dimensions – extroversion, stability, agreeableness, open- ness, and conscientiousness. Different sets of features were tested – bag-of-words, word ngrams, POS ngrams, and average of word embeddings. SVM was used as the classifier. Tfidf worked best for most English tasks while for most of the tasks from the other languages, the combination of the best features worked better.

Maleku: A Culture in Danger of Extinction

This paper is about the Maleku, one of the indigenous languages that is still alive in the country; though the linguistic community that uses it, composed of less than 400 people, tends to reduce rapidly. There is a high risk that in the near future this language will disappear. This paper is the result of a research project that proposes the construction and implementation of learning strategies that would help to include the customs, traditions and the native language of the Malekus in the schools, to strengthen the identity and culture of this Costa Rican indigenous population.The research project includes a brief overview of the history and problems of the indigenous Maleku population, and an analysis on the importance of the language and oral expression. It also makes a review of how the indigenous languages in Costa Rican schools are currently taught. It later includes a diagnosis of the current situation of language from the perspective of different members of the Maleku community. This diagnosis is based on the research conducted and it will facilitate focusing on the integration of the Maleku and rural curriculums. Finally, there are some reflections about the bilingual intercultural education.

Il testo esposto. Forme iconotestuali ed ecfrastiche nella letteratura italiana contemporanea (1988-2021)

A partire dal dibattito teorico proposto dalla comunità scientifica, che afferma che negli iconotesti le immagini non illustrano il testo e i testi non descrivono le immagini, e che tra i due linguaggi esiste un rapporto di insubordinazione e conflitto, l’obiettivo principale della mia tesi è quello di individuare come tale rapporto prenda forma in un corpus composto da autori italiani (Daniele Del Giudice, Umberto Eco, Michele Mari, Giorgio Agamben, Tommaso Pincio, Filippo Tuena, Emanuele Trevi, Antonella Anedda) e stranieri (John Berger, Sophie Calle, W. G. Sebald, Julio Cortázar, Orhan Pamuk, Jorge Luis Borges). Dopo aver tracciato la storia dell'iconotesto, la tesi si propone di definire una nuova categoria di iconotesto, in cui immagini e testi sono esposti all'interno di altre immagini. Può trattarsi di fotografie scattate dagli autori o da altri fotografi, oppure di immagini d'archivio. L’obiettivo è quello di mostrare le influenze formali del "Bilderatlas Mnemosyne" di Aby Warburg nel corpus selezionato e di verificare come questa tipologia sia sempre più diffusa nella letteratura contemporanea, come proiezione di una tendenza all'ipertestualità: ricorrono alcuni elementi come il montaggio, la mise en abyme, la ripetizione e il dettaglio, e una particolare forma di ekphrasis-didascalia, secondo cui la presenza dell'immagine implica una metamorfosi della concezione tradizionale del testo che descrive un'immagine, attraverso il passaggio dalla descrizione alla mostrazione.

Способы лексикализации события движения в русском языке в сопоставлении с итальянским

В данной работе рассматривается лексикализация события движения в русском языке в сопоставлении с итальянским. Цель нашей работы двойная: с одной стороны, мы рассмотрим пространственную семантику выбранных нами глагольных префиксов и определим их семантический вклад в лексикализацию события движения. С другой стороны, мы проанализируем соответствия русских приставочных глаголов движения при переводе на итальянский язык. В частности, мы сосредоточимся на том, выражается ли вклад префикса, передается ли он полностью или частично, какие нюансы его пространственной семантики могут опускаться, а какие выражаются обязательно и какими языковыми средствами. Работа состоит из введения, трех глав и заключения. В Первой главе представляется теоретическая рамка, на которую опирается сопоставительный анализ. Рассматриваются понятия движения и перемещения согласно семантическим толкованиям, приведенным как в русскоязычной литературе, так и в работах на других языках. Кроме того, концептуализация пространства описывается в русле когнитивного подхода к изучению языка. Представлена классификация языков по лексикализации события движения, введенной Л. Талми, а также основные последующие исследования, посвященные лексикализации события движения в различных языках, проведенные в русле типологического подхода. Отдельный параграф первой главы посвящается вкладу исследований, проведенных Д. Слобиным в области лексикализации компонентов движения, в частности, способа движения в различных языках. Во Второй главе описываются система бесприставочных глаголов движения в русском языке и основные подходы к их изучению. Регулярно проводятся параллели с итальянской системой глаголов движения. Далее в этой главе представлен обзор системы приставочных глаголов движения русского языка. Отдельно мы рассматриваем главные подходы к изучению семантики глагольных префиксов, фокусируясь на их пространственных значениях. В Третьей главе представляется подбор глагольных префиксов с пространственной семантикой, выбранных для целей сопоставительного анализа. Для каждого префикса предлагается словарное толкование, описывается его пространственная семантика согласно концепциям, разработанным различными авторами, и проводится анализ контекстов употребления приставочных глаголов в русском языке и возможные стратегии их передачи на итальянский язык. Выводы изложены в заключении, прилагается также список литературы.