Francine and Jean-Pierre Durand at Aenny Catzenstein's 80th birthday; London Portraits Family

Digital Image

Jean-Pierre Durand, Patrick Matthiesen, unidentified woman and Serge Donabedian working on a puzzle at Aenny's 80th birthday; London.

Digital Image

Studio portrait of the six daughters of Solomon and Emilie Kohnberger: (l-r) Laura, Irene, Johanna, Melanie, Hermine and Martha.

Laura (1878-1917) died during a flu epidemic. She married Sigmund Stiassny and had two children, Lisbeth (Gersuny) (1900-1986) and Walter (1902-1912) who died of a ruptured appendix.

Francine and Jean-Pierre Durand at Aenny Catzenstein's 80th birthday; London Portraits Family

Digital Image

Jean-Pierre Durand, Patrick Matthiesen, unidentified woman and Serge Donabedian working on a puzzle at Aenny's 80th birthday; London.

Digital Image

Hermann Falck's Erdenweg und tragisches Ende 9. April 1943 1917-1943

Biography of Hermann Falck and story of his execution; contains copies of various letters.

Shalom Schwarzbard 1917-1938

The collection consists of correspondence, newspaper clippings, manuscripts and notes that relate primarily to the Schwarzbard trial and its aftermath. Correspondence with organizations: Agudah Ateret Zion, Yidish Natsionaler Arbeter Farband, Yidisher Studentn Fareyn, Jewish Agency, *Der Tog*, *Unzer tsayt*, YIVO Institute, Ligue Internationale Contre L'antisemitisme, *Morgn zhurnal*, Federation de Societes Juives de France, Jewish Veterans Organization. Correspondence with individuals: Joseph Barondess, Alberto Bianchi, Zelig Kalmanovitch, Israel Ostroff, Noah Prylucki, Anna Schwarzbard, William Zukerman. Manuscripts: typescripts of memoirs *In krig mit zikh aleyn* (At War With Myself). Poems about Schwarzbard's assassination of Petlyura. Poems by Anna Schwarzbard. Clippings about Schwarzbard. Personal documents.

Stillschweig Family Collection 1896-1989

Three page letter to Diane Spielman relating to resarch on Samuel Stillschweig and Jewish community in Heide.

Fred Oppenheimer Collection 1799-1896

Military, family and business documents: accounting of the Jewish community in Gemmingen (1799/1800); public school certificate (1884); appointment as instructor of the Volkswehr (1849); note to the mayor of Gemmingen; power of attorney in German, Philadelphia (1896).

Kriegs-Tagebuch 1914-1917

World War I diary of the physician Nathan Wolf

Vähemmistövaltiokirkon synty : Ortodoksisen kirkkokunnan ja valtion suhteiden muotoutuminen Suomessa 1917-1922

The Birth of the Minority State Church Development of the legal relationship between the state of Finland and the Finnish Orthodox Church 1917 1922 Mika Nokelainen, University of Helsinki, Finland. The present research seeks to explain how the legal relationship developed between the state of Finland and the Orthodox Church of Finland. The main focus is on three statutes: 1) the Statute of the Orthodox Church in Finland as stated by Prime Minister J. K. Paasikivi s cabinet in November 1918, 2) The Republican Constitution of July 1919 and 3) The Freedom of Religion Act of 1923. This study examines how different political goals influenced the three statutes mentioned above. Another important factor that is taken into account is the attitude of the Lutheran Church of Finland, the church of the national majority, towards the Orthodox minority and its judicial position in the country. Finland became independent in December 1917, in the aftermath of the November Revolution in Russia. The Orthodox Church already had hundreds of years of history in Finland. In the 19th century, several statutes by emperors of Russia had made the Orthodox Church an official state church of Finland. Due to the long history of the Orthodox Church in Finland, Prime Minister Paasikivi s cabinet made the decision to support the church in the spring of 1918. Furthermore, the cabinet s goal to occupy East Karelia increased its willingness to support the church. The Finnish-national Orthodox Church was needed to educate the East-Karelians. A new statute on the Orthodox Church in Finland came into force in November 1918, reorganising the administration, economy and legal relationship between the church and state in Finland. With this statue, the cabinet gained some authority over the church. Sections of this statute made possible, for example, the cabinet s interference in the internal affairs of the church. The Republican Constitution of 1919 included the principle of freedom of religion. The state, which previously had been Lutheran, now became non-denominational. However, the Republican Constitution explicitly mentioned the Lutheran as well as the Orthodox Church, which indirectly confirmed the position of the Orthodox Church as the second state church of Finland. This position was finally confirmed by the Freedom of Religion Act in 1923. In general, the Lutheran Church of Finland did not resist the judicial position of the Orthodox Church. However, some Lutherans regarded the Orthodox Church with suspicion because of its intimate connection with Russia.

Lippu, uhri, kansakunta : Ryhmäkokemukset ja -rajat Suomessa 1917 1945

This dissertation deals with the notions of sacrifice and violence in connection with the Fin¬nish flag struggles between 1917 and 1945. The study begins with the basic idea that sacrificial thinking is a key element in nationalism and the social cohesion of large groups. The method used in the study combines anthropological notions of totemism with psychoanalytical object relation theory. The aim is to explore the social and psychological elements of the Finnish national flag and the workers flags during the times of crisis and nation building. The phenomena and concepts addressed include self-sacrifice, scapegoating, remembrance of war, inclusion, and exclusion. The research is located at the intersection of nationalism studies and the cultural history of war. The analysis is based primarily on the press debates, public speeches and archival sources of the civic organizations that promoted the Finnish flag. The study is empirically divided into three sections: 1) the years of the Revolution and the Civil War (1917 1918), 2) the interwar period (1919 1938), and 3) the Second World War (1939 1945). The research demonstrates that the modern national flags and workers flags in Finland maintain certain characteristics of primitive totems. When referred to as a totem the flag means an emotionally charged symbol, a reservoir of the collective ideals of a large group. Thus the flag issue offers a path to explore the perceptions and memory of sacrifice and violence in the making of the First Republic . Any given large group, for example a nation, must conceptually pursue a consensus on its past sacrifices. Without productive interpretation sacrifice represents only meaningless violence. By looking at the passions associated with the flag the study also illuminates various group identities, boundaries and crossings of borders within the Finnish society at the same time. The study shows further that the divisive violence of the Civil War was first overcome in the late 1930s when the social democrats adopted a new perception of the Red victims of 1918 they were seen as part of the birth pains of the nation, and not only the martyrs of class struggle. At the same time the radical Right became marginalized. The study also illuminates how this development made the Spirit of the Winter War possible, a genuine albeit brief experience of horizontal brother and sisterhood, and how this spirit was reflected in the popular adoption of the Finnish flag. The experience was not based only on the external and unifying threat posed by the Soviet Union: it was grounded in a sense of unifying sacrifice which reflected a novel way of understanding the nation and its past sacrifices. Paradoxically, the newly forged consensus over the necessity and the rewards of the common sacrifices of the Winter War (1939 1940) made new sacrifices possible during the Continuation War (1941 1944). In spite of political discord and war weariness, the concept of a unified nation under the national flag survived even the absurdity of the stationary war phase. It can be said that the conflict between the idea of a national community and parliamentary party politics dissolved as a result of the collective experience of the Second World War.

Les fleuves dans l'œuvre romanesque de Jean-Marie Gustave Le Clézio

Relying on Merleau-Ponty's phenomenology of perception and on Mircea Eliade's works on the Sacred and the Profane, this study explores the river as a perceptual space and as the sacred Center in a cosmic vision of the world in twelve of Jean-Marie Gustave Le Clézio's fictional works, from The Interrogation (1963) to Revolutions (2003). In the first chapter, after introducing the field of study, I discuss the relation between the radical subjectivity and the evasiveness of perceiving subjects in Le Clézio's fiction. Next are some thoughts on the relation between Merleau-Ponty's and Le Clézio's ideas. The second chapter studies the river as an experience in the text, first as a topographical space, then as a sound world. The investigations move on to its water as a visual and a tactile phenomenon. Then follows the human use of the river, the (absence of) baths, and the river as a traveling space. The chapter closes with the study of the metaphorical use of the word, occurring mainly in urban space and for phenomena in the sky. The third chapter is organized around the river as the Center of the world in a religious cosmogony, where the river represents the origin of the world and of the human race. The core analysis shows how the middle of the river is a symbolic space of a new beginning. As a sacred space, the river abolishes time as the object of contemplation and as relative immobility from the point of view of a person drifting downstream. The functions of a new beginning and of abolition of time are combined in the symbolic immersions in the water. Finally, the dissertation explores other symbolical spaces, such as the unknown destination of the drift, and the river as the Center of a utopia. The chapter closes with the existential agony as a result of the elimination of the Center in the urban environment. In the final chapter, the river is compared to other watercourses : the creek, the brook and the rapids. The river is more of a spatial entity, whereas the actual water is more important in the smaller watercourses. The river is more common than the other watercourses as a topographical element in the landscape, whereas the minor watercourses invite the characters to a closer contact with their element, in immersions and in drinking their water. Finally, the work situates the rivers in a broader context of different fictional spaces in Le Clézio's text.

Jean Sibelius -viulukilpailun näkyvyys, argumentointi ja viihteellisyys valtakunnallisessa lehdistössä 1965 ja 2005

Kansainvälinen Jean Sibelius -viulukilpailu on järjestetty Suomessa kymmenen kertaa vuodesta 1965 lähtien, ja se on vakiinnuttanut asemansa musiikki-instituutiona niin Suomen kulttuurielämässä kuin valtakunnallisessa mediassa. Tässä tutkimuksessa selvitetään kilpailun reseptiota, eli millaista näkyvyyttä Sibelius-viulukilpailu on saanut valtakunnallisissa viestintävälineissä vuosina 1965 ja 2005. Journalistisesta aineistosta poimitaan esiin niitä teemoja ja ilmaisun tapoja, jotka ovat korostuneet kilpailuun liittyvissä teksteissä. Tutkimuksessa pohditaan, onko toimittajien kirjoittamien tekstien argumentointi muuttunut neljänkymmenen vuoden aikana, ja kuinka internet sekä median viihteellistyminen ovat muuttaneet journalistista kilpailua eri viestinten kesken. Tutkimusongelmia lähestytään kvalitatiivisesti viestinnän oppiaineen tutkimusmenetelmiä hyödyntäen. Ensin sisällönanalyysin avulla hahmotetaan kokonaiskäsitys aineistosta, minkä jälkeen yksittäisiin teksteihin pureudutaan argumenttianalyysin keinoin. Tutkimusaineisto on rajattu valtakunnallisiin viestintävälineisiin, joita ovat suurimmat sanoma- ja aikakauslehdet, Yleisradion kilpailuaiheiset televisio- ja radio-ohjelmat sekä viulukilpailun internet-sivut. Sanomalehdissä julkaistu aineisto on laajuutensa ja monipuolisuutensa vuoksi tarkimpana analyysikohteena; muu tutkimusaineisto täydentää lehtitekstien perusteella tehtyjä havaintoja. Tutkimustulokset osoittavat, että Sibelius-viulukilpailu on ollut näkyvästi esillä valtakunnallisessa lehdistössä niin vuonna 1965 kuin 2005. Molempina vuosina kilpailun näkyvyys pohjautui hyvin vahvasti painettuun sanomalehteen. Lehdistöaineistosta erottuivat selvästi kansallisuuden, rodun ja sukupuolen käsittelyn näkökulmat, vaikka kielellinen ilmaisu onkin ajan mittaan neutraloitunut. Sisällönanalyyttinen tarkastelu ja argumenttianalyysit osoittavat, että toimittajien käyttämä argumentointi on muuttunut neljän vuosikymmenen aikana. Toimittajien työnkuva on monipuolistunut, ja viihteellisyys on vähitellen soluttautunut iltapäivälehdistä niin sanottuihin laatumedioihin . Internet on tehnyt kilpailun reaaliaikaisesta seuraamisesta entistä nopeampaa ja helpompaa.