Arte & jóia: uma análise da joalheria contemporânea brasileira

Since the beginning human needs to produce elements artistics, in such way that can set their history and pass a language, be it as art, culture and / or as an identity. Within this context, the jewelry was being developed, its characteristics and aesthetics, in a period, being artistic, historic, marking this form a civilization, a document, with its innovations and concepts. Nowadays, with technology, trade and the need to search for creations and innovations in the jewelry section, was prepared and developed those that we call Art jewelry. This study brings a trajectory through the history of jewelry art and jewelry; specifying in the contemporary period the various types of jewelry such as author and industry, its artists and jewelers; parts exhibited in museums and designed for competitions, thus creating a analysis of contemporary jewelry

Releitura eliasiana de Sérgio Buarque de Holanda: democracia e personalismo no Brasil contemporâneo

Pós-graduação em Ciências Sociais - FFC

A contemporaneidade da produção do Circo Chiarini no Brasil de 1869-1872

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

As artes na educação integral: uma apreciação histórico-crítica

The present work aims to draw some reflections on the role of art in integral education, particularly of art as a school subject. The paper focuses on the contribution of art to the development the individual and the higher psychological functions. The arguments presented here are based on the studies on art made by Lev Vygotsky and Georg Lukács and also on the educational studies made by Dermeval Saviani. We expect to contribute to the defense of the necessity of an integral education in which art, integrated with science and philosophy, opposes itself to the predominantly fetishistic and unilateral character of the activities that constitutes the life in the contemporary capitalist society.

A recepção crítica das peças de Victor Hugo na França e no Brasil

Les premières pièces de Victor Hugo ont été les responsables d'une véritable révolution dans l'histoire de las Litterature Française, mais elles n'ont pas eu une acceptation immédiate de la part de la critique, qui s'est partagée entre les partidaires des romantiques et, par conséquent, de nouvelles idées diffusées par le Cénacle et les classiques, les adversaires des jeunes écrivains qui ont embrassé les concepts hugoliens, Au Brésil, la réacrion a été postérieure, mais identique. Qualqu'on ne trouve pas dans les journaux des discussions à propos de la nouvelle école, des nouvelles idées ont été, au début, rejetées par les intellectuels brésiliens et, quelque temps plus tard, adoptées par les écrivains désirant créer un théâtre national basé sur les prinipes défendus par Victor Hugo, le porte-parole du mouvement romantique.

A visceral azulejaria de Adriana Varejão

Pós-graduação em Artes - IA

As festas escolares no Brasil: uma análise a partir da literatura sobre a temática e à luz da teoria crítica

Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

A recepção crítica de J.-K. Huysmans em periódicos no Brasil (1884 – 2013)

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

A modernização da agricultura no Brasil e a produção do biocombustível como energia alternativa: uma reflexão crítica

This article discusses the policy implications of agricultural modernization implemented by the military - after 1964. This policy, which became known as the Green Revolution, on the one hand contributed to the development of big business, but another caused serious social and environmental impacts. Currently, not only in Brazil but all over the world, have been in a great debate about the need to find alternatives to contain the problems caused to the environment resulting from the use of high technology in the field. One alternative proposed by several researchers is to replace fossil fuels by biofuels. As we believe that the error is in the current model of agricultural production based on mass production, which serves the major markets, the attention in this article, the need to develop an agricultural model designed for small property, with the use of family work and agroecology.

A ornamentação contemporânea em arte e design: função estética, anagógica, terapêutica

Taking as a starting point the reflection on the ornament, is delineated an interpretative analysis of delimitation between art and design in the extent of the aesthetics. Presupposing the ornament as an elementary and universal form of the all aesthetics’ manifestations, trying to work, through recent contributions and in an unified way, concepts regarding the aesthetics in parallel with the phenomenon of the perception. The ornament as element previously “ordered” front to the organization need that the interpretation demands, it constitutes fertile philosophical instrument, for all the art forms and of design, which seeks to provide an aesthetic sensation. Returned to the thoughtful function, the ornament has as essential purpose to stimulate the aesthetic experimentation, capable to induce the perception to subtler states of conscience similar of to the ecstasy, where the spirit from whom contemplates, can live experiences of extreme freedom and intense pleasure. . Establishing semiotics foundations capable of evidencing a function anagogic-therapeutics in the action of conceiving and to meditating, alternately, an object with function strictly ornamental (aesthetics), also intending the reflection of moral stamp on the ornamental concept of the decency as conciliatory solution in the intersection between art and design, concerning the creativity of the formative process.

O palhaço pára-quedas: reflexões sobre a arte circense no município de Bauru - SP (Brasil)

This biographical and bibliographical research aimed understanding the circus and its clowns. The origin of the circus is presented taking into account its earliest manifestations in ancient Greece, until the creation of the modern circus in 1970 by Englishman Philip Astley. The clown, who was introduced in 1778 only after the circus has become an essential figure in the show, coming to represent the modern circus. Here, the different types of clowns are presented and their main characteristics are shown as a way to differentiate between them. The difficulties faced by circus companies are pointed, trying to understand the reduction of circus companies. To understand the formation and transformation of the clown in his years at the profession, the Clown Pára-quedas, artist of Bauru / SP was interviewed, their stories help to unravel some of the satisfactions of the profession and the problems faced by circus performers.

Corpo e cultura: um estudo sbre a arte do grupo Dzi Croquettes

Nesta pesquisa apresentamos resultados de nossas análises das concepções de corpo e movimento presentes na experiência do Grupo Dzi Croquettes, Brasil, década de 1970. Ao estudar esta experiência perguntamos o que podemos compreender sobre o funcionamento de dispositivos de poder que operam na captura da capacidade de criação, bem como, o que podemos inventar como formas de resistência no contexto do capitalismo neoliberal. Delimitamos nosso objeto de estudo na experiência artística do Grupo Dzi Croquettes para analisar as implicações entre política e corpo, identificando aí um território estabelecido pelas fronteiras entre o desejo e o poder. Estudamos as relações entre corpo e cultura apoiados na hipótese de que os processos de subjetivação estão implicados, de um modo mais intenso, nos processos educacionais na sociedade contemporânea, e que ambos se produzem na materialidade da cultura. Através da cartografia desenhamos os territórios existenciais emergentes na experiência artística delimitada, em um contexto específico da sociedade brasileira, para ampliarmos nossas reflexões e compreendermos os dispositivos de captura e de controle impostos sobre nós. Apoiamos nossas análises em categorias estabelecidas a partir do pensamento de Nietzsche, bem como das elaborações de Michel Foucault sobre biopolítica e biopoder

A sociedade midiática e a tecnologia nos parâmetros curriculares nacionais do ensino médio: um estudo à luz da teoria crítica da sociedade

Pós-graduação em Educação Escolar - FCLAR

Economia política da arte moderna/providências para uma história crítica

Este texto, a ser publicado em duas partes, contém, com pequenas modificações para efeito de edição, extratos da introdução e da conclusão da tese de doutorado A fabricação da pintura: de Manet a Rothko, defendida no Departamento de Filosofia, FFLCH-USP, sob orientação do Prof. Dr. Paulo Arantes em 2000. Opondo-se à visão hegemônica propagada pelas correntes formalistas, cujas motivações ideológicas pretende explicitar, o ensaio salienta a valorização dos processos produtivos frente às obras acabadas como característica fundamental da arte moderna, característica por meio da qual os artistas resistem ao progresso da modernização capitalista