Discreta regente, la austriaca o Doña Virtudes. Las imágenes de María Cristina de Habsburgo

Más allá del mito de la discreta regente de España, María Cristina de Habsburgo ofrece una imagen poliédrica que puede contribuir a calibrar la importancia política, cultural y social de la representación simbólica de la corona. Las imágenes —oficial, de la oposición y populares— de María Cristina son analizadas desde diversas perspectivas: la consolidación de una monarquía en crisis tras el fallecimiento de Alfonso XII pocos años después de la República, la creación de una identidad nacional todavía no afirmada y la conformación de los estereotipos de género en torno al discurso de la separación de esferas. Imágenes que daban respuestas muchas veces divergentes a las circunstancias que distinguían a Maria Cristina de otros monarcas: era regente y no reina por derecho propio, era extranjera pero ocupaba el trono español y era mujer pero desempeñaba la más alta magistratura del país.

Some materials towards memoirs of the reign of King George II,

Paged continuously.

For love of a king.

Mode of access: Internet.

The king in exile; the wanderings of Charles II. from June 1646 to July 1654,

Mode of access: Internet.

Shakespeare's tragedy of King Richard II;

"First issue of this edition ... printed 1895. Reprinted ... 1930."

Oath of allegiance to George II by Jews in American colonies

Digital image

The Rank of Queen's Counsel: Judicial Perspectives

The rank of queen's counsel, granted under the royal prerogative, has been part of the architecture of the legal profession and legal system since 1594 but has undergone many changes in that time, including most recently the adoption of new selection procedures. Recent cases in Northern Ireland have raised the question - what is the legal position of queen's counsel? By examining decided cases in context, this paper aims to explain judicial perspectives on what it means to be a QC.

Collecting the Painted Netherlands: The Art Collection of Ernest of Austria in Brussels

The (art) collection of Archduke Ernest of Austria (1553-1595) is widely unknown when it comes to early-modern Habsburg collections. Ernest, younger brother of Emperor Rudolf II (b. 1552) and educated at the Madrid court, was appointed Governor-General of the Netherlands by King Philip II of Spain, his uncle, in summer 1593. Ernest relocated his court from Vienna to Brussels in early 1594 and was welcomed there with lavish festivities: the traditional Blijde Inkomst, Joyous Entry, of the new sovereign. Unfortunately, the archduke died in February 1595 after residing in Brussels for a mere thirteen months. This investigation aims to shed new light on the archduke and his short-lived collecting ambitions in the Low Countries, taking into account that he had the mercantile and artistic metropolis Antwerp in his immediate reach. I argue, that his collecting ambitions can be traced back to one specific occasion: Ernest’s Joyous Entry into Antwerp in June 1594. There the archduke received a series of six paintings of Pieter Bruegel the Elder (1525/30-1569) known as The Months (painted in 1565), hanging today in separate locations in Vienna, New York and Prague. These works of art triggered Ernest’s collecting ambitions and prompted him to focus mainly on works of art and artefacts manufactured at or traded within the Netherlands during the last eight months of his lifetime. Additionally, it will be shown that the archduke was inspired by the paintings’ motifs and therefore concentrated on acquiring works of art depicting nature and landscape scenes from the 1560s and 1590s. On the basis of the archduke’s recently published account book (Kassabuch) and of the partially published inventory of his belongings, it becomes clear that Ernest of Austria must be seen in line with the better-known Habsburg collectors and that his specific collection of “the painted Netherlands” can be linked directly to his self-fashioning as a rightful sovereign of the Low Countries.

The King of Saxony's journey through England and Scotland in the year 1844.

Mode of access: Internet.

The married life of Queen Victoria,

Mode of access: Internet.

Des hocherleuchteten sel. Johann Arndts, General-Superintendentens des Fürstenthums Lüneburg, Fünff geistreiche Bücher vom wahren Christenthum : welche handeln von heilsamer Busse, hertzlicher Reue und Leid über die Sünde, und wahrem Glauben, auch heiligem Leben und Wandel der Wahren Christen, auch wie ein wahrer Christ Sünde, Tod, Teufel, Hölle, Welt, Creutz und alle Trübsal, durch den Glauben, Gebet, Gedult, Gottes Wort und himmlischen Trost überwinden sol : und dasselbe alles in Christo Jesu : welchen noch beygefüget drey andere kleine Bücher, welche zu des sel. Johann Arndts wahren Christenthum gehörig, als I. Die Wiederholung und Verantwortung der Lehre vom wahren Christenthum, II. Zwey Sendschreiben an gute Freunde, die Bücher des wahren Christenthums betreffend, III. Bedencken über Tauleri Teutsche Theologie, wie hoch solche zu halten ...

Includes index.

Original ancedotes of Frederick the Great, king of Prussia, and of his family, his court, his ministers, his academies, and his literary friends.

Mode of access: Internet.

The story of Nell Gwyn, and the sayings of Charles II.

Mode of access: Internet.

Medallas de la proclamación de S.M. la Reina doña Isabel II /

Reprint of the 1841 ed. published in Imprenta que fue de Fuentenebro, Madrid.