944 resultados para Folk festivals
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In the 2006 Iowa General Assembly, House File 2797 called for a study on the status of afterschool arts programs and appropriated $5,000 for the study. In accordance with the legislation, the Iowa Arts Council, who received the charge, contracted with the Iowa Afterschool Alliance to form a Resource Group of out-of-school arts providers and experts to develop and oversee the study, review its results, and make recommendations for the expansion of arts programs that operate outside the normal school day. As a part of its charge in HF 2797, the Iowa Arts Council also documented a sampling of out-of-school arts programs statewide. Five are featured in this report.
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Goals and strategies for the strategic plan.
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Aquest treball de recerca, realizat amb mestres especialistes de música de l'etapa primària, exposa diversos models d'interpretació de la cançó, prèvia exposició dels diversos elements que en configuren el caràcter.
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Contains colorful photos with descriptive captions on major tourist attractions in Iowa. A centerfold map is included and many other interesting places in Iowa are listed on the back page.
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Lychnophora pohlii Sch. Bip. (Asteraceae), known as "Arnica mineira", is widely used in folk medicine and very abundant in the altitude vegetation of rocky grassland. The aim of this work was to study the density of this species and its relationship with soil parameters in rocky grassland in Diamantina, in the Upper Jequitinhonha region, Minas Gerais. Ten contiguous 20 x 50 m plots were marked (total sampled area 10,000 m²) on the campus Juscelino Kubitschek of the Federal University of Jequitinhonha and Mucuri Valleys (UFVJM). The plants in these plots were evaluated for frequency, dominance and density. The relationship between the density of this species with nine soil physical and chemical properties was analyzed by means of canonical correspondence analysis (CCA). The highest plant abundance (I) of the species Lychnophora pohlii Sch. Bip. was found in the vegetation sampling areas: plot 6 with 255 plants, plot 7 with 173, plot 8 with 189, plot 9 with 159, and plot 1 with 151 plants. In these areas, the floristic soil characteristics were similar, resulting in spatial proximity in the ACC diagrams. The density of Lychnophora pohlii was higher in plots with higher pH, P-rem and base saturation, the variables most strongly correlated with the first axis of canonical correspondence analysis.
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Ethnopedological studies have mainly focused on agricultural land uses and associated practices. Nevertheless, peasant and indigenous populations use soil and land resources for a number of additional purposes, including pottery. In the present study, we describe and analyze folk knowledge related to the use of soils in non-industrial pottery making by peasant potters, in the municipality of Altinho, Pernambuco State, semiarid region at Brazil. Ethnoscientific techniques were used to record local knowledge, with an emphasis on describing the soil materials recognized by the potters, the properties they used to identify those soil materials, and the criteria employed by them to differentiate and relate such materials. The potters recognized three categories of soil materials: “terra” (earth), “barro” (clay) and, “piçarro” (soft rock). The multi-layered arrangement of these materials within the soil profiles was similar to the arrangement of the soil horizon described by formal pedologists. “Barro vermelho” (red clay) was considered by potters as the principal ceramic resource. The potters followed morphological and utilitarian criteria in distinguishing the different soil materials. Soils from all of these sites were sodium-affected Alfisols and correspond to Typic Albaqualf and Typic Natraqualf in the Soil Taxonomy (Soil Survey Staff, 2010).
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Este artículo reflexiona sobre el significado que Jeanne Hersch concede a las fiestas y al valor de celebrarlas, como elemento propiciatorio de orden, en el que cada cual desarrolla su función y encuentra su propio lugar. Como sea que Hersch concibe la fiesta como "una obra de arte cuya materia es un fragmento limitado de tiempo", se ha prestado particular atención a la perspectiva estética de esta pensadora.
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Summary: The metrics of Larin Paraske's epic folk poetry in the Kalevala metre
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Tradicionalmente, las ciencias sociales se han fundado en categorías de sentido común para describir la realidad, de modo que aceptan tácitamente el principio de la folk psychology, según el cual las personas actúan para conseguir aquello que desean, dadas unas creencias. Sin embargo, aunque los deseos y las creencias puedan ser causas de la acción, no hay modo de definir de forma conceptualmente independiente cada uno de estos elementos con el fin de elaborar leyes de la acción que sean informativas y empíricamente corregibles o ajustables. Se hace necesario substituir este sistema explicativo por otro que «divida la naturaleza por sus articulaciones». Alejada del fallido programa de investigación conductista, la ciencia social puede explorar nuevas vías para convertirse en una disciplina rigurosa equipada con un conjunto de teorías que permitan reorganizar las valiosas observaciones disponibles y sugerir nuevas hipótesis interdisciplinariamente integradas. Sin embargo, esto no ocurrirá en la medida en que no haya forma de escapar a las limitaciones de la folk psychology. El presente artículo trata de mostrar cómo la psicología evolucionaria, centrada en los mecanismos evolucionados de procesamiento de información presentes en la mente humana, proporcionaría la conexión causal necesaria entre la biología evolucionaria y los complejos e irreductibles fenómenos sociales y culturales estudiados por sociólogos, economistas, antropólogos e historiadores.
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This brochure describes the textile folk art and needlework of the Hmong tribes who are from Northern China. It is a colorful and exciting addition for American admirers of fine stitching. It also tells of the history of the Hmong tribes.
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Al final dels anys setanta neix una nova manera d'explicar contes, a partir de contistes sovint urbans i cultes, utilitzant recursos no directament tradicionals, i amb una relació amb l'auditori que s'apropa més aviat a l'espectacle instituït que no pas a la transmissió de coneixements i fantasies deis nostres avantpassats. Es configura una etapa caracteritzada per l'arraconament i l'oblit del conte popular catala; paral-lelament van desenvolupant-se noves técniques que proporcionen educació i basicament distracció als nens i nenes.
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A statement presented at the oral defence of a Dr. Phil. dissertation on Saturday 26th October 2002, University of Helsinki